Category Archives: Poetry

Insisting on Persisting in Resisting

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The more the situation calls for me to behave with gravity and proper decorum, the more I’m likely to drag my heels and stubbornly glue myself to being silly and irresponsible and to frustrate any attempts to make me act however is deemed suitable to my age. Those nearest and dearest to me have long since learned the futility of asking me to behave in any sort of adult-appropriate manner and they tolerate, or to varying degrees, enable this impossibly impish attitude on my part. No wonder I love them so.

digital painting from a mixed media original

. . . so I'll just keep lying around and looking at the pictures in the clouds . . .

Perpetuating Childhood

In all probability I’d be prone

to be an insufferable old crone,

a hag, a harridan, full of mold,

if I had to mature–grow up–get old–

because, in truth, the prospect’s grim

when responsible heart meets creaky limb,

and milky eye and baggy middle

drag joie-de-vivre down a little–

I’d rather, by far, annoy my peers

by being unfitted to my years,

guffawing, as boisterous as a sinner,

and eating six Popsicles for dinner;

skipping like a stone across the Square

and having wild grass seeds in my hair,

wearing skirts too short; taking much too long

to figure out what I’m doing wrong,

yet enjoying the doing things just the same,

since it’s all a bit like a great big game

anyway–this journey we call a life–

so why should we let it sour, be rife

with tedious, tiresome old-age gunk?

I’d rather go back to school and flunk

for excessive dreaming and foolish pranks.

Grow up? Grow old? Mature?

No, Thanks!

Where We Meet to Eat

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digital image from an oil painting on canvasLanguid Lunches

Sweetly as the day begins,

It cannot reach its finest part

Until that leisured à la carte

Procession of great taste that twins

Fine foods with seasonings and drinks,

With garnish, relish, fetish, fish–

Whatever makes the perfect dish–

‘Til everyone at table thinks

He’s surfeited (at least, quite near),

Whereon the pace grows slower yet,

Chairs get pushed back and belts made loose,

And everyone’s digestive juice

Begins to work on this grand set

Of foods and trimmings at a rate

That makes the luncheon eaters feel

Almost as if another meal

Could fit in with what they just ate–

But since it was so fine, no sweeter

Course could complement the feast,

From boldest spoonful to the least,

So full content is every eater–

So they set down, each one, that spoon,

And smile, and wipe their chins and lips,

And sup no more, not even sips,

Through this delicious afternoon . . . digital image from a mixed media assemblage

Lightheartedness in Springtime

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Aside from things like my having been chewed upon ungraciously by a bunch of skeeters and having very indelicate and unladylike rivers of sweat inundate my poor little eyebulbs, the inside of my glasses lenses, and every single item of clothing upon my personage, an afternoon of gardening like today’s is a very welcome thing. I finally got after some of the weedier segments of the flowerbeds, planted some of my sprouted babies, moved a plant or two, and did some watering, and by golly, the place looks a tad more presentable.

In honor of that, herewith: a little Texiana and a Garden Fairy for your delectation and/or amusement. Tomorrow, perhaps, a batch of garden update photos. Just to prove I did something, don’t’cha know.

graphite drawing

Once Upon a Time in Texas: the Genesis of Big Hair & the Ten Gallon Hat . . .

poemgraphite drawingpoem

A New Lens

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digital painting of a mixed media original

My world is water-colored . . .

Having spent much of my life near the coast, both at home and abroad, I am less of a swimmer than you might expect, though most of my water time has been spent near northern shores, if that explains anything for you. But I am greatly comforted by being near water without needing to be in it. Rivers, oceans, lakes and ponds, streams and waterfalls, puddles and pools alike all have their appeal and the sight and sound of them soothes my soul like few other things can do. A walk along a riverbank or beach boardwalk, out on the mud flats or wading in the cool fringes of a foaming inbound tide–all have the power to send the complications of life fleeing, if only for a while.

Not so surprising, then, that many of my artworks play with the cool hues of water and the shadowy welcome of its associations. Whether in the impressionistic and abstract styles seen here or in images quite specific to the sea, the hold that water has on my heart must make its appearance often just to comfort me.digital photo-paintingAll the same, as a northerner by birth and years of residence, I have always been wildly fascinated too by the idea of those mythic turquoise tropical waters whose gem-like clarity would surely entice me in, offering the siren-like assurance that I must be utterly safe in them since I can see practically forever in their depths. I know that this is not entirely true, but the appeal of their warmth and seemingly pure glassy transparency has its potent pull on my imagination anyway. So it was a bit of a fait accompli that I should love it when I did at last have my chance to step into the perfectly sheer aquas and blues of the Caribbean for the first time. It was everything I’d hoped, and of course a little something more.mixed media + textSwimming in Warm Water

I:     Skimming along as if in flight Just under the surface of a lake, I can look up and see through its tinted lens A circular and absurdly distorted universe Of inbent trees examining me in kind, Of ship-sized cumulus zeppelin clouds whizzing by, The pillowed prows of ducks plowing past me And convoluted birds careening In zigzag traffic from shore to shore.

II:     Looking down, I see dazzling curtains of kelp Dyeing mottled sunlight as it Cooks the lake like a giant kettle full of fish. Flitting, darting shapes shoot up to nip me Or casually brush by And I exult in floating a subtle touch Toward a parti-colored veil-tailed fish When it fixes me with its dully silver, Unemotional lidless eye.

digital painting made from an oil pastel drawing

Perhaps I shall always be looking for a sea change . . .

Because for all that we know and admire about its clarity and simplicity, and surely for its necessity to life, water is also still a source of great mystery and power and its depths both literally and metaphorically may never be fully plumbed.

How are the Mighty Chopfallen!

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“Pride goeth before destruction, and an haughty spirit before a fall.” I like to think I have a healthy ego and positive self-image–but I do hope I’m not quite so full of hubris that I can’t admit when I’ve failed or fumbled or simply that I’m simply a silly buffoon, just like pretty much the whole rest of humanity. Yet maybe believing that is just another sample of my shallow vanity. I don’t expect you to accept my assessment, just that you’ll give me a bit of leeway, considering that there may not be a lot of room in my tiny mind for ordinary wisdom and classiness. Not really sure I can get a completely clear picture from my angle here on the floor. I’ve fallen, but I can get up!digital painting from an oil pastel originalTo be Honest

It’s true that I have fallen down
more often than a chef’s soufflés
(or poor Pierre crashed into town
in air-ballooning’s early days,
before he noticed heat would crown
the heights but cold air caused malaise . . . )
Meanwhile, I stumble, flop and crash,
careening like a loosened wheel,
my dignity thrown out like trash–
but had I grace and nerves of steel,
I’d likely still keep this my fashion–
nothing better proves I’m real.

Narcissical

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acrylic on paperWhen man’s-man men find womankind

especially spectacular,

it often seems their taste’s opined

as front-ular or back-ular,

and chicks who eye them back with leers

and rudeness too vernacular,

also choose looks, though dudes’ hearts bite

as badly as though Dracula-r.

How can they stand their standards thus

and stoop to stupid gravity

that pulls them down to lower lows

of foolishness, depravity

and such devotion to slick looks

that any cranial cavity‘s

acceptable, as long as ‘hot’

and needs no jot of suavity?

Must we accept only the slinky,

cute, or babe-a-licious?

Such flimsy taste is quite a waste,

and creepingly pernicious

when all the future of mankind

becomes so superstitious

as to attach to looks and limbs

values so shallow? Vicious!acrylic on paper

Whether Discomposed or Decomposing

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mixed media + digital imagePardon My Snoring

My lead-lined eyelids will insist it’s time to go to sleep,

So don’t be too insulted if I leave to count some sheep;

I find you fascinating and quite scintillating too,

So please don’t take it wrong if I should conk right out on you.

Your dazzling personality and brilliance are so bright

It pains me to, but go I must, and bid a fond Good-Night!

Pay no attention to the way I’m backing out the door,

And know your super-excellence could never be a bore.

I sigh, I yawn! But, for all that, it can’t be you that tires:

I’m sure it seldom happens that your audience expires!oil pastel on paper

Naturally, Reawakening

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mixed media + textNaturally

Following the steps of Nature, in my time I’ll go to sleep

and slough off my human stature, an appointment I must keep

whether soon or late or sudden, whether willingly or no,

taking nothing, I am bidden, as to dust–beyond–I go,

to a deep cellular cellar, shut from day and gone from night,

simple mote or something stellar, eternally both dark and bright;

I’ve no grief at this my bedding down to death as time requires,

but will go with no regretting to new lands and distant fires–

or to deep chasms’ silent spaces, nothing moving, nothing moved,

nothing touched by ills or graces or by sweetness I once loved,

for my thoughts will too lie resting, speechless, dreamless, all release;

all exemption now from testing, seamlessly wrapped up in peace–

So I’ll leave you, soft, in quiet

naturally inclined to sigh

with something of

relief, a sigh yet

not of sorrow,

when

I diemixed media + textReawakening

Winter now is past, forgotten swiftly as the melting snow,

as the things that children know slip away in quilted cotton

while they sleep: tomorrow, calling, beckons them to newer days

and to pleasures yet a haze on the edge of nighttime’s falling–

sorrow dissipates, as ices rimming rivers melt apace

in spring’s warm return to grace the Earth with all her sweet devices

Love, awake! The gentle keening of the season’s herald bird

is from barren branches heard, calling them to leafy greening,

calling from the snows of death all who have lain sleeping, dormant,

seasoned with dark winter’s torment,

to return to life

and breath

Who are We, Really?

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digital image + text

Earthen Vessel

Who am I?

Breath captured

in an earthen vessel

Spirit wedded

to primeval soil

Imperfect Mirror of

essential Being

Wrapped in the terrestrial

winding-sheet

of Human clay

Simple creatures, perhaps, we humans–but is there not a mote, a speck, a spark in us of something grander than what we usually appear? Some bit of wonder that belies the humble forms of mortality and speaks of the transcendent? The perpetual questions that pull at us when we regard an existential view must at least spring from something larger than the plain facts of our selves . . . what can it all mean?

I certainly have no expectation of answering any such things, or even approaching their periphery, in my life, but like generations before me, still feel compelled to ask. That in itself is an intrigue, an oddity of being what we so proudly name Homo sapiens. Does this merely prove that we are so self-centered and hubristic that we assume importance in our existence that no other species dares–or bothers–to impute? It may. The idea of a dog, a pig, a horse or elephant, no matter how intelligent it is, bothering to sit around and study itself and its centrality in the universe so intently is amusing but ultimately quite ridiculous; it wouldn’t in fact be an utter shock to discover that they think the same of us, if they could be troubled to notice it at all.

Most particularly I hope that there is much that is far greater than we are, knowing how puny and foolish and improbable and fallible we tend to be even at our finest times. It’s highly reassuring to me that, when I’ve done my puzzling and my contemplation of my place in space, my purpose in appearing here on earth, it’s still quite insignificant; that a real and precious Otherness is more than all of us, more than enough to fill the emptiness of space whether we little creatures stay or grow or cease to exist. This is comfort enough that I can go to sleep at night, content that I am not the sun or the source of anything necessary, that all will go on long, long, long after I have returned to shimmering dust.

Phriendly Phantasms

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digital artwork + textGhost Images

Grey misty days, indigo nights and wind that whips up suddenly
without a seeming cause, are frights only to those who’d turn and flee
at provocations slim, and slightest hints of something shadowy

But I am not afraid of these faint shades and palely passing things,
instead, I wonder if they freeze in fear at me, these souls whose wings
are clipped, and on whose quaking knees are bent, to hide from mortal stings

We are, it seems, all fearfullest of that unlike what we know most,
what is familiar and best, no matter if it is a ghost
or is a friend at whose behest we once raised up our happy toast

Yet have forgot, when he is dead, and think we ought to fear him now
as though he were a cause for dread whom we once loved and would allow
was more than harmless, bless his head, and still should seek him anyhow

For company, remembered, gone, or living still, or even sheer,
transparent spirit of someone who longs enough to reappear
among us present ought to own our welcome without needless fear

The world we see and what we know are far from all that there can be,
and far from all that’s good, and so we ought to revel joyfully
when spirit friends or living, should seek out our simple company

So as the night begins to fall, or wind kick up, or day grow cold,
and chill our souls, hark to the call of friends quite new or ancient-old;
embrace their spirits one and all, and only happy tales be told

Both of those living or long fled, whether of days in blazing bright
sunshine, or seeming dark as dread, or else the middle of the night,
for all companions should be led to know they fill our hearts with light . . .