Category Archives: Aging

Clarity (Klart Blikk)

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photoLet me make one thing crystal clear: all of my world is seen through my filters, colored by my way of thinking, its perspective all my point of view. And that’s not either strange or bad. It’s how we all operate. It’s just important that I always remember that simple reality.digital image from a photo

I finally had time to sit down today and go through a backlog of seemingly gargantuan proportions in my email inbox. Among the items that were most enjoyable to unearth, there was a note from my sister carrying a link to another blogger’s post about her son’s (our nephew’s) band Honningbarna’s first gig in Dublin, with the requisite embedded YouTube clips of their performance there–which, in turn, linked to other Honningbarna clips, including a couple of very informal interviews between a young journalist in Germany, if I recall, and nephew Christoffer and his bandmate Edvard Valberg, the band’s cellist and frontman. Besides that I get a kick out of seeing our relative as a successful rocker and hearing the band’s wildly kinetic and screamingly energetic punk/metal performances, I am reminded every time I see and hear them that Honningbarna represents a particular brand of cynical idealism that only the irrepressible and wiseacre young can so ably embody.digital image from a photo

Like many a punk band before them, they sing/shout about the wrongs and stupidity and injustice in the world, calling attention to it all and making us want to clarify, if just a little, our own view or stance on such things. One of their biggest hits, to date, is in fact a number called ‘Klart Blikk‘–it translates, approximately, to ‘Clear View’–a call to stop being passive about the world’s imperfections, to get up and ask bold questions, to act. The link on the song title right here is, wonderfully, a Norwegian 5th-graders’ video workshop animation of the song, a perfect (and artfully executed) answer to this very call to intelligent response. And I think it a wonderful, if laughable, serendipity that my computer’s auto-correct recommendation today for ‘properly’ spelling Honningbarna is ‘Housecleaning‘.

Update: blogger/reviewer Andy Barnes has just posted an additional critique of Honningbarna and the band’s debut album, the source of ‘Klart Blikk’.photo

There’s obviously no single thing that can always serve to make any situation clear, let alone ‘cure’ it. Collecting all the facts and information and evidence and being fully honest with them can help, but sometimes perfectly diligent research and full disclosure do not constitute reformation or restitution. We’re all human. And only human. We stay muddled.photo

And some things really are a matter of opinion. The glass is half full; the glass is half empty. I like things the way they are, or I don’t.digital image from a photoNow, occasionally, providing a sharp contrast to the point under debate is just the nudge needed to push our minds toward a firmer understanding or acceptance of the longed-for truth. Sometimes, the discovery of new evidence can shed brighter light and move us to choose and accept a more accurate reality. It’s even possible, from time to time, to elucidate and pinpoint the ‘right’ merely by simplifying–by paring away all that isn’t, bit by bit, with thoughtful and insightful explication.photo

None of that, still, stops us from being opinionated, stubborn, sometimes truly stupid, and occasionally outright determinedly wrong. It’s where we derive a lot of our mortal variety, our strange human brand of exoticism, our color, if you will. It’s okay to be ridiculous and bull-headed, even when the Truth is staring us right in the face and can’t be ignored, because it’s really part of who and what we are.photo

No matter what a charming song it makes, everything does not necessarily look ‘worse in black and white‘–and light and clarity are certainly discernible, even brilliant, when we stop being so saturated with peripheral influences like our feelings and hopes and desires. But there’s so much sheer wonder in our colorful world, I say, Why not revel in it, even if it sometimes distracts us from the seriousness at hand. After all, that will always be with us and will push its way forward again eventually, even if it takes a bunch of young Punks yelling at us to get us to pay attention.digital image from a photo

How are the Mighty Chopfallen!

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“Pride goeth before destruction, and an haughty spirit before a fall.” I like to think I have a healthy ego and positive self-image–but I do hope I’m not quite so full of hubris that I can’t admit when I’ve failed or fumbled or simply that I’m simply a silly buffoon, just like pretty much the whole rest of humanity. Yet maybe believing that is just another sample of my shallow vanity. I don’t expect you to accept my assessment, just that you’ll give me a bit of leeway, considering that there may not be a lot of room in my tiny mind for ordinary wisdom and classiness. Not really sure I can get a completely clear picture from my angle here on the floor. I’ve fallen, but I can get up!digital painting from an oil pastel originalTo be Honest

It’s true that I have fallen down
more often than a chef’s soufflés
(or poor Pierre crashed into town
in air-ballooning’s early days,
before he noticed heat would crown
the heights but cold air caused malaise . . . )
Meanwhile, I stumble, flop and crash,
careening like a loosened wheel,
my dignity thrown out like trash–
but had I grace and nerves of steel,
I’d likely still keep this my fashion–
nothing better proves I’m real.

Narcissical

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acrylic on paperWhen man’s-man men find womankind

especially spectacular,

it often seems their taste’s opined

as front-ular or back-ular,

and chicks who eye them back with leers

and rudeness too vernacular,

also choose looks, though dudes’ hearts bite

as badly as though Dracula-r.

How can they stand their standards thus

and stoop to stupid gravity

that pulls them down to lower lows

of foolishness, depravity

and such devotion to slick looks

that any cranial cavity‘s

acceptable, as long as ‘hot’

and needs no jot of suavity?

Must we accept only the slinky,

cute, or babe-a-licious?

Such flimsy taste is quite a waste,

and creepingly pernicious

when all the future of mankind

becomes so superstitious

as to attach to looks and limbs

values so shallow? Vicious!acrylic on paper

Fishing Expeditions

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digitally painted monotype

I *know* I came in here for something . . .

Even those not in my Age Group (i.e., old) have had that irritating experience of going into a room and having no clue on arrival what they intended to do once there. I just have it more often than most. I’ve had it more often than most since (ironically) before I can remember. Thank you, short attention span and daydreaming obsession. But I’m kind of used to it, even if it’s still a little frustrating in the moment. I just have to go on lengthy mental fishing expeditions to try to recapture those slippery thoughts that had swum on through, not stopping quite long enough to satisfy the need of the occasion.

Surely I have mentioned here more than once that I have made many an artwork with fish as topic or, often, as random interjection. The piece above followed my work on a series of icon-like works, so it started out as yet another saint-with-a-halo sort of thing, but then these fish came jumping into the frame and suddenly the whole storyline veered off in a completely different direction. So I guess it could be said to be a perfect self-portrait in that way. Then again, maybe it’s still a good metaphor for a so-called Saint, since from what I’ve read and heard and been told, very few of them ended up doing ‘what they came into the room to do’ in life, but rather got knocked off course and went on other tangents.

That’s reassuring in its way, but it doesn’t fix my problem of forgetfulness or lack of focus, now, does it. There’s certainly no surprise in our forgetting a thing or two over the course of a lifetime. The batik-like little image below (with fish as its subject, in another shocking development) is not only a picture of a sort of trademark type of tale but also has my characteristic style of line, textures, and composition. But darned if I can recollect when, where or for what purpose I made the piece. I would not have known I had made it if it weren’t for finding the photo of it when it was hanging on the office wall of a company for whom I made a salmon-centric exhibition because they had a facilities grand-opening celebration in which they wanted to emphasize their commitment to saving the native Washington salmon runs not protected by similar companies’ practices. Oh, yeah–that was why and when I made the work. What happened to it later is another question, though the company did end up buying a handful of the shown works to keep in their buildings after the exhibition, so maybe it still lives there. But clearly, I’m not the one to ask. I just don’t remember stuff like that. I get a thought; it shoots off into deeper waters.

Hmmm, what was it I was talking to you about? Oh, well, maybe I’ll come back to it later. Maybe . . .

digital painting

I'll be thinking of you . . .

Ah, Youth!

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oil painting, digitizedPerspective–it’s so much a matter of perspective when we assess the situation, isn’t it. My sister’s younger son once had a moment of imbalance and tripped, not quite falling but giving the smallest yelp of surprise as he righted himself. His brother, two years his senior, rolled his eyes and sighed ever so indulgently, ‘Ah, Youth!’

Big brother was four years old.

There’s a lot of value in considering others’ point of view, not least of all when it happens, in the literal sense, to be at the same level as one’s own knees, or the top of the kitchen table. The whole world is remarkably different from such an angle. People treat us differently, expect different things from us, more often require time and patience and wisdom to interpret our words and ideas and actions.

We assume, quite rightly, that the young require this sort of accommodation and flexibility in our conversations and interactions. How much more so, then, should we be willing to see the universe more clearly through another’s eyes if we can consider him equal to us in age, experience, or status. We are all children in other people’s worlds, when it comes right down to it, barely able to see over their windowsills or fence-tops, hardly understanding a word of their language even when the speak, it seems our own. We’re none of us so truly far past two years old, apparently.

Heartfelt

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digital collage + textThe time that passes, like a heart,
ticks on, clicks on with pulsing beat,
and with the future in retreat,
returns our spirits to the start,
reborn; we open up our eyes
and see tomorrow and the past
entwined;
the shadows that we cast
today will fall on ancient skies
and too, on stars not named
as yet—             as distant as
new stars can get
from where the human world
was framed—
All this, because we know, we care
we love and hold deep in our souls
the faintest embers, banked like coals,
of sensing, taking all we share
in lineage, in land, in ties:
ancestry, marriage,
friendship, bonds—in every gene pool
and its ponds,   in seas of learning,
truth and lies—
The last imagined second’s hum,
in passing, will remind us all
that only love
makes evening fall
and makes another morning come . . .

I’m So Worth It

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I’ve never understood the horror some people have of others knowing their age. Among other things, it requires endless forms of subterfuge and denial, from falsifying mere statements of age to all of that domino-like cascade of phony documentation and historical records that must be juggled over time–though, according to those claims, that will have stood quite still. In more extreme cases, it leads to a compulsion to alter oneself to fit the imagined character of the mythical preferred age. I find lots of highly stylized and generalized and ‘flawless’ dolls unappealing, weird and creepy, and ever so much more so, living beings who have had themselves altered by cosmetic means (temporary or, in extremis, surgical) to be less age-appropriate or individual.

Yes, I do understand the urge to fit in, to be accepted. But perhaps my having felt, most of my life, that I look pretty average and ordinary–none of me either bad- nor good-looking to any extreme–makes me inured to the pain of those who think themselves terribly, awfully out of sync with others in appearance. Certainly I know that there are many who have had external reinforcement from thoughtless or cruel others that they are unattractive or unfit or otherwise unacceptable. That is one true form of ugliness: bullying. Demeaning and hate-fostering and belittling are as terrible in their way as any forms of torture, because they scar the soul just as effectively as physical abuse scars the body and spirit. And that can make anyone feel old ahead of time.

But when it comes to the simple and petty desire to deny the years spent on earth or the effects of living a full life on one’s body, skin and hair, I still don’t quite get it. I watch those hair-coloring commercials where fabulously primped and preened models assure us that those smart enough, like them, to use X brand are obviously grand and wonderful enough to warrant the expense of that harmless form of self-adornment “because I’m worth it.” Well, good on you! But it so happens that I think I’m worth just as much with my own dull dishwater brown hair sprinkled with hard-earned threads of white. Plastic surgeons are always eager to inform me that I could be smooth, cellulite-free, and have perfectly formed chin, nose, breasts and cheekbones if I’d only let them perform their magic upon me. In addition to my having seen a long parade of walking evidences to the extreme contrary, or at least extremely contrary to my own tastes, I am shockingly content to have a mole practically right in the middle of my face, one ear far lower than the other, shoulders of quite different sizes, stubby hands, remarkably pasty and slightly sallow skin, a couple of scars from clumsiness and carelessness, and–oh yeah–quite the growing collection of wrinkles here and there upon my entire personage.

Get used to it. I’m a used vehicle. I’ve driven this body through a lot of history, which, if not remarkably rough or exotic, takes its toll in bits and pieces, softening up that muscle tissue which once was a tad more taut, stiffening the formerly flexible joints, adding a few pounds here and a lot of freckles and spots there, and all of the other signs of ordinary aging. Beyond beating, as it’s said, the alternative, growing older has some distinctly positive aspects to it in my view, not least of them that I know, like and respect myself and my finer features far more than I appreciated such things in younger years. I am finite, yea, even slithering down the slope of the latter part of my life, and I will die. Before then, I plan to live it up.

And if that shows in my greying, thinning hair, my spotty memory (which was always a hair more colorful than reality anyway) and my thickening waist and glasses, my slowing reflexes and my ever speedier increase of dithering and forgetfulness, so be it. If it shows in my increasingly complex network of wrinkles, why then Good on Me. Literally. I earned all of these insignia of my fine, me-sized-adventure filled life, and if they make me look less than smooth and perfect and doll-like and youthful and conventionally beautiful, I don’t mind one tiny bit. I certainly never liked ironing anyway, and I earned the right to savor my wrinkles just as they are.graphite drawingP. S. I was born in 1960, and I still have hopes of getting a whole bunch older than I already am, if all goes well.