Nobody Loves Me, Everybody Hates Me . . . *

photo

. . . Think I’m Gonna Go Eat Worms! [Note: no actual worms were harmed in the making of this photograph.]

Yes, it may be true that no man is an island–we all depend on others far more than we even recognize or comprehend–but conversely, every one of us is his or her own unique and seemingly isolated version of Three Mile Island at times when it comes to having personal meltdowns. It starts right at birth, when most of us scream and complain at having been removed from that ever-so-pleasant resort and spa, Mom’s innards, and ejected unwittingly and unwillingly into the cold, cruel world, and it continues, however sporadically, throughout our lives. We are such fragile creatures.

The majority of humans, happily, are not subject to this dark reality for too large a percentage of our lives, but it’s more common than is commonly discussed that we have trials, tribulations and the varying degrees of inability to cope with them that make us question, if not our sanity, then certainly our ability to rise above what’s bad, get a grasp on the good, and move forward regardless of feeling worthy or curable. Depression truly sucks–not just in the vernacular, but in the sense of pulling one down into a bottomless abyss like an evil and irresistible vortex.

I’m not referring, of course, to ordinary grief or sadness. We all get hit by those monsters at times. We flounder, we suffer, we recover. It may be deep and painful and take a long time to rebound from sorrows of even the most normal sort, but we do, eventually, learn how to go on living and being and take part in the doings of the world. Generally, that sort of difficulty or tragedy even tends to gradually heighten the sense and appreciation of what is good and joyful once we’ve experienced and survived the dark and can see the shining contrast of even a modest pleasure with what appeared insurmountably grim from its midst. True clinical, chemical, physiological depression, well, that’s a different thing.

It resists the most persuasive and intelligent logic. It batters self-worth and love in the most brilliant, gifted and accomplished sufferers. It tears at relationships of any sort with other people or with action, with one’s wit and will to survive. If it doesn’t make one outright, actively suicidal, it can simply kill through atrophy and attrition: sufferers have described the state of longing intensely to kill themselves but having no strength or energy to do so.

Why would I talk of such dire and dreary and horrid stuff, even think of it at all? Because I am reminded sometimes of when I used to be there. My worst bout of depression was perhaps aided and abetted by various situational and temporal aggravations, including the typical catalysts and intensifiers of real-world health and happiness threats: the onset of my spasmodic dysphonia, job problems, the murder of our good friend. These were of course widely different in intensity and timing, but to someone like me, their interaction with my evidently wonky endocrine system or whatever combined forces of chemical and biological imbalance were building in me meant that when I hit bottom, no amount of thoughtful and heartfelt reasoning with myself could ‘fix’ me or my situation.

I am one of the true Lucky Ones. I finally felt so brain-fogged, so unable to resist the pull of that deadly sucking, enervating, soul-destroying feeling of pointlessness and ugliness and being unlovable and incapable of doing anything meaningful or good–well, I got so needy that I actually let others help me. That was it. The only way out of the hole was to grip the hands reaching in toward me and let them do all of the work of pulling me out. Part of it was accepting these helpers’ assurances that they did indeed believe in me and in how I felt, that they loved me and knew that I had worth and potential. Part was letting others lead me around and taking their advice and simply letting go of what little shreds of ego I had left enough to say that I would do better in following an educated and experienced prescription for improvement than I’d been doing on my ever-weakening own two feet. And a part that was essential for me was loosening my grip on my insistence that taking prescribed treatment–both psychological and chemical–without trying to create or control it myself was a sign of weakness or failure. It took, in fact, all of my strength and intelligence to recognize that any strength and intelligence I had couldn’t save me.

The luck involved is clearly that together we (my caregivers–medical and personal–and I) did find the combination of therapeutic treatments, behavioral changes and chemical re-balancing medication that not only unlocked my present emergency state of depressive existence but ultimately proved to let me feel fully, wholly myself for the first time in my life. I know that this is not a cure but an ongoing process for as long as I live. And, having lived both ways, I am more than happy to take on that responsibility. It’s a privilege.

What’s most beautiful of all, for me, is that when it happens (as it has in this last couple of weeks) that several occurrences and situations conspire to remind me of this my past and how it shaped my present life and self, it also reawakens in me the profound gratitude for all of those complex minutiae that converged so miraculously well as to make this life possible. To make my continued existence at all possible, perhaps, but particularly such a happy me. What seemed like the most disastrous and irreparable of confluences instead conspired to make just the right blend at the right moment that finally offered me a rescue.

Turns out that eating worms is the very nourishment that makes some birds healthy enough to sing their hearts out with the pure delight of existing. Last week I was out walking and saw a ditch full of drowned worms, lured into and killed by stormy waters. This week I was walking the same route and the sky was filled with the most spectacular warbling, chirruping, musical bird songs I could hope to hear. Coincidence? Very possibly not.digital illustration from a photo

(* from the old campfire song Nobody Loves Me, Everybody Hates Me . . . )

 

Fly by Night

graphite drawingBeguiling Moonlight

Every autumn evening, at the end of day,

The moon’s pale eminence sends out a silver-shining ray

A-glinting through the branches and glimmering on leaves

And shimmering on spiderwebs tucked underneath the eaves

And calling all the kitty-cats from shadowed alleys out

To torment all the night-birds still fluttering about,

And drawing from their houses the dogs behind the slats

Of shuttered sleepy windows to torment all the cats,

And pulling on the heart-strings of every sleepy child

To call each one to play out in the moonlight, in the wild,

To dance among the cat-kins and soar among the birds

And leap among the moon-mad dogs and sing the magic words

That cast a spell of loveliness on creatures so, and soon,

We’ll fall asleep, each one of us, under the autumn moon.

A Change of Seasons

digital artwork from a photoAutumnal

Faint as the smoke from a fir-branch fire

far off on the foggy shore,

Where salt-stung sea choruses a choir

as the tide rolls more and more

Of the oyster shells in its back-and-forth,

tumbling them to pearly dust,

I can hear the birds winging from the north

as each Fall they surely must,

And I watch as they darken the silver skies

in a wave of shivering black,

Sailing south toward warmth with their anguished cries,

to bid the sweet Summer backdigital artwork from a photo

A Message from the Vortex

No Need
for Worry,
My Darling

Pay no attention; it’s just my brain
That’s going swiftly down the drain,
And, little use as it has had
In life, its dead loss
can’t be baddigital collage + text

May I Suggest . . .

photo

The University of North Texas Collegium Singers in dress rehearsal for their performance at the Berkeley Festival of early music, June 2012, Dr. Richard Sparks conducting. Yes, *that* Richard Sparks.

MUSIC.

Having had my senses immersed in the bath of fall season-opener concerts of all sorts lately, to the literal tune of hundreds of voices and instruments in symphonies, marches, art songs, musical theater melodies, electronica, motets, chaconnes, folk songs, choral masses, lullabies and all sorts of other lovely music, I am reminded as always at this time of year that such an intense schedule of events, however fabulous and rich they are, can be exhausting. More importantly, though, I am reminded that it’s also invigorating, inspiring and often utterly thrilling.

It’s also the time of year when the European choral magazine for which I proofread and text-check translations goes back into full production for the year. The articles and news items are all full of reviews of the summer season’s festivals and conferences and the amazing machinery that underlies these productions, from choosing and ordering music scores through civic action, political efforts, fundraising, singer scholarships, educational programs for participants and audiences, performers’ uniform shipping, young composers’ symposia, etc, and right on down to whether ‘civilian’ supporters of the group are allowed to arrange the music stands or chairs onstage if the local symphony hall union members are on strike. At the heart of it all is such a profound passion for music that millions of people worldwide, including those from countries and cultures one might be surprised to find even having the time or energy amid their economic, social or yes, war-related battles to sing and to listen to singers. If there’s a genuinely possible force for world peace, my friends, it may well be in music.

More personally, it’s music that is a central force for my own happiness, for a large number of reasons. Every one of those listed above comes into my own life and being regularly. But as you know, I am partnered for said life with a musician, and so the whole topic comes that much more sharply into focus. Music has been a glue for us two from the very beginning of ‘us’. Ask our mutual dear friend, a fellow musician, if I were single and might therefore be ‘available’? Check. Collaborate over a large-scale music performance and its visual presentation as a way to get to know each other a bit, hovering around each other during rehearsals and preparation? Check. Go on a first date to a Mark Morris Dido and Aeneas dance performance [yes, truly spectacular, by the way] for which my suitor had prepared the singers? Check!

photo

Since thousands vie for the dozens of positions in the final selected groups, high school students in Texas undergo a rigorous preparation for All-State Choir auditions, studying the literature in workshops and camps across the state each summer to compete in their local and regional trials before the year of All-State even arrives. This is the UNT group working in the summer of 2012, rehearsing in the camp organized and run by Dr. Alan McClung, assisted by UNT students and graduates and conducted each year by a different guest conductor–this year, by my spouse. What can I say, it’s what he does. And what I love to hear and see.

What followed is, was and ever shall be musicocentric. Our honeymoon (more about that in a future post) was built, in fact, around my fiance’s conducting gig–a gig including, naturally, our aforementioned Dual BFF as accompanist–at a choral festival in Veszprém, Hungary, arranged under the auspices of the parent organization that spawned the magazine for which I still do editorial duties, if you can follow that sprawling, meandering melody line. One might say that it all began with music and went racing straight downhill from there. Or, if one feels as I do, that music has brought uncountable joys into my life from earliest memory to the present, and will sustain me until the end. In any case, one of the clear high points of musical pleasure has been attending the myriad concerts, events, conferences, performances, and festivals that bring musicians and music lovers together all over the world. A huge number of our favorite people are those whom we’ve met in and through all of this music-related stuff. We have deeply loved ‘family’ literally around the world whom we’ve met and with whom we’ve bonded through musical acquaintance.

If you haven’t done so yet, or not recently enough, may I suggest that you ‘get thee to’ the nearest conference, symposium or festival involving music as soon as you’re able. If, like me, you aren’t an active participant, know that every artist needs his or her cheerleaders and fans and supporters, and that your mutual love of the art will mean more than that you stood onstage during the work or the bows. Yes, even non-musicians can and should pitch in–even those with no sense of pitch can fold programs, stuff envelopes, recruit audience members and donors and board members and political supporters, can drive the shuttle that carries the singers and their accompanists from venue to venue at the festival, and can buy tickets and bask in the glorious sounds from town square to church nave to school ‘cafetorium’ to symphony hall and shout a resounding Bravissimi! to all and sundry.

Beyond that, though, the immersion of being in a place where a huge number of people, participants and supporters and happy observers alike, have come together from a wide range of territory for an extended period of days solely for love of music–that is a wholly different and magical experience everyone should have the opportunity to enjoy at least once. So I commend them to you, the small-scale community events offered by your local affiliated high schools and the international events hosted by long-lived organizations in exotic places and every variation on the theme you can find. I promise you will leave with a song in your heart and memories to last you to when all of your other memories have faded to dust and perhaps beyond. If music be the food of love, play on! For though in this line opening his play ‘Twelfth Night‘ Shakespeare exposed the Duke of Orsino’s conviction that being surfeited with love (in this instance, via its musical surrogate) would cure him of his hunger for it, I think that quite the opposite is true: if they are excellent, the more we experience them and are filled with them, the more we crave both love and music.

Food of that sort for thought: visit first the websites and then the events offered by your local choirs, bands, orchestras, theaters, and performance companies. My own favorites are hosted by professional organizations of music educators, conductors and performers simply because those are the ones I’ve naturally had the privilege to attend, as consort to my musical prince charming, and these all offer performances by top artists that are open to the public, sometimes even with free admission. Explore them! The organization that ‘sponsored’, or inspired and was the jumping-off point for, our honeymoon with its Singing Week in Veszprém–with its half-dozen ateliers conducted by musicians from Europe and North America and singers and whole choirs from all over as well–was what is now called the European Choral Association-Europa Cantat and it hosts a wide variety of such choral events throughout each year, with a focal youth choir festival occurring triennially in places like Passau, Leicestershire, Barcelona, Utrecht, Torino (2012), and Pécs, Hungary (a locale to be repeated in 2015).

photo

Just this month, the newly minted University Singers at UNT performed their first concert of the season with my spouse at the helm. If you live in or near a college town, you’ll find endless opportunities for attending all sorts of musical events, many of them free and most of them truly outstanding–after all, these people are all here gaining expertise for what may be their whole life’s passion, and performers need great audiences too.

Pop, folk, jazz, rock, blues, punk, bluegrass, Early Music, all flavors and kinds of music and individual organizations from the Oldtime Fiddlers [I once got to run the stage lighting for their competition in Washington state–fabulous fiddling, huge fun and even some fantastic yodeling!] to the Verona Opera [I can say from my one experience there that genuine opera under the stars is something not to be missed, even if it’s still 40°C when the singing ends in the middle of the night]: there is something for practically any musical taste out there, and many of them that I enjoy immensely are included among these. My personal pet organizations among the professional gang also include many others: IFCM (International Federation for Choral Music), ACDA (American Choral Directors Association), ACCC (Association of Canadian Choral Communities), TMEA (Texas Music Educators Association), Chorus America, the Boston (odd-numbered years in June), Berkeley (even-numbered years in June), and Vancouver (annually in August) Early Music festivals, and ever so much more.

More Myths about Inspiration & Creativity

photo

Don’t accept a falsehood for your reality–if you have to create your own, then do it!

Back on that old topic of whimpering: of all the [wonderfully dire and woefully valid] reasons I can’t possibly do the enormous amount of work required by this assignment, there’s none simpler or more honest than Number 11:

11         BUT I DON’T WANT  TO _______________ (you fill in the blank)!

            Boo Hoo.  It’s not always optional, is it. Just keep firmly in mind that sometimes doing the required thing leads to unexpected delights in the end product. Not to mention the thoroughly predictable delight of having it done, finished, off the To Do list and out of nagging territory. Just get it out of the way now and you’ll be ever so relieved. Maybe even pleased with yourself!

12        ALL CREATIVE PEOPLE ARE (take your pick):

Eccentric; loose; savants; savages; radical; anti-intellectual; uncontrollable; fluff-headed; egocentric; snobbish; smelly…

Everybody is one or more of the above at some point; look at all of our pop-culture idols who get hung out to dry on a daily basis, not to mention all of the religious, educational and political Saints who irk the multitudes so regularly.  So imperfection is hardly a reasonable excuse for avoiding being (or being in the company of) an art maker.

13        IT’S SELFISH &/OR IRRESPONSIBLE TO BE AN ARTIST.

How about how selfish and irresponsible it is to be good at something that enriches lives and shapes culture and to refuse to exercise, to share, those gifts.  How unkind it is to stifle your true self and passions (and spend your life unfulfilled or with a chip on your shoulder) so that you live a half life and cheat your friends and loved ones out of your rich complexity.  How about that for selfish and irresponsible, huh? Choosing a ‘safe’ path never guaranteed anyone’s actually being safe, anyway.

14        NOBODY (read: Not Everybody in the Universe) WILL LIKE IT.

If you find anything that everybody likes, let me know.  For that matter, if you find anything NOBODY likes, I’ll be mighty surprised.  So, isn’t it good enough for you if you think your work has some value?  It may not make you a market mogul, but it’s amazingly fulfilling to be an artist, and (other than food, which is admittedly desirable) practically no other wealth compares.

15        THE GREATEST!!!

Who says?  There is no single Greatest of anything that everyone will agree on yet, and the odds are pretty good that they won’t all agree anything you do is the Greatest—or worst—ever, so why lose sleep over an untried concept.  Do your best and be done with it.

16        IF YOU CAN’T SAY (do) ANYTHING NICE (or well), DON’T SAY ANYTHING AT ALL.

A half-baked effort is usually better than no effort at all; no effort guarantees a lack of (or negative) result, and misguided or incomplete efforts can occasionally be rescued or luck into a better-than-deserved result.

digital artwork from a photo

Think beautiful thoughts!

17        IT ISN’T AS GOOD AS _________________’S.

Probably nothing anybody else ever does will be as good as my work, but aside from that impossibly high standard, you have as good a chance as any of doing work better than somebody’s, at least occasionally, as long as you do work.

18        ALL GOOD THINGS COME TO THOSE WHO WAIT.

But they don’t come to all of the specific people who desire them, or ‘on time,’ or in the desired form.  Your dream might end up in someone else’s stash of prizes if you don’t put up a fight for it.

19        I CAN’T DRAW A STRAIGHT LINE.

No, but a computer can do it for you, or you can use a straightedge, or you can hire a stand-in to draw your straight lines.  Don’t tell me your whole oeuvre as an artist/designer is going to be straight lines.  Sheesh.

20        CREATIVITY = INTUITION.

Intuition is an indefinable sense or sensation that can bring soul and emotional depth to the work (both process and product), but true creativity takes that nebulous touchy-feely power and combines it with study, effort, logic, research, skill and courage and synthesizes all of the elements of an artist’s knowledge and experience and passions into a concrete Work of Art (process and/or product).

21        THERE’S NOT ENOUGH TIME.

True.  We’ll never be given enough time for everything that’s important.  So it’s up to us to TAKE the time.  And MAKE the time.  There’s no real alternative.  It’s called Making Choices (and living with them).

22        YOU CAN’T FAKE INSPIRATION.

Maybe you can’t, but I can.  Seriously, folks, most people won’t know the difference if you substitute delirious hard work and enthusiasm and use all of your know-how to its limits.  If that isn’t quite Inspiration, at least it’s mighty inspirational.  When in doubt, review Item Number 10 in Tuesday’s post (linked above).

digital artwork from a photo

Go ahead: try your wings!

The Mythology of Inspiration

photo

Whatever your vehicle, Ladies and Gentlemen, start your engines!

In another lifetime I was a teacher. Not a fabulous one, mind you, but one who took what I did seriously and did my best to give my students, if not the actual practice that would make them more productive and skillful and happy in their making of art, at least the idea of what might be possible for them and perhaps the instigation of the will to develop over the longer term. Like every other teacher in history, I knew that most of the burden of improvement fell on my students and had surprisingly little to do with what I could or couldn’t, would or wouldn’t, should or shouldn’t give them. And like every other teacher, I heard from my students every excuse in the book about why they would inevitably fail to accomplish any of this, how they were powerless against the forces that conspired to keep them from making the assigned efforts or finishing their work. Having used most of the excuses myself, I had plenty of fuel to argue my case after spending the intervening years (or minutes) rethinking it all as I moved from student status to teacher. And I knew too that I would have to keep re-learning it all as long as I lived, since every teacher is only a different breed of student and Life is the biggest, craziest, toughest and most creatively optimal classroom of all.

So I made up a little page of possible excuses and a smidgen of food-for-thought responses to them–perhaps mostly for my own enlightenment and prodding–that I shared from time to time with my students if they happened to be getting a little too enamored of creating excuses to spend their creativity on drawing, design, writing, painting, studying, researching, making mixed media installations, critiquing or any of the other topics I was attempting to encourage them to learn. Here are a few items from my little list, because I am well aware that I still need to remember them myself and keep trying to blow past them with determination and, I hope, a pinch of wit.

1          GREAT THINKERS THINK ONLY GREAT THOUGHTS

               (and I’m not a great thinker).

If this is true, explain why the Old Masters painted over or destroyed canvases, Einstein was virtually dismissed as a pea-brain by some in his school days and our early experts on astronomy believed the earth was flat.

2          GENIUS IS BORN, NOT MADE.

This may actually be so, but untended and un-exercised, genius has no value whatsoever, and many a great achiever has acknowledged beginning an illustrious career ignominiously and becoming expert through sheer will and work.

3          EXCELLENT IS GOOD, GOOD IS AVERAGE &

               AVERAGE IS TERRIBLE.

               (Corollary: Good is excellent, average is good, terrible is average!)

Creative and inventive people often have a penchant for self-disparagement and perfectionism that leads them (and often others) to devalue work of quality; it’s also a common temptation to simply fall back on the platitude of ‘beauty is in the eye of the beholder’ and accept mediocrity because one is too fearful or lazy to be honestly critical and opinionated.  Accept it and get on with things.

4          IT DIDN’T TURN OUT THE WAY IT WAS SUPPOSED TO.

Oh, come on.  Almost nothing does.  Sometimes it just isn’t finished yet when it seems to have Not Turned Out.  And more often than not, the real result is an improvement on the original plan anyway.

5          IT CAN’T BE DONE.

It’s better to go down in flames of glory, for having tried, than to prove only that  you couldn’t (or just wouldn’t) do it.  And what if it does work?!  Don’t you just love those rare chances to say I Told You So, anyway?

6          ALL THE GOOD IDEAS ARE TAKEN.

            All of the good ones haven’t been invented yet, Silly.

7          I CAN’T THINK OF ANYTHING.

You don’t have to.  Steal ideas all over the place.  Just remember to cite sources, give references, and wherever possible, to thoroughly revise and synthesize things into your own particular combination or version of them.

8          WHY SLAVE TO HAVE IT ALL WHEN YOU CAN SETTLE FOR LESS.

            Perhaps because apathy is as dangerous to existence as the threat of annihilation.

9          IT COSTS TOO MUCH.

Some of the same people who whimper over buying a five-dollar sketch pad and two ninety-nine-cent pencils (two weeks’ supply, say) think nothing of adding four dollars’ worth of popcorn and soft drinks to their seven-dollar movie tickets: that’s Whiners’ Math.  But most art supplies can be hideously expensive, especially for those productive enough to use masses of them.  So it’s a necessary and healthy part of the solution-oriented artist’s life that analogs and alternatives be a constant study.  What can legitimately serve as a substitute for the too-expensive?  Often the product of such inventiveness proves more exciting than the work as first conceived.  Sometimes it’s important to make the commitment to spend the real money for the real thing, too: how serious are you?

10        I’M NOT INSPIRED!

Genuine inspiration occurs ZERO times in the average artist’s life. WHAT!!! Heresy! But truly, if we’re talking spiritual/mystical magic, most must instead rely on a painstaking and passionate process of trial, error, adventure and eventual coalescence to allow artistic completion and quality to arise.  Don’t wait around to be inspired, in case it’s not in the cards: deadlines and opportunities wait for no one.  If you’re the incredibly lucky one inspiration smiles upon, have conspicuous spasms of joy, make feverish use of the favor while it lasts, and get ready to work hard on the next thing when you become a mere mortal again.  We’re lucky enough just to be able to be the real thing, Working Humans.  Don’t knock it.  There’s joy enough in that.

Stay tuned . . .

photo

. . . for being tuned up and ready to roll is more important than knowing where the road will take you . . .

 

Love, Always Love

Image

digital artwork + text

Apparently I Executed the Secret Handshake Wrong or Something

digital artwork

Cinderella Opts Out

From your assessment of my deportment,

I must ask what the statement “of a sort” meant–

Oh, was I, I wonder, a shade improper,

Not brass perhaps, but a hint of copper?

Did I stand out from the regal crowd

By being a decibel too loud?

When I met the Queen, did I rudely greet her

With a curtsey too small by a millimeter?

Did I jostle the King, or step on his toes,

Or remark on the magnitude of his nose?

Have I shocked the royal entourage

With an unplanned glimpse of décolletage?

Say, what have I done in these latter days

To occasion such backward, lukewarm praise?

Do tell me where this prejudice starts

That substitutes etiquette for hearts!

I’ll not be one of the prince’s bijoux

Knowing I can’t have the wit to please you–

I’m off for home, where they make no sport

If my manners are only “of a sort”.digital artwork

The Royal Whee!

digital image from a photo

 

It IS All About Me, Really

To see the main

objective of the game,

It helps if one can

keep the goal in frame

And focus on it clearly,

deeply, truly,

But not to lose all

other sights unduly,

So if you’d like to

keep ambition near,

I recommend you stare

at me, my dear.digital image from an antique print