The Magic of Books

Photo montage: The Magical BookIlluminations

A leather-covered volume with its pages edged in gilt

Slipped from the deck into the sea but, cradled in the silt

Where oxygen could not intrude, nor prying eyes descry

Its ancient glimmer in the mud, a century did lie;

One century—another—no, nine centuries of dark

It passed in sleeping silence after falling from that bark.

And then one day, a ray of light passed through the waves above

Just at the perfect moment for a mermaid, as she dove,

To catch a glimpse of gilded pages in that sea-deep sun

And swim down to investigate this treasure—only one

Quick sparkle of that golden edge brought her so close to look,

To brush aside the lazy silt and so, reveal the book.

Nine hundred years in darkness had it lain in quiet wait

For just this passing moment to wake up, illuminate,

And catch the passing fancy of an unsuspecting maid

Who’d bring it to her grotto in the deepest ocean’s shade.

In dappled dark, her opal eyes lit up the page, and next,

She read it, eager, mesmerized, the calligraphic text

Transforming, leaping from the book, becoming swiftly wild

And glorious, and telling tales that moved the mermaid child

To bend with sorrow, weep with joy; to palpitate with fear;

To live the story as her own; and, as the end drew near,

To grieve that such a magic fable had to end at all,

For it had seemed so rich and real, had held her in such thrall

That she’d begun to think it true, this tale of mythic men

And women wondrous wise and brave—she turned to read again—

Thrice through, in fact, she read the tome, and every time the more

Believed its great, compelling tale of life beyond her shore.

Full hearted, then, she closed the book, but never ceased to wish

That other mermaids, other seas, and other sorts of fish

Than those she knew in her own place were, as the story’s, real,

And though once happy, now she longed to see and hear and feel

What was beyond her native coast. One day she must return

To where she’d found that magic book, and see what she could learn.

One day, indeed, an older lass, but nonetheless enthralled

By the old book (she’d read again six times, if she recalled),

She caught the rolling afternoon’s most fearsome wave and rode

Under its lashing, crashing crest to where the book was stowed

Within its silken, silty bed so long, so long ago,

And knelt down on the ocean’s floor, and watched the water’s flow,

And saw the ripples up above, a thousand fathoms high,

And wished a little inward wish that something from the sky

Up higher still would pierce the waves, would light for her one ray

Of visionary hope the way it had upon that day.

Out of the darkness streaked with kelp, the passing sea life came

To look at her, this pearly lass, but swam off just the same,

For curious though she appeared, they’d naught to give or tell

That would assuage her longing or relieve her of her spell.

For days she hovered in that place, to gaze with fading hope

And heave a soft and bubbling sigh, and comb the gentle slope

To see if some small, overlooked companion to her find

Would rise to hand and help explain; but none was left behind.

At last she turned, quite woebegone, to drift for home, undone,

Her childhood fantasies all dashed—but wait! A ray of sun,

One faded spear, had pierced the deep; it beckoned her to draw

Back to the place her book had lain, and in its light she saw,

But faintly, now, another book, this one yet older still,

And as she took it in her hand, she felt a silent thrill

Race up her spine. She sailed for home as swift as mantas fly,

Gripping her treasure to her heart, this book dropped from the sky.

There in the grotto, as before, she read with trembling care

The prologue to her favored tale, the key unlocking there

The meaning of that history and mystery so grand,

The explication of her longed for never-ever-land.

Page One of this tremendous tome opened the secret wide

And startled her to drop the book, for there she saw inside

The preface to her deepest loved tale of that mystic place

Began with an engraving of her own familiar face!

Around her portrait, mirror-like, the title read, in part,

“The Story of Our Lady-Queen, the Owner of My Heart.”

Her own heart skipped a beat or two ere she once more to read

Took up the opus in her hand, to see where it might lead—

There in the shell-lined grotto sweet, she pored over the lines

Telling her life from this day forth, as writ by kingly hand:

Who authored this spoke of his love, and how she ruled his land

Long years to come, and how, in sum, her people throve as well,

And in the book, she met her love, who had such tales to tell,

And read them through with eager joy, to see what else she’d learn,

‘Til by the end-page she loved too, and had begun to yearn

To know this King and how it came that time had backward spun

So that these books of things yet dreamed fell from the present sun.

The end-page held, as she had hoped, engraved once more, two eyes

Whose gaze made her young, beating heart in recognition rise!

She dashed outside into the swell, and ne’er looked back again,

To find that place the boat was moored, to greet the sailing men,

To follow them to distant seas where they in their bark would roam,

And find the heart that from its start had known she would come home.Digital illustration from a photo: The Mermaid's Tale

Something Fishy about That Girl

digital illustrationThe Return of Dorinda Beecher

Restless sailors far from shore seek in the stars, and furthermore,

In deepest seas, hoping to sight some change to break the endless night,

The ceaseless day, the infinite long year’s dull drone, for what’s in it

To charm the man who’s been abroad and has forgot his native sod,

Who knows no home and has no friend, just sailing, sailing to the end

Of Earth, the seven seas, the Known? Yet one such sailor, one alone,

Found in the foamy waves that dream the others sought, caught in a beam

Of phosphorescent, moonlit flash: the slightest bubbling roll and splash

Betrayed the presence of a maid; he started, would have leapt to aid

Her but that she was smiling wide, dolphin and otter at her side

Bearing her up in playful bounding swoops. He did not make a sound,

But smiled back, struck by her grace; and when she saw this on his face,

She beckoned gently, drew him on. Another splash! The sailor’d gone

And dived into the depths to meet this mystery, so grand, so sweet.

Could he? Would she? He fell in love, quite literally, from above

Her water empire, and he went full willingly, no accident

Of fate or fearsome, deathly wish: he’d rather fade among the fish

Than risk to lose this chance he’d seen to meet and mate his mermaid queen.

Once in the water, swift he sank, quite full of joy, and glad to thank

His lucky stars; he saw her swim in swiftest darts to rescue him;

She laid a soft hand on his brow–he thought it felt quite different now–

And gazed on him, and in her eyes, he saw reflected, with surprise,

That he’d become an otter, too. Yet not affronted with this view,

He thought their states a pleasant match; his mermaid queen was quite a catch.

Off, then, they swam, mermaid and men, her willing slaves not seen again.digital illustration x2This post is especially for Lindy Lee, who requested on Dorinda’s first appearance here long ago [see the link in the post title] that she might revisit us sometime.

Foodie Tuesday: Must be the Mermaid in Me

 

photoWhen I was growing up, I didn’t really have a sense of what a treat it was to eat fish. Mom prepared it beautifully, and it was special that most of our trout and salmon dinners were thanks to her father’s fishing skill and generosity, but the very fact that we got it for free must have seemed to my childish way of thinking simply an indicator that some money was being saved in the household grocery budget, surely a good thing but not a culinary indicator of quality per se. It didn’t take me awfully long, however, to realize that fish, especially salmon, was actually extremely tasty, versatile as an ingredient, and so enjoyable that its flavor significantly outweighed its (still unknown to me) mighty nutritional profile in making me seek it out for dinner, lunch, breakfast, snacks and more. Before I was in school I was a confirmed fan of salmon, that beautiful blushing fish, and had discovered a little something of how bountiful and lovely in general the larder of the sea really was.photoNowadays, I happily eat vast quantities of many kinds of seafood whenever I can lay hands and teeth on a fresh supply. Grilled salmon with (of course!) lashings of rich Hollandaise, salmon burgers, smoked salmon and cream cheese on thinly sliced pumpernickel, kulebiaka, hearty yet delicate salmon bouillabaisse, salmon and avocado salad: heaven. Crab quiche, grilled Tillamook cheddar sandwiches crammed with Dungeness crab, crab Louis, crab tacos, crab fried rice, fried soft-shell crabs? Divine. I moved up; I moved on. I never moved away again from loving rivers full, lakes full, an ocean-full, of good food. Calamari and 42nd Street Cafe’s clam chowder and chilled giant prawns with simple horseradish sauce (or just a squeeze of lemon). Slabs of roasted halibut, exquisitely artful sushi, sole Amandine, trout in browned butter, seared rare tuna, shrimp Toast Skagen, simple yet elegant sushi, and lobster bisque with cream and cognac.photoYou may think there’s something fishy about my obsession with all of this, but the truth is I just love good seafood. It doesn’t take a whale of an imagination to understand why.photo

The Fantastical & the Fleeting

Stuff is ephemeral; imagination is what endures.graphite drawingReal life has enough elements of adventure, romance and mystery to sustain us–indeed, to astonish and entertain quite endlessly–but if we don’t record and celebrate such magic parts of our history they are lost. If we fail to study our chronicles and journals of such marvels, they are but dust.

So the sages among us keep what documents they can and teach us as much as we’re able to learn. What, though, becomes of all this if we are ourselves not so sage? Those of us for whom history is mostly data, steeped and stopped in the past, rely on fantasy to renew in us a sense of the remarkable. The fictional, metaphorical and colorful characters, creatures and cataclysmic events we create in our arts give us vehicles for understanding the true mystical powers in our real lives. Types and archetypes remain because they represent not Things so much as Experiences, not acquisitions but states of being. Through these avatars and our vicarious living of all the extremes that we can imagine, we revisit–and can even revere–the lives that have gone before us.

Through these imaginings, we are best moved to become greater than our small natural selves. In our better selves we have hope of living out lives that might, in turn, outlive us to inspire later generations to dream beyond, to imagine greatness and loveliness not yet known. Dream on, my friends, dream on.

As the Murky Mermaid Cried, It Never Seems to Work Out for Me with You Mortal Twerps!

  • photosHas our romance tanked? Or were you just horsing around the whole time anyway?

Deep Anxiety

Azure the swell of the ocean

As it laps at my ankles and knees

Returns me to innocent ages

With its salt-scented tropical breeze

Enticing me into the water

To dance with the angels and clowns,

Those colorful fish,

Whose great subversive wish

Is that every two-legs of us drowns

photo
Is my luminous love anemone of the people?

Jellied Love

Wrap your arms around me, Dear,

Your thousand arms diaphanous

And slinky; pull me closer thus

And squish my spleen right out my ear—

 

A hug is only so refined,

Caresses valued most and best

That find me mashed against your chest

Until I’m quite out of my mind—

 

Crush me with adoration, squeeze

The living daylights from my heart

Till I this earthly plane depart

To ocean’s bottom, pretty please!

photo

When love comes the raw prawn and leaves you blue . . .

Ice for the Drinking

Has love grown cold? Didst run too hot?

I’m lost now that I’ve got it not,

And plunged into a deep abyss

Where everything is dark, amiss;

Neither is it quite blue or green,

But rather some miracle in between,

That diamond shimmer’s cold allure

Demands my fealty for sure

When sun sears high and day grows long;

It plies the perfect siren song

Toward leaping in the drink to freeze

My overheated soul with breeze

Tinted with mint or Curaçao . . .

Say, I could use an ice cube now!

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Ah, Ophelia, you are not alone in falling into the drink!