Black & White in a World of Color

digital painting from a photoI was just strolling along and running errands, minding my own business, when I spotted this little twosome toddling along a nearby lawn. The way that they bobbed in unison, then in counter-rhythms, then in unison again, side by side, made me think of piano keys. They were like visual music, these birds, unselfconsciously creating a silent but cheering melody as they made their way across the grass. And they were in sharp contrast, being mainly black and white, to the Technicolor world all around them which suddenly seemed a little dull and plebeian by comparison.

And I thought, that’s how art works for me. It’s not that it’s always spectacular in its showy presence, brilliantly executed or wildly original–just that it strikes me at the right time and in the right way to make me see both the art and its context a little bit differently. It’s one of the reasons that I so love black and white visual artworks, in fact: that the simple removal of the known and expected colors of the subject can make me see the mundane as magical and contemplate the distinct wonders of things that ordinarily I might pass by without noticing. I suppose it would be good if I could learn to do this with a whole lot more of my world a whole lot more often, and perhaps I would refresh my sense of wonder enough to truly appreciate how fantastic ‘ordinary’ life really is.photo montage

The Large and the Small of It

The depths of Space carry miraculous sparks of inspiration at a seeming infinity of levels.digital collage

A couple of years ago my husband was conducting a concert of choral works all, in one way or another, exploring the idea of Space, and he asked me to provide projected images that would act as a visual companion to the music. Since the centerpiece of the concert was to be a selection of movements from Estonian composer/astronomer Urmas Sisask’s ‘Gloria Patri‘–wonderfully meditative, somewhat minimalistic yet still quite melodic music which was to be accompanied by photographs taken through the Hubble telescope, I was given a clear starting point for the collection of visual images. The good people of NASA willingly agreed to let us use any Hubble images we liked, without any constraints and at no charge, so my task was to find the images I thought best suited the music at all points, edit them (some extensively, some less so) in order to fit the format of the projections, and collate all of it into a pre-arranged program that I could manually ‘play’ as the concert was performed. Looking for, and then through, hundreds of Hubble images was a bit of a project in itself; reformatting and resizing, digitally ‘cleaning’ and grouping and ordering them proved to be a little more weighty. But it was a pleasurable and energizing project all the same, staring at the stars and constellations in all of their miraculously varied glory. ‘Gloria Patri’ indeed!digital collageGoing forward to work out images for the rest of the pieces on the docket for this program, I was moved by both the enormity of the Hubble’s scope and our own galaxy’s tininess within the vastness of space to think that it would be wonderful to explore those strange dissonances and harmonies that occur in the known world, microscopic to massive, blurred by our limited vision and knowledge and delicately detailed by our constant finding of new facts and ideas in all of it. So for the other pieces in the concert’s repertoire, I sought out images that would complement each other yet emphasize the astounding range of contrasts in our spatial existence, from the granular to the grand. Pollen and planets might in fact have more in common than we can imagine, if we stretch our thinking just a little. Snowflakes and stars might be merely opposite ends of a spectrum that transcends dimensions, scale and vision.digital collageI was reminded throughout this process not only of my minuteness in the great spectacle of existence, but also of how fantastically treasure-filled that existence is, from the level of the subatomic to things and thoughts so massive that the Hubble telescope and all of its exponentially larger generations of offspring may never quite be able to encompass the enormity of it all. If I ever think I’m running out of ideas, I only need to remember this one exercise in humility and happiness, and I should be able to break out of my stasis as a flood of newly sparked inspirations stream like comets out of me.

Maybe not Captain of My Own Destiny, but at Least I’m on the Crew

mixed media on canvasboard + textWhen I was a young artist-in-the-making, it irritated me to no end that people who saw my interest in art and knew of my Norwegian roots often instantly assumed that I was a big fan if not acolyte of Edvard Munch, Norway’s best known artist. Besides that my knowledge of Munch’s work was pretty nearly limited to ‘Skrik‘ (‘The Scream’) and what little else I’d seen even in passing was not at all to my taste, I took it as an insult and a frightfully narrow-minded view of my potential. And that, my friends, was the capper, because it implied that I was not in charge of my own future but predestined by my ancestry to be a pale imitation of somebody I wasn’t particularly fond of or impressed by in the first place. I was jolly well going to go my own way and choose my own muses and inspirations and, most of all, I was absolutely not going to be told what to do and when and how to do it by some ghostly abstract borne in my bloodstream.

As a very fortunate young pilgrim, I did manage to get to the Old Country and spend a little time rooting around my ancestral stomping grounds during my undergraduate studies. I got to meet and spend time with my great-aunts and various other relations and visit the house my grandfather helped build for his elder sister, our Tante Anna, and the family farms–the sylvan Ovidsland property with its tidy white house and taller red barn set in among the slender birches, and the more remote summer pastures of Eitland, a smaller and more rustic place on land with a sweet little lake for fishing up dinner. I was able to see the headstones of relatives long-gone, outside the little church where many of the family had attended services for many an age, and walk paths and travel roads where many of them had trod and ridden for ages before that.

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Eitland, painted by an unknown family member or friend in the early 20th century.

It was a rich and rare opportunity to both visit the places of my family’s past and to live among my Norwegian family in their current places and way of life, something that few people get the chance to do and that I will treasure for as long as I live. Because it did change me, and change my point of view. It may seem strange, but some of the greatest change happened in completely unexpected ways; I was not especially surprised, though quite pleased, that getting to know family I had not known before and see the world from which my grandfather in particular emerged to live in the States (my other three grandparentsancestors all came from other parts of Norway, where we had less constant and present contact). But I never imagined that simply setting foot in the country of my ancestors would move me as it did. I could never have begun to imagine that I would be so struck, feel such a palpable and somehow heart-wrenching connectedness on standing in front of the amazing Oseberg ship in the Viking Ship Museum of Oslo–but I was; I did.

And I was truly astounded to discover, when I–a little reluctantly, perhaps–went with my sister to visit the Munch Museum that I not only found Edvard Munch’s work much more technically impressive and more profound, his life story and the stories that gave life to and were expressed in his work more impressive and thought-provoking than I had ever dreamed I would allow, but indeed, there was a lot more that I found simply compelling and even, startlingly, appealing. First of all, the guy could draw. He could paint, make prints, tell stories. He was, dammit, gifted and actually worthy of the attention. How very annoying of him, really. Because then I had to come back and re-think what I was doing a little bit. Was it so terrible to reflect something of our however-peripherally-common ancestry in my own work?

I had, if anything, a new appreciation for how much I didn’t wish to emulate his life, with the illness and suffering that marked life for and around him. But to take, as he did, what life presented and put it through the same filters of self and vision and thoughtfulness and surrealist whimsy and passion–that might be precisely what could make me more, dare I say it, myself as an artist. Who knew.

So by the time I set about making the collection of artworks for my master’s degree exhibition, it was an amusing ‘closing of the loop’ to find quite a number of people observing the works in preparation and in the finally installed show coming back to that same old observation that had used to frustrate me so. ‘Has anybody ever mentioned how much your work is reminiscent of Munch’s?’ It was even amusing to me to realize that, though the subjects might stray from his, though the media were sometimes decidedly different and the techniques concomitantly skewed to fit them, and though most of these viewers had no inkling of my ancestry, apparently there was a little something making its way up from my roots to the surface of my art.

Somewhere along the way I had also started to grow up a bit and begun to figure out that we all, inevitably, have less control over our own destinies than we fancy we do, and that that’s not inherently a bad thing–that life will always surprise us and challenge our grand plans and hopeful dreams and carefully charted paths. That the very things we can’t predict or control help to guide and shape us into things we might never have imagined we could plan or wish to do or to be. I guess I just took a longer and more convoluted route to letting my little commonalities with my fellow Norwegian artist Edvard show through; being dead, he could spare the time to wait for me to catch up. And once I got comfortable with the idea of seeing a hint of him in the mirror, I didn’t feel like screaming anymore either.digital painting from an acrylic painted original

Doodle Bug

pen & inkI would like to state for the record that I am not, nor have I ever been, to my knowledge, an actual doodlebug, either zoologically or as a rolling or flying vehicle, a dowsing rod, or a method of seismic activity tracking. Not that there’s anything wrong with any of those. And it’s probably safe to say that my garden and numerous dimly lit corners of my home are probably full of living and dead pill bugs (what we used to call potato bugs when I was growing up), and I confess to thinking it highly amusing that these creatures are in fact tiny crustaceans that live right in my house and look like–indeed, are scientifically named after–armadillos. House Armadillos or Domestic Crustaceans, either way kind of weirdly cool in my estimation.

But I digress.

What I am is one of the many humanoids prone to doodling. And that’s not a bad thing, either. Doodling (or randomly scribbling on whatever is handy, usually a cocktail serviette or textbook or office paperwork or top-secret legal document, depending upon one’s status and age and current supposed activities) often leads, though many a grade school teacher would vigorously deny it, to thinking. And on occasion at least, thinking is not an entirely bad thing.

Whenever I’m struggling to get a piece of writing, a drawing, or frankly, any other project underway, there are few motivational tools that compare with doodling. The serendipitous or random mark that merely records a purportedly thoughtless and pointless motion of the hand can sometimes come to resemble an actual Something, and well, Something almost always leads to Something Else. In drawing as in life, just getting in there and starting, whether I’m ready or not, is the best way to potentially get anything done. Who knew!

Today’s doodle is brought to you by my propensity for turning many of my scribbles and scrawls and squibs and squiggles into things that resemble simplified linear paisley patterns or rosemaling, or any number of other folk design traditions. Once I get going on them, I find it meditative to a degree just to follow the whimsical path of inserting repetitive forms and line treatments, geometries and organic outgrowths of the marks, until I’ve filled much of the available space. Many of these folk-like, repeating elements become almost a trademark doodling style that might be as identifiable to some as my handwriting. Though, hopefully, more legible. And while the doodles don’t necessarily lead to specific or pictorial drawings in and of themselves, they do lend themselves neatly to a more relaxed and receptive state of mind in which those more concrete thoughts and ideas can indeed begin to insert and assert themselves usefully. And that can lead to different sorts of drawing, whether more topical or more sophisticated or more directed. Or not! The inspiration is in the action.digital painting from a P&I drawing

Today I was led by the doodling, not to a different drawing entirely, but to scanning it and playing with it digitally, first layering colors all over the place, then digital textures, then altering the proportions of the image, and lastly, stitching the resulting mash-up into a larger grouping of four copies of the same image arranged in a pinwheel fashion and then stretched, skewed, cut-and-pasted, and electronically stamped into a fabric-like whole that uses the same idea of the initial doodles repetitions-with-evolutionary-changes so that the end product still seems to appear quite handmade, as it’s not symmetrical or fully even from side to side or top to bottom. Now, if I were to take that square and repeat it, even if I turned it 90 degrees each time, for example, it would finally become more machine-made in appearance as well as manufacture. But that’s just mental doodling right there, isn’t it, because I could further alter the combination every single time I ‘copied’ it.

Which illustrates exactly what I was talking about as characteristic of doodling. One thing does lead to another, as long as we bother to do the initial one thing.

That said, I suppose I should get up from my desk and go forth to do a few individual things that might lead to getting some other essential things done around here. Cheerio!digital image from a P&I drawing

You have a Lovely Forehead

photoI was Auntie Ingeborg’s favorite great-niece. Of course, that’s potentially a less impressive achievement if you happen to know that each of my three sisters were her favorite great-niece, our father was her favorite nephew, his brother was her favorite nephew, and so on, ad infinitum. Potentially less impressive, I say, but not at all so in reality if you happened to know Auntie Ingeborg. Because she had a peculiar talent that is very rare indeed among humans: the capacity to make every individual she knew into her absolute favorite. It was completely sincere, unforced, and unquestionably real, and we never doubted it, any of us Favorites.

Auntie had a perpetual delighted smile and an endless twinkle in her eyes and rosy cheeks just made for children to pat affectionately, a lap that was always at the ready for clambering kids to pile on and around for stories, and a genuinely exotic store of entertainments few aunties of any sort can aspire to offer. But by popular standards of style and glamor, you’d never have given her a second glance. She found a perfectly prim schoolmarm look in simple crepe dresses and orthopedic shoes that suited her right down to the ground, and once she established that as her comfort look I don’t recollect her ever deviating from that significantly in the remaining decades of her life. She certainly wasn’t a magazine cover model, with her rather crooked teeth, and with her heart-shaped face accented just a touch too far by her under-bite. But that radiant smile, those softly blushed cheeks, and those merry blue eyes showed off the ethereal beauty of her heart to perfection, so I never once thought of her as ordinary at all. And she most certainly wasn’t ordinary.

Auntie had skills, talents, powers and exotic resources that no one could have guessed on first meeting her. First off, she lived in an apartment, quite the exotic concept to little kids raised in American suburbia. It was already a well-worn building of that vintage that had all sorts of wonderful creaks in its hardwood floors and hallways, a cage-style elevator that was just about the most mystical contraption I’d ever seen and carried us slower than a kid carries his books to school on Exam Day. And it had a Murphy bed. One of those fantastical metal monsters that stood on end, hidden in a closet, by day and pivoted out to unfold down at night.

But also during the daytime, as we learned, it stood guard in front of Auntie’s toy chest, an old and very slightly musty trunk filled with even older and rather odd and very delightful toys, including one of the earliest versions of a small robot I can recall, a little metal man that, when the key on his side was wound, began to walk stiff-legged across Auntie’s carpet in a cheerfully menacing zombie sort of way as the sharp little metal spikes that protruded through the soles of his metal feet would push out to raise up each one alternately from the rug. It was the sort of toy that would never be allowed by modern parents and other legal experts, because the foot-spikes were incredibly sharp and the metal was hard-edged and undoubtedly the paint on it was full of lead, and we loved to play with it almost endlessly.photoThere were other bits of magic and mystery stashed in the toy box, to be sure, not least of them that we quickly learned to dig into the box thoroughly on arrival, and as quickly as we could wrestle the bed far enough on its pivot to release the box to us, to find the box of Barnum’s Animal crackers that Auntie happened to have hidden along with the toys in there. Those who grew up eating them tend to agree that they are fairly insipid of flavor and texture, but the fact that they came in a charmingly decorated little box that looked like one of Barnum’s mythic circus train cars, full of exotic beasts, and it had a string handle on it for carrying around with us as we played with the toys and we got to dole out the little biscuits at our own leisure from the little wax paper lining inside the box–why, this was the stuff of dreams!

In truth, the toy box, though it was the object of our beeline in the door on arrival, was not the most crucial of entertainments at Auntie’s–that status was Auntie’s alone. For, as a lifelong grade school teacher, she knew how to amuse and occupy the caroming minds of wriggly kids about as well as anyone on earth ever did. She quizzed us about our wide-ranging and rarely accurate knowledge on any number of topics, showing more genuine interest and enthusiasm than any such conversation with miniature humans deserves, she played her old upright piano and sang silly songs and very old hymns, and best of the best, she would let us all pile up around her as she told fascinating folk tales, the finest of which were accompanied by her making pencil marks on her paper tablet to illustrate the path the story’s protagonists took from one episode to the next, the drawing of which ended quite miraculously in a picture of something–perhaps a giant vegetable with a person who lived in it looking out its window, or our favorite, a cat whose tail curled in a wild spiral that ended both the tail and the tale.photoShe was no specimen of the more refined social graces that might be expected by a more patrician crowd than her circle of family and friends. Physical or athletic grace was clearly not her great gift any more than it’s mine–when we moved the Christmas tree into the middle of the room to join hands and circle it singing old Norwegian Christmas songs, as was our sometime tradition, Auntie managed not once but in two different years to bump into and topple the decorated tree. I’m not even absolutely certain that the second time could be credited entirely to her, because it’s not as though there wasn’t the previous experience to tell my father, for example, that we could consider just doing that little ritual on one of the days when Auntie was celebrating at another relative’s house. But given that no one was harmed in the event and that we all had an excellent laugh not only on both ‘tipsy’ occasions (no, Auntie was not–only the tree was) but for all the years since as well, he can hardly be faulted if he did suspect a repeat in the offing. Auntie, as it was, laughed harder than any of us.

Auntie’s driving history, too, had certain mythic qualities to it, ending when she was at least in her eighties and still chauffeuring needy Old People (some of them undoubtedly much younger than herself) to the doctor’s office or the grocery store or church, or to where she taught English as a Second Language to immigrants for a very long time. The beginning of her automotive life was illustrated for us by the awe-inspiring story of the day that my father, then a high school student, came home after classes and found Auntie reclining on the family couch in a somewhat dazed state, from whence she plaintively asked if her nephew would mind going out to retrieve her car, which she had left at the neighbors’. He was puzzled as to why she hadn’t, evidently, brought it along with her all the way to his parents’ house, until on arriving at said neighbors’, he could see that her slightly skewed understanding of the operations of centrifugal-vs-centripetal force in driving had resulted in her cutting the corner of the street, jumping the neighbors’ front rockery, and landing the car in the midst of the garden border under their front window. It is unclear how, precisely, he was able to successfully remove the automobile from its highly artistic position in the neighbors’ front yard, but apparently this did occur, as did eventual restoration of the yard’s normal, more vegetal, aspect. Auntie’s driving was somewhat tamer after that, though occasional indications of her earlier style did leave us all wondering over the years how it was that she never seemed to get in any further accidents, or even get a police citation, out of all her miles on the road, an outcome for which we were all profoundly thankful.

It may be presumed that among other things, the lovely lady we knew alternatively as her self titling of Jog-along Julie did indeed keep on moving through life at a steady pace but because she had so many commitments to her teaching at school, community and church locales and to her watchful companionship of nearby friends, she didn’t need to drive very far when she did drive.

She was, after all, far too busy taking care of and cheering up a multitude of others, writing letters prolifically to family far and near, and reading–to herself and to others as well. Any birthday or holiday was almost guaranteed to be celebrated with the gift of books, and she can certainly claim much credit for how much her nieces and nephews of all ages learned to love a good story not only at her knee but in the pages of the books she doled out to us. Every story, even the books of silly rhymes and jokes she shared with us, may have had some subtext of educational purpose, given Auntie’s lifelong commitment to teaching, but we knew in addition that the central theme was simply how much she loved us.

She constantly made sure to say something supportive and complimentary to everyone, even on days when and to people with whom it was quite a stretch. When we sisters reluctantly sent her the dreaded school portrait photos that we always thought were hideous representations of who we were rather than what we hoped and wished we looked like to others, she would tell us how marvelously sweet and attractive we were, without fail. When one sister sent the photo that she hated most to reveal to the light of day (because she despised how far she had her hair pulled back on the occasion, thinking it made her face exceedingly exposed) Auntie wrote to her with great kindness that she had ‘a lovely forehead.’ Nothing could, for us, more simply and clearly have illustrated how gifted Auntie was in finding beauty in us even where we felt most flawed.

Though she seemed so fixed in time by her perpetual uniform of the schoolmarm look, by her continuity in writing letters, sending books, telling stories to the youngest members of any party, and driving, albeit more slowly, the Old Folk she knew to their appointed rounds, Auntie finally did actually grow old and die. But of course, even her funeral was occasion for us to hear her piping voice cheerfully chirping out how amazing and fantastic we all were. The relatives who gathered to plan her memorial service were suitably impressed to compare notes and discover yet more of her Favorites among their number. And the whole day of togetherness not only confirmed that her love was what we all had in common, but was filled with laughter at the same old stories of Auntie’s antics, and the warmth of her boundless thoughtfulness and selfless kindness toward all and sundry in the family and in the whole wide world.photo

I have Slain the Housework Monster

It’s not your standard condition, that of being born loving to clean and tidy things. Some of us, as we get older, build up our own versions of tolerance and even gradually, a craving for neatness and blissfully shiny-clean stuff that grows strong enough to not only require that we do the work to make it possible but even, sometimes, to teach us to like it a bit. I’ve been fortunate to meander my way into the latter category, but of course the journey wasn’t without its bumps and twists. Because I was born with a natural aversion to Effort. Besides which, I figure if something is not actively imploding, it probably doesn’t need all that much help from me.

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If it ain’t broke . . .

No surprise, then, if I looked at the laundry basket with something like loathing, even in my extreme youth when it was my mother who had done all of the labor of collecting, washing and folding all of the dirty clothes and filled the basket with them before I ever laid eyes on it. The mere idea of what it had taken to get from Point A (filthy kid coming in from playing in the woods) to Point B (pretty basket of neatly folded clean clothes) horrified me. The very thought of all of the tedious drudgery it would take to remove the neat and clean things from their current attractive assemblage and put them into the proper drawers and closets exhausted and demoralized me. And seeing Mom poised over the ironing board, sweeping at lengths of unforgiving wrinkled stuff with iron in hand–ohhhhh, don’t get me started! I had to dash for the nearest fainting couch at the slightest whiff of laundry. I will tell you right now that I never recovered fully enough to become friends with an Iron, and have not allowed one in my home or vicinity for lo, these many years since.

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The Dreaded Laundry Basket.

But laundry; well, if I don’t exactly go door to door begging my neighbors to let me wash their linens, at least I have learned to simplify and organize my laundry days to the point where there’s a sort of easy rhythm to putting a load of clothes in the washer, going off to prepare a little something and tuck it in the oven, putting the clothes in the dryer and second batch in the wash, going over to organize my desk, taking the food out of the oven, checking the dryer, and so forth–and I don’t find I’m quite so bogged down by the immense weight of one task when it’s sandwiched rather innocuously between several others. By the time I’ve got clean things to fold, I rather like the reverse-zen mindlessness of being very methodical and fussy about putting creases just so and stacking like with like and sorting shirts by color and any other silly pattern that lets me quiet my thoughts or just free them to wander where they will.

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Beware the snarl of the hairy, dragonish Duster! Flee before its smoggy breath!

Dusting has always seemed so futile as to be nigh unto ridiculous. If I don’t make a mark in it, it’s practically invisible, right? [I heard that!] More importantly, any dust stirred up–and you know some will stir up even if you use a duster coated with super-glue–is going to settle somewhere as soon as it can. Where? Directly below your duster, where it came from, of course. Don’t tell me that isn’t simple physics telling me I shouldn’t bother to try dusting. My elders, of course, have never had any particular respect for the laws of physics (as witness, trying to convince this square peg she would be happy learning to fit into any number of round or even triangular openings, at least until said Peg got too full of herself to fit any pre-drilled holes). So there was a regular expectation that I ought to better acclimate myself to the concept of dusting and do it anyway. Not only did I, however churlishly, do it then, I now own a duster as a fully independent adult. Only for the direst emergencies, mind you: I can still recognize the menacing beast’s mane at the end of a duster’s handle, thank you very much. Those jokers can kill you with one wheezy breath.

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The lineaments of lint, in all of their mountainous glory.

I did finally succumb to the duster-buying pressure when I spent a little time contemplating what emerged from my dryer’s lint trap. Because it seemed to me that if freshly washed clothes gave off that much accumulated dust and hair and assorted dismembered insect components and stuff in one short tumbling exhibition, there might actually be a pretty fair amount just casually drifting around right under my nostrils and landing willy, nilly, hither and yon if it didn’t go straightaway into my lungs. Call me a pessimist. [Yes, I heard that, too! Cheez, people, cut me a little slack. I’m trying to keep a clean house here.]

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Vacu-Man is coming! Hide the children! Save yourself if you can!!

The other answer to the dust problem is of course the bigger beast, the one that can eat larger quantities of dirt and disgustingness with wide slurps of its massive maw. There’s no wonder at all that pets and small children scatter in fear before the ‘Transformative’ power of a vacuum. Have you really looked at that scary mechanical menace lately? Every time I open up the closet and see that grimacing Succu-Droid glaring at me I get a little queasy thinking it’s about to drag me all over the house, growling fearsomely the whole time. Talk about being hauled on the carpet! Making me trudge all through the dark corners of every room, yanking my arms out of their sockets and working me up into a grubby sweat in an eyeblink, but seeming to take forever every time. And for what, to pull up enough loose grit so that it uncovers just how worn and stained and discolored the actual carpeting under the dirt is in the first place? That’s just plain mean.

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Clearly I *am* capable of getting everything sparkling clean until ‘we’re all in our places, with bright shining faces . . . ‘

I still end up evading the vacuum for longer periods than is strictly optimal, keeping it in an intermediate parking spot outside of the storage closet so that it’s in brighter light and can’t pull its scary-face stunts on me so easily, so I can work my way up to grabbing it by the neck and hanging on for dear life until the rodeo’s over again. After all, I’ve got plenty of other things to do. The outside of the windows I can make less of a big deal because I can just jet-wash them with the garden hose while I water the flowerbeds–in Texas the heat dries them so fast they don’t have time to streak much. But the dishes, I’ve yet to find that hosing them down on the patio has quite the same desirable effect as actually putting them in soapy water in a sink or dishwasher. And we don’t have any pets that will lick them clean for us. So I credit any time spent immersed up to my elbows in bubbles or loading up the ol’ dishwasher as time I don’t have to spend vacuuming. It’s not like we have to eat directly off of the carpeting anyway.

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Everything dirty does deserve the occasional bubble bath.

I do like my food to come into and out of a reasonably sanitary place, whenever possible, so I’ve been known to get seriously aggressive from time to time when it comes to kitchen cleaning. Once the food’s prepared, it may be that all bets are off, because hey, I already swept the floor, so how many cooties can already have occupied that little spot where I just now dropped a bite? I’ll take my chances. ‘Thirty second rule’, that’s nothing. I’ll give it a good thirty minutes if I happened to be on my way to another chore and can’t get back to pick up that morsel until the return trip. No wonder I dropped a bite anyway, when my hands were so full of the Good Deeds of good housekeeping! And it all came through a supremely safe and clean kitchen. I’m almost sure of it. I’ve even been known to clean the oven, though of course that’s only likely to happen by virtue of living in a house with a self-cleaning one, so I only had to figure out the arcana of its antiquated workings.

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Look, Ma, no grime! (You may need to put your sunglasses on.)

All in all, I like to think we live in a relatively toxin-free, moderately tidy home and that the various arrangements I’ve made to survive the chores more sensibly contribute to a place that, if not up to royal standards, isn’t utterly slouchy either. When you come to visit me you can go ahead and put up your heels on the coffee table, because we’re big on ease and comfort around here, but I won’t let you stick them on the dining table. If your pants get direly dirty with our dusty red Texas clay, I’ll happily wash, dry and fold them for you, but ain’t no bucking rodeo bull gonna get me to iron them for you. You can fold them under your mattress for the night or even go find an iron and press ’em yourself, but there are some demons of the homemaking variety I’m just not willing to battle any more. I’ve seen enough of that combat in my time.

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Weed or Wildflower? Does it matter? Everything here looks perfectly in order to me!

It’s why I have my relaxed attitude toward weeds on the property, too. If they’ll stand up and look pretty and behave sweetly toward me, I’m certainly not inclined to cut them down just because they showed up uninvited. Why, it’s what I’d do for any good guest.

A Date with Heraclitus

We all have a certain number of fixed elements in the schedules of our lives. At least, we think we do. And most of the time, we manage to keep them in fair order and stick to them. That, in itself, is really rather near to miraculous.

Every one of you who has crashed breathlessly through the door at four seconds to ten for the 18th weekly meeting of your Steering Committee, after an epic morning battling with a cracked molar, a stuck zipper, a closed freeway exit and a sinkhole that opened directly under your reserved parking space–only to find last night’s emergency notice scrawled on the white board, informing everyone that the meeting had to be moved to the Annex back on the other side of town–you know what I’m talking about.

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Well, I know why *that* Mourning Dove was crying . . .

Best laid plans, Ha! Old Reliable, Ho-ho-ho! Change happens, endlessly. Who am I to argue against the great philosopher who says so?

No matter how wizardly we are in arranging our lives, planning and organizing and arranging to the finest and most delicate degree of control, all of the skill and dedication in the world can’t stop the flow of life’s river from going where, when and how it will.

The good news is that despite the vicissitudes of our ever-changing reality. We manage, and we do so well enough most of the time that we can maintain the illusion, perhaps even the delusion, that we can predict and control our lives’ events for the most part. The very fact that things ‘gang aft agley‘ as they do keeps us on the alert and trains us to be flexible when we must, inventive when we can, and swift to recover when all else fails. Change, as we all must finally allow, is the only true constant.

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Some days even the repair equipment is just not up to the task . . .

Now, should I post this today, I wonder? Or should I write another post and save this one for another day, when something comes up unexpectedly–and it will–and disrupts my plan for that day’s post? Always good to have a get-out-of-jail-free pass tucked in my back pocket, I should think . . .

Curtseying & Polishing My Tiara Madly

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Now, there's really no need for you to go putting up any monuments in my honor or installing any statues of me . . .

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. . . and while I love a good concert and the after-parties are outstanding, it's not necessary to write compositions in my honor and get the marching band ready for a parade . . .

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. . . and while I do love a good monetary recognition, it's hard to explain any sums sizable enough to be really impressive when our fine friends from the Internal Revenue Service start paying attention to the numbers . . .

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. . . so I think I'll just say that my heart is warmed immensely by the kind light you've shone on me, and that in return I hope that I can be a little brighter and a little more generous with my light to the rest of you, and that you will all pass it along as well . . .

Once again I have been receiving kind and generous notices of recognition over the last few weeks from my gracious blogging friends, and I’m overdue to say appropriate thanks in response. So here I am at last, with another lovely gift-basket filled with Genuine Blogger, Versatile Blogger, Sunshine, and Kreativ Blogger Awards and feeling overwhelmed as always at the munificence of the online community. These latest are conferred upon me, regardless of my deserts, by my fellow poets, artists, foodies, gardeners, essayists, music lovers, travelers and others with whom I’ve so fortuitously crossed paths out here in the ether and am enjoying the marvels of mutual entertainment and discovery.

It is with a humble and happy heart that I thank Meg, Susie, Mark, Mars, Kofegeek and Tamara. Some of these have been friendly correspondents of mine for a lovely while now, and others are quite new to me, and I highly recommend that you have a look at all of their blogs! Meg is a veteran traveler for her relatively few years’ opportunity, and always posts marvelous pictures and original thoughts and ideas about places visited and things done there. Susie writes with great good taste, artful illustration and photography, and shares stories and samples of fabulous food and outside-of-kitchen adventures, too. Mark, an outstanding graphic designer in the UK, sometime DJ and constant educated music listener, gardener and traveler, always has a wise and witty twist to his posts. Mars has lived a rather cosmopolitan life but keeps a grounded and sensitive point of view, traveling, writing moving and insightful observations about life’s vicissitudes, and seeking beauty and light in the world. Kofegeek brings ingenious humor and insightful discourse to matters of science and math, cats and coffee, and much more. Tamara is a marvelous gardener from Ljubljana who is working to create intergenerational conversation about that earthy art.

Meanwhile, I am required by the rubrics of these awards to do a little personal sharing with you, my readers, and to introduce to you other worthy bloggers, and so I am going to combine my efforts and ask that you have a good visit to some truly worthy sites elsewhere as well. Share the love!

First, 10 blogs and bloggers worthy of your attention:

Cynthia @ http://lesplaisirssimplesdelavie.wordpress.com/ (photos, thoughtfully captioned with brief yet expansive and often lyrical text)

Natasha @ http://comeduemaiali.wordpress.com/ (seriously, how can you not enjoy eating ‘like two pigs’? I know I do, oink oink) Important update announcement: I am clearly not as smart as even one little piggy, because I completely missed that Natasha had been one of my award benefactors in the first place. But I’ll pretend I Meant to Do That just so that I could pass on the other awards back in her direction! Because, and I am not making this up, she really deserves them anyway!

Becky @ http://beckyfrehse.wordpress.com/ (a longtime friend, Becky is a tremendously versatile mixed media expert, visual artist, collaborator, teacher and all-around cool person)

Lorelei @ http://incidentallearner.wordpress.com/ (rediscovering her incredible painting gifts, she’s a watercolorist and storyteller extraordinaire)

Bente @ http://bentehaarstad.wordpress.com/ (no, I’m not prejudiced just because she’s from my ancestors’ homeland, Norway–she’s a really fine photographer!)

Sue @ http://suellewellyn2011.wordpress.com/ (another distinctive and fine photographer, capturing other parts of the world, caught my eye)

Pat @ http://rantingchef.com/ (making all sorts of stellar and luscious foods sound and look fairly simple to make, and worth the effort even if not so easy)

Maggie @ http://thelittledesignstall.wordpress.com/ (a Pinterest-style blog full of gleefully over-the-top and often spectacularly inventive and gorgeous design images from all over)

Maenamor @ http://antiquityandadventures.wordpress.com/ (guiding us around scenic bits of England and Wales and sharing special local events with their fascinating stories)

Robi @ http://kabyahe.wordpress.com/author/robijiz/ (introducing cultural and natural beauties of the Philippines in outstanding journalistic and artistic photography)

Meanwhile, back to talking about myself, because I’m so incredibly exciting!

I think almost anything could be improved by the addition of browned butter (beurre noisette), possibly including a plain spoon about to be stuck in my mouth;

&   I have rather excellent printing (lettering) skills because my cursive handwriting, though perhaps interesting to look at, is almost indecipherable even to me;

&   If I don’t sleep at least nine hours a night I am not very likeable company;

&   Classical music is often my go-to choice, but there are others that have particular allure for me at different times or under varying circumstances, i.e., Blues music during physical labor, vintage ZZ Top, Oingo Boingo and Van Halen on road trips, reggae on a beachy sunny day, jazz and swing for hanging around people-watching in a cafe, and so forth;

&   The smell of coffee is heavenly to me, but I don’t drink it often and then only as flavoring for lots of cream and sugar;

&   Perhaps because of my temperate Northwest upbringing, I think of green as a perfect neutral color, just as much as the traditional black-white-grey-brown palette;

&   I’m not particularly girly (in the ruffles and bling and pink sort of pop-culture way) but I am fond of being female and even sometimes live up to sex stereotypes, if accidentally;

&   Not much of a crier (maybe I tend to try to be stoic when genuinely sad), except at the most silly sappy stuff, but I am an inveterate hugger and hand-holder;

&   I’m so old that I went to a school where there were no lockers, only a cloakroom; that the houses and cars in the neighborhood were all generally left unlocked; and that the older kids piled loosely in the backseat of the car while the baby sat in Mom’s lap up front;

&   I’m so young that I think Bucket Lists are for people thousands of years older than me because I have all the time in the world and naively believe that I will get around to anything that matters enough, eventually.

On that note, I really must finish this up for today and get it posted, because despite my limitless future I find that blogging is a time-consuming joy and can easily eclipse numerous other activities that may well turn out to be worth the doing if I don’t get too obsessed and distracted leaping around the meadows of the Internet in the grand company of my many admirable blogging playmates and mentors and companions.

Perfectly Imperfect in Every Way

In a comment on my gardening post last week, Ted reminded me of the inimitable Mary Poppins, and I was in turn moved to recollect her frank self-description as ‘Practically Perfect in Every Way‘. In the case of that charming fictional character, it was simply and inarguably the truth. The rest of us, mere mortals, can’t quite go that far if we’re honest.

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Saints Cury, Cecilia & Goar. I selected these for portraiture in this modern-medievalist piece because of very earthly interests: Cury is one of my birthday saints and famed mainly for his 'miraculous' hospitality; Cecilia is the patron of musicians (for my husband, of course) and even sometimes purported to be the inventor of the pipe organ; Goar's feast day is celebrated on our anniversary and he, sometimes portrayed as a potter, was thus also an artist. He also happens to have a lovely little town on the Rhine named after him. There *can* be perks to being a saint, even a minor one, apparently . . .

Which is why I like saints. It’s doubtful I’d really enjoy meeting them in person, to be precise: it’s the nature, the character of them, that really fascinates me. Because, as I understand it, what separates the saints from the rest of us ordinary slouches is not that they were born or made saints but that they became saints by rising above the ordinary way they began. Unlike superheroes and the majority of fairytale protagonists, it’s not often a transformation that’s accomplished by the wave of a wand or inadvertent exposure to radioactive substances, but rather is brought about by internal change and will and choice.

There is hope for me in the idea that most saints–and I gather this is true of the heroines and heroes of many significant belief systems, along with many of the major religions–start out as plain, simple, unimpressive and very mortal humans and for one reason or another are moved to do the things they do that gradually re-shape them into extraordinary beings. Some of those avatars, indeed, start out as pretty sketchy characters, if not outright jerks, despots, and other first-rank varieties of meanies. It’s the process, the journey, and the ultimate commitment to do and be something else that makes them extraordinary.

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Saint Monica could be the perfect example of overcoming obstacles--much of her sainthood was earned just through working to see that her ne'er-do-well son shaped up, the outstanding troublemaker who eventually reformed enough to become himself Saint Augustine of Hippo. Apparently her efforts did not go unrewarded . . .

Chances are beyond-excellent that I will never become a saint of any sort. But the real hope and inspiration in the lives of heroes, saints and exemplars is that nearly all of them began their lives as someone or something far less extraordinary than the way they ended them, and if so there’s always a possibility that with a little thoughtful effort I might actually improve along the way too. Don’t hold your breath, but I might just turn out slightly better than expected. Apparently, miracles do happen.

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Saints Valery (a French abbot) and Finian (an Irish bishop)--hereafter known as the Feastie Boys since they're also among my birthday saints. They remind me as well that one can come from different places, times, backgrounds and any number of unique circumstances and rise beyond them all to distinctive heights . . .

Can You Come over to My House and Play?

My big sister flew out and visited here for a couple of days last week. It was heavenly. Besides that I just get a big ol’ kick out of her company at any time, there are a number of reasons that time spent with her is a great treasure.

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An early appearance of one of the most frightening of biker gangs ever to terrorize Ryan Street . . .

One, of course, is that having known her my entire life, I can happily be myself without any fear of shocking her. I can (and do) even revert to my most immature self and she never skips a beat but joins me at whatever level of silliness most promotes our laughing until our eyes turn into faucets and we choke on our drinks from our big snorting guffaws. I can, in the safety of my own kitchen, drink a few more of those drinks than I would do on my own, and be just as ridiculous as that makes me be. No repercussions. Well, she might tell Mom when she gets home. But it’s usually the duty of the younger sister to be the tattle-tale, right? So I should be safe for now.

When I get to be with my sister I can catch up on all that’s happening in her life, something that is not even remotely the same over the phone because it lacks the drama of the whole pantomime portion, not to mention all of my interruptions to ask what X or Q player in the story is currently doing. We can rant shamelessly about the current state of the world and everyone and everything that we know in it, and know that the Top Secret information and occasional swear-slippages need never leave the room. I can tell her my own life’s updates and make them seem as glamorous or pusillanimous as I wish, knowing that she will listen to it all with whatever sisterly sympathy or elder-sibling disgust is requisite in the event, just to help me sort out what’s believable and what’s merely my imagining.

I take it as not only excuse and permission but a virtual requirement that I eat any and all of the junky but deliriously tasty things I would normally consider inappropriate for regular dining, starting with chips and a big bowl of ice cream for lunch and not budging impressively far from that sort of menu for the duration. Now, granted, if the visit exceeds a week, I might be better behaved, but (a) this was a short visit (so there!) and (b) I probably wouldn’t be better behaved (so there!). Guess it’s just as well she didn’t test me on this. But it was a danged delicious few days, even if my body may take a while to recover.

And it’s certainly amazing how much my spirits recover from any time lost between visits, when I get just this one little dose of sisterly vitamins. Having three such stupendous sisters is probably an unfair advantage of mine, but I am not in the least apologizing for it. You have to admit, if it’s a selfish trait on my part to revel in such wealth, at least it’s one of the least of my offenses. She said, grinning just a little devilishly.

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Equal-opportunity educator and sharer, my sister started early with the indoctrination of her three younger sisters (and our many cousins, like Mark with us here) in what a jaw-droppingly amazing world it is and all of the excitement we could find in it, even if we had to manufacture the excitement ourselves . . .