Unfinished in Perpetuity

digital artworkWork Forever in Progress

Hundreds of lines later,

I have nothing to show

except if you count

a sense of accomplishment in having

been faithful to a commitment, in having

persisted steadily in the face of the

unseen and unknown, in being

somewhat soothed by the simple

process of having given a little

heart and soul to something

simply because I could.

However I came to exist,

I think I might be a little bit

the same kind of puzzle myself,

imperfect and utterly incomplete,

but nicely so, for all of that–

nicely, because,

after all, I am working my way

toward being something at last,

and whether I have

an encompassing purpose or not,

I have at least

begun to Be . . .digital artwork

Under the Influence

mixed media drawingWhen I hear that phrase, of course I’m immediately reminded of its use to describe those persons, so much dimmer witted than a barnyard fowl, who drive or operate heavy machinery or otherwise behave inappropriately (and most likely, quite dangerously) because they are under the influence [UTI] of drink or drugs. Personally, I would go further, with my concept of UTI encompassing other, equally dangerous things like ignorant social, political, religious or philosophical views that give their disciples delusions of superiority, imperviousness, entitlement, and so forth.

But it behooves all of us to remember that the phrase isn’t inherently negative, for one can be under positive influences as well. Even better if one can manage to be a positive influence. It’s notable enough in a long and active life if one succeeds in generally doing no serious harm (intentional or otherwise, and to be in fact benevolent and able to enact good and fine things, why, that’s remarkable and admirable stuff indeed. I know people who can do so right here in the blogiverse, teaching and leading us all to do and be better versions of ourselves, and doing so not only by sharing their stories but by being living examples of what they teach. My years of classroom teaching proved to me that I was better suited to being a student than a leader, yet tutorial and mentoring settings gave me a much greater level of comfort in that they allowed me to operate as a fellow learner and thus engage more deeply and without as great a fear of steering anyone (myself included) astray.

The bloggers I most admire, immensely entertaining and humorous and dramatic and artistic in ever so many ways, are always, at heart, teaching, whether it’s overtly and with carefully designed pedagogy and prescriptions or it is so inherent in their natures that it comes fully interwoven in the fabric of their posts. These favorites include, but are not limited to, logophilic, ecological, travel-oriented, cuisinal, community-building, arts-centric, historical, and in many cases, wildly multitasking blogs. Some bloggers are small fry like me, known only to a cozy circle of great friends who come by to read and sometimes comment, and some of those I greatly admire are large-scale bloggers, people with lots of published work elsewhere or major accomplishments in their fields (whether related to their blogging topics or not!); a few have multiple blogs and the amount, whether on one blog or many, of posts published varies from one every few weeks to daily. There may, in fact–given electronic media of all kinds nowadays–be people putting up posts every few minutes, but I haven’t the time and energy to keep visiting such volcanic sources and tend to keep to my group of favorites with an occasional foray outward.

So who are my influences among bloggers? Friends who give us invitations to visit them at places like The Bard on the Hill, Spanish-English Word Connections, and Year-Struck, Just a Smidgen, The Valentine 4, David Reid Art, and The Complete Cookbook, like Bardess DM Denton, The Kitchens Garden; like the blogs Cooking-Spree, O’Canada, Nitzus, Peach Farm Studio, and  Bishop’s Backyard Farm, like Blue Jelly Beans, One Good Thing by Jillee, Road Tripping Europe, My Little Corner of Rhode Island, Promenade Plantings, L Scott Poetry, Poetic Licensee, and Gingerfightback, and blogs like From the Bartolini Kitchens, Rumpydog and The Human Picture. There are many more I enjoy and admire, but each of these, whether longtime blogging friends or a site new to me, have proven to be influential and inspirational for me in many ways, both as bloggers themselves and often as encouraging and educational commenters here at my own place. We don’t always agree, which is part of what’s so powerful: the diversity of the world and its ideas and passions and hopes and loves, this potent brew is what makes the fellowship of bloggers such a joy.

That we can share it with so many, most of whom we know only in and through this forum, is a great gift indeed. Also shared among fellow bloggers: awards and recognitions. Some accept them and participate with great alacrity in sharing them, and others are happy to be complimented thus but have no interest in or simply no time for such things. All quite acceptable responses. This post, in fact, is in response to my having been ‘tapped’ by the gracious and yes, influential blogger Samina Iqbal, whose Forum for police support is a notable effort by one passionate blogger to garner greater recognition and appreciation for those who serve and protect the populace as members of the police force–indeed, a job few of us would dare or relish, yet most have great reason to be grateful that there are the admirable folk who do so on our behalf. She was named a Most Influential Blogger and has passed the torch here.

While I think she is over-generous in her estimation of what happens here at my blog, I am happy to carry out the task of sharing the aforementioned blogs and their authors with you, because they really do deserve the attention and I hope you’ll visit as many of their sites as you’re able; you, too, will find many things to influence you: ideas and passions, skills and arts, love and human drama and many a good belly laugh in the mix. Best of all, under the influence of these luminaries you will likely pose no additional danger to the general public if you should, say, get behind the wheel of a car. With the possible exception of the belly laughs, which could cause you to steer right into the ditch. But at least you’d be guffawing all the way to the emergency room, possibly accompanied by some helpful police officers. And don’t blame me!mixed media drawing

Dizzily Dark Imaginings

photo + texttext + photo

photo + text

Dear Me! What was I Thinking When I Wrote That Thing?

graphite drawingHere Lies a Loon

Once upon a tombstone

I read an epitaph

whose sentiments ridiculous

were prone to make me laugh;

the information set thereon

gave me to ridicule

the marker and the makings of

some great exquisite fool;

now lest you think me callous and

a soulless Frankenstein,

you ought to know the coup de grâce:

the epitaph was mine.

I’m No Coward

Would that I had the blithe wit and urbane persona of a Noël Coward, but alas, I operate on a lower and more plebeian plane. And for those who are keeping score, yes, I am a big chicken, if that’s what you were reading in today’s title. Still and all, I think of myself as being less than hideously fearful when it comes to self-exposure as an artist.graphite drawingThough the upshot of all this may be that my audiences become unwitting consumers of drivel and bilge at least part of the time, I also remind myself that there is some credible evidence, historically speaking, that the greatest masters of the many forms of art are represented in the present age only by those portions of their respective oeuvres that they or others chose to retain. Long have I wished that I might gain access to, if you will, the Rubbish Bins of the Old Masters to see something more accurately representing the whole of the bodies of work that led to the known and treasured glories. So here I am, letting all and sundry look into the underwear drawer of my art closet, so to speak. After all, I think that I’m merely admitting to what my betters may have left to the imagination.digital artworkSo I’ll keep showing off process and behind-the-curtain action from time to time, knowing as I do that not only are folk wonderfully gracious and patient with me even when critiquing but also , and more importantly, that I appreciate those of my fellow artists who are willing to share the same access to their gifts with me. We all have our weaknesses. But when it comes to showing off my work, I’m no coward.

On New Year’s Eve: 2012 in Review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog. I, as proprietress and perpetrator of this site, THANK YOU all from the bottom of my humble heart for your kind and gracious and astonishingly friendly support here. It’s a joy to meet with you here and share our lives and loves so happily. May each and every one of you be gifted with a sweet, magically wonderful 2013!

Here’s an excerpt:

4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 35,000 views in 2012. If each view were a film, this blog would power 8 Film Festivals

Click here to see the complete report.

 

Characteristic Characters

graphite drawingThere have been a few occasions in the past when I thought I would go out into the wide world, metaphorically speaking, and seek my (however tiny) fortune on the strength of my artwork. I happen to think I’m a pretty good artist. Even other, seemingly sentient and sane, people have given me reason to think I’m a pretty good artist in somebody’s eyes besides my own. Not that I would be in the least biased.

So I’ve looked into various ways to ‘put it out there’ [Ed: don’t be ridiculous. NOT THAT!], from looking at DIY publishing, either online or on-demand, of prints of my artworks or of books–I’ve got a whole stack of book pages laid out with my art and writing on a whole slew of topics and themes, all stashed away digitally for Maybe Someday use–to sending hard copy prototypes of said books and artworks to various publishers, galleries, shops and the like to see if they’d be interested in aiding me with their resources. The answer, always, has been No. All who respond with anything other than simple form responses indicate that they, too, think my work is good stuff. But the other universal response is: I’m too hard to ‘package’. After whatever amount of hemming and hawing is required in the instance, the clarification is that my work (usually referring to the visual parts, but written forms have been included as well) varies too much. I’m not same-same-same enough to be marketable, apparently.

I consider this high praise. But it’s rotten for business, as you can imagine. Yes, I’ve sold both speculative and commissioned artworks, but only privately and by word of mouth and for very modest sums and, frankly, none in quite a long time. I’ve had a number of gallery showings, but virtually all ones that I organized myself, paid for from start to finish, framed and installed and lit and removed myself (though as my family and close friends will attest, not entirely without enslaving some of them for some of the schlepping and heavy lifting)–and nearly all of these also garnering me good reviews, when I could get any critics to attend, and lots of enthusiastic appreciation from attendees, but no sales. I’m actually beginning to think they might be onto something, those crazies who sell high-end mansion properties and deal with slow sales by jacking the prices higher and higher until equally crazy buyers consider the places posh enough to capture their highfalutin imaginings and plunk down megamillions of dollars or Euros or what-have-you. Meanwhile, I’m sitting here on my little paper and digital treasure trove of creative wonders and selling occasional copies of them for pennies at Zazzle.com.

The other aspect of the critiques I’ve sought that always seem to end with ‘gosh, you’re wonderful, buuuuuuut . . . ‘ is that the same people who tell me I’m too diversified (if not wholly a dilettante and a flighty fool) for my marketable good often tell me in the same conversations that I have a very recognizable style, so no matter how much my subjects and media and moods vary, they find my work fairly easy to identify. And they say this as though they, too, think that’s a good thing. Can’t say I can untangle how the good seems to be perpetually the enemy of the moneymaking; clearly a puzzle I haven’t solved. Yet.

Until then, I keep doing-what-I-do, plodding along and enjoying the process because if it isn’t making me (or my patient partner) any income, it should at the very least be fun to do it! And I do find that no matter how much my attention wanders or my themes hop around from light to dark, from complex to childlike, from crudely handmade to semi-seamlessly digital, I see more and more the marks of my own nature and personality and style peering out at me from each work. I may draw characters that are as far from my own ‘type’ and experience and even beliefs or prior interests as can be imagined (by me), but each of them ends up being somehow a child of my own making or a member of the larger family of my creative spirit, and that’s pretty good, too, I’d say.graphite drawing

Hot Flash Fiction 2

digital artwork from a photo

Though bleary, psychedelic and portentous dreams had haunted him into a knot by daylight it was neither dark nor stormy that morning. Tarryble Slye was in such a grim and grimy mood when he finally wrestled awake that he decided not to get out of bed until it was darker, for his business with Methden Gartinen was ugly enough to require at the very least a whiff of midnight, better yet a night gripped by a walloping storm. Whether the requisite pelting of rain and blasts of lightning came or not, Slye was determined to drag himself out of bed as late as he possibly could, and put off tonight’s assigned meeting as late as he could get away with it too. That rat Gartinen had made the whole thing sound as innocuous as he could and even offered to pick up the dinner tab beforehand, but there was no mistaking that once he was out of bed Slye was going to be sorely sorry he’d ever crawled out at all. He was already sorry he’d committed to showing up, and backing out of it wasn’t an option; maybe he ought to accept the proffered payoff: a paper-wrapped catch of fish and chips was probably the best thing he could hope to get out of this lousy, evil-tinged day.

Man, how he hated doing taxes.

digital artwork from a photo

Trading Bouquets All ‘Round

photoI’m rather pleased with myself, but then that’s hardly a new thing, as anybody can tell. At the moment, part of my self-congratulation stems from passing the 500 posts mark on my blog, almost all of those posts at the rate of one a day. Yes, this blog is my multivitamin! I get so much affirmation, yes, but also so much practice writing, drawing, working out topical ideas, cooking, photographing and all sorts of other things that it’s beneficial in more ways than I can count.

I also continue to gain enormous amounts from the fellowship I find here with blogging friends and readers, where we share our thoughts and inspirations, and often, our hearts on a regular basis. This is a world that, considering I didn’t even know of its existence very few years ago and even then, had no idea of its potential influence on my life and others’, has become a remarkably important part of my every day as well as a challenge and quite frequently a great pleasure.

It doesn’t hurt that the kindness of previous strangers in my circle of blogging friends has also included cheering me on in the form of blogging award recognitions, and I would be remiss if I didn’t say, with a deep bow, Thank You to them once again for the gracious support and encouragement that make me feel happy to be here far beyond the initial drive that found purpose merely in enforcing my need to practice and to be accountable for doing so regularly. I am in fact trying rather hard these days to apply the same sort of discipline to getting back some seriousness about both useful physical exercise and some degree of greater mindfulness about my eating, both of which I know from experience serve to make any intellectual and artistic practice more feasible and more enjoyable too.

So to my generous and gracious co-bloggers Subhan Zein (passing along the Sunshine Award, though he himself is one of the brightest rays of light in the blogosphere!), Kate Kresse (she is so amazing she knows how to make me feel Illuminating, Versatile and Lovely whether she’s flying by to grant me awards or not!), and the London Flower Lover (whose land of peace-love-and-joy compels me and delights me at every visit!), I say that however slow my public acknowledgement of their sweet open-handedness is, it is truly sincere and grateful. Along with all of you dear people who have cheered me on with awards and readership and, especially, your constant comments and conversations with me, this has been a richly rewarding place to be for this last year and a half, and I will gladly keep ‘living here’ for the foreseeable future in your marvelous company if you let me! Your popping by this ‘daily diary’ of my thoughts, artworks and adventures makes every second of it a worthwhile treasure, and I thank you all. Bouquets to each and every one of you.photo

Peaceful Shadowland

Fall and Winter have a stealthy benefit that’s often overlooked. They lend themselves, more than the ebullience and exuberance of Spring and Summer, to a sort of calming melancholia, to meditation and contemplative times. In Autumn and wintertime, the chaos of the world can be lessened and untangled without the palisade thrown up by the warmer seasons interfering with the endeavor.photo

In part, it’s simply that we are increasingly encouraged by colder and often less amenable weather to stay indoors. Indoors, where the hearth beckons, where our books lie in wait, where our writing tools stay safe from the tempests outside. Indoors, where it’s easy to keep a cup of tea or coffee or cocoa hot and handy while we spend the hours tending to those tasks of repair and renovation that have lain unnoticed when the longer days of sunlight kept pulling us away. The birds flit south and abandon their choir-lofts around the house and the other creatures begin to line their dens and curl up under porches with greater urgency, leaving the airwaves to the less inviting, darker sounds of passing traffic on wet pavement and wind whistling down the fence lines, sounds that urge us to follow our instincts and the local wildlife to seek shelter and keep quiet while the forbidding cold and darkness of the ‘off seasons’ roar through town.

photo

But there’s another great appeal to Fall and Winter, another aspect that captures the gentler and more introspective angles of the imagination, and that is the way that these seasons strip away their frills and wash out any fripperies that might distract us from the most basic parts of our existence. It’s the way this time of year seems to contract not just the length of its daylight hours so that we see things dimly, palely and in lengthening shade and shadows, but even the spectrum of visible color, which becomes thin and subdued in the leanness of winter light. The water recedes from the fruits and flowers and stems of summer’s abundance and leaves them slightly parched and leads them to bend and fall. The slightest breeze, now colder, finds us clutching at our lapels and jamming our raw hands as far into pockets as they can go.photo

In this beautiful world, with the color rapidly draining out of memory, the stillness of hiding and hibernation weighing us into lassitudinous introversion, and the brisk chill of frost settling around our ears and shoulders like lead, we can at last let go of the impetus to run and shout and do, if only for the joy of rediscovering what waits in the seasons of shadow. We can see the world in a sort of refined simplicity if we let ourselves. We can take these moments of clean-slate clarity to listen to our innermost selves for a bit and sort out what does and doesn’t really matter in the grand scheme of our lives. And we can go to sleep knowing that when the glad excesses of Spring and Summer return we will see them through new and more appreciative eyes and perhaps, yes just maybe, even find that in the midst of all that bloom and warmth and celebration we may long for the stringent joys of Fall and Winter once again.