That which is Seen

graphite drawingThat which is seen by the untrained eye of the casual observer is an older man, an elderly man, perhaps a shell of his former self. Not someone with a lot of use and life adventure left in him. Handsome, perhaps, in his latter years, with this silver hair and these pale clear eyes, with his faintly stooping posture before a window where no single thing that’s new is seen; elegant in his quiet way, and maybe wise. But not more.

What cannot be seen is the forty-two years he spent working for the postal service, learning the business from the bottom up and eventually teaching not just the next generation that would follow him but the next after that as well. There is no way to know at merely a glance that he tended a beautiful garden on Sunday afternoons where he grew too many vegetables for his own table so he shared the rest around the neighborhood. Invisible, too, is the love he keeps alive for his long-dead wife of thirty years, except for the small bouquet of flowers he picks from that garden of his and gives to their son and his wife every Monday because they were her favorite blooms. Yes, the flowers and the kids.

In the plain little vase where those flowers live for the week, there is room for all that can’t be seen in one quick look at the profile of a man who sits and meditates beside a window. Only by taking the time to appreciate the fulness of that humble bunch of flowers and all that they have to tell can anyone really know what to see when looking toward that window’s light. It takes a certain clarity to see what’s right in front of you.graphite drawing

Damaged

photoFortresses

Wars build walls

On a foundation of

Corpses–

The evil and

The innocent alike–

And what do the walls

Keep in?

Keep out?

How is it that

Battles can be declared

Won or Lost?

For both sides die,

Both parties always

Somehow

Lose land and goods

And certainly, soul;

Starve in the snow or

Roast in the heat,

All the while watching

The world they knew

Reduced to ugly

Holes and rubble and

Its storied walls replaced

By a fortress that

Is really

Only a new prison

poem

Noirish

Here Lies a Haunted Man

First thing in the morning a perfect blue sky,

with a few sheepish clouds and a breeze,

gives no indication of what, when or why

we believe we must hide in the trees,

to disguise from what enemy, storm, or what foe,

or to vanish from sight for which reason;

we know none of that, but we certainly know

we have entered a paranoid season.digital artwork

Dreamscape

Out of the leaves of a banana tree

A mysterious Eye is staring at me;

I have some magnetic pull, it seems,

For the kind of stuff that makes up dreams.

Ten past midnight, and all is well

Except that I’m under the nightly spell

That thrusts me onto those strange savannahs

Where pursuers send me stark bananas.

Old Age and Other Natural Predators

photoI Realize You were Only Doing

What Comes Naturally,

But I have to Scold You, My Pet

I know you only meant to make

A dandy first impression

By killing this whole crowd, but Jake,

Behold my grave expression–

For it is impolite, I think,

And maybe even naughty,

Recruiting everyone in sight

To play the role of Body–

Your nature calls you to the task,

I knew from your first GRRR!

But some restraint gets less complaint

Than utter massacre.

I thank you that you rout the moles

And rodents by your labors,

Dear Jakey Boy, but next time leave

Your teeth out of the neighbors.

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On the upside, the house next door is available now . . .

Carol on, Carillon

digital artwork from a photoBells Rung a Little Prematurely

Bats of old Belvedere flew out and in

Of the belfry Hieronymus tended

Til they drove him quite crazy, so is it a sin

That he swung ere the service was ended?photos

Tough Neighborhood

Watch Out for those Kids

We were playing at boules and pétanque

In a park not so far from the Seine

But the children we played were so bloodthirsty there

That we vowed not to play them againdigital collage

Silence may not be Golden, but Control of Noisemaking Keeps Everyone Safer

photoPractice as though Your Life Depended on It

Two singers strolled into a wood, and I

Followed the one less skillful; why?

Starved beasts will flock to an anguished cry,

As they did that day; in the wink of an eye,

I was on the road less traveled by,

And that has made all the difference.

[With sincerest apologies to Robert Frost]photo

Dizzily Dark Imaginings

photo + texttext + photo

photo + text

Getting Singed

photo

Is it my imagination, or is it a little bit hot in here???

Femme Fatale

Barbara is standing by to cut my scruffy hair:

but, say–doesn’t that look a bit like an electric chair?

Look at that pair of scissors–oh, boy howdy, are they sharp!

Will my coiffure just leave me playing sad songs on the harp?

I’d say it’s mighty hot in here–a preview glimpse of Hell,

Or maybe just a purgatory-hint, that hairspray smell–

I’m not so absolutely sure that something here is wrong;

and yet, what’s so darned horrible in leaving hair this long?

Is it sheer paranoia and delusion of myself–

Hey! What’s that creepy science stuff in tubes up on the shelf?

I’m getting awfully shaggy, yes, it’s true–but not a Nut!

(I merely hope it’s nothing but my hair that will get cut!)

Oh, Barbara, I am nervous, so please, kindly, Dear, refrain

from trimming quite so near my throbbing jugular, poor vein.

And if you have to croak me (does this happen very often?),

at least make sure I’m wearing stylish hair there in my coffin.

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One way or another, I’ll be a hot number when I come out of here.

Change of Venue for a Change of Seasons

I lived most of my life in northern climes. My childhood and many subsequent years spent in the Seattle area naturally color my view of nature and my connections with it, so even though I’ve spent the last four years putting roots down into Texan soil my inner imagery of the season of growth is of sprouts and blooms native to alpine, temperate, rainforest and coastal territory. I appreciate and admire the vast and varied beauties of this wildly different terrain that is my new home, and my heart still resonates joyfully when it comes to those northwest marvels of green and gorgeous living things as well. I don’t think I’ll have to tell you which region inspired these two poems.

The drawings, though, could be a bit more nearly universal. Dandelions, in particular–I can’t think of many places I’ve visited so far that didn’t have a substantial contingent of that sunny little weed blossom. I hardly ever see their smiling faces without thinking of the adorable little enthusiast next door who peered over our fence and, seeing my mother pulling dandelions–and perhaps interpreting this as her enthusiasm for cultivating their charms–piped up to boast enthusiastically (much to her own mother’s chagrin): ‘we’ve got a MILLION of ’em!’ graphite drawingIn Return

Willingly as daffodils stretch out of the earth

At the first invitation of the sun,

So I come from the dark when my winter ends,

Turn my face up to the blessing sky,

And sigh at the promise of the spearing green

Arising by my feet, even if the icicles

Have not yet

Melted wholly away.

pen & ink

Avalanche Lilies

Amid the muffling drifts of downy snow

That draw the pearly winter sky down low

To kiss the earth once more in early spring

Are sparkling spears of palest glimmering

Green newness, first to show upon the white

And break the slope of frosted winter light

Uncurling soon to show the youthful face

Of spring’s renewal in this sleeping place

If still surrounded by the icy pale

Wild woolliness bedecking hill and vale—

The snow, though mighty, cannot fully stanch

The burst of springtime’s sparkling avalanche