The Way It Ought to Be

graphite drawing + textI’m not what you might think of as a big traditionalist in the ways of romance–at least, if you think of those things packaged in the way that American commercial enterprise would have us think the norm or the appropriate mode. It may be that I’m a little too tomboy at heart and in physique to wear either the girly or the sexy look with any credible panache. There’s more than a small chance that I’m too lazy and cheap to buy cards and flowers for my nearest and dearest with any regularity. Chocolates, yes, but you know that I’m going to expect to share in their consumption. I’m far from selfless enough to be a true romantic either, I guess. Otherwise, around our place the romantic expressions are more often found in filling an empty gas tank, caulking the shower door, making lunch, washing socks. All of that sort of glamorous stuff.

I’m so unromantic in the popular sense, in fact, that despite being both shy and kind of prudish, I moved in with my intended life partner before I married him–yes, before I even warned him of my intent to marry him. Or to stick to him like glue for the rest of my life if he was shy of the whole getting-married thing, having done that before. Despite my love of pomp and circumstance and ritual, I was prepared to forgo the whole dress-up extravaganza and either commit to the partnership in heart and hand only or just keep the legal transactions simple and stand in front of a Justice of the Peace somewhere and then party later with family and friends. (Because, let’s face it, any excuse for a good and love-filled party is not entirely to be passed by, wishes for simplicity aside.)

As it turned out, we had a pretty spectacular wedding day, but it was really icing on the proverbial cake. One of the central beauties of that day was an anthem composed for us by our dear friend, with a text my intended chose from the enigmatic and marvelous Song of Songs that includes the phrase ‘love is as strong as death’–this accompanied by other close friends playing organ and horn and a superb choir of yet more friends (also conducted by the composer). Hard to get more romantic than that. But that was all well after I’d realized that a big spectacle wasn’t necessary to validate the spectacular thing that had already happened within.

All of this because at some point pretty early in our relationship, I knew with complete and unshakeable conviction that when I was with this person I was where I ought to be. It was so clearly and plainly the place and state in which I was meant to exist that I felt it in my bones. I was at home in his house the first time I stopped by for a visit–even though you all know full well that I reinvented that physical space from Day One around the two of us. The music that I heard was not just the glorious sound of his choirs welling up around me but was also a new rhythm in my heartbeat that was more confident, more joyful, and more purely contented than it had ever felt before, in those days before I even knew it could feel this lovely new way. A new sense of the world skewing into proper perspective that suffused my brain.

And that, to me, is how true romance ought to be. Genuinely loving and playful and silly and passionate and supportive and all of that, yes, but most of all, merely having the recognizable quality of a homecoming, every single time we come together. Flowers and candy and frills and thrills are all very welcome in their own right, but they have nothing on a sense of wholeness that only grows with time and no matter how it evolves and changes iterations over the years, will not go away. It is both transcendent and, when it’s so well ingrained and incorporated in the truest sense, also wonderfully, perfectly ordinary.

Today, on my beloved‘s birthday, I have another reason to remember all of the reasons why I am grateful for him and his place in my life and my love–and I in his.

Beloved Mysterious

Beloved Mysterious, if you could see

The blood-dark river hid inside of me

With longing deep as chasms unexplored

Through which, from which, in which that love is poured

In endless flood of hope and of desire

As hot and wild and dangerous as fire

Then you would know the depth, the liquid breath

That carries love for you beyond my death.

It’s Not Just Dragon-Breath that Scares Me

graphite drawing

Night Terrors and Morning Madness

How odd, arising in the morning, to look in the mirror’s glass,

To see someone so unfamiliar, so unkind, uncouth and crass,

So ill-mannered and repellant, full of grossness, grease and grunge,

And to wonder how on earth I can begin to clean, expunge,

Remove, ameliorate; to salvage any goodness I could hope

To find in such an unfit carcass; rescue with what bar of soap,

What fell razor or belt sander, what hair shirt, what whips and chains

Aimed at purifying putrid monster madness, would what else remains

E’en resemble who I used to think I was, have any grace?

What relief, when after coffee, I come back and see my face!

Under all of it, thank heavens, lies the self I onetime knew,

With its kindly dragon scales and bony crest familiar: Whew!

Little Things that Make Me Happy

Having Gotten some Stuff Done around the house is high on my list of everyday joys. It should be noted that I don’t say ‘getting some stuff done’–that, to be fair, would be slightly disingenuous, as I’m lazy enough at heart that I prefer the finished product to the process much of the time. Not always; I can get off of my haunches and get active, it’s just a rarer occurrence than that I’m pleased to perch on them surveying my handiwork as an end in and of itself. So I’ll just show off a few of those chores and projects that have given me that sort of pleasure, and perhaps inspire you as well: after all, some of the enjoyment, as you’ll see, comes from the knowledge that each of these items succeeds in making my daily work simpler, and thus, my laziness more tenable. Which, not to be too tautological about the whole thing, is the point of the Doing in the first place.

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Putting latches on closet doors that, no matter how they’re hung or how the hinges get adjusted, refuse to stay fully closed. I apologize to the poltergeists whose chief form of entertainment this may have curtailed, but not so much that I am going to remove said latches.

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‘Customizing’ the laundry room on the cheap. I’m the sort that teeters between an out-of-sight = out-of-mind mentality, generally, and liking my tidiness too, and since like many homes mine’s most frequently entered through the laundry room (the garage entrance lies there), I can’t abide a junked-up laundry space. So I have over-the-door hooks for quick hanging and access when it comes to day backpacks and *nearly* dry laundry, wall hooks for baseball caps when it’s time to dash out in the blast of sunlight, a wire shelf cut to fit on top of the two opposing door jambs so I can put my laundry basket out of the way but in reach, and my favorite new tweak, replacing the hall door that used to overlap the garage entrance one when they were both open (every time we left or entered the house) and was wont to grab my fingers and scrunch them nearly every time they met. The new door is a bi-fold, and so sits neatly out of reach of that garage exit door and unable to do its dirty deeds any more. I was seriously cheap on this one and bought a closet door that’s unfinished on the laundry room side (plain Masonite), but when I paint it I am planning to use some blackboard paint I have around, and I figure we can use it as a coming-home message and reminder board after that.

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While I think it’s nice to have a bookshelf with an assortment of books and magazines in the guest room, ready for any visitor, I know too that many of our guests are en route elsewhere when they stay here, so I like to keep a shelf of it filled with books, magazines and pamphlets about any of the sites, sights and adventures available in this region, in case they’d like to plan further while here. If they happen to open a box with a little sweet treat in it while rummaging, that can’t hurt much either, can it?

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Having illogically arranged spaces tends to make me *un*happy. So after a couple of years of being piqued that the cupboard door over the kitchen peninsula, which happens to be the one closest to the kitchen table, open the wrong direction–thereby making the cupboard unreachable and useless–I decided it might be time to cash in on the open shelving trend. Now my drinking glasses are reachable both from the sink and from the table, and are in visible proximity to the tea-and-coffee mugs hung simply on the end of the cabinet. Much easier all ’round.

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One of my pet peeves in a kitchen is not being able to find towels for hands or dishes when I need them. But I don’t like having them hanging where they can be schmutzed or pulled down accidentally by any passing person or pet, nor do I appreciate when they block drawers, doors, oven windows and the like from their normal uses. So I took advantage of the sides of the cabinets flanking my kitchen sink window and put up hooks for towels that I think are reasonably identifiable for their respective uses on either side–the hand towel over the side of the sink usually used for hand-washing and the dish towel over the side where the drying rack lives perpetually on the counter. Yes, I am gifted with enormous work spaces in this kitchen and can spare the room for air drying dishes. That, of course, makes my lazy soul happy too.

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I’d be lying if I said that having the thermometer outside the kitchen window makes me *happy*, exactly, since it usually tells me nothing more than that It’s Boiling Hot Out There. But forewarning or at least a reminder that the great outdoors might not be as splendidly inviting as it appears here is valuable, at that.

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Admittedly, a dish towel hook may not seem like such an impressive possession, but if the one thing it simplifies in my life makes me more willing to actually *do* the dishes, that’s worth something, isn’t it. Having a pleasant view out the window there doesn’t hurt either, even if it’s always a work in progress itself.

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My stack of well-worn flour sack dish towels is evidence that doing dishes is not anathema in my kitchen. The wholly holey character of a few of them, I’ll admit, is not dish-related but due to their also making perfect straining cloth for fresh cheeses and home-brewed broths and ideal for drying all sorts of leafy greens and fruit and veg as well. Many trips through the bleach load take their toll, no matter how kindly I try to treat the cloths otherwise.

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Replacing what has given its all for many years of intensive use is a source of happiness, too. While it may make interesting textures and patterns and colors, a pot whose nonstick surface has finally converted to everything-sticks status and whose base has warped into a minimal-contact bowl that teeters on the cooktop is facing retirement as soon as I can get my hands on a choice replacement.

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On the other hand, being able to refresh the old geezer items with new life is worthwhile and can be fulfilling in its own way as well. A lamp with wiring that has officially hit the half-century mark is probably best not turned back on until I rewire it. The one I have on my work table just now may prove to be an intriguing enough project that I’ll share it with you–when I disassembled it I discovered it was made from a commemorative Jim Beam decanter. Oh, the little things that can bring me happiness. Hmmm. Suddenly I’m inexplicably thirsty. Wonder if there’s any whiskey around.

Foodie Tuesday: Fine Dining should be Easy

Among those of us who have the privilege of eating affordably and often, there should be no reason at all for us not to eat well, too. Least of all should we eat mediocre meals for lack of time. Today’s solution: a main dish precooked and finished at top speed at the very last minute, accompanied by super-quick fixes as side dishes. No reason to make it more complicated than it is on its own merits.

photoPrecooked pork tenderloin was in this instance a dainty piece of meat seasoned with salt, pepper and butter, sealed in a vacuum pack and simmered gently in the sous-vide to a tender pink overnight–easy-peasy. If one has the luxury of a sous vide cooker. If not, I think I’d try to do the same in a slow cooker, because that’s the way this chica operates, though there’s no reason I couldn’t also steam it low-and-slow, covered, in the oven.

At suppertime, easiest of all. The tenderloin, removed from its vacuum pack and cut into pieces about 1-1/2 inches in length, is tossed into hot bacon fat along with a handful of sliced almonds and caramelized until lightly crisp on the outside, getting a nice deglazing bath of very dry sherry to moisten at the last and loosen up all of that lovely fond. While the meat is browning and falling into delicate pulled shreds, it’s a moment’s work to fix the side dishes.

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It all goes down a treat with a glass of very cold Viognier jazzed up with a dash of Limoncello. Salut!

 

Green beans slicked with a little clarified browned butter, and my standby creamy ginger coleslaw, go pretty well with sherried pork tenderloin and almonds, as it turns out. Once it came to the end of the meal, I wasn’t exactly dessert-starved, but given this time of the season it would almost be a crime not to have a prime piece of fruit. A pear, silky and sweet as syrup but a whole lot juicier and more fulfilling, is dessert in the loveliest of ways. Hope I have another pear handy for breakfast, though . . . another good meal should always lie ahead . . . photo

Vita Brevis! Carpe Diem!

 

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Let us mind our history lessons, each of us . . .

There’s nothing like sorting through one’s personal archives to stir up the notion that life’s short and memory shorter. Go through the files of family photos, yes, and there are ghosts staring back at me that I never even knew, let alone can name or place without my mother (perhaps my grandmother or great-) on hand as reference. How many thousands of stories have I ignored or forgotten among only the few handfuls of fading images I keep boxed up in storage, I wonder?

Delve into nothing more exotic than the household files, meaning only to rearrange what’s there more neatly and perhaps cull a few records that are far out of date, and I find I am plunged into a well of information that, even in those records and bills and receipts not older than a year, escape me like ephemeral puffs of ether as I try to grasp what they meant or why they were recorded in the first place. An atomic cloud of ideas and ideals sprays out of the folders that I thought would only hold a few needful numbers, a name or connection I must think I needed at tax time or on my next appointment with the named practitioner. Stories trail out in smoky wisps.

Reach back into the recesses of the cupboard or closet, hoping to simply rearrange my goods for daily use, and I always discover that my tidying has turned archeological, that items long forgotten lurk in the shadows and recall to mind grand plans since erased: a superb meal here, a skirt to hem there, a pint of paint bought specifically for a project that has lain neglected so long that the other parts were used eons ago for something else entirely. My life is a tale of constantly shifting shores, tangents taken and those unnoticed ones that might have led me in a completely different path to who-knows-where.

What is my legacy? I cannot know, other than that it is short and small. My life’s story will disappear in a hiccup about as soon as I shed my human shell. But in the meantime, what adventures can I take? How shall I flesh it out to my own satisfaction? That is the time of relevance to me, not history past or future but my own small window of experience. Shall I forget the stuff of my life long-shelved, my ancestors, the wide unfolding scenes of history and space? Oh, no, never by choice. But what will shape my happiness the most is none of that, is rather my living in this moment, possibly with a tidier cabinet here and there or a better sorted box of memories to visit from time to time, yet always with an eye toward the light, toward the rising and setting of the sun. Day in, day out, forever.

Life is astoundingly brief and runs away apace. But grasping the essence and ecstasy of any day need not be gigantic in its way, only enough to fill an undemanding heart with some small measure of contentment that might overflow, only enough in turn, to run out toward another heart or two.

 

With a Full Heart

graphite drawingA Song of Farewell
Ends Only the Beginning

A fond farewell should only end the start
Of what emerged from nothing to become
Much greater than its origins, a home
For all that’s good and gracious in the heart–

What had begun in silence has grown deep
And richer than imagining could guess,
A tapestry of joy and tenderness,
A score of blended notes that time will keep–

Whose voices came together first in this
True confluence of sound and sweet accord
Cannot again move aught but closer toward
Such harmony as, now it’s found, is bliss–

For in love’s benedictory refrain
Awakens what all hearts must sing again.

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With gratitude to all at the Episcopal Church of the Incarnation, Dallas, Texas,
and especially to the choir, for welcoming us so kindly during this past year.

Kathryn Sparks
August 2012

Slouch a Mile in My Pajamas

A post made in loving tribute to all of my fellow hippies, slackers, boulevardiers, and couch potatoes. Yes, I can get the job done–if I really have to–but I’d much rather rest on my laurels Barcalounger, thank you very much. Join me, won’t you?photo + text

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Foodie Tuesday: Ten Thousand Things I’ll Never Know

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Nash your teeth over this! Celery, raw . . .

Okay, you are all very well aware that there are more like ten squillion things I’ll never know, but it doesn’t make for as mellifluous a title, now, does it? Ahem. Confession is all well and good, but I might as well please my inner critic, too.

I am referring, in the title I did choose, to the multitude of cool tricks and fabulous skills I am quite unlikely to learn and/or acquire as a chef in this lifetime. Some of them I could undoubtedly get the hang of, if not exactly master, were I to make a dedicated effort. But I’m such a dilettante by nature and so easily moved to any attractive tangent, that such dedication is a fairly rare commodity in my personal performance toolbox. I certainly admire all of you artistes and culinary technicians who have such an abundance of graces in the kitchen, at the grill, and around any old fire pit you can conjure out of architectural rubble, used tuna tins and flammable leaf-mold. And I’ll leave such things to you.

If I were a serious student I might be able to learn how to poach, candy, spherify, souffle, smoke, sear and pulverize the universe of edible things into perfect submission, but I am instead the kid who sits in the corner and stares alternately out the window and down at my left shoelace until galvanized by the lunch bell, whereupon I am first in the cafeteria line and probably sticking my fork into my food well before I have sat at a table. So my hopes of becoming a great chef are limited at best. Part of the problem is getting practiced and patient enough to merely remember what I just did in preparing a dish to have even the remotest chance of either replicating it at some future date or–if it turns out it’s awful–avoiding said replication, at least by improving those things that were unsatisfactory about it in the event. That makes one of the Ten Thousand Things that ranks very high on my list the ability to prepare and eat the same thing twice.

While I’m all for playing Variations on a Theme and enjoying change and novelty, I’m not entirely free of the rather common human urge to indulge in familiar favorites. That means it’s often wisest not to stray exceedingly far from the few techniques I do know and the moderate batch of ingredients that are well-loved in my cookery adventures, or I’m surely doomed to a perpetual cycle of this battle with my limited memory, always eating whatever random concatenation or ridiculous concoction happened to come out of my latest crash course dans la cuisine.

Today, I was faced with a fair fridge-full of unrelated leftovers that, if I didn’t want them to die of old age, needed to be made into something approximating tastiness that I could at least freeze until we would be home to heat-and-eat them. Combined, there were the makings of a whole simple meal; it only required my ‘repurposing’ everything, if that’s not too odd an application of the term, and the time was decidedly now. Tonight the garbage and recycling bins get put out for morning collection, and if we’re not going to actually eat the stuff, it’s clearly better to cut losses before that cleansing event than after it.

So, since the ingredients presented themselves, I prepped three simple recombined dishes as follows. The main course: a BBQ meatloaf of sorts. Sides couldn’t be simpler than yet another version of my mainstay potato casserole and steamed vegetables, and that’s what we’ll have to feed our hunger and clear out the refrigerator this time. What I’ll do with the leftovers of the leftovers is anybody’s guess. I’m quite sure I won’t remember how they got this way in the first place.

Meatloaf probably sounds a bit better, or at least a little more identifiable, than A Hunk of Barbecue-Sauced Meats Put Together, but either way, it’s the simple truth. This loaf came out very tender, indeed, almost to the point of falling apart, so there’s clearly a spot that I could adjust in the recipe, if there were a recipe. Ah, well. I simply took equal parts of leftover pit ham and roast beef (both thoroughly cooked already, obviously) and a little bit of roasted chicken that I had, too–a little under 3 cups of meat in total, I suppose–and put them all together with about a quarter-to-half a cup of barbecue sauce plus two eggs (raw) in the food processor and chopped them all together into a light minced meat ‘dough’, pressed it into a lightly greased loaf pan, and baked it at 350 degrees Fahrenheit for 35 minutes or so. Pretty nice tasting results for so little effort, really. Even better when I will have only to warm it up when it’s time to eat. And when, of course, I will already have forgotten entirely what I did with what ingredients to have made the food.

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Whatever you call me, just don’t call me Late for Dinner . . .

The other food is and was equally easy. The potato casserole this time is a mix of a cup of leftover good french fries (chips) plus one raw Russet plus 1/4 cup of queso blanco, all diced into similar small-sized pieces and mixed with a tablespoon of butter, a handful of shredded Parmesan cheese, and sprinklings of ground black pepper and salt and a small pinch of grated nutmeg and microwaved until the queso was just beginning to melt. I cooled this mix and put it in the fridge, and when it’s time to fix it for eating I’ll put it in a heat-proof container and warm it through thoroughly with a half cup or so of heavy cream. That always gives potato casseroles a nice texture somewhere in between baked and mashed potatoes, both of which I think are pretty fine, and helps the cheeses blend into the mix well.

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I’m always making a hash of things . . .

The steamed veg is prepared in the way that makes the dish, if you can even call it that, the easiest of all of them. Carrots and celery, cut into 1″ pieces and steamed with a pat of butter in a half cup of chicken broth (vegetarians can obviously substitute veg broth, wine, water or juice) plus a splash of Limoncello–that’s all there is to it. This one will get salted at the table because I don’t want to get any of that metallic hint of mixing salt and booze in cooked food that can sneak through when the dish is so wholly uncomplicated. The carrots and celery should mostly speak for themselves. And they will still taste pretty fresh and sweet, even in a day or two, rather than wilted and antique as they would have been had I not preemptively cooked them today.

Best defense is a good offense, so I’m told, and nowhere do I see it demonstrated as often as in getting food at least par-cooked before its shelf life has ended. A pseudo-science I learned because, among all of the other kitchen cuteness I will probably never know is the refined art of getting everything prepared and eaten exactly when it’s at its peak, never mind not having odd-lot leftovers or not losing time, tears and groceries if we get invited out to dinner after I’ve half-prepared a meal so it sits around extra days waiting for our attentions. Perfection in the kitchen? No, never. But this old dog does know a tiny trick or two, and that has kept us alive reasonably well so far.

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Celery, stewed . . . or steamed . . . oh, just hush up and eat your vegetables while they’re hot!

Her Moment of Respite

graphite/digital illustration

Reading

A heavy braid of brown-black hair

Coiling over her shoulder frames

The mourning dove-brown collarbones

That rise and fall in subtle flight

As she breathes, sitting back there in such quiet repose

As if to lend some grace to that so humble vase of white

Field lilies at her side, and when she turns

The antique pages of that favored book,

She spares a moment’s look to watch the lilies catch

The kitchen windows’ waning light

Just as the late-day sun tips in

Behind those distant trees to

Chase the night

All in the Details (Small and Large), Part 2

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Pale yellow and gold and bronze add to the cozy warmth of the dark ash woodwork in the guest bathroom but with the dash of teal I think it doesn’t get too claustrophobic. A faux stone tall backsplash helps to cover some of the sins of the non-removable and painted-over wallpaper with better-wearing toughness in this wet room.

We’ve moved on to more complicated things . . .

Specifically, to the bathroom improvements we have had on our wish list since buying a house with four stereotypical ’70s bathroom counters all made of one-piece slabs of olive green marbleized acrylic of extreme fakeyositude, with integrated shell shaped sinks that, no pun intended, made our hearts sink every time we saw them. Besides being hideous and worn, they showed every speck of dirt and dust that came within their vortices, and they made us infinitely sad.

Now, we did have a little practice on bathroom reno from our first bout during the move-in preparations. The guest bath was both too decrepit and untenably ugly to be offered to people we actually liked as any sort of relief from need. I couldn’t tear out all of the wallpaper in there, having found quite speedily that aside from the kitchen wallpaper this house had paper glued directly to its unprimed wallboard, so I applied a heavy coat of oil-based primer and evened out the seams as best I could with lightweight spackle, finished corners and edges with caulking and filling holes with both caulk and spackle, and primed yet again. Then I could at least paint much of the remaining wall surface in there. The tiny shower stall was sturdily tiled in yellow–thankfully, a light shade, since it would be hard to remove–so I painted the walls a paler yellow yet and called it good.

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The living room is getting lighter all the time . . .

The majority of the house being paneled or wainscoted–again, thankfully, in better quality than the flimsy plastic-looking stuff popularized in the later 1970s–with dark-stained ash, I opted to play off of the coziness and old-fashioned qualities of the cabinets and trim in the two small bathrooms and leave them dark, collecting all of the bits of bronze-tinted hardware randomly installed around the house and finishing those rooms with that color of metalwork for face plates and towel bars and robe hooks and a few dark wood and gilt trimmings. In the guest bathroom, as we were making our move-in improvements, I played off of the idea that washrooms are often reading rooms and hung up a couple of vintage books on the walls along with the requisite magazine holder. We did ‘invest’ in replacing the counter and sink with a simple composite scrap our contractor had around and a plain porcelain bowl, and I bought a gilt picture frame at a discount store and trimmed the inside edge with gold braid, to mask the edges of the old unframed mirror.

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‘Finger Trap’ (by Patrick McCormick) joins a couple of my graphite drawings, and possibly the only extant sample of my wildly rudimentary stitchery, in the living room. Now, how to get enough light to see all of it . . .

Meanwhile, our home’s openness means that while genuinely private rooms like the baths and bedrooms could and perhaps should have distinctive features of their own, the adjoining spaces in the living areas being so open to each other means it’s best to at least be reasonably compatible, if not coordinated. I’d rather not get bored, so I hope to find a happy medium and not risk severe matchy-matchy disease sneaking up on me for having tried too hard. The main thing I want to have been truly through-designed in this place to make it home and happy is lots of light. Artificial and natural. And the openness of the floor plan should lend itself to that kind of flow. The trick is enhancing what is unfortunately innate in a dark-paneled house, especially one built in an era not best remembered as the era of intelligent room lighting.

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It’s not ultra-bright, but in daytime, sheers let in a little gentle natural light without overheating the living space. After all, the flanking phony tree scenery gives a little boost of a pretend view, too.

The living room one of the darker spots in the house because of its position and direction and the big floofy flowering pear tree in front of its main window. My first line of defense was to install LED rope lights in the ceiling recess in there (giving us a low ambient light any time we wish) and add wall up-lights to the three corners other than the one where I keep my vintage 50s torchiere–that lamp my sisters and I called the Space Needle Light when we were little and it lived at our Grandma and Grandpa’s place. There was not a lot of window light in general, but of course the dark brown Venetian blinds that came with the place weren’t a big help. I’ve recently replaced the blinds on the small driveway-side window with a very simple accordion-pleated white translucent blind so a whole lot more light comes in steadily. I opened up the front window blind too, hung up pale golden-tan sheers, and will probably do the same in the dining room window that balances the living room one. I think having the sheers under the dining room’s carved valance (Gramps’s artistry from his youth in Norway) will hide the shaggy mounting hardware behind and underneath the valance anyway! Not least of all, having better light in the living and dining rooms will help to show off things like Gramps’s carved valance and picture frames in the dining room and the artwork and my exceedingly rustic faux cruel, I mean crewel, stitchery on the throw pillow in the living room.

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You can see–and see *through*–how much space is here between living and dining rooms for entertaining . . .

And having fun stuff to look at in the house can do nearly as much toward house-warming as having a nicely built house itself can do. It’s another reason we keep moving forward with the renovations and projects over time. The biggest change here lately has to have been the bathroom renovations in the Jack and Jill bath and, most of all, in the master en suite.

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Grandpa’s carvings grace the front wall of the dining room and will be all the more visible if I put in some sheer curtains so the Venetian blinds can stay open more of the time.

(To be continued tomorrow . . . )