I Fall for It Every Time

Autumn, that is. I’m kind of a sucker for all seasonal changes, but there’s something a little romantic in the sweet melancholy of seasonal natural decay and the nostalgia brought on by the beginning of each school year and cultural season that catches at my heart every year anew. Even here in the Texan climate, where autumn is likely, as this year, to arrive no sooner than winter is appearing farther north, once the Fall comes it’s a welcome joy.photo

I love the bold colors of the wild grasses and the few leaves that turn to flame before falling off the branches, and the flocking birds pausing to fill a whole grove of trees with raucous whistles and laughing chatter on their way south. I adore the loamy scent of the finally cold air tinged with wood smoke from nearby chimneys, and the perfumed indoors redolent of clove and cinnamon. I am enamored of the grey spray that airbrushes the sky on a frosty morning and the crunch of dry stems and seeds underfoot during an afternoon’s ramble. And I feel the sting of pure joy in me whenever I look up at the blazing blue of the bright autumnal sky stretching brilliantly in the spaces between the craggy oak and the spiny acacia and the hedge-apple festooned bois d’arc branches as they reach up to draw back those cerulean velvet curtains and reveal that winter’s just ahead.photo

Call me sentimental, but maybe it’s precisely this sense of brevity that makes the autumn seem so desirably rare and refined to me. Carpe diem, I think, for only in the very moment can I hope to revel in such ephemerally earthy happiness. Still, while the moment may be infinitesimal, the falling for Fall appears to be endless, and repeatable, for as long as I live.

Please Vote Responsibly

You know how much I hate politics. I almost titled this post ‘Friends don’t Let Friends Drink & Vote’, since it seems like a whole lot of people prefer to find a specific agenda that appeals to them on a visceral level and shape all of their votes around it willy-nilly, without either differentiating between candidates that do or don’t have any power to guide said agenda wisely or, worse, without first thoroughly checking their own facts regarding that particular point item of passion. Mostly, I hate that what I see and hear of politics is the brainless ranting of people who hang out at the various extremes, and very little of civil discourse and logical, reasoned thinking. Nothing would please me more than to believe that every person with the privilege of voting would not only do so, but do so after serious thought and careful consideration and with a certain amount of faith that the other voters and their points of view matter, too. But to be quite honest, I think we (at least in America where I’ve observed it in person, but I gather this is so in many other places as well) are mighty far from this my ideal.

So I tend to shy away from all things political as much, as long and as often as I can.

Yet I can’t help but wish, and sometimes a little peep of this pained wishful thinking leaks out visibly or audibly. Especially around election times. At least, given my particular bent, I’ll keep trying to publicly disguise my whines and rants in slightly more lighthearted forms when I get my own political itch.

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Peaceful Shadowland

Fall and Winter have a stealthy benefit that’s often overlooked. They lend themselves, more than the ebullience and exuberance of Spring and Summer, to a sort of calming melancholia, to meditation and contemplative times. In Autumn and wintertime, the chaos of the world can be lessened and untangled without the palisade thrown up by the warmer seasons interfering with the endeavor.photo

In part, it’s simply that we are increasingly encouraged by colder and often less amenable weather to stay indoors. Indoors, where the hearth beckons, where our books lie in wait, where our writing tools stay safe from the tempests outside. Indoors, where it’s easy to keep a cup of tea or coffee or cocoa hot and handy while we spend the hours tending to those tasks of repair and renovation that have lain unnoticed when the longer days of sunlight kept pulling us away. The birds flit south and abandon their choir-lofts around the house and the other creatures begin to line their dens and curl up under porches with greater urgency, leaving the airwaves to the less inviting, darker sounds of passing traffic on wet pavement and wind whistling down the fence lines, sounds that urge us to follow our instincts and the local wildlife to seek shelter and keep quiet while the forbidding cold and darkness of the ‘off seasons’ roar through town.

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But there’s another great appeal to Fall and Winter, another aspect that captures the gentler and more introspective angles of the imagination, and that is the way that these seasons strip away their frills and wash out any fripperies that might distract us from the most basic parts of our existence. It’s the way this time of year seems to contract not just the length of its daylight hours so that we see things dimly, palely and in lengthening shade and shadows, but even the spectrum of visible color, which becomes thin and subdued in the leanness of winter light. The water recedes from the fruits and flowers and stems of summer’s abundance and leaves them slightly parched and leads them to bend and fall. The slightest breeze, now colder, finds us clutching at our lapels and jamming our raw hands as far into pockets as they can go.photo

In this beautiful world, with the color rapidly draining out of memory, the stillness of hiding and hibernation weighing us into lassitudinous introversion, and the brisk chill of frost settling around our ears and shoulders like lead, we can at last let go of the impetus to run and shout and do, if only for the joy of rediscovering what waits in the seasons of shadow. We can see the world in a sort of refined simplicity if we let ourselves. We can take these moments of clean-slate clarity to listen to our innermost selves for a bit and sort out what does and doesn’t really matter in the grand scheme of our lives. And we can go to sleep knowing that when the glad excesses of Spring and Summer return we will see them through new and more appreciative eyes and perhaps, yes just maybe, even find that in the midst of all that bloom and warmth and celebration we may long for the stringent joys of Fall and Winter once again.

Rainmakers

Now that super storm Sandy is mostly past, those in the wake of the destruction are left to dig out from under all of the mayhem. As all natural disasters do, Sandy left behind not only massive damage brought on by the high winds, flooding, snow, fire and explosions that were part of the storm and its immediate effects but a whole swath of financial, social, political, logistical and definitely not least of all, emotional and personal damages that will take years to be mitigated, let alone resolved. Besides the losses of life and health that are such obvious costs of a massive storm ripping through, we all know–those who have been through this grinder before, anywhere in the world most especially–that there are innumerable other things once held dear that have been slashed away in a few hours’ time and many of them will never be recovered.digital painting from a photo

The homes blown down, stripped away by violent waters, or burned were filled with people and lives and the Stuff of those lives–in many cases, all gone. The businesses closed for a few days, often in crucial periods of their peak season, are eclipsed by those whose doors, if they still physically exist, will close forever and by the many owners and employees and customers who will have to find other resources for making a living or acquiring the services and goods they count on to shape their ordinary lives. They will all find, as my spouse said very quietly to me when I came down the stairs to find him waiting palely on the 11th of September in 2001, that ‘the world as we know it has changed.’digital painting from a photo

But we also know from long experience that disasters, whether natural or human-made, can bring unexpected goodness trailing in their wake. The immediate selflessness and generosity and heroism shown by those who rush into the maelstrom to save others and who pull the stricken into their waiting arms of safety and warmth and shelter and healing are, when we others take a lesson from their shining examples, only the first wave of light and hope to follow the darkness and despair. If we all, whether by the nebulous but potent means of offering support in our hearts, minds, prayers, and invention or by the more concrete ways of donating, digging, driving; of building stronger buildings to replace those lost, remembering those who have died with forward-looking perpetuation of their virtues, and taking up whatever tools we have to recreate a more closely knit community that can expand exponentially to bring in every person with every need and every gift that can fill that need–then every storm is not an irremediable horror and every battle is not the one that will end safety and sanity forever. We are bigger than the storms. We can be the rainmakers who rise up out of ordinariness and even destruction to build something real and new and extraordinary.

The Power of Being Well Behaved

When I was teaching, I thought it useful to devote a bit of the informational materials I handed out at the beginning of every term to basic issues of classroom decorum. The idea that so-called common courtesy has to be taught, not just to children but to all ages, is no less ridiculous than understanding constant the need for training and refreshing what is called common knowledge or common sense. Generations have passed since people saw a need to comment on or complain about the uncommonness of all of these virtues.

More significantly, as a teacher I knew that if I didn’t encourage, if not demand, attention to such virtues in my classroom there was little hope of any other sort of learning happening in there. I’m old-fashioned that way. The silly thing is probably that it was only after leaving teaching that I thought very clearly about how much these attitudes mattered in any and every kind of cooperative venture, not only in the classroom but in the boardroom, the living room, and certainly in the places where politics, religion, health care, social activities and civic progress are in progress. At least, if we want actual progress to occur.

And that’s how my two cents came out as a personalized set of ten ‘commandments’. Ah, well. I’m kind of a megalomaniac, and I did feel the need to keep my eyes on what was happening.pen & ink

THE BIG OL’ HOW-TO LIST

for getting along with Kathryn

I   Come to class unless you are dead.

II   Show up on time. Lectures don’t always begin on the dot of the class-starting time, but if a deadline is stated as “beginning of class, 18 March” and you  arrive one minute late, technically I can tell you that you missed the deadline and so your project is rejected. Flunked. That’s harsh. But trust me, it’s fair. Besides, it’s a safe bet that if the lecture does start on time and you miss part of it, I’m not going to be terribly enthusiastic about repeating myself and your classmates who have just heard the stuff will definitely not be amused to have it reiterated. Be in place, cell phone and watch alarms and headsets off and fully participating in class, and we’ll all get along famously. Hurray for good manners!

III   Bring all assigned materials and have them in ready-to-use position when class starts. Written tests, especially pop quizzes, are uncommon in my classes (they do exist), but notes and written critiques can be required at any time. Be ready. Write down everything, and date it. Even if I don’t say you have to. Then you have documentation of what I told you (and when) if I should change plans inexplicably or you have a question. Also, it makes you look attentive and enthusiastic whether you are or not.

IV   Flattery will get you places. Forget that baloney about it getting you nowhere. You lose nothing by Making Nice with people and attempting to impress them with your admirable and outstanding qualities; they might even enjoy buying into the whole idea. It’s an excellent tool for impressing others, this making them think you find them worthwhile and fabulous. Conversely, the quickest way to turn a potential ally into a pain in the neck is to belittle, ignore, challenge the primacy of, argue with or antagonize her. Diplomacy and tact mean that you can frankly say, “I disagree,” or “what do you think of _____,” and get a respectful hearing. We are only human (if we’re lucky).

V   By the way, if your death prevents your attending class, call and let me know in advance.

VI   If you have big plans, talk to me. It’s possible that your previous experience with and knowledge of this topic mean you can quickly “test out” of the class requirements and go forward into a more challenging and personally fulfilling independent project. If so, let’s work together to get maximum use out of your time and energies.

VII   If you feel out of your depth, it’s okay to swim over to the shallow end and meet with me privately by appointment. Probably all you need is a bit of individual coaching beyond what’s available or comfortable in class time. Of course, if you’ll kindly risk asking the question in class, there are always others who benefit by having their identical question answered, and probably your learning it together will make it simpler.

VIII   Ignorance shouldn’t embarrass you. Holding on to ignorance should. You’re in class, presumably,because you don’t know Everything yet, same as the rest of us.  So ask your “stupid question,” please. Real stupidity is avoiding or refusing to try or doing something wrong because fear of lowering yourself prevented your asking the question that would’ve resolved the problem.

IX   Be patient. Spend the time. Attempt the highest levels of craftsmanship and professionalism. Pay attention to the tiniest detail.

X   Be bold and adventurous. Climb out of ruts. Seek a new perspective on the familiar and become familiar with the alien. Look for connections. Expect the infinite.

Here in My Safe Little Place

graphite drawingComfort and security, that’s what I want. And I think I’m hardly unusual in that urge. Aside from the rare adrenaline junkies whose craving for danger and life on the edge knows no bounds, most of us like to have at least one place in life, on earth or in mind where we can crawl in, curl up and feel like nothing and no one can assail us there.

While I adore travel and I treasure those people and experiences and grand-and-glorious places that it has brought to my acquaintance, there’s at least a small part of me that may always be leaning toward Home. I don’t think of myself as an adventurer by any means at all, but I’ve grown a bit more attracted to the happy mysteries of the unfamiliar or even the exotic as I’ve gotten older, and I can appreciate much better how much wealth and delight the new and unexpected can often bring into my purview. Now, what I must keep in mind instead of a constant combat against my natural urge to shun all movement outward from my safe, soft center is that my concept of that person-place-or-thing identifiable as Home has changed, and can change, and certainly will change, because that’s exactly the sort of surprising flexibility that an even minimally worldly human can experience, once the crying need for total security is breached satisfactorily.

So here goes: once more I shall leap outward in hope and expectant happiness, and all at the same time remain busily, constantly honing the cozy little hideaway that will shelter my spirit and, if need be, my self when the adventures get a little overwhelming. With a cheery wave, when I’m not too tightly coiled up with my security blanket there, I shall ever bid you all a fond goodbye, farewell, and goodnight–and see you in the morning.

May I Suggest . . .

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The University of North Texas Collegium Singers in dress rehearsal for their performance at the Berkeley Festival of early music, June 2012, Dr. Richard Sparks conducting. Yes, *that* Richard Sparks.

MUSIC.

Having had my senses immersed in the bath of fall season-opener concerts of all sorts lately, to the literal tune of hundreds of voices and instruments in symphonies, marches, art songs, musical theater melodies, electronica, motets, chaconnes, folk songs, choral masses, lullabies and all sorts of other lovely music, I am reminded as always at this time of year that such an intense schedule of events, however fabulous and rich they are, can be exhausting. More importantly, though, I am reminded that it’s also invigorating, inspiring and often utterly thrilling.

It’s also the time of year when the European choral magazine for which I proofread and text-check translations goes back into full production for the year. The articles and news items are all full of reviews of the summer season’s festivals and conferences and the amazing machinery that underlies these productions, from choosing and ordering music scores through civic action, political efforts, fundraising, singer scholarships, educational programs for participants and audiences, performers’ uniform shipping, young composers’ symposia, etc, and right on down to whether ‘civilian’ supporters of the group are allowed to arrange the music stands or chairs onstage if the local symphony hall union members are on strike. At the heart of it all is such a profound passion for music that millions of people worldwide, including those from countries and cultures one might be surprised to find even having the time or energy amid their economic, social or yes, war-related battles to sing and to listen to singers. If there’s a genuinely possible force for world peace, my friends, it may well be in music.

More personally, it’s music that is a central force for my own happiness, for a large number of reasons. Every one of those listed above comes into my own life and being regularly. But as you know, I am partnered for said life with a musician, and so the whole topic comes that much more sharply into focus. Music has been a glue for us two from the very beginning of ‘us’. Ask our mutual dear friend, a fellow musician, if I were single and might therefore be ‘available’? Check. Collaborate over a large-scale music performance and its visual presentation as a way to get to know each other a bit, hovering around each other during rehearsals and preparation? Check. Go on a first date to a Mark Morris Dido and Aeneas dance performance [yes, truly spectacular, by the way] for which my suitor had prepared the singers? Check!

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Since thousands vie for the dozens of positions in the final selected groups, high school students in Texas undergo a rigorous preparation for All-State Choir auditions, studying the literature in workshops and camps across the state each summer to compete in their local and regional trials before the year of All-State even arrives. This is the UNT group working in the summer of 2012, rehearsing in the camp organized and run by Dr. Alan McClung, assisted by UNT students and graduates and conducted each year by a different guest conductor–this year, by my spouse. What can I say, it’s what he does. And what I love to hear and see.

What followed is, was and ever shall be musicocentric. Our honeymoon (more about that in a future post) was built, in fact, around my fiance’s conducting gig–a gig including, naturally, our aforementioned Dual BFF as accompanist–at a choral festival in Veszprém, Hungary, arranged under the auspices of the parent organization that spawned the magazine for which I still do editorial duties, if you can follow that sprawling, meandering melody line. One might say that it all began with music and went racing straight downhill from there. Or, if one feels as I do, that music has brought uncountable joys into my life from earliest memory to the present, and will sustain me until the end. In any case, one of the clear high points of musical pleasure has been attending the myriad concerts, events, conferences, performances, and festivals that bring musicians and music lovers together all over the world. A huge number of our favorite people are those whom we’ve met in and through all of this music-related stuff. We have deeply loved ‘family’ literally around the world whom we’ve met and with whom we’ve bonded through musical acquaintance.

If you haven’t done so yet, or not recently enough, may I suggest that you ‘get thee to’ the nearest conference, symposium or festival involving music as soon as you’re able. If, like me, you aren’t an active participant, know that every artist needs his or her cheerleaders and fans and supporters, and that your mutual love of the art will mean more than that you stood onstage during the work or the bows. Yes, even non-musicians can and should pitch in–even those with no sense of pitch can fold programs, stuff envelopes, recruit audience members and donors and board members and political supporters, can drive the shuttle that carries the singers and their accompanists from venue to venue at the festival, and can buy tickets and bask in the glorious sounds from town square to church nave to school ‘cafetorium’ to symphony hall and shout a resounding Bravissimi! to all and sundry.

Beyond that, though, the immersion of being in a place where a huge number of people, participants and supporters and happy observers alike, have come together from a wide range of territory for an extended period of days solely for love of music–that is a wholly different and magical experience everyone should have the opportunity to enjoy at least once. So I commend them to you, the small-scale community events offered by your local affiliated high schools and the international events hosted by long-lived organizations in exotic places and every variation on the theme you can find. I promise you will leave with a song in your heart and memories to last you to when all of your other memories have faded to dust and perhaps beyond. If music be the food of love, play on! For though in this line opening his play ‘Twelfth Night‘ Shakespeare exposed the Duke of Orsino’s conviction that being surfeited with love (in this instance, via its musical surrogate) would cure him of his hunger for it, I think that quite the opposite is true: if they are excellent, the more we experience them and are filled with them, the more we crave both love and music.

Food of that sort for thought: visit first the websites and then the events offered by your local choirs, bands, orchestras, theaters, and performance companies. My own favorites are hosted by professional organizations of music educators, conductors and performers simply because those are the ones I’ve naturally had the privilege to attend, as consort to my musical prince charming, and these all offer performances by top artists that are open to the public, sometimes even with free admission. Explore them! The organization that ‘sponsored’, or inspired and was the jumping-off point for, our honeymoon with its Singing Week in Veszprém–with its half-dozen ateliers conducted by musicians from Europe and North America and singers and whole choirs from all over as well–was what is now called the European Choral Association-Europa Cantat and it hosts a wide variety of such choral events throughout each year, with a focal youth choir festival occurring triennially in places like Passau, Leicestershire, Barcelona, Utrecht, Torino (2012), and Pécs, Hungary (a locale to be repeated in 2015).

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Just this month, the newly minted University Singers at UNT performed their first concert of the season with my spouse at the helm. If you live in or near a college town, you’ll find endless opportunities for attending all sorts of musical events, many of them free and most of them truly outstanding–after all, these people are all here gaining expertise for what may be their whole life’s passion, and performers need great audiences too.

Pop, folk, jazz, rock, blues, punk, bluegrass, Early Music, all flavors and kinds of music and individual organizations from the Oldtime Fiddlers [I once got to run the stage lighting for their competition in Washington state–fabulous fiddling, huge fun and even some fantastic yodeling!] to the Verona Opera [I can say from my one experience there that genuine opera under the stars is something not to be missed, even if it’s still 40°C when the singing ends in the middle of the night]: there is something for practically any musical taste out there, and many of them that I enjoy immensely are included among these. My personal pet organizations among the professional gang also include many others: IFCM (International Federation for Choral Music), ACDA (American Choral Directors Association), ACCC (Association of Canadian Choral Communities), TMEA (Texas Music Educators Association), Chorus America, the Boston (odd-numbered years in June), Berkeley (even-numbered years in June), and Vancouver (annually in August) Early Music festivals, and ever so much more.

Simplicity Itself

 

photoSimplicity, I think, is like most of the virtues and values that we humans might hold dear–those who have it don’t necessarily appreciate it, and those who talk the most about it tend to know the least about it.

The rich and comfortable are so obsessed with the idea or ideal of simplicity nowadays that there are magazines, fashions, classes and whole philosophical movements devoted to its study and cultivation. People will expend massive quantities of energy and spend large quantities of money on trying to simplify their lives and themselves, when very likely simply giving up the energetic striving and letting go of the amassed money would do the trick in a trice. (Perish the thought!)

The poor and underprivileged have ultimate simplicity forced upon them, and tend to choose whether to embrace the unsullied earthiness and quietly hardworking ways thrust on them by their circumstances or to battle against them. Probably a majority of people, both poor and rich, will always think the grass greener where they are not, and hardly give thought to how hard the next person is trying to get over the fence onto their own enviably other property. Dissatisfaction may be an essential part of humanity’s natural state of being, much as it naturally chafes us to think so.

On the other hand, looking at what dissatisfies us with as unsparingly honest a glare as we can might in fact shed some light on how to find better contentment, not necessarily by having more or less of something (tangible or ephemeral) but by giving it all its appropriate due and then saving our true love for the most meaningful virtues and values of all. At the very least, that narrows down the field for most of us. At its best, it frees us up to say that life is remarkably livable where we exist right here, right now, regardless of the shade or tint of the lawn. The simple presence of any one particular leaf of grass or bud of bloom in the one square foot of soil nearest to hand may be quite enough, at least for one simple day.photo

 

Treasure Knows Neither Time nor Place

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A memory-driven image by my great-uncle Rolph Bolstad . . .

I have been scanning and digitally restoring a number of photos out of our family’s trove, a heap that resembles the disorganized and neglected stores of many other families. I make a small dent in the stack from time to time, then get distracted by everyday life and often don’t revisit the project for quite a while again. While many of us obsess over parting with beloved memorabilia of any kind, the truth is that the majority of us don’t do much with it when we have it.

All good things are that way, I suppose: love, joy, peace and happiness of both the material and the intangible sorts are seldom given their full respect when we have them, only mourned when we think they’re out of reach. And from what I’ve seen and heard from friends around the globe, this is a foolishness that transcends all sorts of differences and makes us more alike than not–no matter what our location or culture, our beliefs, hopes, and dreams, we all seem to wrestle with this forgetfulness about appreciating what we truly value that we have right in hand, and the minute that we suspect we’re about to lose our grip on those gifts, whether by our own decisions or perforce, we get panicked and become certain that it’s a sign of apocalypse. Surely the end of our own self and sanity, and very possibly, that of the universe as we know it.

I come across that box of yet-to-be-scanned photos from time to time and get a pang: what if I don’t get back to this project before I forget who’s in the photos, where the shots were taken, before the images are too faded or decayed to be rescued at all?

Well, what if?

Honestly, I know full well that it will not be the end of the world. Not even the end of my pleasurable revisiting of those memories–what’s more significant than retaining this flimsy physical repository of memories is whether I use the versions of them in my head and heart while they last (head, heart and memories, all three). Once gone from there, the data held in a picture is only cold, meaningless data after all, and it never contained the warmth and soul of anyone or anything depicted in it. It’s merely a shadow-play version of the husk that is my human form and will no longer be me when I die.

So I’ll keep leafing through these paper and binary mementos of mine as long as it pleases me to do so, remembering mostly that what is seen therein is always more beautifully carried inside me. Change is indeed the only constant, yet in the photograph my great-uncle took, probably in Johannesburg, around sixty years ago there is the ephemeral prototype of the photograph I took in New York less than a decade ago. Fifty years or fifty centuries, it matters little if we learn to respect and rejoice in what remains true and crosses the boundaries of place and time as long as we keep it alive inwardly.

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New York City lives in my own memory as much as in a physical place . . . its beauties, like all things loved and valued, lies in me, in others’ hearts, far more than in itself or any image we can conjure of it . . .

What of the Day After the End?

digital illustration from a photo + textAfter All is Said and Done

What will I do when at the end of time

The story folds back on itself and calls

On me to follow down those darkened halls

Of memory to revisit sublime

Past lives in fact and fiction ’til I’ve turned

Empty as much as is the hourglass

And all the strange bygones that had to pass

Before this book called History was burned?

What will this end extend to me, my kin,

my life and loves and all the world abroad?

Whether it’s silence of the touch of God,

Salvation of a sort will bathe my skin,

And on that gleaming day I’ll wake anew

Because I loved, and I was loved by, you.