Newness Absolute

Digital illo: CreatingCreating

Atom by atom and cell by cell,

The seconds tick and the hours tell

And up from nothingness and void,

Growing, expanding, and overjoyed,

What was mere darkness, lonely, grim,

Swells from the silence as a hymn;

Out of all absence, beauty came—

Because deep love had called its name.

Invitation to Inspiration

Photo: Our Sorrows are Our OwnIf Beauty Dwells Inside

If beauty dwells inside the mortal heart

and soul, what dark impediment can be

so strong that we’d forget, incessantly,

to let it rule and be the greater part?

Have bitterness and poverty of care

for good and kindly things the weight and sway

to force the love of beauty out, away,

and leave a wound of emptiness in there?

What fault in us could any cause invent

to trade our greatest gift for grief or hate—

can joy revive, or is it left too late

that we grow wiser, love, create—relent?

Let us let go of emptiness, grow whole

by filling it with Beauty, heart and soul.Photo: Beauty without & within

Rosemary, that’s for Remembrance

Photo: RemembranceBecause its distinctive and elegant, resinous perfume and flavor are so potent, the herb rosemary is intimidating to use. Hyper-sensory persons like my spouse can be reluctant to choose dishes when they detect a larger presence of herbs, and this beauty is among the most extroverted and easy-to-spot on that list. It can overpower extra delicate ingredients if used heavy-handedly.

But, like many accomplished and self-assured characters, when this fabulous herb is showcased to its best advantage, it’s the life of the party, the belle of the ball. With such a unique, recognizable scent and flavor profile, it’s easy for me to see how it would be the obvious choice as a symbol, and indeed, stimulant, of memory. Whenever I pass a rosemary plant I am compelled to stroke its incense-laden leaves, their odorous stickiness seeming to hold my hand in a reciprocal grasp. I inhale a long, deep draught of that alluring oil and am transported hither and yon in time and space. Of course, I was thinking about this unusually potent attraction when I wrote about the garden just last Tuesday.

Then, last night, I was reminded of how long the name has had a special resonance for me as well. My email held a little note informing me that my great-aunt Rosemary had just arrived at my blog as a subscriber, and without the aid of any herbal catalyst to take me there, I was transported back in time to when I first remember her, when I was very young and small. This Rosemary, too, has always had for me great beauty both inwardly and outwardly, not least of all because she was kind to little me and my siblings and our young cousins and friends and, especially, to my great-uncle, but also because she was eagerly intelligent, thoughtful, and full of quiet strength.

My great-uncle, her husband and companion of so many years, died just recently, and I can only imagine what a sea change this makes in her life. It’s a strange thing when relatives we have rarely been near in person for great lengths of time, whether the distance was one of miles, ages, life paths, or a combination of these as in our case, die. My great-uncle’s sister, my grandmother, left this world in an entirely different way, having been usurped by Alzheimer’s some years before she died and thus becoming a wholly different person than the one I’d known, while still living in a place where I could manage to see her occasionally without crossing the country. Two different sorts of separation, but in both instances, the person I knew from my youth had effectively been removed from my sight and my daily life for a long time; yet when each died, I was surprised to find I experienced the loss afresh. I suppose it’s partly being able, now, to mentally return to the place and conditions in which I felt I knew them best. Memory, yes, it is a strange and magical thing.

No more icebox cookies while reading in Grandma’s living room, or watching her crochet her perfectly aligned tiny rows to make the best potholders on earth while we visited. No more leafing together through Uncle Ralph’s gorgeous black-and-white photos of a full life and all of our relatives looking ever so much younger and more mysterious and glamorous in them, or hearing him discuss anything from nature’s beauty to what was on the table to psychology with avid, probing attention. Heaven knows there are enough quirks in our extended family to have kept his keen and trained mind busy with this last topic to the degree that I can only imagine it will continue to entertain him equally in the afterlife. He’s probably our there having a good laugh over my having said so.

But as for Rosemary, both the herb and my great-aunt, the preciosity lies, not just in the beauties of memory but also in being stalwart, graceful, and remarkably unassuming for such strong and lovely creations. It is truly good to reconnect with and be blessed by those gifts. One chapter of the story ends and a new and sweet one begins.

A Queen among Women

For one wonderfully sweet and lovely woman I know, I struggled to decide what to give her for a token of my respect and affection on her birthday. Then, because she is a superb singer and I, an admirer of her glorious singing, I decided to write her the lyric text for what might—with a composer’s help—become her own sort of theme song someday. For now, it’s simply Bea’s own poem. She said I could share it with you.Digital illo: A Queen Among Women

For a Lady of Great Beauty
For the song, bouquets of roses
For the day, a joyful start
For the labor, peaceful evenings
For the care, I give my heart—
For the wisdom, inspiration
For desire, a glorious year
For the wish, the starry heavens
For delight, companions dear—
For the sorrows, deepest comfort
For the friendships, never part—
For the moment that I met you,
You resided in my heart.

&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&

And since it’s her favorite of my other poems (so far, I hope), I’ll repost the following one. For good measure.

Digital illo: Grace Again

Text: Grace

Through Winter’s Window, Dimly

Photo: Light Looks In

Change of Season

Between the rain spells, when the sun is glinting onto rose and road
The youthful smells of spring are hinting that ahead the broken code
Winter left in seed and scion will reveal its inner life,
Where what had appeared as dying wakes again with newness rife.
Open eyes and open windows! Let indoors the fresh new air,
Breathing in what melts the snows and pushes out all winter’s cares.
So renew the self and senses and embrace the growth and light
Breaking down all old defenses, setting earth again aright.

A Little Something for a Friend

Photo Montage: Manhole Covers 1I discovered quite some time ago that the admirable proprietress of a photography blog I enjoy very much, inte fan gör det det (I’ll let you look up the translation, you non-Swedish-speakers, for your own amusement) shares my affection for many things that escape attention from lots of others. Among those oft-overlooked everyday objects are the steel caps that separate cars and pedestrians and the like from whatever dwells in the underground infrastructure: manhole covers.Photo montage: Manhole Covers 2

Some of these utilitarian items are made without much regard for their aesthetic potential but even so, manage to become rather special and interesting by virtue of the patina of age and use. On top (no pun intended) of that, there are many manhole covers deliberately designed to be special and interesting and aesthetically pleasing. I don’t much care what the original intent of a manhole cover’s design happens to have been, as long as part of the purpose was to keep me from falling into the sewer.Photo: Manhole Covers 3

But it does beg the question, for me, of why, outside of emergencies, one shouldn’t make every single thing one makes as beautiful as it can be. Maybe I should simply be content that so many things, like manhole covers, can become beautiful through use and time. After all, that’s what I would like to be able to do, myself. Ah, perhaps that is precisely what is at play in the manufacture of a manhole cover; it is made expressly to become beautiful through use and years. Perhaps, indeed, I’ve stumbled onto a cosmic truth, and we mortals are also designed with that in mind. I suppose I’d better get busy!Photo: Manhole Covers 4

The Baby of the Family

When my older sister has birthdays, I’m not overwhelmed by thinking about her age. I’m close enough behind her that I kind of feel her age already, myself. No big problem. Sister number three is a little further behind me, and being the first of my younger sisters to hit each milestone after me, is the one who always makes me feel that little twinge: ‘I have a younger sister who’s that old!’

Baby sister eases into place after the rest of us without creating much ripple. The fact that the youngest sibling is approaching any notable mark is mitigated by three predecessors having beat her to it. Today, her birthday, she’ll do her little bit toward ‘catching up’ again, and yet, naturally, she will continue to remain younger than the rest of us. Once the youngest, always the youngest.

Part of me can’t help but subscribe to the cute and cuddly image held by youngest siblings. For one thing, she is beautiful. All three of my sisters are beautiful. Only one can be the youngest, of course, so I can’t help it entirely if the picture in my mind of my baby sister keeps looking quite a bit like she did as a small child. That adorable infant thing, once seen, is hard to undo. Both little sisters, as a result, are at times in my mind the human equivalent of kittens or puppies or fawns, despite having grown up into fantastic women with real lives and real families of their own.

I have nothing against aging, either mine or my sisters’. As long as we get to do it for a good, long time, and my sisters are doing it wonderfully well so far. I might think of them, the youngest especially, with the soft-filter glow of nostalgic youth painting them into charming little toddlers all over again, but only in light of knowing that they continue to grow more wonderful and marvelous with their actual progress through the years.

Digital illustration: Little Woodland Creatures

Happy Birthday to my—ahem!—foxy baby sister!

I can say as a dandy postscript to this bit of nostalgia that my baby sister is getting some suitable attentions during her birthday celebrations, which began just a little bit early this year. Her youngest, our nephew Christoffer, is in the previously mentioned punk rock band Honningbarna, and they opened for Aerosmith and Alice Cooper last night. My sister and niece got to watch from very near the stage (yay, earplugs!), and when our nephew came off the stage to give his mom a birthday kiss, the crowd responded with all appropriate enthusiasm. Not bad birthday entertainment for a lady who is doing her best to catch up with my advancing age!

One Egg, Over Medium

Ah, the elegance of simplicity. There’s little I find more beautiful than very simple things, excellently performed, made, or executed. Even the commonest thing, in a rather average way, can be fabulous in its simplicity if it’s perfect in its common averageness. Odd, but true. Let me give you an example.

I love eggs. They are delicious to eat, and fairly easy to prepare in a wide number of lovely ways. They are pretty. Their extremely uncomplicated ovals come in a relatively narrow range of colors and textures by nature, each of them marvelous and precious in its own way. They make an outstanding subject for artworks, for this very reason.

As the sole or central subject of any number of artworks in any medium, or as the medium in itself by virtue of being decorated or carved or sculpted upon, an egg is delightfully fine. But even as a supporting player in a larger cast, the humble egg in its unfettered simplicity always pleases my mind as well as my eyes.

If it sneaks into some of my artworks where it really doesn’t have any particular purpose, can I really be blamed? I think not. You may try, but you might well be left with egg on your face. If you know what I mean.digital illustration

Bland Like Me

photo montageThe marvelous Diana of A Holistic Journey has been writing posts asking about the influences of race, culture, national origin, education, and so forth and the ways that they shape who we are and how we perceive ourselves. This series of hers is proving an outstanding eye-opening and thought-provoking exercise for me, too. I have spent most of my life living amid and being part of The Majority—middle-class, white, English speaking, native-born, educated, boringly predictable, etc, etc. There were a few touches of diversity around me here and there, of course, this country of the so-called United States being what it is, but those were relatively small and isolated, so mostly I grew up sheltered and unchallenged in nearly all ways.

Yet as an individual I came to know myself as being different in one way or another from most of what I thought of as the ‘norms’ of my own environs, and even learned over time that what I thought was my Majority milieu was mostly just my very narrow path through it in life. While a lot of my classmates, immediate neighbors and friends when I was a kid, for example, were also little pasty white critters like me, the friends I remember best as seeming most interesting to me were ones like Eha, the Estonian girl, or Karen, one of my few black classmates, or the Japanese friends who shared exotic treats from their lunches and who performed classical Japanese dance in a miniature celebration of the Cherry Blossom Festival at school. I have hardly any memories so suffused with longing as that of watching the girls flutter their fans, while dressed in exquisite kimonos and dancing their stately, courtly dance to the strains of the tune ‘Sakura’, which melody in turn still fills me with delicately melancholy love.

My ideals of human physical beauty, as my husband and I have often noted musingly, are nearly all attached to non-whites or mixed-race people, not something I think of as a conscious or intentional choice but a persistent reality for me ever since I can remember. My superficial list of Most Beautiful People would probably have a paucity of caucasian members among its top fifty. While I have never been either very adventurous or flexible in my choices and tastes and experiences, I suppose I have always been fascinated by what seemed different or even exotic to me. I am a fantasist and a romantic in the cheap, popular versions of those ideas, I guess.

I have even wondered, in a broader sense, if part of my very nature is simply to feel like an outsider for no very specific reason. I was always shy, and learned as an adult that this expressed not only a naturally introverted character on my part but also demonstrated lifelong social anxiety and probably the incipient state of my developing depression that didn’t come to full fruition until later. Those, along with undiagnosed dyslexia, tremors, the dysphonia that came into play in my forties, and who knows what other quirks of my unique persona and biological makeup, could perhaps explain why I never felt I fit in with any particular group or was especially central to its character. But I still can’t say I felt consciously sad or was overtly unhappy or removed or, certainly, ostracized for any of this.

What was odder was that as I reached adulthood and gradually began to find a more comfortable sense of self and direction, I have a feeling I may have chosen to put myself into groups where it was plain that I didn’t quite match the norm, specifically because, if I knew there was no possibility of my being an exemplar in its midst of the highest standard, I might unconsciously feel safe from being expected to be so by anyone else. This might be complete nonsense, but it gives me pause. In any event, I spend a great deal of my ‘quality time’ nowadays in the company of people who are immersed in and even expert at music, pedagogy, administration, and a number of other topics in which I have no training whatsoever and only a very little observational knowledge, and I am very happy in this environment.

Conversely, I tend to keep my company of good visual artists and writers and others with training or knowledge more likely to be similar to mine at the seemingly safer arm’s-length of cyberspace, and that probably doesn’t reflect well on my personal fortitude. I never did, at least, make any claims of being any better than a big ol’ chicken. Being a scaredy-pants is probably not race-specific. Or attached with any particularity to culture, social stratum, nationality, educational accomplishment, religion, language, income level, or anything else in question. Being a scaredy-pants is just part of being myself, and the unique combination of qualities and characteristics that make up the wonderfulness of Me.

On the other hand, being attracted to, frightened by or otherwise connected to or dissociated from people who are Not Like Me is a central consideration of understanding how the human species works. Or doesn’t. And there’s no doubt that all of those things influenced by proximity (physical or metaphorical), the aforementioned race, culture, social strata, and so forth, are very potent indicators and influencers of how we will experience the concept of Self and Other at any level.

So what does that ‘solve’ about me, about how I feel about those who are or seem in any way different from me? I’m still not at all sure. Perhaps the best I can say is that my feeling of being, in a value-neutral way, unlike those around me makes me unwilling to assume much about them, in turn. I would generally rather let personalities and individuality be revealed to me and my understanding of my surroundings at the moment unfold in their own sweet time than that I jump in and make any precipitous assumptions. I’m perfectly capable of finding lots of other ways of being wrong and making a fool of myself without constantly worrying over whether I’m being judged, rightly or wrongly, as a stereotype of either the majority or the minority on hand.

Most of my blogging friends and acquaintances are significantly different from me in nearly all of the aforementioned identifying categories, and yet I feel remarkably at home among you. So I’ll let you decide if sameness or difference affects how you see me. I feel at home, and that’s good enough for my part of the bargain.photo montage