Category Archives: Love

Another Good Thing about Waving One’s Arms

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Waving my arms is something I may think about more than the average person does. From when I was pretty young I was conscious of arm movement as being mighty significant in a seriously diverse series of ways. First of all, there was that childhood training we all enjoy, if we’re well inducted, in the art of waving hello and farewell. I have almost always preferred the former to the latter, but in either case, whenever the occasion was deemed genuinely worthy of such a gesture, I knew that it was a sign of love or affection, and that made it pretty darn worthwhile.

Then again, I also had an early fondness for wagging my crayon-gripping fist over a piece of paper (or whatever flattish surface was convenient) to make squiggly lines and, if I got lucky, get them to coalesce into picture-like concoctions. I  might be sitting off in a cozy corner at Grandma and Grandpa W’s, scribbling away, with the faint sounds in the background of parental and grand-parental chatter as they sat drinking their coffee intermingled with the slight chattering sound of Grandpa’s cup doing a little jitterbug against the saucer, because he had a mild tremor in his hand. Of course, his arm-waving was hardly dramatic, but it was one of those delicate underpinnings of my early memory that became part of the whole subtle weave of my perceptions.

Sometime in my early teens or thereabout, I found that the family resemblance extended to my having my own familial tremors, occasionally in my head and neck but mostly in my hands and arms. There have been times when it was more pronounced than was entirely convenient for a person wanting to draw, but fortunately it’s rarely been at problematic extremes, more often merely requiring that I find ways to compensate for or control or use the tremors to advantage in my art-making. In any event, keeping my hand in (no pun intended) as an artist has tended to keep the inevitable interactions of these two kinds of arm-waving present in my attentions. Meanwhile, my other grandmother had her own kind of arm-waving to lend to the family skill-set: Parkinson’s Disease.

Typically, Granny had the wit and will to battle her Parkinsonism not only with great tenacity in staving off the ravages of the illness for many more years than is typical but also with a lot of good-natured humor, because that was her style. So whenever we had a family gathering, she was the first to offer her services for tossing salads and making milkshakes. That my mother has followed in the Parkinsonian lineage would make her forms of arm-waving far worse to behold, knowing that the same sort of insidious progression lay ahead for her, and to be fair, including the knowledge that the odds are a bit higher for me than for some that I will eventually join the parade, but she too has maintained a bright attitude about it all. Besides that, I am very slightly suspicious that her particular skillfulness when it comes to shaking the dice gives her a unique edge in the evening board games.

But the top of the list when it comes to magnificent ways and reasons to wave one’s arms has surely got to be the one I’ve been witnessing so much now that the concert season is well underway again: conducting. Bands, orchestras, operatic performances, choirs. No matter what the form of the musical art, if there is a conductor up there waving his, her (or, particularly, my beloved husband’s) arms, the love that fills the air is what makes all of the arm-waving a worthy and beautiful thing. It brings hearts and minds into focus and, often, into community, and it makes the world a more wonderful place to be.

And that makes me want to stop waving my arms altogether, just opening them wide enough to embrace that better world and anyone I can in it.digital image from an acrylic painting on canvas

 

Treasure Knows Neither Time nor Place

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A memory-driven image by my great-uncle Rolph Bolstad . . .

I have been scanning and digitally restoring a number of photos out of our family’s trove, a heap that resembles the disorganized and neglected stores of many other families. I make a small dent in the stack from time to time, then get distracted by everyday life and often don’t revisit the project for quite a while again. While many of us obsess over parting with beloved memorabilia of any kind, the truth is that the majority of us don’t do much with it when we have it.

All good things are that way, I suppose: love, joy, peace and happiness of both the material and the intangible sorts are seldom given their full respect when we have them, only mourned when we think they’re out of reach. And from what I’ve seen and heard from friends around the globe, this is a foolishness that transcends all sorts of differences and makes us more alike than not–no matter what our location or culture, our beliefs, hopes, and dreams, we all seem to wrestle with this forgetfulness about appreciating what we truly value that we have right in hand, and the minute that we suspect we’re about to lose our grip on those gifts, whether by our own decisions or perforce, we get panicked and become certain that it’s a sign of apocalypse. Surely the end of our own self and sanity, and very possibly, that of the universe as we know it.

I come across that box of yet-to-be-scanned photos from time to time and get a pang: what if I don’t get back to this project before I forget who’s in the photos, where the shots were taken, before the images are too faded or decayed to be rescued at all?

Well, what if?

Honestly, I know full well that it will not be the end of the world. Not even the end of my pleasurable revisiting of those memories–what’s more significant than retaining this flimsy physical repository of memories is whether I use the versions of them in my head and heart while they last (head, heart and memories, all three). Once gone from there, the data held in a picture is only cold, meaningless data after all, and it never contained the warmth and soul of anyone or anything depicted in it. It’s merely a shadow-play version of the husk that is my human form and will no longer be me when I die.

So I’ll keep leafing through these paper and binary mementos of mine as long as it pleases me to do so, remembering mostly that what is seen therein is always more beautifully carried inside me. Change is indeed the only constant, yet in the photograph my great-uncle took, probably in Johannesburg, around sixty years ago there is the ephemeral prototype of the photograph I took in New York less than a decade ago. Fifty years or fifty centuries, it matters little if we learn to respect and rejoice in what remains true and crosses the boundaries of place and time as long as we keep it alive inwardly.

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New York City lives in my own memory as much as in a physical place . . . its beauties, like all things loved and valued, lies in me, in others’ hearts, far more than in itself or any image we can conjure of it . . .

What of the Day After the End?

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digital illustration from a photo + textAfter All is Said and Done

What will I do when at the end of time

The story folds back on itself and calls

On me to follow down those darkened halls

Of memory to revisit sublime

Past lives in fact and fiction ’til I’ve turned

Empty as much as is the hourglass

And all the strange bygones that had to pass

Before this book called History was burned?

What will this end extend to me, my kin,

my life and loves and all the world abroad?

Whether it’s silence of the touch of God,

Salvation of a sort will bathe my skin,

And on that gleaming day I’ll wake anew

Because I loved, and I was loved by, you.

Will You Sing in My Stead?

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graphite drawingWhen I can Sing No More

When I am weary, worn beyond all reckoning,

My breath is gone and voice has ceased to sound,

The darkness draws me in, its silence beckoning

And luring me to lie down on the ground–

To fall asleep; perhaps to melt there into death,

Because I can no longer coax my throat

To speak of joy, or yet to longer draw a breath,

To sing a song as long as one fine note–

Beloved Friend, how sweet if you will stand for me

And draw the air that lifts the lark to wing

Its way across the sky–if you will kindly be

My voice, and raise your own aloft and sing–

For in my silent darkness I shall never die

Long as your voice goes on and in your song I lie.

Matters of Perspective

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Stormy skies can bring destruction . . . or the rains of growth and promise . . .

I’ve said before, and in ever so many ways, I’m a firm believer that we all live our lives wearing our own very distinctive glasses. By that I’m not referring to the glass-half-full vs. glass-half-empty attitude–but that’s indeed part of the whole idea. It’s about how we see the world through our individual filters.

In a fairly concrete fashion, that means that the quality of my actual eyesight–my acuity, ability to detect and distinguish colors, textures, shapes, depth of field aided by stereo vision, and all of that sort of thing does, in fact, have a profound effect on my world view and how I experience my passage through it in life. As a longtime visual artist, I am dependent upon all of this stuff for my very sense of self.

But I’m also convinced that each of us has a life history that includes our adventures from birth to the present, our nurturing or lack thereof, our environment and resources and social contacts and political influences and educational progression, and that whole reality is so distinctive for each of us, right down to a cellular level, that I can’t quite imagine how even the closest of kin could possibly have identical points of view.

I’ve been reminded of this in the last few days as I’ve been reading the latest Oliver Sacks book on which I’ve laid hands: The Mind’s Eye. Every book of his that I’ve read thus far is, since he’s a neurologist, a humane and humorous thinker, a deeply curious scientist, and a citizen of the world with wide-ranging interests, bound to be an adventure. Given the visual theme of this particular collection of case-studies (including his own discovery of and treatment for an ocular tumor), it is indeed a confirmation of my sense that such complex inventions as human bodies, multiplied by the almost infinite variants those influences I mentioned above can infuse, create and incubate an incredible range of possible ways to see and experience life in this world and whatever we can conceive of beyond it.

Yes, I am enjoying this latest Sacks book as immensely as I have all of his thus far. It’s been rather striking, too, to add to the layers of my own filters, many of which I’ve only come to recognize rather more recently in my life. I have sussed out and confirmed to my own wildly non-medical satisfaction that I am very probably distinctly dyslexic or cognitively ‘different’ in a whole bunch of ways, and having looked at this good doctor’s descriptions of face-blindness, or prosopagnosia, I’ve a feeling that my realization sometime not long past that I might have a degree of face-blindness might well be accurate. I’m certainly no less inclined to believe it since immediately before the book arrived on scene at the local library, I was working in our front yard when a car pulled up and the nice driver called me by name and conversed with me pleasantly until I could identify by her voice, questions and comments that she is the neighbor who lives directly across the street from me. Sigh. Sometimes the ol’ filters do get a little blurry.

More importantly, though, I’m convinced that how we respond to our life experiences and our histories–the choices we make and what we do with what we’re given and who we are within it–those are the truly telling filters. They’re the things by which we’ll be known, be remembered (if we’re remembered), and that offer us ways to define ourselves and our place in the world. So while I’m happy as an artist to play (as you saw in the last couple of posts) with my reality in the artificial world of visual imagery and how I attempt to show others what it’s like to see through my lens, I realize that my moods and attitudes are a part of that process too. Can I get others to understand or accept my point of view? Rarely, if I’m mighty fortunate. Can I help them to see it? More likely, if I work hard. Can I give them happy access to their own filters that might improve their moment or their day? That, I hope, I can do if I am true to the better of my instincts in responding to the world as I know it and expressing, the best that I’m able, with passion and with compassion. With love and joy.

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Heavens! What started as a grim and ominous day can become something bright and hopeful . . .

 

All I Can Do

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photoMy Dearest,

I know that your day is dark. Your illness is proving incurable and your pain is chronic. Financial ruin is staring you and your family in the face. The season has turned harsh, your lover has betrayed your faithfulness, your longtime animal companion has died, and your heart grows heavy and your eyes dim with weary tears. War rages just outside your door and grips you by the soul as well.

I know all of this and yet I am thousands of miles from where you are. I can’t step over the threshold and take you in my arms and silently cry with you until the bitterness ebbs. It’s so far that I can’t just bring a basket of hot food and a bottle of wine to sustain you and slake your thirst. My words, even when I try to shape the letter that will ease your suffering one moment’s worth, are too small and sere and frail to make an inroad–and the letter will undoubtedly arrive too late. There is a faint echo in that digital delay when we speak on the phone, and all I can hear in it is our own choked breathing, no sounds of the deep solace really required.photo

All I can do is leave the gash in my own heart open and ask you to take up your residence in it. Know that my thoughts are reaching across the miles to you at every moment, awake and asleep. Let me shift some of the terrible burden from your shoulders to mine; I know it isn’t real, and doesn’t solve your troubles one small bit. But I hope that you can find some comfort and hope in my desire to carry you while you are too weak to carry yourself one small step further. All I can do is love you.

And so I do.photo

A Picture is Worth a Mere Thousand Words; a Collage Invites Endless Elaborations . . .

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digital collage“Why, yes, now I can see how much your beautiful daughter takes after her mother,” he stuttered with a hasty glance at the upstairs window. He hoped that he hadn’t started too visibly, what with that drop of ice-cold perspiration suddenly racing down his spine, and was unspeakably grateful that he hadn’t asked “Mister” Warren whether it was permissible to take Elvira to tea, for her obvious attractions were beckoning him still from where she leaned out of the parlor window below.

Giving Candy to Strangers

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photoMost of us are taught from when we’re very small to avoid all contact with strangers. Don’t look them in the eye; don’t make friendly overtures, don’t speak to them, and don’t go running up and hugging random unknown characters. Above all, don’t accept the offer of candy or other lures from those who might turn out to be very lurid indeed.

All of that is mighty wise advice for little persons. They have no experience of the world, no basis for comparison or judgement, and no inner criteria to help them have a good chance of accurately assessing the situation. But when are we Big enough to learn that unfamiliar people are not only not all bad and dangerous but possibly in great need of any gracious and friendly contact they can possibly be given? When are we smart and experienced enough to realize that others around us are not always up to something nefarious or trying to sell us something we neither want nor need if they approach us out of the blue? When are we large-hearted enough to make a more hospitable evaluation of the risks or rewards in approaching the unknown with openness and warmth?

I have been told several stories recently that remind me of the opportunities that constantly surround us for making moves, both large and small, that have the potential to do anything from brightening someone else’s day to saving a life. Most of us fortunates have at some time and place in our lives ‘entertained angels unawares’–had a few of those moments of unexpected, extraordinary, beautiful contact with persons we didn’t know and understand that there are such agents in the world, even if we can’t immediately recognize them. Why not look for places where we can be those agents for no reason other than that we know from experience how powerful and life-changing, healing or hope-renewing, or just plain day-brightening such moments can be.

It is possible to be misinterpreted or rebuffed, true. But the vast majority of times that I’ve seen this sort of subversive joy-sharing happen without any ulterior motives, even if the recipient–sometimes me–is not altogether receptive at the outset, the end result is an astonished recognition that life is rather wonderful, that people, on the whole, are good and genuine and caring and fine, and that we have in our own small hands and hearts the astounding power of remaking ourselves and the world into better things by the simplest and least extravagant of means. A hug, a moment of patience where there has been tension. A donated dime or a pint of blood. A proffered packet of food or bottle of water that had been meant for something or someone else. Handing off the little trinket that was mine but that I can see another one admires or opening the box of treats I was saving for the family and sharing it instead with someone I don’t even know. Opening doors and assisting with chairs and lifting the parcel that’s too heavy for someone else.

They may seem tiny and insignificant enough. For those of us who choose to give them, they amount to easily made gestures. But insignificant? Hardly. For those of us who dared not, who may not have even known we could, ask–this one little mark someone offered to make on our day may mean, after it all, the whole world.photo

Blogsistentialism

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Sighhhhhhh . . .

I’ve got this little problem, see. It’s about my name. No, I am really pleased with the one I was born with–Mom and Dad did a bang-up job with that, as far as I’m concerned. Parents have it easy with the baby-naming stuff; it’s not their fault if the kid doesn’t match up with the moniker, considering that they had no way of knowing the shrimp beforehand to fuss over pairing name and gnome perfectly.

My problem is with my blog title. I’ve winged it with my online place’s birth-name, a version of my own, since I started the gig a little over a year ago, but in truth, it was pretty much a place-holder since I had no inkling then that I’d not only stick with the process but have people beyond the borders of my immediate family visiting with me here. So the problem is, if there’s nothing in the name of my blog to tell anybody outside of the aforementioned familial borders what the heck this blog contains, or why on earth they would have the remotest reason to bother visiting here. If, indeed, they did.

Now, then, I’m having a good old identity crisis. ‘Cause I don’t know what the heck to tell anybody either. On Tuesdays, yeah, you’ll generally find food-related ramblings when you show up. Other days, though, swerve from one topic to another so loosely and with such unpredictable abandon that I don’t know when I sit down at the keyboard what direction I’m bound to take. New drawing? New photograph? Reminiscences about travel, DIY monkeying, garden plotting, commentary on freeway drivers or a freshly minted and wildly ridiculous poem–I just haven’t figured out any sort of way to describe in a couple of words what’s on the non-Tuesday menu around this blog.

I’m open to suggestions. Thanks to my obsessive dilettantism, my spouse suggests that the family nomenclature for me of Short Attention Span Artist might just do the trick, but as accurate as it is in describing me (and probably what I do, too), it still doesn’t seem to me likely to tell a total stranger what to expect on arrival. Tangential adventures like mine could possibly be described as, uh, Tangential Adventures, but of course that’s pretty cryptic too. Art, Poetry, Photography, Essays, and Ingenious Insights combines the pompous and the dully categorical in a way remarkable only for its long-windedness.

I guess I’ll just keep a-sittin’ here in my little corner twirling my ponytail for a while and see if some astounding inspiration happens to alight upon my bedazzled pate. Ooh, Bedazzled Pate! Nahhhh, sounds like some kind of yummy mousse studded with masses of rhinestones. The truly big question remains. Who am I? Doubt that can be answered in this or any other lifetime. But perhaps I’ll figure out my blog’s identity one of these days, at the least. Feel free to help!

 

The Way It Ought to Be

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graphite drawing + textI’m not what you might think of as a big traditionalist in the ways of romance–at least, if you think of those things packaged in the way that American commercial enterprise would have us think the norm or the appropriate mode. It may be that I’m a little too tomboy at heart and in physique to wear either the girly or the sexy look with any credible panache. There’s more than a small chance that I’m too lazy and cheap to buy cards and flowers for my nearest and dearest with any regularity. Chocolates, yes, but you know that I’m going to expect to share in their consumption. I’m far from selfless enough to be a true romantic either, I guess. Otherwise, around our place the romantic expressions are more often found in filling an empty gas tank, caulking the shower door, making lunch, washing socks. All of that sort of glamorous stuff.

I’m so unromantic in the popular sense, in fact, that despite being both shy and kind of prudish, I moved in with my intended life partner before I married him–yes, before I even warned him of my intent to marry him. Or to stick to him like glue for the rest of my life if he was shy of the whole getting-married thing, having done that before. Despite my love of pomp and circumstance and ritual, I was prepared to forgo the whole dress-up extravaganza and either commit to the partnership in heart and hand only or just keep the legal transactions simple and stand in front of a Justice of the Peace somewhere and then party later with family and friends. (Because, let’s face it, any excuse for a good and love-filled party is not entirely to be passed by, wishes for simplicity aside.)

As it turned out, we had a pretty spectacular wedding day, but it was really icing on the proverbial cake. One of the central beauties of that day was an anthem composed for us by our dear friend, with a text my intended chose from the enigmatic and marvelous Song of Songs that includes the phrase ‘love is as strong as death’–this accompanied by other close friends playing organ and horn and a superb choir of yet more friends (also conducted by the composer). Hard to get more romantic than that. But that was all well after I’d realized that a big spectacle wasn’t necessary to validate the spectacular thing that had already happened within.

All of this because at some point pretty early in our relationship, I knew with complete and unshakeable conviction that when I was with this person I was where I ought to be. It was so clearly and plainly the place and state in which I was meant to exist that I felt it in my bones. I was at home in his house the first time I stopped by for a visit–even though you all know full well that I reinvented that physical space from Day One around the two of us. The music that I heard was not just the glorious sound of his choirs welling up around me but was also a new rhythm in my heartbeat that was more confident, more joyful, and more purely contented than it had ever felt before, in those days before I even knew it could feel this lovely new way. A new sense of the world skewing into proper perspective that suffused my brain.

And that, to me, is how true romance ought to be. Genuinely loving and playful and silly and passionate and supportive and all of that, yes, but most of all, merely having the recognizable quality of a homecoming, every single time we come together. Flowers and candy and frills and thrills are all very welcome in their own right, but they have nothing on a sense of wholeness that only grows with time and no matter how it evolves and changes iterations over the years, will not go away. It is both transcendent and, when it’s so well ingrained and incorporated in the truest sense, also wonderfully, perfectly ordinary.

Today, on my beloved‘s birthday, I have another reason to remember all of the reasons why I am grateful for him and his place in my life and my love–and I in his.

Beloved Mysterious

Beloved Mysterious, if you could see

The blood-dark river hid inside of me

With longing deep as chasms unexplored

Through which, from which, in which that love is poured

In endless flood of hope and of desire

As hot and wild and dangerous as fire

Then you would know the depth, the liquid breath

That carries love for you beyond my death.