Deep Sea Wishing

Digital illustration: Psychedelic PstarfishPsychedelic Pstarfish

Seems sillier than psyllium to sing of starry seas,

Yet so the ocean’s silken shore’s sufficient proof of these

That sparkling in such shady deep, something is sure to gleam

In stunning stellar specks and sparks in that submergèd stream,

So sing we sweet and shining songs of starfish as we wish

Upon the evening star to see a firmament of fish

The Magic of Books

Photo montage: The Magical BookIlluminations

A leather-covered volume with its pages edged in gilt

Slipped from the deck into the sea but, cradled in the silt

Where oxygen could not intrude, nor prying eyes descry

Its ancient glimmer in the mud, a century did lie;

One century—another—no, nine centuries of dark

It passed in sleeping silence after falling from that bark.

And then one day, a ray of light passed through the waves above

Just at the perfect moment for a mermaid, as she dove,

To catch a glimpse of gilded pages in that sea-deep sun

And swim down to investigate this treasure—only one

Quick sparkle of that golden edge brought her so close to look,

To brush aside the lazy silt and so, reveal the book.

Nine hundred years in darkness had it lain in quiet wait

For just this passing moment to wake up, illuminate,

And catch the passing fancy of an unsuspecting maid

Who’d bring it to her grotto in the deepest ocean’s shade.

In dappled dark, her opal eyes lit up the page, and next,

She read it, eager, mesmerized, the calligraphic text

Transforming, leaping from the book, becoming swiftly wild

And glorious, and telling tales that moved the mermaid child

To bend with sorrow, weep with joy; to palpitate with fear;

To live the story as her own; and, as the end drew near,

To grieve that such a magic fable had to end at all,

For it had seemed so rich and real, had held her in such thrall

That she’d begun to think it true, this tale of mythic men

And women wondrous wise and brave—she turned to read again—

Thrice through, in fact, she read the tome, and every time the more

Believed its great, compelling tale of life beyond her shore.

Full hearted, then, she closed the book, but never ceased to wish

That other mermaids, other seas, and other sorts of fish

Than those she knew in her own place were, as the story’s, real,

And though once happy, now she longed to see and hear and feel

What was beyond her native coast. One day she must return

To where she’d found that magic book, and see what she could learn.

One day, indeed, an older lass, but nonetheless enthralled

By the old book (she’d read again six times, if she recalled),

She caught the rolling afternoon’s most fearsome wave and rode

Under its lashing, crashing crest to where the book was stowed

Within its silken, silty bed so long, so long ago,

And knelt down on the ocean’s floor, and watched the water’s flow,

And saw the ripples up above, a thousand fathoms high,

And wished a little inward wish that something from the sky

Up higher still would pierce the waves, would light for her one ray

Of visionary hope the way it had upon that day.

Out of the darkness streaked with kelp, the passing sea life came

To look at her, this pearly lass, but swam off just the same,

For curious though she appeared, they’d naught to give or tell

That would assuage her longing or relieve her of her spell.

For days she hovered in that place, to gaze with fading hope

And heave a soft and bubbling sigh, and comb the gentle slope

To see if some small, overlooked companion to her find

Would rise to hand and help explain; but none was left behind.

At last she turned, quite woebegone, to drift for home, undone,

Her childhood fantasies all dashed—but wait! A ray of sun,

One faded spear, had pierced the deep; it beckoned her to draw

Back to the place her book had lain, and in its light she saw,

But faintly, now, another book, this one yet older still,

And as she took it in her hand, she felt a silent thrill

Race up her spine. She sailed for home as swift as mantas fly,

Gripping her treasure to her heart, this book dropped from the sky.

There in the grotto, as before, she read with trembling care

The prologue to her favored tale, the key unlocking there

The meaning of that history and mystery so grand,

The explication of her longed for never-ever-land.

Page One of this tremendous tome opened the secret wide

And startled her to drop the book, for there she saw inside

The preface to her deepest loved tale of that mystic place

Began with an engraving of her own familiar face!

Around her portrait, mirror-like, the title read, in part,

“The Story of Our Lady-Queen, the Owner of My Heart.”

Her own heart skipped a beat or two ere she once more to read

Took up the opus in her hand, to see where it might lead—

There in the shell-lined grotto sweet, she pored over the lines

Telling her life from this day forth, as writ by kingly hand:

Who authored this spoke of his love, and how she ruled his land

Long years to come, and how, in sum, her people throve as well,

And in the book, she met her love, who had such tales to tell,

And read them through with eager joy, to see what else she’d learn,

‘Til by the end-page she loved too, and had begun to yearn

To know this King and how it came that time had backward spun

So that these books of things yet dreamed fell from the present sun.

The end-page held, as she had hoped, engraved once more, two eyes

Whose gaze made her young, beating heart in recognition rise!

She dashed outside into the swell, and ne’er looked back again,

To find that place the boat was moored, to greet the sailing men,

To follow them to distant seas where they in their bark would roam,

And find the heart that from its start had known she would come home.Digital illustration from a photo: The Mermaid's Tale

Water Babies Athirst

There was a whopper of a rainstorm in Dallas recently. We were at our friends’ home, enjoying a little birthday party, and heard a few low growls of thunder in pauses between the chatting and laughter but had no great confidence rain would follow. It’s been overcast or cloudy often enough lately without granting so much of the hoped-for watering as it seems to promise, so we never take it as a given that we’ll be watered nicely. Not, in this instance at least, until the front door smashed open under the force of sideways gales and blasts of firehose rain. Bashed open once, and closed; then, a second time. And latched tight; the neighborhood was pelted well and truly until just a little before we left for home.
Photo: Drinking-Fountain Fountain

At home, it appears, no rain had come at all. Our gardens and spirits remained thirsty. I’m quite certain that a coastal-born person of my Washington upbringing and Scandinavian roots is a little more water-conscious, if not obsessed, than average. But the hints of rain that do arrive here, whether in sky-splitting gouts that last but an afternoon or in a steady series of lightly sprinkling days as we are sometimes blessed to see, are a fairly universally admired gift. And I find that north Texas is hardly alone in this.
Photo: Swan Like

The traveling we did this summer in Europe had very few rainy days among the many sun-soaked ones, and while we neither regretted the warmth and light of the sunshine nor bemoaned the drizzling times, we saw plenty of people in Budapest, Vienna, Prague, Stockholm, Port Angeles and Seattle who relished their rain-baths and their waterfront or fountain-side relaxation every bit as much as we did. Even the swans, geese, ducks and waterfowl seemed all the more pleased with their daily peregrinations on the days of and after the rains.
Digital illustration from a photo: Falling, Falling

I think that there might be in all of us a certain kind of thirst that mere water only reinforces and reminds us is different from the sense of desire and hope that can fill our spirits. River or fountain, a strong and cleansing rain, ocean or streaming tears of joy, the only water that can quite slake our longing for wholeness and growth and hope is the remembrance that we are primarily made of water ourselves, and as such, will always seek a way to the well or the shore that reassures us we belong.

Remembering Them All

Memorial Day is a US holiday begun after the American Civil War to recognize and honor the service and sacrifices of soldiers killed in the line of duty.

I have an immeasurable horror of war and every single thing associated with it.Photo: Memorial Day 1

But on our recent visit to Puerto Rico, as we were walking around the museum ruins of  a fortress in San Juan, the Castillo San Felipe del Morro, looking at the remains of its heavy battlements, at its cannons and their tracks in the gunneries, at the sparse quarters of the soldiers who served there, and at the museum signs telling the stories of El Morro’s past, I remembered too that the vast majority of the people who are involved in wars hate them as much as I do. War is chosen and declared by a tiny minority in even those bands or nations that instigate the wars. The rest, soldiers included, pretty much have it thrust upon them, and I can’t imagine anyone who dies in battle had any desire to do anything other than to defend or capture whatever or whomever he or she was sent to defend or capture, and go home peacefully. Even some of those who declare the wars and enlist willingly to fight in them probably often have done so with a sense of rightness, if not righteousness, in the cause.Photo: Memorial Day 2

I looked around the Castillo and, for all of its historical interest and the beauty of its locale and weathered stone walls, the birds and iguanas and wildflowers decorating it quaintly, what I saw was a memorial to the many lives lost, soldiers and civilians, natives and outsiders, adults and children, the good and the bad alike. All because humans aren’t famously good at sharing their world with each other and resolving conflicts without violence. I will always have a horror of war and all the loss of life that it brings.Photo: Memorial Day 3

But I am, honestly, grateful to those who have—willingly or not—paid with their own lives for the lives and welfare of others, and I remember them not only on this designated day but every time I pause to reflect on the high cost of peace for our oxymoronically named species, man-kind. Seems to me that there’s no better way to honor soldiers for their service and sacrifice than to end the potential for any more such work and eliminate all wars forevermore.Photo: Memorial Day 4

The Last Place on Earth

digital collageIn Profundum Maris

Deep in the ocean, fathoms far,

Beyond the reach of the brightest star,

In the abyss of the secret sea—

Seemingly past where life could be

Sustained—lies a billowing bed of kelp

That waves in the dark, where sleep, where help,

Where mystical mending music calls

As the tides turn back and the current falls,

As the storms above relent, abate,

Becalm, bring peace—it is not too late

To dive in the depths with delight, embark

On the garden path of the ocean’s dark,

Miraculous beauty, unseen, immense,

Suffusing the soul in every sense,

To lie in the rush as the seas roll by

And think it a joy too fine,

To die…digital collage

Something Fishy about That Girl

digital illustrationThe Return of Dorinda Beecher

Restless sailors far from shore seek in the stars, and furthermore,

In deepest seas, hoping to sight some change to break the endless night,

The ceaseless day, the infinite long year’s dull drone, for what’s in it

To charm the man who’s been abroad and has forgot his native sod,

Who knows no home and has no friend, just sailing, sailing to the end

Of Earth, the seven seas, the Known? Yet one such sailor, one alone,

Found in the foamy waves that dream the others sought, caught in a beam

Of phosphorescent, moonlit flash: the slightest bubbling roll and splash

Betrayed the presence of a maid; he started, would have leapt to aid

Her but that she was smiling wide, dolphin and otter at her side

Bearing her up in playful bounding swoops. He did not make a sound,

But smiled back, struck by her grace; and when she saw this on his face,

She beckoned gently, drew him on. Another splash! The sailor’d gone

And dived into the depths to meet this mystery, so grand, so sweet.

Could he? Would she? He fell in love, quite literally, from above

Her water empire, and he went full willingly, no accident

Of fate or fearsome, deathly wish: he’d rather fade among the fish

Than risk to lose this chance he’d seen to meet and mate his mermaid queen.

Once in the water, swift he sank, quite full of joy, and glad to thank

His lucky stars; he saw her swim in swiftest darts to rescue him;

She laid a soft hand on his brow–he thought it felt quite different now–

And gazed on him, and in her eyes, he saw reflected, with surprise,

That he’d become an otter, too. Yet not affronted with this view,

He thought their states a pleasant match; his mermaid queen was quite a catch.

Off, then, they swam, mermaid and men, her willing slaves not seen again.digital illustration x2This post is especially for Lindy Lee, who requested on Dorinda’s first appearance here long ago [see the link in the post title] that she might revisit us sometime.

The Hooey Decimal System

photoWhen I sort and edit photos, it helps if I can create categories and subcategories that will help me to find and use them after the fact. If an event or occasion is short and simple in the relative sense of such things, the name of the event or occasion itself may suffice as filing ID, but what of things like our summer road trip that encompass 5 weeks, 6000 miles, a dozen states, 2 countries, 3 music conferences, a dozen members of the immediate family, a half-dozen motels and hotels, and ever so much more?

What I tend to do is create an all-encompassing title that all photos will bear, identifying them as part of the larger expedition, and then putting them into files and sub-files that clarify the who-what-when-where-why-&-how of them. This helps me have at least a slight hope of locating any single shot or group of shots from among the multitude that remains even after I’ve culled a multitude more. It also reminds me of what things became, either because of my continuing interest in them or by natural default of recurrence on the way, thematic in the event.

Not surprising, then, that this extended road trip would have obvious and substantial files of many very familiar subjects. To be sure, there are a quantity of such old favorites of mine that any moderately frequent or attentive visitor to this blog could easily guess. Given my blog header, I can start with my fondness for rusty, rustic old things (like me, naturally), mechanical bits and industrial loveliness. There are hints in that image, as well, of my magpie adoration of all things shiny-metal, glass, water, jewels, plastic and any other thing that glints to catch my avid eye.photoMy many obsessions also appear in nature: flora, fauna, sea, sky and stone. If there’s a noticeable cloud formation or special kind of light I am lured to admiration of it. Insects draw me like, well, the proverbial flame-drawn moth. I’m an ignorant admirer of all sorts of vehicles that strike me as different or novel when it comes to my everyday experience, so there are always photos in my stash of cars and trucks, boats and trains, heavy equipment and the slightest, lightest personal transport other than feet. Feet, for that matter, can make perfectly entertaining objects of my camera’s affections, since people in general are also on my list, and character-full feet or quirkily clad ones or ones that by position tell a story ought to make marvelous image sources any time.photoIn the case of human subjects, I do have something of a restrictive love, however. When I know the subjects of my documentation, I’d usually rather be interacting with them, so often, the camera sits idle and forgotten unless I have some sort of mandate to shoot. If I don’t know the people, I am bound by respect for their privacy almost as much as by my shyness not to photograph them at all. So aside from crowd shots and unidentifiably altered distant views, I’m not likely to include too many people in my panoply of for-art photographs.photoWhere people congregate or what people have left behind, that’s all fodder for my imagination, though. I love buildings–the older or odder, the better–and their endless details, and whether they are homes or hospitals, offices or auditoriums, farm sheds or factories, they all have stories to tell. Ultimately, I suppose, that’s the overarching guide to my photographic peregrinations just as much as to my poetry and essays and drawing and every other expressive form of art I attempt: I am trying to discern, guess, or invent the stories behind those things I’ve seen.

There are, you know, endless stories just waiting to be told.photo