Seeing the moon at its showiest as often as I have lately makes me immeasurably glad. At the level of pure appearance, its resemblance to a magnificent pearl hanging on the breast of the sky makes that nacreous gleam a beauty of which I can never tire, any more than I would grow weary of taking slow, deep breaths after a spring rain when the lilacs have newly opened. It’s as though all the finery ever worn by all the goddesses of myth has fused into that one palely magnificent, ethereal yet endlessly potent jewel in the sky, so powerful that it can be seen sharply delineated at the height of day, yet as delicate as hoarfrost or needle lace in the faint patterns of its glimmering surface. And like the poets, philosophers and writers who preceded me, as well as those at whose feet I now sit, I remain in awe of the very idea of the moon; its mysterious pull on tide, time and spirit all at once never fails to startle me when I stop to think of it. I would like to sleep every night directly under the moon, staring until my eyes can stay open no longer, if I could really sleep there: while I imagine it might be impossible to close my eyes with such magisterial magic before me. Even when the moon is at its slightest, at nadir or waning to a hairline, it keeps its mystical hold on my imagination. Sleep or no, I can only expect I would dream. The glory of the moon demands dreaming, and whether I rest or not under its wondrous beams I will always delight in seeking to replenish my store of dreams, and by such restoration, to renew my own strength by the welcome, fabulous light of the gleaming moon.
Stars, sun, comets, moon and planets; rain and lightning, clouds and mist;
Birds and butterflies and rainbows; dragonflies by morning kissed:
What a sparkling declaration of the minutes passing by,
What a joy, this constellation of sweet treasures in the sky!
Though I hunger in the silence of shut-in days, sleeping, blind,
I keep constantly the radiance of these jewels in my mind,
Hoping, dreaming, moving, soaring–real, or the internal, eye
Loves the beauties so alluring of sweet treasures in the sky!
Night into Day
In the sinking stillness of the evening,
After birds have ceased to flit and call,
Silence comes to rest as day is leaving
And dark draws down the shade where night will fall;
The smallest breath of wind stirs from its sleeping,
For after dusk another world takes flight,
A world with gleaming secrets in its keeping
That give the constellations dazzling light,
Fill up the moon with shining opalescence,
Fill up the heart with dreaming of the day
And how its powers overcome senescence
When sun returns to chase the night away.
When I sort and edit photos, it helps if I can create categories and subcategories that will help me to find and use them after the fact. If an event or occasion is short and simple in the relative sense of such things, the name of the event or occasion itself may suffice as filing ID, but what of things like our summer road trip that encompass 5 weeks, 6000 miles, a dozen states, 2 countries, 3 music conferences, a dozen members of the immediate family, a half-dozen motels and hotels, and ever so much more?
What I tend to do is create an all-encompassing title that all photos will bear, identifying them as part of the larger expedition, and then putting them into files and sub-files that clarify the who-what-when-where-why-&-how of them. This helps me have at least a slight hope of locating any single shot or group of shots from among the multitude that remains even after I’ve culled a multitude more. It also reminds me of what things became, either because of my continuing interest in them or by natural default of recurrence on the way, thematic in the event.
Not surprising, then, that this extended road trip would have obvious and substantial files of many very familiar subjects. To be sure, there are a quantity of such old favorites of mine that any moderately frequent or attentive visitor to this blog could easily guess. Given my blog header, I can start with my fondness for rusty, rustic old things (like me, naturally), mechanical bits and industrial loveliness. There are hints in that image, as well, of my magpie adoration of all things shiny-metal, glass, water, jewels, plastic and any other thing that glints to catch my avid eye.My many obsessions also appear in nature: flora, fauna, sea, sky and stone. If there’s a noticeable cloud formation or special kind of light I am lured to admiration of it. Insects draw me like, well, the proverbial flame-drawn moth. I’m an ignorant admirer of all sorts of vehicles that strike me as different or novel when it comes to my everyday experience, so there are always photos in my stash of cars and trucks, boats and trains, heavy equipment and the slightest, lightest personal transport other than feet. Feet, for that matter, can make perfectly entertaining objects of my camera’s affections, since people in general are also on my list, and character-full feet or quirkily clad ones or ones that by position tell a story ought to make marvelous image sources any time.In the case of human subjects, I do have something of a restrictive love, however. When I know the subjects of my documentation, I’d usually rather be interacting with them, so often, the camera sits idle and forgotten unless I have some sort of mandate to shoot. If I don’t know the people, I am bound by respect for their privacy almost as much as by my shyness not to photograph them at all. So aside from crowd shots and unidentifiably altered distant views, I’m not likely to include too many people in my panoply of for-art photographs.Where people congregate or what people have left behind, that’s all fodder for my imagination, though. I love buildings–the older or odder, the better–and their endless details, and whether they are homes or hospitals, offices or auditoriums, farm sheds or factories, they all have stories to tell. Ultimately, I suppose, that’s the overarching guide to my photographic peregrinations just as much as to my poetry and essays and drawing and every other expressive form of art I attempt: I am trying to discern, guess, or invent the stories behind those things I’ve seen.
Those things that I can see even with my eyes quite tightly closed are objects of reverence and awe. No matter how much I admire the visible world for its quirks and art and prettiness, I cannot always navigate it with precision. I often can’t recognize faces out of their expected contexts. I miss obvious details that people around me have noted with nonchalance. I fail to see the marvel in many a beautiful everyday thing.So when the attractions of anything are so intense that they live, beyond existing in the visible world, within the depths of my mind’s eye, I accord them special significance. They become icons of a sort, or waking dreams. I can carry with me those images that hold their places in my soul with something stronger than mere physical presence can ever begin to attain.
Bread for the morning came from five-o’clock ovens fired with passion and streaked with musky, pungent olive oil; the steam rolled out of those great clay caves and up the terraced resin scented hills of vineyards’ cool and shadowed kiss. Inside the chalk-white walls with their gauzy curtains strewn and the brick brown pavers all around worn by pacing wiry dogs and treading cats, the whole countryside slept, immobile, somewhat far retreated in their beds before the wavy rays of fourteen-karat sun-baked into turquoise heat our ceiling of sky.
The dawn was chill and misty, palely blue,
Our hearts in morning shadow just as cold,
And bone and sinew feeling early old
As soul and body waiting day will do–
The sea was restless, slowing at the last
To push up foam as streaky as the clouds
And gather shells and pebbles in those shrouds
Around our feet, we statues standing fast–
All this, because our spirits captive are
Until revived by sun, our morning star.
So lifeless, silent, still and cold are we
When gold has yet to tinge the morning sky,
So empty is the world but for the cry
The seals and gulls raise up in minor key–
So heartless is the morning chill ashore
We stand like stone and cannot take a breath
Until the sun releases us from death
And brings the flame of sentience once more–
At last the light of day draws us to wake,
And we’ll bestir ourselves to act and thrive,
Rejoicing to discover we’re alive
Until the world’s foundations start to shake–