Tag Archives: Illustration

Sailing Ahead, Wherever That May Be

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The only time I’ve ever been on a sailboat was to sleep. There’s a great Tall Ship converted into a youth hostel in Stockholm where my sister and I bunked for a couple of nights on our college gallivant across western Europe. [Which hostel appears to have been recently renovated, and very nicely, if any of you should be interested.] While there may have been the faintest of motion rocking us to sleep in our on-board berths, I doubt it replicated very accurately the sensation of actual sailing. My next opportunity was during graduate school when I got a fan letter (one of the very few in my life, as you can imagine!) from a stranger who’d liked a gallery art installation I made so much that he offered to take me out sailing to the nearby islands. I don’t think there was anything predatory about him, but besides my still having a grandiose case of social anxiety in those days, there is the fact that the art show in question was entirely a walk-through, life-sized illustration of an espionage thriller; while I am doubtful that was his inspiration, I didn’t take him up on the offer.
Photo: Adrift on the High Seas

But whenever I see a sailboat, I do think it’s a beautiful representation of a genteel form of freedom that captivates my imagination all the same. Yes, I know plenty of tales of grueling trials on the high seas, no matter the size of the craft; even some of my close friends and relatives have such stories to tell, thankfully, having survived them. And I know, too, the old joke about testing one’s real interest in boat ownership by dressing up in a rain slicker and standing under an ice-cold shower for a couple of hours while flushing hundred-dollar bills down the toilet. But I also know that a vast number of people who could jolly well choose to spend their money and time on less demanding, safer, and far less expensive pastimes still choose boating. There’s clearly a strong pull to counterbalance any such negatives.

I, too, have spent some happy times on boats, just not sailboats. As a coastal kid, after all, I grew up thinking time spent on the ferries was as much pleasure and sightseeing as it was commuting or transport. I have been fairly miserable on a North Sea ferry in stormy seas while I was recovering from the stomach flu, but it did not so permanently scar either my psyche or my stomach lining that I didn’t look forward to the next time I got to be on a slow boat cruising along the shore, or perhaps best of all, in a rowboat or canoe, dipping the oars or paddle in with the rhythmic soft splashing that accompanies my reveries.
Photo: All Ashore

Living far from any natural body of water as I do these days, I am beached like an old craft whose hull is no longer seaworthy. But like those old boats I see, dry-docked on the beach or alongside the tumbledown barn or in a weedy field, I keep in my soul a firm and loving memory of every good time spent with the waves rocking me softly from below, telling me stories of their own and inviting me forward, ever forward, wherever that might take me.

Here’s News: Shoes Lose

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It’s probably nigh unto heretical to say so, but despite my stereotypical feminine admiration for shoes and my not-so-secret desire to own a zillion pairs of pretty ones, I seldom bend so far as to wear any that aren’t mighty comfortable in real life. Why, I have been known to fall right off of them and skin my precious knees whenever there was a handy hole in the pavement to snag my heel in for such purposes. But I hate pain, even the relatively minor pain of standing upright in high heels, so I really don’t often put myself in such danger.

In a similar vein, at times I am willing to go so far as to put on a little eyeliner, or suck in my gut to get a too-tight waistband to zip, or even give myself a semi-polished pedicure when I’m wearing sandals, but if time is pressed or I’m not in the mood, I’ll certainly never be bothered with such efforts. I feel more than a little ridiculous when I’m dolled up very far, and mostly I’m much too cheap and lazy and, well, un-girly, I guess, to enjoy the process, the expense or the artificiality of being ultra-feminine. Plus, there’s the risk of the people who know me best having a heart attack if I go all ruffly and spangly on ’em. That would just be mean and selfish on my part.Drawing + text: Shoes Lose

Costume Jewelry & the Genuine Article

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Digital illustration: Costume JewelryAs an inveterate magpie, I’m admittedly enchanted by almost anything sparkly and glinting that happens to catch my eye. A flash of reflected sun from a momentary wavelet on a lake at eventide is no better or worse than a shred of tinfoil glimmering from the dark recesses of a trash bin, when it comes to attention-getting power. I wonder at times whether this attitude of mine spills over into accepting cheap substitutes for the real thing in areas of life and knowledge that matter far more than mere visual stimulation does.

Do I pay enough attention to my life and all of its contextual influences?

I do when I remember. But that’s never quite enough, is it? It can become a plain old excuse to say ‘I’m only human.’ So much more power is given us, if we dare to exercise it. No matter what my beliefs and convictions are, if I’m given the capability of questioning and examining them and growing through deeper listening and learning, should I not use that power fully and joyfully? I am reminded often enough by my failures and faults that I can only engage this discernment usefully for myself and have neither the power nor the right to assume my journey will apply to all (or indeed, any) others. This sojourn of learning, questing and listening, and yes, looking at both the shiny objects and those seemingly dull ones presented to me will lead, if I am both fortunate and patient, determined and humble, to a treasury more valuable than all of the scintillations in a world of costume jewelry.

More Woolgathering, of Course

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Silliness is never an entirely baaaaad thing. I can always find more room for it in my life; it doesn’t get my goat, and I am neither sheepish in the face of it nor cowed by such things. So mooooove on over here and join me in the laughs.
Pastel drawing + text: Wool Gathering

The Miniaturist’s Challenge

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When my family and friends were conscripted to help install the artwork for my master’s thesis exhibition, they could not help but note that it would have been a kindness on my part to specialize in something a little more manageable, say, postage stamp illustration. Hanging murals of up to nine by thirty feet in dimensions is admittedly more unwieldy than mounting a bunch of tidy little framed life-sized insect portraits or installing a series of elfin sculptures made from shirt buttons and walnut shells. Alas, though I did segue into much more portable forms in later years, it was not soon enough for my loved ones’ sakes.

My verbosity is a similar burden on my circle of acquaintance, as I am not famous for knowing when to shut up any more than I am known for limiting my opinion to those who have actually asked for it. But just as I have learned to appreciate and work at smaller and less physically demanding visual media along with my enjoyment of massive and messy kinds of art, I have a fondness for smaller and less epic essays and poems, too, and have been known to craft these with similar avidity. While scale in no way guarantees quality or lack thereof in any medium I know, it is sometimes a relief to me as much as to my friendly audiences when I get my kicks by producing petite expressions of my inventive urges.Graphite drawing + text: Movements in Miniature

Filling in the Blanks

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Like many of my compatriots here in Bloglandia, I chose to close my awards-acceptance shop after having been gifted with a generous helping of them. We all learn very quickly that this is an incredibly open-hearted and open-handed community, and the reassurance of being recognized in this way is a grand encouragement to keep working. It can also demand a fair amount of work and dedication just to go through the proper procedures each award requires for acceptance and the passing of the torch to other deserving souls, this on top of the way that the regular work of producing the blog not only continues but tends to increase if one wants to ‘grow’ the blog in any significant ways regarding its style, content, purpose, and so on ad infinitum. On top of that, there is the increase of comment correspondence that, in turn, inspires other changes and improvements along the way but also means one is devoting larger and larger amounts of time to the correspondence itself.

That is all good and great stuff. Really. Even if I were to quit blogging cold turkey this very moment I would say unabashedly that it has been wildly enriching, educational and happy work for the last nearly three years in ways that I couldn’t have imagined or replicated with any other kind of activity. I’m still almost entirely income-free in every way, though I’ll admit I’m starting for the first time to consider advertising here onsite for commercial partners in addition to the previous, occasional tiny plugs for my ArtSparks store at Zazzle.com or my book on Amazon or my Pinterest accounts, all of which combined make me an amount of money that I assume would send any self-respecting modern teenager into tizzies of fiery revolution if offered as their allowance. Again, not a complaint, as I am a happily kept woman whose partner willingly arranges his life to do the income earning while I blog, tend the household’s needs, and accompany him when I’m able. A surprising twist (to me) is that leaving a full-time job teaching at university and becoming a homemaker in a one-car family didn’t turn me into a hermit and a fearful little creature who hides in the hedgerows, but rather brought me out of my shell in developing and sharing what skills and arts I like to cultivate and in corresponding with and befriending a slew of people doing similar things all around the world.

digital drawing (BW)

Not a fearful little creature who hides in the hedgerows.

Whether this work of mine benefits anyone outside my household is a matter for all visitors to decide for themselves, but I know that I derive both pleasure and growth from working here, in one way and another. I think I lead a far more colorful and expressive life internally, and that has external ramifications that effect useful change and direction in what I do—and how and when and why and with whom.

So I was happy to be tagged in a recent round-robin writing meme that requires little labor I wouldn’t already be doing and offers in return an opportunity for thinking about what does happen hereabouts and for learning how that is similar to, and different from, what happens in others’ blogging territories. I thank the marvelous Rosemary, whose blog is full of constant delightful, piquant artworks, brain-stretching turns of phrase and ideas that get my gears turning each time I have a chance to stop by there, for inviting me to be another participant in these collective ruminations.

Part of the meme process is to publish on the Monday after being tapped, and ask your nominees to do the same. I failed to get even close to the right timing, being on my own weird schedule as always. It didn’t, however, prevent my thinking further on the topic, so I’ll just pretend I was timely and wax philosophical when I’m good and ready, and if you need to, you can pretend it’s Monday the 28th of April all over again.

The rules of the process that I can follow merely require that I answer four questions about how I write and nominate three others. My nominees may well be no-award bloggers, too, (always or by now) but might find the questions worth asking themselves yet again, for these are questions we all ask or are asked often enough, those of us who write regularly whether for self alone or with wider purposes. Have fun with it, or if it doesn’t in fact offer that possibility to you, just ignore it while digging through the big basketful of thanks I’m sending your way for what your writing means to me.

What am I working on at the moment?

I’m working on blog posts, books, art commissions, planning for other posts-books-artworks, and doing what reading and research I need to inform and guide all of those things. The book of art and poetry I published in January used about a tenth of the content I’ve been creating and amassing over the last decade or so, leaving bunches of other books to be refined from the collection. I’m currently compiling sets of related, somewhat thematic poetry with which I intend to combine my visual art and texts as in the other books, but in these particular instances will collaborate with composers to set the texts to music. The art projects include a piece for a friend and former university colleague’s change of job celebration and a companion artwork for one of my graphite drawings that was bought at a fundraising auction. The latter won’t engage my writing skills, but the former is going to be a mixed-media piece that will allow me to play with textual content, another element I greatly enjoy incorporating quite often in my visual work. One feeds the other, always, just as my reading and correspondence inform what I do here.

How does my work differ from others of its genre?

I have no idea what genre my work actually fits. Seriously. This has been a problem as long as I can remember: it seems no one else knows how to classify me, either, and if I can’t be conveniently and recognizably enough pigeonholed, apparently no one can figure out any ways to market my work. I’ve posted about it before.

I roam down so many strange little byways every time I stop to write that if “genre” applies, I suppose I must move from one to another regularly. I consider myself an essayist, artist and short fiction enthusiast in what I typically do here; my self-selected projects, like book number one, virtually always have substantial overlap somewhere between those. Adding to the oddity is the spill-over from my personal blend of contented immaturity, constant rambling from piquancy to pathos and beauty to the bizarre. If I can figure out how to make a one-page piece that combines visual art with text and ranges from terrifying to hilarious, tenderly thought-provoking to ridiculously unexpected, then I am likely to be truly happy. And oh, so un-sellable. Blogging at least allows me to practice, enjoy, and air out whatever variety of my inclinations and artistic urges I choose, so it doesn’t merely stay bottled up, endlessly mouldering.

Why do I write what I do?

It may well be that I’m driven by forces far beyond my conscious choices. I’ve never embraced nonfiction much when choosing my reading; maybe that made it seem too much like work, like required reading, and you already know of my deep aversion to Effort. So no, I wouldn’t have chosen to write nonfiction any more than to read it. But of course, it could be argued that blog autobiography of the sort I practice, barring my being obviously delusional, is a generally factual forum in itself. Very much on the other hand, I have always loved goofing around with wild and outrageously unlikely fictional and fantastic ideas, subjects and stories. It’s so much fun to invent and flesh out my fantasies with all sorts of odd details and unexpected turns of phrase and plot and character development, the best of those in my practice being the ones that can develop in extremely short and shallow tales that fit into a single blog post or book page. I have a short attention span, so I prefer to treat even pretty sophisticated topics with this kiddies’-picture-book approach, quite often, knowing that it’s what will appeal to me first, and any somewhat like-minded reader after. If there are any such readers.

How does my writing process work?

I am, and have long been, a scribbler. Everywhere I’ve lived I’ve kept notebooks, scratch paper, and notepads stashed everywhere I’m likely to come to rest for even the shortest time: bedside, by my reading chair, on the kitchen counter nearest the table; next to the toilet, in the glove compartment of the car, on my desk. When the tiniest idea pops into my head, I’m likely to grab one of these and whatever pen or pencil I’ve put with it and scrawl as fast as I can. Story, drawing, list, note, sketch or poem? Maybe a combination of them. I might have my laptop or iPad handy and go directly to digital, but the medium matters less than grabbing hold of the idea while it lasts. I can always transcribe, scan, photograph or otherwise capture my paper scribbles, and those stashes of mine are much easier to access in most of the places where my day and night find me, so part of me is still very old school in this regard.

PS—I know there’s a long and honorable tradition of early morning writing—really early morning writing, by my standards—being a great and grand way to produce fabulous stuff and have a lasting career and all of that. I am not in that tradition. When I write in the early morning hours, it’s because I’ve been writing late and am still at it at 3 a.m. I would rather sleep ten or eleven hours a night, every night, than be a great writer. If that’s what it takes. Until I have confirmation that early morning writing is the only path to artistic excellence and writerly happiness, I’ll keep writing in snatches and patches of day and night that leave me free to sleep when and as much as I want and need. That’s my process, for good or ill. So far, it keeps me mighty happy. And happy to be here.

And now, I nominate these three writers to participate in a Writing Process Blog Meme:

Diane @ http://bardessdmdenton.wordpress.com

Christine @ http://journeyintopoetry.wordpress.com

Jim @ http://gingerfightback.com

If you accept my nomination, you will write an article prompted by the following four questions and post it on your blog on Monday, April 28, 2014. Just like I did! Wink-wink. The four questions (just to jog your memory from the above bits):

What am I working on at the moment?
How does my work differ from others of its genre?
Why do I write what I do?
How does my writing process work?

I completely understand if this ‘isn’t your thing’. No obligation. Just having fun!

digital illustration

Even for a shy little goof like me, life can get pretty colorful when I plunge into writing wholeheartedly.

My Own Inverted Jenny

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book cover imageI have a little confession to make. My book-publishing debut has a noticeable flaw. It’s not huge enough that the editorial filters of the publisher, or even my own oft-repeated scrutiny, caught it in the preview and proofing processes, but I noticed it, and I’d like to make it better. See, in the hard-copy and digital proofs that I checked before giving the go-ahead to publish, I didn’t manage to spot how low the contrast was between text and background on one of the two-page layouts, and it’s not nearly legible enough for my taste in the final print, even with my relatively eagle-sharp eyes.

So I’ve made a revised version of that page duo and a couple of other pages that were quite acceptable but I thought deserved a boost of readability as well as long as I was at it, and I have requested that the publisher allow an after-publication change. Those of you who have already purchased and received the book (I’m looking at you: family members; Mira, Diane, Gracie, Christine, etc, and a handful of others that I know of thus far) will probably know which typography I’m describing. It’s readable, but it’s an effort, I admit. Those of you who haven’t bought the book yet, I certainly hope you will do so but maybe, just maybe, I’ll be able to give you an even more polished product if you wait until I give the thumbs-up to a tiny revision in a week or so. Now, at least you know the whole story of my neophyte adventure.

If you’d rather hang on to the original version of the book as it stands anyhow, I promise you that all but the one poem—all 165 or so of the others—are entirely readable as the book stands, and while I can’t in any way promise that this, my first foray into unintentional-humor publication (to be fair, the rest of the book is supposed to be amusing) will be my last, let alone likely to accrue the sort of megabucks value given the famous upside-down airplane stamp of my post title, I do hope that when I croak, you might be able to get a bonus by selling off the short run of mistake-inclusive prints to crazed collectors. So if you paid, say, ten or twelve dollars this week (and I see they’re already reducing the price on Amazon, so bargains can already be had) you may be able to sell the book in a couple of decades for thirty-six cents extra. Talk about a fantastic investment! Don’t say I never gave you anything exciting.

But seriously, I hope that you will think buying a book from me is a reasonable investment not only in my happiness and well-being but in your own good spirits, because that’s what the book was intended for in the first place: playful entertainment for semi-grownups in the form of my whimsical-to-wacky drawings and poems. With your patience and a little perseverance on my part, we ought to be able to conjure up such an interlude together one way or another, no? I thank you for your good humor and support. Have a lovely day, y’all, and I promise I’ll keep you posted on my progress.photoOf course, since I’ve already made the revision of my “oops page” to submit, now I’ll be getting started with the conversion of the (reedited) book file to prepare it for a Kindle edition, and will need to decide which of the many other books I’ve got on various ‘back burners’ will be next on my agenda for what will hopefully be mistake-free from the moment of its publication. That’s the plan, my friends.

We Wait for Change…

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…when we should be agents of change. We wish for rescue when we should be out seeking ways to aid others. We huddle fearfully in the late summer, already conscious that the autumn ahead will lead inevitably to winter’s dormancy or killing frost, when what we could be doing is plotting the way to make use of the transition to position ourselves to take fuller advantage of the ripening and plenitude ahead.digital illustrationWe are, after all, only human. But the exemplary people of generations past have proved, and those of our own time are still showing, that as long as we exist to worry about them the ages and seasons, the events and goings-on do indeed go on, cycle and change, and that if we choose to do so—if we determine to do so and act on it—we can make the changes better and the growth so much the more meaningful and joyful. If we wait for change, it will happen, all right, but it will happen however and whenever the universe or others in it decide. Ours is the calling to engage in the world, no matter how intimidating it is, and move toward what we desire. It may seem like plowing on foot through chin-deep snow, but trusting that there’s a thaw ahead and behind it, renewal, we can stay the course.digital illustrationAt the other end of it is potential that surpasses even our fondest, wildest imaginings, if we dare to move instead of lying waiting.

It’s interesting to me that I wrote the foregoing portions of this post a few weeks ago and set it aside for this very date, not knowing that it would follow immediately on the heels of my publishing my first book, something I’ve longed to do for years but never had the nerve until now. Funny how we sometimes put things in motion without even realizing what we’ve done; it’s a saving grace of our race, I think. O happy day, when we stumble into our dreams because we kept seeking them despite all sense!