More Myths about Inspiration & Creativity

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Don’t accept a falsehood for your reality–if you have to create your own, then do it!

Back on that old topic of whimpering: of all the [wonderfully dire and woefully valid] reasons I can’t possibly do the enormous amount of work required by this assignment, there’s none simpler or more honest than Number 11:

11         BUT I DON’T WANT  TO _______________ (you fill in the blank)!

            Boo Hoo.  It’s not always optional, is it. Just keep firmly in mind that sometimes doing the required thing leads to unexpected delights in the end product. Not to mention the thoroughly predictable delight of having it done, finished, off the To Do list and out of nagging territory. Just get it out of the way now and you’ll be ever so relieved. Maybe even pleased with yourself!

12        ALL CREATIVE PEOPLE ARE (take your pick):

Eccentric; loose; savants; savages; radical; anti-intellectual; uncontrollable; fluff-headed; egocentric; snobbish; smelly…

Everybody is one or more of the above at some point; look at all of our pop-culture idols who get hung out to dry on a daily basis, not to mention all of the religious, educational and political Saints who irk the multitudes so regularly.  So imperfection is hardly a reasonable excuse for avoiding being (or being in the company of) an art maker.

13        IT’S SELFISH &/OR IRRESPONSIBLE TO BE AN ARTIST.

How about how selfish and irresponsible it is to be good at something that enriches lives and shapes culture and to refuse to exercise, to share, those gifts.  How unkind it is to stifle your true self and passions (and spend your life unfulfilled or with a chip on your shoulder) so that you live a half life and cheat your friends and loved ones out of your rich complexity.  How about that for selfish and irresponsible, huh? Choosing a ‘safe’ path never guaranteed anyone’s actually being safe, anyway.

14        NOBODY (read: Not Everybody in the Universe) WILL LIKE IT.

If you find anything that everybody likes, let me know.  For that matter, if you find anything NOBODY likes, I’ll be mighty surprised.  So, isn’t it good enough for you if you think your work has some value?  It may not make you a market mogul, but it’s amazingly fulfilling to be an artist, and (other than food, which is admittedly desirable) practically no other wealth compares.

15        THE GREATEST!!!

Who says?  There is no single Greatest of anything that everyone will agree on yet, and the odds are pretty good that they won’t all agree anything you do is the Greatest—or worst—ever, so why lose sleep over an untried concept.  Do your best and be done with it.

16        IF YOU CAN’T SAY (do) ANYTHING NICE (or well), DON’T SAY ANYTHING AT ALL.

A half-baked effort is usually better than no effort at all; no effort guarantees a lack of (or negative) result, and misguided or incomplete efforts can occasionally be rescued or luck into a better-than-deserved result.

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Think beautiful thoughts!

17        IT ISN’T AS GOOD AS _________________’S.

Probably nothing anybody else ever does will be as good as my work, but aside from that impossibly high standard, you have as good a chance as any of doing work better than somebody’s, at least occasionally, as long as you do work.

18        ALL GOOD THINGS COME TO THOSE WHO WAIT.

But they don’t come to all of the specific people who desire them, or ‘on time,’ or in the desired form.  Your dream might end up in someone else’s stash of prizes if you don’t put up a fight for it.

19        I CAN’T DRAW A STRAIGHT LINE.

No, but a computer can do it for you, or you can use a straightedge, or you can hire a stand-in to draw your straight lines.  Don’t tell me your whole oeuvre as an artist/designer is going to be straight lines.  Sheesh.

20        CREATIVITY = INTUITION.

Intuition is an indefinable sense or sensation that can bring soul and emotional depth to the work (both process and product), but true creativity takes that nebulous touchy-feely power and combines it with study, effort, logic, research, skill and courage and synthesizes all of the elements of an artist’s knowledge and experience and passions into a concrete Work of Art (process and/or product).

21        THERE’S NOT ENOUGH TIME.

True.  We’ll never be given enough time for everything that’s important.  So it’s up to us to TAKE the time.  And MAKE the time.  There’s no real alternative.  It’s called Making Choices (and living with them).

22        YOU CAN’T FAKE INSPIRATION.

Maybe you can’t, but I can.  Seriously, folks, most people won’t know the difference if you substitute delirious hard work and enthusiasm and use all of your know-how to its limits.  If that isn’t quite Inspiration, at least it’s mighty inspirational.  When in doubt, review Item Number 10 in Tuesday’s post (linked above).

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Go ahead: try your wings!

The Mythology of Inspiration

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Whatever your vehicle, Ladies and Gentlemen, start your engines!

In another lifetime I was a teacher. Not a fabulous one, mind you, but one who took what I did seriously and did my best to give my students, if not the actual practice that would make them more productive and skillful and happy in their making of art, at least the idea of what might be possible for them and perhaps the instigation of the will to develop over the longer term. Like every other teacher in history, I knew that most of the burden of improvement fell on my students and had surprisingly little to do with what I could or couldn’t, would or wouldn’t, should or shouldn’t give them. And like every other teacher, I heard from my students every excuse in the book about why they would inevitably fail to accomplish any of this, how they were powerless against the forces that conspired to keep them from making the assigned efforts or finishing their work. Having used most of the excuses myself, I had plenty of fuel to argue my case after spending the intervening years (or minutes) rethinking it all as I moved from student status to teacher. And I knew too that I would have to keep re-learning it all as long as I lived, since every teacher is only a different breed of student and Life is the biggest, craziest, toughest and most creatively optimal classroom of all.

So I made up a little page of possible excuses and a smidgen of food-for-thought responses to them–perhaps mostly for my own enlightenment and prodding–that I shared from time to time with my students if they happened to be getting a little too enamored of creating excuses to spend their creativity on drawing, design, writing, painting, studying, researching, making mixed media installations, critiquing or any of the other topics I was attempting to encourage them to learn. Here are a few items from my little list, because I am well aware that I still need to remember them myself and keep trying to blow past them with determination and, I hope, a pinch of wit.

1          GREAT THINKERS THINK ONLY GREAT THOUGHTS

               (and I’m not a great thinker).

If this is true, explain why the Old Masters painted over or destroyed canvases, Einstein was virtually dismissed as a pea-brain by some in his school days and our early experts on astronomy believed the earth was flat.

2          GENIUS IS BORN, NOT MADE.

This may actually be so, but untended and un-exercised, genius has no value whatsoever, and many a great achiever has acknowledged beginning an illustrious career ignominiously and becoming expert through sheer will and work.

3          EXCELLENT IS GOOD, GOOD IS AVERAGE &

               AVERAGE IS TERRIBLE.

               (Corollary: Good is excellent, average is good, terrible is average!)

Creative and inventive people often have a penchant for self-disparagement and perfectionism that leads them (and often others) to devalue work of quality; it’s also a common temptation to simply fall back on the platitude of ‘beauty is in the eye of the beholder’ and accept mediocrity because one is too fearful or lazy to be honestly critical and opinionated.  Accept it and get on with things.

4          IT DIDN’T TURN OUT THE WAY IT WAS SUPPOSED TO.

Oh, come on.  Almost nothing does.  Sometimes it just isn’t finished yet when it seems to have Not Turned Out.  And more often than not, the real result is an improvement on the original plan anyway.

5          IT CAN’T BE DONE.

It’s better to go down in flames of glory, for having tried, than to prove only that  you couldn’t (or just wouldn’t) do it.  And what if it does work?!  Don’t you just love those rare chances to say I Told You So, anyway?

6          ALL THE GOOD IDEAS ARE TAKEN.

            All of the good ones haven’t been invented yet, Silly.

7          I CAN’T THINK OF ANYTHING.

You don’t have to.  Steal ideas all over the place.  Just remember to cite sources, give references, and wherever possible, to thoroughly revise and synthesize things into your own particular combination or version of them.

8          WHY SLAVE TO HAVE IT ALL WHEN YOU CAN SETTLE FOR LESS.

            Perhaps because apathy is as dangerous to existence as the threat of annihilation.

9          IT COSTS TOO MUCH.

Some of the same people who whimper over buying a five-dollar sketch pad and two ninety-nine-cent pencils (two weeks’ supply, say) think nothing of adding four dollars’ worth of popcorn and soft drinks to their seven-dollar movie tickets: that’s Whiners’ Math.  But most art supplies can be hideously expensive, especially for those productive enough to use masses of them.  So it’s a necessary and healthy part of the solution-oriented artist’s life that analogs and alternatives be a constant study.  What can legitimately serve as a substitute for the too-expensive?  Often the product of such inventiveness proves more exciting than the work as first conceived.  Sometimes it’s important to make the commitment to spend the real money for the real thing, too: how serious are you?

10        I’M NOT INSPIRED!

Genuine inspiration occurs ZERO times in the average artist’s life. WHAT!!! Heresy! But truly, if we’re talking spiritual/mystical magic, most must instead rely on a painstaking and passionate process of trial, error, adventure and eventual coalescence to allow artistic completion and quality to arise.  Don’t wait around to be inspired, in case it’s not in the cards: deadlines and opportunities wait for no one.  If you’re the incredibly lucky one inspiration smiles upon, have conspicuous spasms of joy, make feverish use of the favor while it lasts, and get ready to work hard on the next thing when you become a mere mortal again.  We’re lucky enough just to be able to be the real thing, Working Humans.  Don’t knock it.  There’s joy enough in that.

Stay tuned . . .

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. . . for being tuned up and ready to roll is more important than knowing where the road will take you . . .

 

Mystery Story No. 1

I don’t know when, where or how the first fictional mystery story came on the scene, but since I thoroughly enjoy a good puzzle of the not-going-to-affect-me-in-real-life sort, I do like a good mystery story. So sometimes I like to create mysteries of my own. Mostly, visual puzzles. Pictures that invite interpretation, participation and invention on the part of the viewer. Images that demand a second look, or a two-hundredth one, because there might be clues in there, tales to be uncovered, plots to be discovered, fun to be made from the gossamer webs of pictorial intrigue custom-made for playtime. So here, for (I hope) your delectation and mystery-mongering, is a collage created with puzzling in mind. Enjoy!

And don’t forget to tell me if you devise the novel of the century after being so deeply inspired by it. Wink, wink.digital collage

Rust in Peace

 

I flatter myself that I am improving with age. This morning’s Wordsmith offering from the fabulous Anu Garg of A.Word.A.Day was ‘crepitate’–one of my very favorites, thanks to the also fabulous S.J. Perelman‘s introducing it to me in the context of one of his typically scintillating, outrageously funny tales. I was reminded that crepitation refers to the creaking cracking popping grinding and other percussive noises of dusty old age, and that, not at all surprisingly, Perelman used it in self-deprecatingly hilarious description of his own antiquated joints as he gave what one must assume was–despite his stated intent of dash and panache–a dance demonstration to his date that was more rusty than rakish. Having done the requisite amount of damage to my own human machinery over the years by falling over and off of things, lifting things I had no business hefting, and in turn, turning, squeezing, smacking and otherwise torquing various portions of myself just enough more out of sync and syncopation that it’s remarkable if I only creak and don’t fall into syncope or crack up altogether.

So, whether dancing or just shuffling my slippered way around the hallowed halls of home, I consider myself  very fortunate only to ‘boop, whoosh, queel and grake‘ like another of my pantheon of fabulous wordsmiths, James Thurber‘s, old family car, and not to simply disintegrate wholly on the spot. Grey hairs? Bring ’em on! (Best color of hair I’ve ever owned by nature, as it happens.) Wrinkles? Oh, my, yes. Smile creases are only a badge of honor reserved for people who’ve had long and happy enough lives to earn them. Aches and pains will generally come and go, with more of the comings than the goings as time passes and I forget to accommodate my crepitude a little, but by golly it beats lying around and dissipating into a dust bunny of boredom.

And honestly, lots of things get more beautiful not just in spite of but because of their evident age, so why shouldn’t I give it a try?photo

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Little to Say, and All the Time in the World to Say It

2 poems + graphite drawing (digitalized)

Hot Flash Fiction 1: Pedigreed

I know it’s been around, arguably, for generations, but the extreme short story seems to have undergone quite the revival in recent times, being popularly called in the English-speaking and -writing world Flash Fiction. Me, I’m an old lady and slow to keep up with any sort of trend. Or, to give myself partial credit, I am so old that I was already around the first time half this stuff was popular.

Never mind all of that. In the way of condensed arts, I’ve always been particularly enamored of short forms, miniatures and compact performances that have rich enough content to hold up under speedy scrutiny yet continue to beckon one for a second and third and thirtieth look, or at the very least, to get one’s nose a whole lot closer to the subject before waving farewell. That applies to works by others (short stories, small photos and drawings, children’s books, one-act plays, songs comprising one or two brief movements, and snappy quatrains), and very much to my own productions. Since you lovely people already know full well that I have the attention span of an end-of-season Mayfly, you can easily surmise that this obsession with tiny-tude is merely a natural outgrowth of my laziness and tangential, caroming path through life.

Which is, of course, partly true. But I’ve also been known to commit to larger-scale projects and yes, in real life, honest-to-goodness fact, to complete them, too. Sometimes, I’ll readily admit, this happens at a very, verrrrrrrrrrry slow pace. But though I have made murals twenty feet wide, rebuilt gardens from the bulldozer up, written and/or drawn every single day for years at a time, my heart does retain its deep affection for the minute, yea verily for that minutiae that can happen in a minute. But only if it’s worth the effort. There are still those larger goals to be achieved and metaphorical mountains to be climbed that require my continuing attentions between spurts of compact acting. And it’s the very change from the massive to the mini that makes those idiosyncratic idioms of iota-size such excellent crevice fillers and so appealing as a respite from larger concerns.

So, old though I may be, I’m trailing in the dust of your every trend–unless you’ll allow that I am only lapping myself in circles, having written couplets, sketched 3-second figures and made one-bite desserts since I was hardly bigger than a molecule myself. I like to think that I’m gradually getting better than I was back then, at least. Practice, practice.digital collage

They were justifiably proud of their daughter’s pedigree, but it was precisely this family resemblance that first drew the unkind attentions of those catty girls in the sorority.

Blogsistentialism

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Sighhhhhhh . . .

I’ve got this little problem, see. It’s about my name. No, I am really pleased with the one I was born with–Mom and Dad did a bang-up job with that, as far as I’m concerned. Parents have it easy with the baby-naming stuff; it’s not their fault if the kid doesn’t match up with the moniker, considering that they had no way of knowing the shrimp beforehand to fuss over pairing name and gnome perfectly.

My problem is with my blog title. I’ve winged it with my online place’s birth-name, a version of my own, since I started the gig a little over a year ago, but in truth, it was pretty much a place-holder since I had no inkling then that I’d not only stick with the process but have people beyond the borders of my immediate family visiting with me here. So the problem is, if there’s nothing in the name of my blog to tell anybody outside of the aforementioned familial borders what the heck this blog contains, or why on earth they would have the remotest reason to bother visiting here. If, indeed, they did.

Now, then, I’m having a good old identity crisis. ‘Cause I don’t know what the heck to tell anybody either. On Tuesdays, yeah, you’ll generally find food-related ramblings when you show up. Other days, though, swerve from one topic to another so loosely and with such unpredictable abandon that I don’t know when I sit down at the keyboard what direction I’m bound to take. New drawing? New photograph? Reminiscences about travel, DIY monkeying, garden plotting, commentary on freeway drivers or a freshly minted and wildly ridiculous poem–I just haven’t figured out any sort of way to describe in a couple of words what’s on the non-Tuesday menu around this blog.

I’m open to suggestions. Thanks to my obsessive dilettantism, my spouse suggests that the family nomenclature for me of Short Attention Span Artist might just do the trick, but as accurate as it is in describing me (and probably what I do, too), it still doesn’t seem to me likely to tell a total stranger what to expect on arrival. Tangential adventures like mine could possibly be described as, uh, Tangential Adventures, but of course that’s pretty cryptic too. Art, Poetry, Photography, Essays, and Ingenious Insights combines the pompous and the dully categorical in a way remarkable only for its long-windedness.

I guess I’ll just keep a-sittin’ here in my little corner twirling my ponytail for a while and see if some astounding inspiration happens to alight upon my bedazzled pate. Ooh, Bedazzled Pate! Nahhhh, sounds like some kind of yummy mousse studded with masses of rhinestones. The truly big question remains. Who am I? Doubt that can be answered in this or any other lifetime. But perhaps I’ll figure out my blog’s identity one of these days, at the least. Feel free to help!

 

Doodle Bug

pen & inkI would like to state for the record that I am not, nor have I ever been, to my knowledge, an actual doodlebug, either zoologically or as a rolling or flying vehicle, a dowsing rod, or a method of seismic activity tracking. Not that there’s anything wrong with any of those. And it’s probably safe to say that my garden and numerous dimly lit corners of my home are probably full of living and dead pill bugs (what we used to call potato bugs when I was growing up), and I confess to thinking it highly amusing that these creatures are in fact tiny crustaceans that live right in my house and look like–indeed, are scientifically named after–armadillos. House Armadillos or Domestic Crustaceans, either way kind of weirdly cool in my estimation.

But I digress.

What I am is one of the many humanoids prone to doodling. And that’s not a bad thing, either. Doodling (or randomly scribbling on whatever is handy, usually a cocktail serviette or textbook or office paperwork or top-secret legal document, depending upon one’s status and age and current supposed activities) often leads, though many a grade school teacher would vigorously deny it, to thinking. And on occasion at least, thinking is not an entirely bad thing.

Whenever I’m struggling to get a piece of writing, a drawing, or frankly, any other project underway, there are few motivational tools that compare with doodling. The serendipitous or random mark that merely records a purportedly thoughtless and pointless motion of the hand can sometimes come to resemble an actual Something, and well, Something almost always leads to Something Else. In drawing as in life, just getting in there and starting, whether I’m ready or not, is the best way to potentially get anything done. Who knew!

Today’s doodle is brought to you by my propensity for turning many of my scribbles and scrawls and squibs and squiggles into things that resemble simplified linear paisley patterns or rosemaling, or any number of other folk design traditions. Once I get going on them, I find it meditative to a degree just to follow the whimsical path of inserting repetitive forms and line treatments, geometries and organic outgrowths of the marks, until I’ve filled much of the available space. Many of these folk-like, repeating elements become almost a trademark doodling style that might be as identifiable to some as my handwriting. Though, hopefully, more legible. And while the doodles don’t necessarily lead to specific or pictorial drawings in and of themselves, they do lend themselves neatly to a more relaxed and receptive state of mind in which those more concrete thoughts and ideas can indeed begin to insert and assert themselves usefully. And that can lead to different sorts of drawing, whether more topical or more sophisticated or more directed. Or not! The inspiration is in the action.digital painting from a P&I drawing

Today I was led by the doodling, not to a different drawing entirely, but to scanning it and playing with it digitally, first layering colors all over the place, then digital textures, then altering the proportions of the image, and lastly, stitching the resulting mash-up into a larger grouping of four copies of the same image arranged in a pinwheel fashion and then stretched, skewed, cut-and-pasted, and electronically stamped into a fabric-like whole that uses the same idea of the initial doodles repetitions-with-evolutionary-changes so that the end product still seems to appear quite handmade, as it’s not symmetrical or fully even from side to side or top to bottom. Now, if I were to take that square and repeat it, even if I turned it 90 degrees each time, for example, it would finally become more machine-made in appearance as well as manufacture. But that’s just mental doodling right there, isn’t it, because I could further alter the combination every single time I ‘copied’ it.

Which illustrates exactly what I was talking about as characteristic of doodling. One thing does lead to another, as long as we bother to do the initial one thing.

That said, I suppose I should get up from my desk and go forth to do a few individual things that might lead to getting some other essential things done around here. Cheerio!digital image from a P&I drawing

Brevity is for Witless Souls

digital painting from a photoEditorial Lines

The relevant portion of this text is the starting sentence and the next,

so I won’t add another verse, as it would only be that much worse.

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Curtseying & Polishing My Tiara Madly

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Now, there's really no need for you to go putting up any monuments in my honor or installing any statues of me . . .

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. . . and while I love a good concert and the after-parties are outstanding, it's not necessary to write compositions in my honor and get the marching band ready for a parade . . .

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. . . and while I do love a good monetary recognition, it's hard to explain any sums sizable enough to be really impressive when our fine friends from the Internal Revenue Service start paying attention to the numbers . . .

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. . . so I think I'll just say that my heart is warmed immensely by the kind light you've shone on me, and that in return I hope that I can be a little brighter and a little more generous with my light to the rest of you, and that you will all pass it along as well . . .

Once again I have been receiving kind and generous notices of recognition over the last few weeks from my gracious blogging friends, and I’m overdue to say appropriate thanks in response. So here I am at last, with another lovely gift-basket filled with Genuine Blogger, Versatile Blogger, Sunshine, and Kreativ Blogger Awards and feeling overwhelmed as always at the munificence of the online community. These latest are conferred upon me, regardless of my deserts, by my fellow poets, artists, foodies, gardeners, essayists, music lovers, travelers and others with whom I’ve so fortuitously crossed paths out here in the ether and am enjoying the marvels of mutual entertainment and discovery.

It is with a humble and happy heart that I thank Meg, Susie, Mark, Mars, Kofegeek and Tamara. Some of these have been friendly correspondents of mine for a lovely while now, and others are quite new to me, and I highly recommend that you have a look at all of their blogs! Meg is a veteran traveler for her relatively few years’ opportunity, and always posts marvelous pictures and original thoughts and ideas about places visited and things done there. Susie writes with great good taste, artful illustration and photography, and shares stories and samples of fabulous food and outside-of-kitchen adventures, too. Mark, an outstanding graphic designer in the UK, sometime DJ and constant educated music listener, gardener and traveler, always has a wise and witty twist to his posts. Mars has lived a rather cosmopolitan life but keeps a grounded and sensitive point of view, traveling, writing moving and insightful observations about life’s vicissitudes, and seeking beauty and light in the world. Kofegeek brings ingenious humor and insightful discourse to matters of science and math, cats and coffee, and much more. Tamara is a marvelous gardener from Ljubljana who is working to create intergenerational conversation about that earthy art.

Meanwhile, I am required by the rubrics of these awards to do a little personal sharing with you, my readers, and to introduce to you other worthy bloggers, and so I am going to combine my efforts and ask that you have a good visit to some truly worthy sites elsewhere as well. Share the love!

First, 10 blogs and bloggers worthy of your attention:

Cynthia @ http://lesplaisirssimplesdelavie.wordpress.com/ (photos, thoughtfully captioned with brief yet expansive and often lyrical text)

Natasha @ http://comeduemaiali.wordpress.com/ (seriously, how can you not enjoy eating ‘like two pigs’? I know I do, oink oink) Important update announcement: I am clearly not as smart as even one little piggy, because I completely missed that Natasha had been one of my award benefactors in the first place. But I’ll pretend I Meant to Do That just so that I could pass on the other awards back in her direction! Because, and I am not making this up, she really deserves them anyway!

Becky @ http://beckyfrehse.wordpress.com/ (a longtime friend, Becky is a tremendously versatile mixed media expert, visual artist, collaborator, teacher and all-around cool person)

Lorelei @ http://incidentallearner.wordpress.com/ (rediscovering her incredible painting gifts, she’s a watercolorist and storyteller extraordinaire)

Bente @ http://bentehaarstad.wordpress.com/ (no, I’m not prejudiced just because she’s from my ancestors’ homeland, Norway–she’s a really fine photographer!)

Sue @ http://suellewellyn2011.wordpress.com/ (another distinctive and fine photographer, capturing other parts of the world, caught my eye)

Pat @ http://rantingchef.com/ (making all sorts of stellar and luscious foods sound and look fairly simple to make, and worth the effort even if not so easy)

Maggie @ http://thelittledesignstall.wordpress.com/ (a Pinterest-style blog full of gleefully over-the-top and often spectacularly inventive and gorgeous design images from all over)

Maenamor @ http://antiquityandadventures.wordpress.com/ (guiding us around scenic bits of England and Wales and sharing special local events with their fascinating stories)

Robi @ http://kabyahe.wordpress.com/author/robijiz/ (introducing cultural and natural beauties of the Philippines in outstanding journalistic and artistic photography)

Meanwhile, back to talking about myself, because I’m so incredibly exciting!

I think almost anything could be improved by the addition of browned butter (beurre noisette), possibly including a plain spoon about to be stuck in my mouth;

&   I have rather excellent printing (lettering) skills because my cursive handwriting, though perhaps interesting to look at, is almost indecipherable even to me;

&   If I don’t sleep at least nine hours a night I am not very likeable company;

&   Classical music is often my go-to choice, but there are others that have particular allure for me at different times or under varying circumstances, i.e., Blues music during physical labor, vintage ZZ Top, Oingo Boingo and Van Halen on road trips, reggae on a beachy sunny day, jazz and swing for hanging around people-watching in a cafe, and so forth;

&   The smell of coffee is heavenly to me, but I don’t drink it often and then only as flavoring for lots of cream and sugar;

&   Perhaps because of my temperate Northwest upbringing, I think of green as a perfect neutral color, just as much as the traditional black-white-grey-brown palette;

&   I’m not particularly girly (in the ruffles and bling and pink sort of pop-culture way) but I am fond of being female and even sometimes live up to sex stereotypes, if accidentally;

&   Not much of a crier (maybe I tend to try to be stoic when genuinely sad), except at the most silly sappy stuff, but I am an inveterate hugger and hand-holder;

&   I’m so old that I went to a school where there were no lockers, only a cloakroom; that the houses and cars in the neighborhood were all generally left unlocked; and that the older kids piled loosely in the backseat of the car while the baby sat in Mom’s lap up front;

&   I’m so young that I think Bucket Lists are for people thousands of years older than me because I have all the time in the world and naively believe that I will get around to anything that matters enough, eventually.

On that note, I really must finish this up for today and get it posted, because despite my limitless future I find that blogging is a time-consuming joy and can easily eclipse numerous other activities that may well turn out to be worth the doing if I don’t get too obsessed and distracted leaping around the meadows of the Internet in the grand company of my many admirable blogging playmates and mentors and companions.