Mystery Story No. 1

I don’t know when, where or how the first fictional mystery story came on the scene, but since I thoroughly enjoy a good puzzle of the not-going-to-affect-me-in-real-life sort, I do like a good mystery story. So sometimes I like to create mysteries of my own. Mostly, visual puzzles. Pictures that invite interpretation, participation and invention on the part of the viewer. Images that demand a second look, or a two-hundredth one, because there might be clues in there, tales to be uncovered, plots to be discovered, fun to be made from the gossamer webs of pictorial intrigue custom-made for playtime. So here, for (I hope) your delectation and mystery-mongering, is a collage created with puzzling in mind. Enjoy!

And don’t forget to tell me if you devise the novel of the century after being so deeply inspired by it. Wink, wink.digital collage

Rust in Peace

 

I flatter myself that I am improving with age. This morning’s Wordsmith offering from the fabulous Anu Garg of A.Word.A.Day was ‘crepitate’–one of my very favorites, thanks to the also fabulous S.J. Perelman‘s introducing it to me in the context of one of his typically scintillating, outrageously funny tales. I was reminded that crepitation refers to the creaking cracking popping grinding and other percussive noises of dusty old age, and that, not at all surprisingly, Perelman used it in self-deprecatingly hilarious description of his own antiquated joints as he gave what one must assume was–despite his stated intent of dash and panache–a dance demonstration to his date that was more rusty than rakish. Having done the requisite amount of damage to my own human machinery over the years by falling over and off of things, lifting things I had no business hefting, and in turn, turning, squeezing, smacking and otherwise torquing various portions of myself just enough more out of sync and syncopation that it’s remarkable if I only creak and don’t fall into syncope or crack up altogether.

So, whether dancing or just shuffling my slippered way around the hallowed halls of home, I consider myself  very fortunate only to ‘boop, whoosh, queel and grake‘ like another of my pantheon of fabulous wordsmiths, James Thurber‘s, old family car, and not to simply disintegrate wholly on the spot. Grey hairs? Bring ’em on! (Best color of hair I’ve ever owned by nature, as it happens.) Wrinkles? Oh, my, yes. Smile creases are only a badge of honor reserved for people who’ve had long and happy enough lives to earn them. Aches and pains will generally come and go, with more of the comings than the goings as time passes and I forget to accommodate my crepitude a little, but by golly it beats lying around and dissipating into a dust bunny of boredom.

And honestly, lots of things get more beautiful not just in spite of but because of their evident age, so why shouldn’t I give it a try?photo

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Art, Before & After

graphite and markers on wood panel

Today, another little glimpse of artful goofing to re-imagine an existing piece of my work. I almost never tire of reworking/revisiting my old artworks from time to time. In part, it’s a way to critique and edit my stuff and see how I can grow and change over time. Mostly, it’s just good technical practice–a little bit of re-training my eye and hand and, when I get lucky, learning a new skill or two. In this instance, I took another of my pipeshade designs done in 2007 in preparation for Martin Pasi’s carving the wooden screen panels for his Winnetka instrument and I did some Photoshop playing with it to turn a pair of the panel designs into a merged single image and then ‘hand coloring’ it digitally to redefine it as a wholly new looking picture.

The whole Winnetka project was based on the church’s part of the collaborative team’s desire to have their organ artwork reflect local character. Since Congregational churches don’t tend to wish to fill their worship spaces with traditional religious iconography but rather prefer a more generally meditative space, so it made sense to aim for a design more simply nature-based and reflective of regional beauty. I decided to incorporate some of the Illinois state symbols into the design. This pair of panels featured the state bird, Cardinalis cardinalis–the Northern Cardinal. Is a cardinal too religious a symbol? Oh, that’s right: not a Roman Catholic church. Okay, cut me some slack.

Not really necessary to elaborate, is it. I just decided to show you the Before and the After versions today, and dispense with the intermediate steps–they’re not entirely thrilling to see, being a series of steps mainly devoted to converting the graphite drawing to a crisp black ink-outline appearance (only moderately laborious with the help of Photoshop) and then using my digital ‘coloring crayons’ to fill in the blanks to create a full-color version. This time, I opted for something much more cleanly graphic than yesterday’s reworked image. Who knows what happens next time? That, in fact, is the fun of both making art in the first place and then, in having the option of revising it, maybe even more than once. Can you say, mercurial? Nahhh, we know that I’m still just a big kid with a short attention span. No need to dress it up. I’ll just spend the dress-up energy on the art, if you don’t mind too much.digital artwork from an original drawing on wood panel

A-Hunting We *All* Go

graphite drawingThe Blue Lacy

He’s of a faithful breed, my dog, a hunting hound, a clever beast,

a lean and hungry Cassius, but faithful all the same–

He races me to the rotting log and runs to ground the boar at feast

who’ll soon be ours–Alas for us, the boar knows his Wild Game!

He lunges up in fear and rage: his tusks are aiming for my throat,

and I have tripped into my grave on roots as strong as sin–

But Blue has taken center stage, leaps on the boar’s mad, bristly coat,

gives me the breath my knife to save, hangs on as it plunges in–

The boar falls back with a bloody scream but turns on me his fiery glare,

and then, in an instant, strikes once more, for he means my dog to die–

I yank the roots, trip him into the stream! and Blue and I tear away from there–

and we relish our supper of beans–no boar–my faithful hound and I.digital paingting from a graphite drawing

Little to Say, and All the Time in the World to Say It

2 poems + graphite drawing (digitalized)

A Latter-Day Goddess

Diana

Walking abroad in dawn’s bright light,

She bears the jewels of the night

To feed with wisdom and with grace,

With wild, sweet beauty, still apace,

The earthbound Lady’s angel soul

Embraces all to make them whole.digital collage

Hot Flash Fiction 1: Pedigreed

I know it’s been around, arguably, for generations, but the extreme short story seems to have undergone quite the revival in recent times, being popularly called in the English-speaking and -writing world Flash Fiction. Me, I’m an old lady and slow to keep up with any sort of trend. Or, to give myself partial credit, I am so old that I was already around the first time half this stuff was popular.

Never mind all of that. In the way of condensed arts, I’ve always been particularly enamored of short forms, miniatures and compact performances that have rich enough content to hold up under speedy scrutiny yet continue to beckon one for a second and third and thirtieth look, or at the very least, to get one’s nose a whole lot closer to the subject before waving farewell. That applies to works by others (short stories, small photos and drawings, children’s books, one-act plays, songs comprising one or two brief movements, and snappy quatrains), and very much to my own productions. Since you lovely people already know full well that I have the attention span of an end-of-season Mayfly, you can easily surmise that this obsession with tiny-tude is merely a natural outgrowth of my laziness and tangential, caroming path through life.

Which is, of course, partly true. But I’ve also been known to commit to larger-scale projects and yes, in real life, honest-to-goodness fact, to complete them, too. Sometimes, I’ll readily admit, this happens at a very, verrrrrrrrrrry slow pace. But though I have made murals twenty feet wide, rebuilt gardens from the bulldozer up, written and/or drawn every single day for years at a time, my heart does retain its deep affection for the minute, yea verily for that minutiae that can happen in a minute. But only if it’s worth the effort. There are still those larger goals to be achieved and metaphorical mountains to be climbed that require my continuing attentions between spurts of compact acting. And it’s the very change from the massive to the mini that makes those idiosyncratic idioms of iota-size such excellent crevice fillers and so appealing as a respite from larger concerns.

So, old though I may be, I’m trailing in the dust of your every trend–unless you’ll allow that I am only lapping myself in circles, having written couplets, sketched 3-second figures and made one-bite desserts since I was hardly bigger than a molecule myself. I like to think that I’m gradually getting better than I was back then, at least. Practice, practice.digital collage

They were justifiably proud of their daughter’s pedigree, but it was precisely this family resemblance that first drew the unkind attentions of those catty girls in the sorority.

Competitive Edginess

Who really wins or loses when there’s a competition of sorts in hand? Seems there’s usually ample opportunity for both sides to get the better of each other, and even more so, for both to end up battered and belittled by the ordeal. I’m all for battling against one’s own failings and worst characteristics, but by George, I’d rather not have anyone else taking advantage of my myriad weaknesses. I feel a certain–possibly smug–contentment right here on the sidelines, watching all of the other snarling and smirking dupes work themselves into a froth by attempting to best each other all the time, knowing as I do that as long as it is a competition, somebody’s bound to come out on the bottom of the stack.

graphite drawing

Join Me for Dinner

The beast that ate the hunting dogs

Was fatter than a hundred hogs

But oddly still was hungry when

The hunters chased him down again

So dinnertime—you’ll be delighted—

Found dogs and masters reunited.

digital painting from a drawing

Whistle a Happy Tune & Sit in the Catbird Seat

About six million starlings

Roosting on the overpass

May pass the evening pleasantly

By dumping on the grass

While singing chirpy little tunes

Of evening’s charming cheer,

But just remember their first task

If you should drive too near.

Their cat companions lie in wait,

Meanwhile, beneath your couch;

When you come home, they like to roam

Right in your path, then crouch,

Paws up, complaining with a scream

If you should chance to trip

Upon their fine reclining place;

They’ll fly right off to rip

That couch to ribbons, smithereens,

On this remote pretext,

And if you scold or turn them cold,

They’ll turn and rip you next.

A Visitation from Gotcha and You-Know-Who

Ha! Just when the 100°F+  (38°C) weather has dragged on long enough for me to start whining about the lack of lively things happening in my garden and haul out the photo albums of earlier spring and summer shots to moon and maunder over, This. We came driving down to the end of our driveway last night after a concert and I saw something shining in the farthest reaches of our headlights. Then a twitch of movement. Saw a flash of pinkish color in the dim illumination.

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Halt! Who goes there?

After three years of living in Texas and only one sighting of an armadillo other than the variety occasionally spotted in a sort of worn-area-rug likeness on desolate stretches of highway, there in my own backyard were a pair of waddling ‘dillos searching the perimeter of the house for tasty bugs and grubs. I’ve known, of course, that living on a property that shares its back border with a little greenbelt ravine, we have all sorts of creatures–possums, raccoons, birds, insects, squirrels, wild rabbits, and the assortment of neighborhood cats and dogs that keep an eye on them all–there were likely armadillos too. I’ve heard from various locals of such residents as wild turkeys and coyotes, as well, and heard from a bobcat itself that it at least formerly inhabited our little slice of the semi-wildness. But other than the one unfortunate flat armadillo that I once found run over on a neighboring street, I’d not seen any hard evidence of their inhabiting this spot.

So it was a delight to see these funny, eccentric looking and shy nocturnal visitors not only in the neighborhood but in our own yard. They were remarkably unmoved by us, even when my chauffeuring spouse stopped the car, rolled up the automatic garage door and let me clamber out with my little camera to try to catch a glimpse of them to keep. They were already rounding the corner of the house almost immediately after we spotted them, so I crept indoors and out the front door. Our porch lights are meant only to light the porch, so there was no real way to see the critters in that dark, but as soon as I stepped out into the black I could hear bits of rustling off to my right. Yes, they’d come out to investigate the front flowerbeds and rummage in the buffet at the foot of the oak trees.

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You don’t scare us, we’re just deeply disinterested in your measly (and inedible) humanity when there’s an all-you-can-eat bug fest here.

Lacking any fabulous infrared spy camera or night vision goggles for the occasion, I simply took my little point-and-shoot in hand and, well, pointed and shot. Aimed for the scuffling and shuffling sounds as best I could. Caught a couple of quick little glimpses as the flash went off in its nearly random way. And rejoiced that these delightfully surreal animals had decided for once to pay me a visit when I could actually be on hand to appreciate it. Life does go on, no matter the weather, the season or the condition of my plants. After all, if the plants had continued to be too vigorous, the insects wouldn’t find such rich dining on them and there would be little fascinating forage for my miniature garden-zeppelin friends. And I do thank them for helping with the insect-control efforts here. And probably, for some free fertilizer in the bargain, especially if I startled anyone with my camera flash.

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Two long-tailed blimps bumbling around in the dirt by night . . . what could be better!

Someone to Watch *All* Over Me

[In a Really Creepy & Inappropriate Way]

Thought I was your stalker, violent,

Sneaking on you, ninja-silent,

Pervert peering in your casement,

Clear from attic to the basement,

With my satellite trained on you

All the way from where you’ve gone to

From my distant lair? I’ve got you

Hid from trouble while I watch you–

Baby, you’re not scared now, are you?

I’m just trying to watch out for you;

If I didn’t, who could keep you

Safe and sane, awake, asleep–Who?

I’m your hero, watching closely

So you won’t become morosely

Sad and spooked at all; to

Keep you safe and sound; I call you

In the morning and way later

Just to keep away the hater

That might try to nab your collar,

Take your keys, your watch, your dollar,

Keep you sleepless, full of sorrow–

Sleep tight, Babe! See you tomorrow.

P&I + digital

What, *me* scary???