Malignant or Maligned?

Are pigeons the oppressors or the oppressed? Having been a-traveling a bit recently, I was reminded of the omnipresence of pigeons, those birds noted as the comforting signatories of nature’s profound adaptability and variability, and less kindly but perhaps a bit more succinctly, as flying rats. Yes, I have seen a pigeon perch with apparent deliberation on the roof edge over a family’s picnic table, point its posterior in their general direction, and release a firehose-worthy arc of nastiness that sent the poor humans scattering for shelter. While I’ll readily agree that pigeons are known disease-carriers, that they tend to crowd out less aggressive and smaller birds from their habitats, and that they are notorious painters of streaky badness upon all and sundry within their aim, I still harbor a fondness for them in small doses–and preferably from a safely higher position.photo

Part of the sympathy stems from knowing that their widespread propagation was partly human-driven, as growing and/or roaming anthropoid populations gradually displaced native ones over time (also human, among many other creatures), and as people also on occasion deliberately imported various kinds of pigeons to new locales for other reasons. Certainly part of the feeling stems, as well, from knowing that we people-types are largely responsible for the decline and sometimes extinction of whole species–the rule rather than the exception, when it comes to pigeon families. The Passenger Pigeon is only the most obvious example of what has happened and is happening still among pigeon-kind, and no coy and cuddly images of how we embrace the Dove of Peace can counter that fact.photo

But let’s face it, this is neither a scientific treatise nor a polemic indicting all mortals for such depredations. We are a merciless lot, generally, and I am not in the least exempt from all ignorance or guilt. No, honestly, what struck me as I was pigeon-watching along my way on this latest outing was a much shallower, yet still pleasing and even, intermittently, refined aesthetic appreciation of the breed. I simply like watching their fluttery interplay. Their tumbling and stumbling acrobatics in a pool of water. I like watching how they quickly establish a pecking order whenever a group assembles, how they strut around preening and showing off for each other with a certain amount of pomposity and frivolousness, and turn instantly to blurry streaks catapulted into the air if they sense any danger, which includes the slightest movement of air around them or a change in the light. In short, I like anthropomorphizing them and being amused at how like them we are, squabbling and flirting and showing off and taking wicked potshots at each other and everything around us. I like watching them fly in such smooth synchrony when they circle their way through an updraft, and burst into chaotic motion when anything disrupts the flow. And of course, magpie that I am, I like looking at the myriad colors and patterns and iridescent gleaming streaks that paint the birds into something less commonplace than such a common creature ought to be.graphite drawing

Beware of Bad Luck & Worse Deeds

mixed media sculpture

If you can’t make a grand entrance, at least try to make a spectacular exit . . .

Talk about Relief!

The way my insurance is freighted

With small-print and guilt, and prorated,

I find that this chick

Who can’t risk being sick

Can afford to be

Decapitated.

digital painting from photosCampfire Song for the Unwitting Centerpiece

Singing silly campfire songs, we sit at either side

Across the pit and toast marshmallows, making note how wide

And high the flames can leap at will, and thinking if they might

Be quite sufficiently stoked up by middle of the night

To throw something substantial in to roast before the dawn,

Perhaps a certain someone here we’ve finally settled on,

Whose camp-songs so annoy us; cook to ash before next day

Our deep-disliked camp counselor: our own auto-da-fé.

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Why, certainly, cabin-master, Sir, have another toasted marshmallow! Here, just lean over a teensy little bit closer . . .

The Stench of Doom

Breathe on Me, Breathalyzer

What is that sulfurous smell?

Is it the mouth of Hell?

Or is it only Morning Breath?

With you, I cannot tell.

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Through mystic haze and mystery,

Through funky dark and gloom,

Throughout the house and yard and park

And to the edge of doom,

It penetrates both brain and soul

And harries unto death—

Begone! foul demon, Hell-bound hound,

And take your stinking breath.

oil pastel on paperTake Thou Thy Hindmost Hence-ward

If thou must wind down, go downwind, please;

I’ll remain up here while thou tak’st thy ease,

for I’ve found if a lady’s downwind of thee, she’s

immediately an endangered species.

Bottom of the Morning to You!

mixed mediaSweet, blessed sleep! Yea verily, I got to sleep until the morning was almost gone today, and ohhhhh, how lovely it was indeed. Now this is vacation. A true holiday. Never mind the fun things we do, the glorious people we see, the magnificent scenery, it’s the sleep, Baby!

I don’t feel especially guilty about it, as you can tell. We once lived next door to a rooster, one of that breed who are supposed to be known as the royal emissaries of the dawn, but who deigned it his personal form of rule to choose when he would actually crow, preferably sometime in the early afternoon or perhaps around, no pun intended, the cocktail hour. I really admired him. I think that if I couldn’t choose when to be sleeping and when to be awake (even, astonishingly, productive at rare times) I would be a truly miserable character.

Instead, I get this great opportunity and I nab it gladly. I will go with my husband and complete an important business transaction with partners today; we’ll run errands, we’ll have dinner with longtime friends, we’ll come back to spend the night with my sister and her fur-bearing ‘family’. Seems like a useful enough day to me, especially if it culminates in a long night’s sleep before the next day. Hurray! Hurray!

I am Getting SLEEEEEEEPIER . . .

My eyelids are growing HEAAAAAAAVIER . . . oil pastel on paperAnybody who’s known me for more than half a day figures out pretty quickly that without my requisite ten hours or so of sleep per 24 hour period, I’m an increasingly lost cause. And there’s no surprise in travel increasing the sleep-deficit effect until the relative percentage of my vegetable content threatens to permanently overcome any humanity I might pretend to have. A couple of very early mornings in a row, accompanied by social activities and gadding about town wherever I happen to be located, perhaps enhanced in their potency by certain giddy overeating episodes that are completely compulsory when I’m in places I don’t often get to visit–all add up to one semi-comatose creature plodding like a Fat & Sugar Zombie (clearly I don’t eat brains or one would think something useful therein would have rubbed off on me) down the byways of my days.

I am so grateful for any nap. The one in the car when my chauffeur-spouse is too tired to drive safely and we stop off in a random parking lot to steal a few winks. The micro-sleep in the dentist’s chair while that nice hygienist is mercifully buffing away the sins from my teeth. The fantastic curl-up right between the softest sheets in the known universe when there’s time at home (or home-for-the-moment), dreaming of nothing, nothing, nothing.

If I babble on an ordinary day in my blog posts, and you all know I do, it can only be made exponentially more exotic and random by lack of sleep. So I am sure that you will all pardon me while I kip out just for a little longer and press my nodding noggin against the nearest available horizontal surface. Just so I can wake refreshed and entertain you that much better. Not making any promises, mind you, just a hopeful, wistful wish as I toddle off to dreamland . . .

Interludes: Songs for Dancing

digital painting from a photoSounding

In the hands of a master

The melody played so sweetly runs

Like a playful rivulet down the hall

Spilling an invitation to

Light-footed dancing, to

Birds chittering along, to light

Flickering between the window blinds

To call all of us down the passage

To bathe in its cool musicdigital painting from a photo

All our Loves

All our friends are singing

In the chorus on a Saturday

And though I know they will be fine

And sing it well, I have to say

That hearing all our friends ring out

In chorus is more complex still

Than polyphonic harmonies

And counterpoint, and what we will

Be loving best and savoring

On the occasion, likely, is

The sheer delight of soaking in

That all these loves are mine and his

‘Twixt Heaven and Hell

graphite & pastel drawingMuch of the repertoire categorized as Early Music by us modern folk was, whether religious or secular in nature, directly connected with the ideas of Heaven and Hell. Not surprisingly, a great many of these songs used love–doomed or newly married, joyful or unrequited, chaste or wildly earthy, or whatever brand was of interest in the moment–as the vehicle for exploring the concepts of Heaven and Hell. We are only able to conceive of and interpret any grand philosophy or construct through the lens of the familiar, and best so, through what excites our attention and preoccupies our waking hours. Love, in all of its myriad aspects, is a logical choice indeed for such explorations.

The programs sung and played thus far this week at Berkeley have been unsurprisingly full of love, lust, longing and loneliness and all of their cousinly affections, then. I had to laugh when a humorous piece contrasting Heaven and Hell included text and visual references in the performance that made Hell seem remarkably likely to be just another name for Texas, but that’s merely a reflection of this same recognition factor that makes songs of love such a universal language, so globally appealing.The whole festival this week is in itself a fine microcosm and affirmation of this communal language, created by not only the sharing of these great and even the not-so-great pieces of music, but also richly by the sharing of our common interest in music and the arts and the newly fledged acquaintances and enriched relationships that come from our all crossing paths in this event, by coming together as it were to sing the same song and revisit our sense of love and its wonders.

Now, let the players and singers strike up another chord!

Here in Music-land

photoWhile our neighbors, housesitters, et al., languish in the rain and heat back home in north Texas, we are enjoying the gentle zephyrs of coastal breezes, California-fresh seafood, and the retro-rrific air of counterculture that still wafts about in the refined west coast air of Berkeley. More than that, we are reveling in the good company of my spouse’s musical compatriots: his Collegium Singers from the university, many longtime instrumentalist and singer and arts administrative friends from all over, and fellow enthusiasts attending the Berkeley Early Music Festival. The Collegium crew sang, appropriately, like angels in their concert this morning, performing the Victoria Requiem they’ve been refining with such jewel-like precision and sweetness that I wouldn’t be surprised if the dead had resurrected just to listen in, had it been a true funeral service. Instead it was exquisitely meditative and left me–and clearly, the rest of the audience–feeling newly alive.

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It’s lovely enough to be back on the Left Coast and greeted with such stellar weather, to have my first glimpses of Berkeley’s laid back, live-and-let-live pleasures as a city, and to be in yet another university town where the average walk down a street takes me past representatives of countless countries and cultures, avidly breaking down the latest puzzle of physics or chattily discoursing on the political influences on the contemporary literature emerging from central Africa. It’s a delight to see (yes, and eat) classic dishes from France, Thailand, India, and almost any other culinary heaven imaginable, all within a quarter mile’s stroll of each other in the heart of town. And it’s unspeakably fine to smell the familiar resinous breath of the redwoods, firs, pines and cedars, to see olive trees and palms and Strelitzia reginae and succulents cheek-by-jowl with purple rhododendrons and lawns full of tiny English daisies. California. It’s been a while.photo

The musical immersion is as marvelous as always at festivals and conferences devoted to the art: the rehearsals, the post-concert critiques and deconstructions among friends and colleagues, and hearing fabulous pieces old and new is so invigorating. Heard in concert this afternoon was a vocal-instrumental ensemble that included in its quintet a dear former student of my husband’s, as marvelous a person and musician as ever, and among the works the group performed that were new to me were a pair of certainly not new (ca. 13th century), stunning anonymous compositions from the Montpellier Codex that simply took my breath away. Everything old is new again. Not least of all my amazement at the beauty and variety of music out there in the depths of the melodic pool whose surface I’ve barely begun to skim.photo

The other charms of Berkeley are many, including some of the most outstanding examples of nineteenth century American architecture anywhere. We took a short side trip on our first day in town to stop in and see the superlative work of Julia Morgan, perhaps best known as the designer of Hearst Castle, that monument to extravagant American ego, but to my mind better represented by the Berkeley City Club, a more refined and slightly more restrained palace of culture originally meant to house and host the many women’s clubs of the city. Every inch of the place speaks of thoughtful attention to detail and the cultivation of gentility. Signs of Berkeley’s longtime perch on the front edge of tech development and IT culture are everywhere, too, from storefront displays of vintage technological hardware that seem remarkably antiquated and quaint for being relatively recent iterations of what we now consider so commonplace. The constancy of the city’s citizens in bucking any idea that feels imposed or compulsory is still seen in the posters plastering every flat surface to promote individual choice, dedication to intellectual pursuits and challenges to anything that smacks of dull pedantry or legalism.photo

There was much more marvelous music this evening and will be tomorrow. Today alone, there were concerts at 11 am, 2:30, 4 and 8 pm–with a Heinrich Schütz reading session led by my husband sandwiched in between. Oh, and lunch with another wonderful former student. I can certainly guarantee there will be plenty more enthusiastic eating, drinking, visiting, strolling and happy wool-gathering in the sun as we idle (or dash) along on the way to the next event. For now, a brief pictorial and a wish that everyone who loves music may have an opportunity to attend some such grand events in their own places and times.photo

Companionship or Conspiracy

 

P&I + textP&I + textP&I + text

Black & White in a World of Color

digital painting from a photoI was just strolling along and running errands, minding my own business, when I spotted this little twosome toddling along a nearby lawn. The way that they bobbed in unison, then in counter-rhythms, then in unison again, side by side, made me think of piano keys. They were like visual music, these birds, unselfconsciously creating a silent but cheering melody as they made their way across the grass. And they were in sharp contrast, being mainly black and white, to the Technicolor world all around them which suddenly seemed a little dull and plebeian by comparison.

And I thought, that’s how art works for me. It’s not that it’s always spectacular in its showy presence, brilliantly executed or wildly original–just that it strikes me at the right time and in the right way to make me see both the art and its context a little bit differently. It’s one of the reasons that I so love black and white visual artworks, in fact: that the simple removal of the known and expected colors of the subject can make me see the mundane as magical and contemplate the distinct wonders of things that ordinarily I might pass by without noticing. I suppose it would be good if I could learn to do this with a whole lot more of my world a whole lot more often, and perhaps I would refresh my sense of wonder enough to truly appreciate how fantastic ‘ordinary’ life really is.photo montage