A Mockingbird Appears

photoWhen ideas and inspiration have ceased, at least for the time being, to well up from the inside, it’s a mercy that the wide world contains so many and will hand them to me if I keep my senses ready enough. I often find myself too distracted by the busyness and pedestrian chores of the workaday world to see the magical other dimensions right within my reach, and need some helpful pricking from a sight or sound or scent as I pass through to remind me to open up the eye and ear and heart and take advantage of the universe’s generosity when it’s poured out so liberally right within my grasp.photoI walk in a haze of dully daily thought, lost to the world of rich and rare delights I’m walking in, when suddenly a mockingbird appears and turns its bright eye on me and seems to contemplate how absent I must be to almost pass it by when it’s quite nearly underfoot. In that shining eye a world reflects in which the other me is wrapped around with blooms, with drifting clouds sailing across a broad blue sky; with jasmine-scented breeze, with mist as the sprinklers spring to life, with happy shouts from a handful of little playing school kids passing me, looking for miracles of their own everywhere because they are yet too young to have forgotten them so foolishly as I have done. When the bird takes to its stripe-blazed wings and dives back into the air, my thoughts begin to follow and fly with it again: I am awake once more to flight and tune in to the rippling, rolling variations of its song as it rises to the trees, and soars above, and makes me remember that I am in a world full of wonder, if I will only let it fill me again.graphite drawing

Gleaming Afternoon

While I would soar, would gladly fly

Wide, in an arc across the sky

Whose dome of hotly burnished brass

Encompasses at every pass

The great wild height of atmosphere

That would engage to hold me here,

I can, eyes shut and spirit wide,

Pierce heaven to the great Outside.

Moments of Music

 

graphite drawing + textgraphite drawing + text

Doodle Bug

pen & inkI would like to state for the record that I am not, nor have I ever been, to my knowledge, an actual doodlebug, either zoologically or as a rolling or flying vehicle, a dowsing rod, or a method of seismic activity tracking. Not that there’s anything wrong with any of those. And it’s probably safe to say that my garden and numerous dimly lit corners of my home are probably full of living and dead pill bugs (what we used to call potato bugs when I was growing up), and I confess to thinking it highly amusing that these creatures are in fact tiny crustaceans that live right in my house and look like–indeed, are scientifically named after–armadillos. House Armadillos or Domestic Crustaceans, either way kind of weirdly cool in my estimation.

But I digress.

What I am is one of the many humanoids prone to doodling. And that’s not a bad thing, either. Doodling (or randomly scribbling on whatever is handy, usually a cocktail serviette or textbook or office paperwork or top-secret legal document, depending upon one’s status and age and current supposed activities) often leads, though many a grade school teacher would vigorously deny it, to thinking. And on occasion at least, thinking is not an entirely bad thing.

Whenever I’m struggling to get a piece of writing, a drawing, or frankly, any other project underway, there are few motivational tools that compare with doodling. The serendipitous or random mark that merely records a purportedly thoughtless and pointless motion of the hand can sometimes come to resemble an actual Something, and well, Something almost always leads to Something Else. In drawing as in life, just getting in there and starting, whether I’m ready or not, is the best way to potentially get anything done. Who knew!

Today’s doodle is brought to you by my propensity for turning many of my scribbles and scrawls and squibs and squiggles into things that resemble simplified linear paisley patterns or rosemaling, or any number of other folk design traditions. Once I get going on them, I find it meditative to a degree just to follow the whimsical path of inserting repetitive forms and line treatments, geometries and organic outgrowths of the marks, until I’ve filled much of the available space. Many of these folk-like, repeating elements become almost a trademark doodling style that might be as identifiable to some as my handwriting. Though, hopefully, more legible. And while the doodles don’t necessarily lead to specific or pictorial drawings in and of themselves, they do lend themselves neatly to a more relaxed and receptive state of mind in which those more concrete thoughts and ideas can indeed begin to insert and assert themselves usefully. And that can lead to different sorts of drawing, whether more topical or more sophisticated or more directed. Or not! The inspiration is in the action.digital painting from a P&I drawing

Today I was led by the doodling, not to a different drawing entirely, but to scanning it and playing with it digitally, first layering colors all over the place, then digital textures, then altering the proportions of the image, and lastly, stitching the resulting mash-up into a larger grouping of four copies of the same image arranged in a pinwheel fashion and then stretched, skewed, cut-and-pasted, and electronically stamped into a fabric-like whole that uses the same idea of the initial doodles repetitions-with-evolutionary-changes so that the end product still seems to appear quite handmade, as it’s not symmetrical or fully even from side to side or top to bottom. Now, if I were to take that square and repeat it, even if I turned it 90 degrees each time, for example, it would finally become more machine-made in appearance as well as manufacture. But that’s just mental doodling right there, isn’t it, because I could further alter the combination every single time I ‘copied’ it.

Which illustrates exactly what I was talking about as characteristic of doodling. One thing does lead to another, as long as we bother to do the initial one thing.

That said, I suppose I should get up from my desk and go forth to do a few individual things that might lead to getting some other essential things done around here. Cheerio!digital image from a P&I drawing

How does My Garden Grow!

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Mornings are glorious, oh yes: last year’s blue morning glories in their full blazing beauty (center, with the infamous garden chandelier needing better candle power to compete with the blue brightness) inspired the planting of not only the blue variety again this year but also these hot beauties flanking it . . .

My friends, Texas gardening is a ceaseless adventure. I sense that Round One of the growth season has already closed and Round Two is beginning. The first batches of blooming goodies have quickly baked to dainty crisps and their leafy greenness gotten rather scrawny and lean looking. Yes, my darlings, it’s gettin’ hot around here.

The pavement and patio concrete have a certain handily dense solar mass that lends itself to emitting mirage-like rays of shimmering hottitude that fry up whatever seems to have escaped the downward dash of the sunlight as it fell burning from the sky in the first place. Hand watering with a hose, even in the cooler parts of the day, is an exercise in futility to a certain extent–you can practically see the spray evaporating as it comes out of the nozzle, and anything with full sun exposure makes me wonder if the roots of the plant in question will in fact be boiled in the water I’m trying to give it. Gives me a different perspective on the old saying about ‘killing with kindness’, to be sure.

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While the planters are already past their first peak (in the left-hand shot taken during the roses’ first heyday), more blossoms are coming in readily; the blue-black ornamental sage next to the bell in the center photo are already a big favorite with hummingbirds–you can just see the white blurred silhouette of one in the lower right quadrant of the picture–and the brilliant blue of borage is in full swing . . .

The first burst of the rose blooms has passed and the buds are in place for their second coming after a couple of weeks of being pruned back and nurtured through their little rest period. The boxed herbs and vegetables are very thirsty and rather root-bound, so I shall have to ease their pain by some gentle dividing and see if they can continue to show their heroism in beating the heat. Even in their potted distress, the borage plants are putting out large trusses of those glorious blue, refreshing-flavored starry flowers, so I will hope all the more that a little judicious division or removal to allow them a little loosening of their too-tight pants will make them happy rather than prove an additional challenge.

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Zinnias make fun little hideaway homes for local bug-dom, but katydids seem to prefer something with more windows, and the dragonfly always goes straight for the penthouse so he can survey all of the lesser insects down below . . .

I know that the garden creatures are happy. Besides having me to chew on, the insects have all sorts of plants, not least of all those greens that are heat-stressed and have their defenses down. Some of the little bugs are still shy, like the one just barely peering out of the peachy zinnia above. Most of them are quite happy to be a bit more brazen, though. My little green friend came to the window and hung out with me the other night quite willingly–or was it just staring and spying on me? The prize for showiness this week goes, though, to the handsome Carmine Darter (correct me if I mis-identify) dragonfly that calmly came and posed on my little homemade tomato cage so long that I could come out of the house and get up close and macro-personal with him.

Whatever else happens in my little playground here, the main development will likely be somewhat delayed by the depredations of my intended full-yard rehab and my entirely predictably inevitable mistakes and faux pas. And, of course, getting overheated. For the time being, I am enjoying the begonias, the silverbeet, the sweet potato vine, and the cyclamen; the marigolds, the basil, and the blue sage.

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For now, all is color and joy . . . and there is undoubtedly much more to come . . .

Foodie Tuesday: All about the Ingredients

photoI’ve said it before, and lots of food experts smarter than I am have said it lots of times before I ever did: good food preparation starts with good ingredients. No amount of genius and skill will make a great meal out of so-so ingredients, let alone out of bad ones. And me, I have a modicum of smarts and very modest, though for a lazy goof-off like me, surprisingly patient skills. So yeah, I can get the job done, as long as I have some excellent ingredients in hand.

photoStarting with salt. One of the most indispensable of delights in the entire pantheon of foods and culinary assets from its first discovery, good salt in just the right quantity is the First Rule of Yumminess in many, many a dish. But, hang on, salt should still often be the last ingredient applied. Tricky, no?

photoThe meal, however, if it’s with fun guests on hand and stretching a little over the course of the day or evening, well that should begin with a little taste of something nice. For the other day’s dinner guests, who were indeed a whole lot of fun, the starters were simple enough, and already on hand: the crackers I made (and posted) last week, the olives I’d previously bathed in sherry and olive oil, and smoked almonds, plus a few chilled prawns with dill-enhanced cocktail sauce. A fresh, cold batch of light Sangría:

Blushing Sangría

Two 750 ml. bottles dry rosé (I used a nice dry Pinot Noir rosé by Toad Hollow), plus 1 bottle of sweet white wine (I used a bottle of Moscato), 1/4 cup of Amaretto, 1/4 cup of Himbeergeist, 1/2 pint of fresh raspberries, 6 small or 3 large fresh peaches, 1 teaspoon rose-water, 1 teaspoon vanilla, 1/4-1/2 cup of light agave syrup or raw honey. Stir gently and chill thoroughly before serving.

The peaches I bought were an unexpected mix of half overripe and half underripe fruits, so I peeled and sliced the underripe pieces into the Sangría, where I’d already immersed the raspberries, and the too-ripe ones I pitted; I put the mushy peaches and all of the skins from both kinds into the blender with a bunch of the liquid ingredients, blended them all thoroughly and sieved the pulp into the Sangría, so I still got all of the mileage of flavor and color from the peaches, if a little less sliced fruit. In the end, it was plenty drinkable, so all was well in our pre-prandial world.photo

photoThe meal needed vegetable balance, of course, so I kept the ingredients to a fair minimum again and the flavors simple. Why mess with good contents? A mix of heirloom tomatoes and red cherry tomatoes made a simple but flavorful topping for romaine lettuce with a couple of simple salad dressing choices. Sweet corn, freshly pared off of the cob, was gently and quickly warmed in butter. And some delicate asparagus was steamed with a little soy sauce, a little plain rice vinegar, a very small dash of toasted sesame oil and a sprinkling of sesame seeds.

photoThe main dish, which I’ve undoubtedly mentioned in previous posts, was our old favorite household standby of Smoked Salmon Pasta. Not even a true recipe, really. Dearest John, I did not hand-craft my pasta. Yes, I bought refrigerated fresh fettuccine. Would that I’d had you supervising the party, not to mention in charge of the pasta-making, this element would indeed have been more, erm, elemental. Not to worry. Some day I shall reform. Meanwhile, a decent store-bought fresh fettuccine is not such a bad thing when dressed up just a leetle bit with smoked salmon cream. Simmer about a pint of heavy cream until it thickens to a nice sauce thickness, add about 1/4 teaspoon of freshly grated nutmeg and 1/4 teaspoon ground white pepper, 1 cup of broken up [hot smoked] alder smoked wild salmon, and a good splash of lemon juice. Toss gently with the freshly cooked and drained pasta and serve.photoThere are only two main high-quality ingredients needed to complete a pretty good party with all the rest of this, then. Dessert, naturally, should be offered–a bit of sweetness to follow all the preceding, and stretch as far into the evening as can be managed by all. But most significantly, the last essential ingredient of the gathering is, well, the gathering. The good company. We had that. Good enough company to want to stretch out the evening. So there was just a touch of dessert. Fresh strawberries and, you guessed it, chocolate.

photoI never said I was original in my menu planning. But I am really good at putting myself in excellent company, and that’s always what the party is all about. There you go: my real culinary talent is cooking up a right magical blend of outstanding people and enjoying the delights that result from the combination. Too bad there’s no cookbook out there that teaches that–no, wait–every good cookbook in the world gives guidance for just this art. As these good books teach us, choose your excellent ingredients wisely, food or company, and you will brew up a marvelous party.

Blueprints for the Romance of Place

digital artwork + textBuilding Strong Bones

In the lovely resonant

shadowed hollow of

an architectural ruin,

the beauties of

its skeleton become

more than engineering,

more than a means

of shelter or a clever

way to shut people

in or out–

What happens is

life becomes caught

in the interstices of

a building’s bones–

vitality drawn off

from all the smaller lives

that have come through;

in the humming open space

of a lovely

building in ruin,

mortality is kept

as though in a jewel-case

or a body quite perfectly made

for being loveddigital painting

North

 

The depth of the lake cannot be guessed

 

Its shimmering silicate glacial glow

 

With turquoise mask screens what’s below

 

In filtered glimmer, thought at best

 

To be just deep enough to hold

 

Beneath the frigid upper glass

 

Down in its centermost crevasse

 

Something mysterious, so old

 

It’s passed from memory and ken

 

And only surfaces when stars

 

Come showering down as red as Mars

 

To call it upward once again

 

Communing with its antique kin

 

For roaring moments in the night

 

Before the day dawns turquoise bright

 

And glassy water closes in

 

Once more its inexpressive glow

 

A wall of silence ageless, stern

 

And secretive, where none can learn

 

What lives those fathoms down below

 

Invitations to Dance

watercolorDancers I: Bend Sinister

Leaning back into a dire S-curve

And turning, twisting out of grace,

Finding cruel existence takes

Her to a meaner, coarser place,

She rebels against the tide

That pulls her downward, scrapes her soul,

And makes a revolutionary

Spring to leave the great Black Hole

Of wounded spirit, tortured love,

To swim back into something sweet—

This is the mandate of the dance:

To win by keeping on her feet

watercolorDancers II: Conjuror

Under a spell of loveliness

She leans, she curls, expands;

She falls against the strong caress

Of gladness, in the hands

Of magic greater than herself,

And when the spell is done,

There is no darkness, loneliness

Or sorrow; she is one

With every boundary, with joy,

With having been set free

From all constraint; the dance has won

Her to infinity

The One Person Who Asks

It’s easy to love the grand gesture. I’ll never say No to heartfelt generosity–at least as long as I don’t think the giver will be harmed by my acceptance–knowing how much it pleases me to know that others enjoy my gifts. But more than anything, it’s the smaller, maybe more intimate, maybe just more spontaneous, things that truly move me.

Sometimes amid the siege of an endless conference or workshop, a silently knowing meeting of eyes across the room is all it takes to get me through the whole rest of the event. Or it might be that one light pat on the shoulder as two of us pass each other hurriedly in the hall. The warm smile from the lady I met only last week that says she already names me Friend.

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A letter from a grateful stranger. Who could know that just sitting and holding his hand for a moment could mean so much to both of us?

It’s certainly the one person who gently asks after the status of my current concern, whether it’s an upcoming test or finishing an important project or, especially, the health and happiness of my loved ones. That moment of being willing to ask, and of quietly listening to my reply, speaks volumes of kindness that wrap my heart and spirits in petitions and repetitions of comfort. And when words fail or have no place, there is the silent embrace of a gracious and caring friend.

To all of you who practice these beautiful arts, I say, Thank You. It means the world that you do, even–maybe, particularly–when we who are on the receiving end of the exchange have no words or gestures of our own with which to respond and express our gratitude properly. The best that we can hope is that, borne up and our way made brighter by their light, we’ll be made strong and peaceful enough ourselves to pass along the gift to someone else who may not even know he was in need. Someday we, too, will be the one who asks.

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The smallest kindness can bestow a deeply needed ray of light.

I Close My Eyes

photoI close my eyes.

Breathe. Breathe, and think nothing–deliberately think nothing: not thoughts about nothingness, but no thinking. Just feel. Feel my breathing. Let it slow and deepen. Sense how my lungs are filling and how cool and soothing the air can be. Feel the inside of my eyelids becoming less dry and harsh, softening with the renewing almost-tears that mark the relief of closing my eyes after too little sleep and too long a day to follow it. Breathe.

I can smell the familiar scent of my freshly washed shirt collar that’s pulled up close to my chin, not because I’m cold but because it’s a favorite and a comfortable, so-soft shirt. All I hear is the gentle whirring of the air through the house, the light flickering of leaves outside the window in the slightest breeze, and a bird not far away, practicing its sweet and simple arias without tiring. The sun’s warmth, coming in the window, is blushing its way through my eyelids but still I keep my eyes lightly closed. I am content to maintain my steady breaths, my slowness, my calm, my emptiness, and simply to feel. My pulse ticks softly, steadily, unhurried.

There is no need to think of anything just now. Nothing I could think would change what is real in my world or better my place in it, at the moment, so it is good to turn off the thinking and just let go of my usual tense grip on it all for a little while. The world will wait for me.

I can visit other worlds if I like. Sometimes, with my eyes closed, I will. I can make such wonderful worlds inside, when I wish.

But for now, what I want most is this silence that I have sorted out from what’s outside of me; these slow and steady and uncomplicated open spaces I am cultivating and embracing on the inside. The warmth of the sun, through glass, caressing my face. The depth of soothing air moving through my lungs in a grateful, peaceful sigh.

Everything that must Happen and Change and Do will have to wait for me while I am so very un-busy just being. That is enough for now; sitting, eyes closed, breathing, silent, open. For now, that is everything.photo

Sunflowers

It’s too soon to find them in bloom. They’re mostly two feet tall at best, thus far, and not nearly ready to flower. And the sky is overcast today. Quite grey and a little bit dark. Any sunflowers would be hard pressed to find the sun and smile at it.

The thing about sunflowers is, they believe in the sun even when it’s not visible. I do, too.pen & ink