Hijacking Happiness

digital artwork from a drawingTrouble, as we all know, is highly contagious. I was reminded of this recently both by a television character and by a couple of real-life incidents involving real live people (who shall here remain nameless), and all of them, real and fictional, have a number of similarities, the chief one being their apparent unshakable belief that their suffering is greater than anyone else’s, is incurable, and is probably the fault of everyone else too.

My life is pretty fantastically good, when you get right down to it, so to people who don’t know me very well it might appear that I have no business criticizing anyone else’s way of handling sorrow and pain. But that’s just it: even the most wonderful of lives is touched by trials now and then, and struggle or strife isn’t fairly measurable in the moment. My paper cut seems as dire as your childbirth pangs when I’ve just gotten paint thinner on my hand. I know this to be logically ridiculous in the extreme, but don’t tell me the paper cut doesn’t hurt like boy-howdy at that moment. That would be tantamount to me telling you that since your labor pains will probably be over in short shrift, they don’t compare in any way to another’s battle-for-life with esophageal cancer, so you should just get over yourself. Whatever agony each of us is undergoing is more than enough and not to be belittled. And frankly, since each of us has a history that is tinged here and there with darkness, we do all have a sense, however small, of what it means to accept our griefs and cope with, live with, and go forward with them still present. Real sorrows never truly go away.

And for all of us who can feel empathy, or even more than that, can feel sympathy without having experienced the fulness of another’s troubles, life after infancy (when memory, like the lifespan thus far, is short) can be a perpetual bombardment of such troubles even when they’re not entirely our own.

I, of all people, will readily grant you that some people are far better equipped than others to find ways to survive pain and suffering and to continue living a full life without resorting to out-and-out acting. But that’s just it, isn’t it: barring full mental incapacity, don’t we owe it to ourselves, anyway, to try every possible avenue of becoming whole and happy (and of course I don’t mean that superficial kind of happiness that is either fully false or simply stupid); don’t we? When my personal apocalyptic horsemen appeared at the intersection of a group of the classic stressors (job-related problems, health challenges and the sudden death of a close friend converging on me at the same time) and plunged me into clinical depression, I was fortunate to not only have some of the significant tools (support from family and friends, a great doctor and a good therapist, and ultimately, medication that worked for me) for doing battle with those monsters but also the sense that there was no other acceptable option but to try to do that battle.

I won’t lie; there were times–and will probably be more of them over the years–when I did have to take the tack of that ‘fake it till you make it’ mode, when I simply wanted to quit and lie down and just hope it would all miraculously fix itself, or when I was as sulky and whiny and crotchety and pessimistic and tedious as unhappy people can be. We humans are good at all of that stuff, better than at being sunny and charming. But finally, even in my worst state I knew that was no way to live, and that the important people around me would suffer at least as much as I did, if not more. Thanks to the aforementioned helpers, I am here to tell the tale. More importantly, I don’t dwell in that darkness, even though there’s not much I could prevent or even fix about the troubles that led to such a state of existence. Things just happen. It’s how I deal with them that’ll likely make or break me.

That television character–and the many real-life imitators I referenced–stays so focused on how traumatized and maltreated she feels (albeit by genuinely distressing events and problems) that they become her one-note existence. She has a hard heart because it seems less trouble to close it to others than to be vulnerable to further hurt, but of course the actual effect is that she treats everyone around her like dirt, riding roughshod over their feelings and regarding any trauma or maltreatment they may suffer, often at her hands, as inferior or nonexistent. In turn, after being stomped on repeatedly by her seeming egotism, narrow-mindedness and refusal to set her hurt aside, the people around her disperse as speedily as that unlucky drop of water hitting a sizzling skillet explodes into mist. Those who tolerate her constant vituperation, impatience with their perceived stupidity or lack of sympathy, and her seeming wish to continue forever wallowing in her fury and self-pity, those characters ultimately become uninteresting or even unsympathetic themselves to me; after the ninety-ninth offense anyone sits back and takes without a fight, they tend to my eye to look like either enablers or equally fixed in victim mode.

I think we all have the power to steal others’ health and happiness, at least as much as the reasonably healthy among us should make every effort to take charge of our own. Doesn’t mean perfection is expected, but c’mon, people, if there’s really no going forward with life, perhaps a retreat to a very quiet hermitage would be more apropos than imposing our worst on the rest of the world. Yeah, I said it: get over yourself, Kathryn. Even if it might occasionally require brief periods of kindly deceit, times of returning to fighting off the dark singlehandedly, and the ordinary moments of being a jerk. It’ll mean equal demand on me for repentance, amends-making, and getting back on the wagon. There’s too much life left ahead, I hope, to spend it mired in a grim and terrible past, let alone impose it on others.

The upside of all this is that there is a possibility of turning this kind of thievery to good. Very simply, if I have to I can borrow my equilibrium and contentment from others. Put myself in proximity to saner, happier people than me until I can manufacture my own, and quietly absorb what I can of their good graces. I, at least, don’t want to be the one who steals the joy of anyone else; that only becomes the reason for new sorrows all ’round. Happiness and health can be contagious, too, if we let them. And so we all should, my friends. So we should.

The Wheel: It’s Either a Millstone around the Neck or a Grindstone to Wear off Noses

digital artwork from a photo

The World in a Nutshell

All of the world’s in perpetual motion,

A loop of swift action, a constant commotion

That moves us in nervous centrifugal rings

To do and to act on a million odd things,

And so caffeinated we cannot hold still,

Or the moment of fixity surely might kill

Our fast-racing heartbeat, as used as it is

To zipping and zapping around in a whiz—

And all of us hope we will one day find quiet

And respite from all of our everyday riot,

But I am suspicious that it won’t occur

Until the last second of living, no Sir!

Be It Ever So Humble

I had such a grand week at the conference. The 11th through 15th of March was my spouse’s purported Spring Break from the university, but as so often happens, most of the week was filled up with work. In this instance, the work was exceedingly pleasurable, but as it was the conference of the American Choral Directors Association, it was, as are most tremendously enjoyable activities, exhausting. Two, three or four concerts a day, master classes, seminars and sessions of all sorts, wandering the exhibitors’ booths, networking and lots of socializing and late, late nights are all piled into the ACDA conferences. By the end of the week, going home sounded beautifully and truly welcome.photoIt might surprise some people to hear it, but by nature I’m an introvert, shy, and I used to have a fairly nasty perpetual case of social anxiety. Yeah, all that fun stuff. I spent a lot of years feeling scared and sick over every new meeting, every unfamiliar place or event. Luckily for me, there are such things as therapists, medications, and lots of family support and training. As a result, going to the various conventions, festivals and conferences that bring together the choral world from time to time has gone from what was, the first time I attended one with my then new husband, quite overwhelming and nerve-wracking to this last, which like its latest predecessors was a much-anticipated ‘family reunion’ with a great number of beloved friends and colleagues from all over the world.photoSo I certainly had a grand week. Meeting with longtime friends from various places we’ve lived, choirs my husband’s conducted, and from our school days, and with ever so many outstanding colleagues, we got to celebrate with them all over music, lunches and dinners, receptions, walks-about-town, drinks and quiet conversations. We laughed and hugged and chattered with current and former students, with composers and conductors and publishers and singers and players, so many friends, and it was all tremendous fun. It made for long days and for short sleeps, for incredibly dry eyes from staying up way too late and for teary eyes from amazingly sweet meetings, no matter how fleeting, with our long-absent dear ones. Stellar music performed by both friends and strangers moved me to both sniffling and silly grins (sometimes simultaneously). It made me as happy and full of love for music and friends and life as I can get, and it made me so tired I could hardly move ten of my cells at a time. And it made me look forward with great intensity to the splendors of home. There, I can relish in retrospect all the sweetness of the multitude of marvels granted by a superb week. And I can revel in Just. Plain. Being. Home.

That which is Seen

graphite drawingThat which is seen by the untrained eye of the casual observer is an older man, an elderly man, perhaps a shell of his former self. Not someone with a lot of use and life adventure left in him. Handsome, perhaps, in his latter years, with this silver hair and these pale clear eyes, with his faintly stooping posture before a window where no single thing that’s new is seen; elegant in his quiet way, and maybe wise. But not more.

What cannot be seen is the forty-two years he spent working for the postal service, learning the business from the bottom up and eventually teaching not just the next generation that would follow him but the next after that as well. There is no way to know at merely a glance that he tended a beautiful garden on Sunday afternoons where he grew too many vegetables for his own table so he shared the rest around the neighborhood. Invisible, too, is the love he keeps alive for his long-dead wife of thirty years, except for the small bouquet of flowers he picks from that garden of his and gives to their son and his wife every Monday because they were her favorite blooms. Yes, the flowers and the kids.

In the plain little vase where those flowers live for the week, there is room for all that can’t be seen in one quick look at the profile of a man who sits and meditates beside a window. Only by taking the time to appreciate the fulness of that humble bunch of flowers and all that they have to tell can anyone really know what to see when looking toward that window’s light. It takes a certain clarity to see what’s right in front of you.graphite drawing

Old Age and Other Natural Predators

photoI Realize You were Only Doing

What Comes Naturally,

But I have to Scold You, My Pet

I know you only meant to make

A dandy first impression

By killing this whole crowd, but Jake,

Behold my grave expression–

For it is impolite, I think,

And maybe even naughty,

Recruiting everyone in sight

To play the role of Body–

Your nature calls you to the task,

I knew from your first GRRR!

But some restraint gets less complaint

Than utter massacre.

I thank you that you rout the moles

And rodents by your labors,

Dear Jakey Boy, but next time leave

Your teeth out of the neighbors.

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On the upside, the house next door is available now . . .

Cat, Mouse and Everyday Danger

That little old four-letter word Work has challenged the finest among us to test the limits of endurance, wisdom, hope and courage for as long as there’s been such a thing as a job on this planet. We agonize and weep over our work as though doing unspeakable heroics every single minute, even when we know perfectly well that every living thing has faced challenges of his, her or its own since the first moment there were, well, living things. It didn’t take employers and employees to bring this tension to full expression. If I think I’m sitting on a powder-keg just because I’ve tackled something that pushes me to my limits (or, to be more precise, because it has tackled me), it’s time to step back, take a deep breath, and remember my compatriots of every sort striving and struggling and facing greater odds than I have ever faced, accepting them as the inevitable price of existence.graphite drawingNot that any of this contemplation has the remotest chance of making me stop thinking myself both the greatest martyr and the finest superhero at work on the planet. I only get the smallest momentary glimpses of sanity through the veneer of my regular distorted self-image as the silly person I am, after all. Even though I know that in my own version of ‘cat and mouse’ the tiniest mouse could best me in the flick of a whisker.

Youth & Beauty, Beauty & Youth

We never needed to choose. Yet there’s always this foolish compulsion among us to measure attractions and, should we be so lucky, to consider ourselves superior because we successfully assure ourselves that whatever we think the best among the pretties and the old makes us seem more perfect in our own eyes. We’re our own creations in this way, our own versions of excellence, and whether we believe we fit somewhere high in the measure of greatness as beauties or as wise and wonderful elders, we spend an amazing amount of energy on fancying ourselves fantastic.graphite drawingWe expend a large quantity of this fanciful energy, as well, on believing that youth and beauty are irrevocably tied to one another, if not outright synonymous. If one becomes convinced of that construct, then it must follow that becoming old is some sort of process of becoming plainer or uglier or, at greater extremes, less important and worthwhile. As it happens, we are not necessarily all so stupid as I’m making us sound, really. Eventually we mortals do manage to wise up. Perhaps it’s only and logically plain self-preservation that, as we get older, we realize that either we’ve ruled ourselves out of relevance or we might need to adjust our expectations and interpretations to allow that the aged can also be wise or useful or, astonishingly, even beautiful too.graphite drawingSlow as we are to credit our elders with such attractions and advantages, the eventual realization that we are becoming the elders may motivate us to rethink that equation if nothing else can. It’s not that I look in the mirror and see my proliferating wrinkles and expanding crop of grey hairs as evidence that I’ve suddenly or finally become important, improved, impressive. It’s that I see someone, finally, whose value has nothing particular to do with whether those marks of vintage are present or not. I am free to see myself simply and fully as myself, if I’m willing to look, and from this lesson I should–most meaningfully–learn to offer the same courtesy and impartiality to anyone I see, not only myself but anyone. No matter the years or the appearance or how either conforms to the current tastes, every face I see should seem to me the face of worth and dignity. Who knows but what it might be oftener proved true if we allow it to be so.

I’d Rather be Clean than Tidy, & I’d Rather be Tidy than Frustrated

It’s possible that, given my genetic descent from a pair of neatnik parents, I keep a slightly fussier house than average. But I must emphasize the word ‘descent’, because the Czarina of Creative Chaos and the Lama of Laziness are my spiritual parents too and often win out in the balance between controlled environment and bombing aftermath. What this means in practice is simply that I often settle (and therefore, my housemate and our guests must, too) for ‘clean enough for safety’. I don’t like any sense of living in the bottom of a rubbish tip, let along canoeing a sewer [the kind with appalling effluents in it, not the kind that makes things out of fabric]. So I think I can fairly claim that I have never–barring being bedridden–let my environs fall into utter wrack and ruin, but there are times when I’d rather let sleeping heaps lie and be satisfied with relatively germ-free untidiness than spend all of my energies on a pristine home.

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Use every tool around, and you may find sufficient space for everything. Shelves, hooks, boxes, crates, and so much more can coordinate to make everything fit together. Pretty is nice, but pretty practical suits me better!

I can’t imagine wanting to have a ‘show house’ anyway. If I can’t slouch around a bit and put my feet up on the furniture (yes, dining surfaces excepted), it doesn’t feel comfortable enough for me to call Home. All the same, I enjoy those times when I’ve been in my cleaning-tornado mode enough to find whatever I need to find without pulling all of my remaining hair out by the roots, and to have the house all spiffed up and looking its prettiest beyond merely being generally non-toxic.

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Plastic milk crates, bound together and bolted to the wall, lined with clean cardboard salvaged from packing boxes, make handy closet shelves that won’t trap dust and can easily be moved and reassembled.

For that reason, deep cleaning is not saved exclusively for the Spring, and a few spates of active reorganization throughout the year are not only helpful but refreshing. When those bouts result not only in unearthing and offloading unused, excessively worn, dated, or redundant things from closets, cupboards and spaces that ought by rights to be airier or at least better used, that is exceedingly pleasant. When the result is more practical organization, it also means that not only are things pleasanter than before in the short term but they will be easier to maintain in that state and even to return to it when the busyness of the everyday has overridden good intentions and available time for a while. I may never have that DIY-goddess glory of everything in pretty and cute and magnificent containers, all labeled alphabetically with gorgeous calligraphy and stored so beautifully that the cabinets should remain forever open and on display, but I have what I want where I want it. At least for the time being. My putative parents of Chaos and Laziness do come calling, and they’re ever so much more trouble to have around the place than my biological ones. Ah, well; I’ve learned to live with them.

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Necktie hangers and clothespin-style clips work for holding all sorts of other things and can tuck behind the clothes so no extra space is required–and all of the ‘trimmings’ are easily visible.

Final Residing Place

graphite drawingResidential Issues

The beaver builds a dam-fine house,

The mouse, a hole-in-one,

The moose and goose, while on the loose,

Take shelter in the sun;

The pigeon curls up in her nest;

Raccoon believes his den is best.

It seems that every one abroad

Creates his ideal home,

Yet every head at last, when dead,

Will end up in the loam.

Therefore, I say, enjoy your port,

Your burrow, hovel, cubby, fort,

And be advised that what you’ve prized

Won’t be your utter last resort,

But rather you’ll take company

With all the beasts moved on

To their reward under the sward,

And to the dirt begone!graphite drawing

This Business of being an Artist

mixed media process montageThere’s been an interesting, if hardly new, thread of conversation taking place in one iteration via LinkedIn, where a Mr. Duane Bronson posed the eternal question thus: “Does an artist have to have a recognizable ‘STYLE’ or a cohesive body of work to be of interest to a gallery and marketable?” My short answer would be a resounding Yes, but I couldn’t resist expanding on what is for me a perpetual problem. I said:

A good, thought-provoking read here! I have experienced much of what is discussed by the various commenters who precede me and think that all have some valid points for our consideration. My own answer to Mr. Bronson’s original question is that I might state it a little differently: to be of interest to a gallery as what it/they would consider marketable. Anything is marketable, if you put the right seller and buyer together under the right circumstances, but galleries, no matter how much they might pride themselves on being ‘in it for the love of art’, are businesses, and (logically enough) are not particularly interested in anything they don’t think is a relatively easy sell. [Commenters] Messrs. Bruland and Moore are absolutely right in recognizing that art does sell–at the confluence of the right forces. Figuring out what those are and how to orchestrate their intersection is the big magic trick that few of us can perform.photo of mural [with artist]I was approached by gallery owners when I was finishing my undergraduate art degree; one of them (the more successful in business, not surprisingly) met with me mainly to encourage me to produce a larger body of the same kind of work so that he could later represent me; the other, being a fledgling in the business, was willing to take what little I had already produced at my young age and give it a go. Of course I was inexperienced and had no concrete plans or prospects, so I opted for the latter, with the predictable result that that gallerist, with such limited experience and connections, was too busy simply trying to work out the logistics of her own business to actually represent any of the artists she hoped to promote. Thankfully, I’d only agreed to half the proposed trial period as part of that ‘stable’ of artists and retrieved my entirely unsold (and as far as I could ascertain, also virtually unseen) work and go forward at the end of it. [And only a year or two before it was also the end of that particular gallery, as far as I could ascertain.]photoIt wasn’t until many years later, after working in construction for a few years to save up for grad school (I suspect I’m of the same vintage as Ms. Senn, having had many similar experiences 30 years ago in that field of work) and then going through the grad program and then teaching for a couple of decades, that I could afford the luxury of devoting real time to focused practice and larger productivity of my own artwork. Along the way, however, I had continued to produce smaller quantities of work. As I’m quite sure many of the artists commenting above have experienced, what pleases me most in my own practice is to do what inspires me at the moment, to experiment, and to follow the serendipitous occurrences that happen along the way, resulting in a recognizable character in the works but not a whole lot of terribly similar subjects, media, and techniques. So I, too, have been told by many a gallerist that he or she thinks my work is terrific but, no thank you, they don’t see how they can possibly ‘package’ and market me.digital collageThe upshot of all this is that I can only echo what others have already said or intimated here: keep doing and being what is right for you, but know that you’ll likely continue to labor in obscurity unless you simply find that combination of luck and resources and persistence coming into perfect confluence. I must assume that all of us are here because making art of whatever sort matters enough that we will do it endlessly, whether it profits us in any way other than inwardly or not. Hurray to being successful, financially of course if we can, but if not that, then as wildly successful in satisfying the artistic urge as we can manage to be.I will add to this that I am no more going to stop making art because I don’t come close to making a living at it than any of the millions of others who can’t ‘get by’ doing what they love best would quit their passions. You might, just possibly, have noticed that I’ve been hanging out here in the blogosphere for some time just churning out art of the visual and written kinds and handing them out daily like free candy. But like many others, I also keep the business side of art on my radar, looking around me to see if there are any connections and opportunities I have overlooked or ways to introduce my work to others who may find something in it that speaks to them as well and (miraculously!) be willing to pay me for it. I guess this is simply my love letter to any other unsung heroes reading this, saying that we’re all in this together and yes indeed, also that I have no plans to leave off pursuing my dreams any more than you have. Might see you at the bar later, though. Everybody needs an outlet, whether it’s on LinkedIn or in the studio or somewhere else entirely. Cheers!graphite drawing