The Sun Always Returns to the Sky

digitally doctored acrylic painting on canvasThis week that is far from a fatuous statement, even from a happy-go-lucky bit of fluff like me. I am always well aware that my life is, was and (I hope) ever shall be a dance party, a dessert buffet and a self-indulgent lounge-by-the-pool compared to most others’ lives. I am grateful to be such a spoiled, blessed or insulated–depending upon your definition; I would admit to all of them in vast quantities–person and like to think that I would never take such wealth for granted.

There are always sharp reminders for me in the family, friends and friends-of-friends who are doing valiant daily battle just to be alive, and if able, to maintain a modicum of quality and dignity in that life, when they are the unwilling hosts of those unwelcome shadow companions of chronic illness–physical, mental, and/or spiritual. I do wish that there were some magic wand I could wave that would miraculously lift away all of those torments and remove the dense dark clouds of them forever, from all people. That is simply a dream, and I know it. But this week I have particular reminders quite close by, and in many ways, of how fortunate I am, and yet also how resilient and remarkable the people and the world around me are as well.

I mentioned yesterday’s storms: the tornadoes that shredded roofs, trees, tractor-trailer trucks and neighborhoods as though they were so much tissue paper. The hail that shattered shelters and windows and destroyed crops. The rain that immersed the already open wounds of the storm-beaten regions in additional water damage. And of course the early high temperatures in the area that will contribute to faster decay and more difficult cleanup and repair work to follow. And not one little iota of the damaging aspects of that touched our home or us personally. Even my tiniest dainty garden sprouts are still thrusting their green leaves upward today. In brilliant sun.

As oversized as All Things Texan can be, the moods of the weather at its wildest are for the most part quickly forgotten by the broad Texas sky, which today is intensely blue and dotted with the mildest of cotton-wool clouds and polished with blazing warm sunlight. The trees, following a light pruning by the winds that mainly took off deadwood and weak twigs in our neighborhood, are lifting their green crowns in thirst-quenched pleasure once more. Barring nuclear winter, it seems that the sun in north Texas always tends to return rather quickly after the darkest and angriest of nights.digital painting of acrylic painting on paper

The thunderclap that affected me more directly this week was not from the stormy skies of a tornado system but via a telephone call from ‘home’: Mom’s recovery from her pair of spinal fusion surgeries hit a serious setback. Her pelvis cracked in a stress fracture. What does it mean? Many more weeks of immobility and pain for someone who has already endured years of it. Another surgery–tomorrow–for the installation of yet more hardware to stabilize her fragile frame. Total bed-rest for what must seem an eon to someone who has been a virtual shut-in for a long time, the woman famous for a lifetime of being out and about taking care of all the rest of the world before her stenosis, scoliosis, Parkinson’s, and joint inflammation all combined to beat her into submission. But whose telephone calls have never ceased to be mainly aimed at reassuring those around her that she maintains her love and concern for themus–and is bracing for whatever the next phase of her fight brings. I hang up from the call and rather than going to pieces in sadness, frustration and anger over the cruelties that her health has dealt her incessantly in these last years, I am weirdly comforted that her doctors are keeping a close eye on her and have a plan for dealing with the current circumstances; that she and my father are, however nervously it may be, committed to seeing through yet another surgery and recovery process; that my sisters and relatives living nearby are keeping a close eye on them and my aunt yet again stepping in willingly to assist with Mom’s care. And that across the world we have a collective host of family and friends who are all cheering them on, willing her well, hoping and supporting in the one way that we can when we are not physically on hand or trained surgeons either one.

In the midst of all of this, the choir-conducting member of my household has the particular and specially challenging time of year that so many western musicians find mighty intense: Holy Week. Never mind that my spouse is in rehearsals for several major upcoming concerts with his and other groups at the university: yesterday afternoon he had rehearsal at 2 pm for next week’s concert with his Collegium Singers (early music choir) that will join them with the university’s Baroque Orchestra, so at the end of that rehearsal he went straight to conduct the orchestra’s rehearsal; when that one finished at 6 pm, he dashed straight over to conduct a rehearsal of the Grand Chorus, which is a combination of his Chamber Choir and Dr. Jerry McCoy’s A Cappella Choir for a major concert on the 25th of this month. Amazingly, he still made it (just) in time to meet me at 8 pm to attend A Cappella’s own concert with Dr. McCoy.

And, oh yes, I was talking about Holy Week. Because of course as my husband is still the interim choirmaster at the Anglican church, he had last weekend’s Palm Sunday services (and Evensong) to conduct, tonight’s Tenebrae service (a ‘service of darkness’ that may have special meaning for many after yesterday’s intense weather slamming the region), tomorrow’s Maundy Thursday evening service, these all interwoven with the usual things musical and administrative continuing at the university; midday and evening services on Good Friday, Easter Vigil to fill with music on Saturday evening, and Sunday morning Easter services. And all the while, day becomes night, night passes, and the sun takes over the Texas sky once more. That’s how it goes.

I merely follow in the wake of all these events and life dramas, taking up the slack in the sails of our little boat as I’m able, and keeping us provisioned with food, clean clothes (keep plenty of black shirts laundered for concerts and services!), and my numerous and sundry checklists of what to do, where to go when, and things we mustn’t forget to bring along. It makes me tired to think of doing what everyone else around me is doing; I’m just glad if I can keep fairly close as I follow them. But I suppose I’m just a little bit like the elephant-following sweeper who is reluctant to ‘leave show-business’, as I wouldn’t trade this Job, however modest it may appear, for anything else on earth. Because the sun, when it shines on me, is so incredibly life-affirming and bright and joyful that I can’t say no to its urgings to come out of the dark and Do things, however small they may be.digital + mixed media

Who are We, Really?

digital image + text

Earthen Vessel

Who am I?

Breath captured

in an earthen vessel

Spirit wedded

to primeval soil

Imperfect Mirror of

essential Being

Wrapped in the terrestrial

winding-sheet

of Human clay

Simple creatures, perhaps, we humans–but is there not a mote, a speck, a spark in us of something grander than what we usually appear? Some bit of wonder that belies the humble forms of mortality and speaks of the transcendent? The perpetual questions that pull at us when we regard an existential view must at least spring from something larger than the plain facts of our selves . . . what can it all mean?

I certainly have no expectation of answering any such things, or even approaching their periphery, in my life, but like generations before me, still feel compelled to ask. That in itself is an intrigue, an oddity of being what we so proudly name Homo sapiens. Does this merely prove that we are so self-centered and hubristic that we assume importance in our existence that no other species dares–or bothers–to impute? It may. The idea of a dog, a pig, a horse or elephant, no matter how intelligent it is, bothering to sit around and study itself and its centrality in the universe so intently is amusing but ultimately quite ridiculous; it wouldn’t in fact be an utter shock to discover that they think the same of us, if they could be troubled to notice it at all.

Most particularly I hope that there is much that is far greater than we are, knowing how puny and foolish and improbable and fallible we tend to be even at our finest times. It’s highly reassuring to me that, when I’ve done my puzzling and my contemplation of my place in space, my purpose in appearing here on earth, it’s still quite insignificant; that a real and precious Otherness is more than all of us, more than enough to fill the emptiness of space whether we little creatures stay or grow or cease to exist. This is comfort enough that I can go to sleep at night, content that I am not the sun or the source of anything necessary, that all will go on long, long, long after I have returned to shimmering dust.

Just be Glad You aren’t Starring in a 1950s Sci-Fi Movie

We are, I am told, going to have a big, I mean BEEEEEEG, year for bugs here in last year’s drought country. And by bugs, I mean insects of the pesky and biting and stinging and flitting and I-won’t-even-post-pictures-of-them (you may thank me now, John, Teri, et al.) varieties, the ones that descend on the garden and leave it as a small quivering heap of dusty tendrils that give a last shudder and fall to the ground, dead. The ones that swarm around my head and ankles in grim, itch-inducing clouds of biblical proportions and leave me wanting to explode into equally lifeless dust.

acrylic on paper

Hello, Hell . . .

First we had a dry, hot year that sent a whole lot of bug-dom into hibernatory hiding. (Along with a whole lot of humanity ’round here.) Then there was this thing that purported to be winter but, in its temperate reality, was a very mild-mannered and brief cooling-off period during which the parched local world relaxed and the bugs began to feel quite welcome to reappear mighty early: mosquitoes bit me when I should have been wearing long underwear–though thankfully, not in my long-underwear regions, which would have been just too cruel for words. The return of rain here, which now to our astonishment puts much of Texas back on the plus side of normal precipitation levels and well out of drought status, was a regular engraved invitation to come and goof off at the spa, as far as the local insect population was concerned. Suddenly, flies are humming around in a leisurely landing approach to put their nasty feet and probosces on every morsel of goodness that appears, whether it’s a deliciously pretty bit of food on the table where I do not desire their company or the addition of their delicious crunch and protein to the dish, or it’s insecti-goodness of the garbage and compost varieties. Grubs and mandible-gnashers rolled out their equivalent of the heavy equipment and got down to serious work devouring tender green things left and right. And my quick walk across a grassy area acted like a strafing run in a bomber, sending up masses of craneflies like so much blasted, spiky shrapnel.

I have a special hatred for craneflies, I’ll admit, and for bugs that eat my plants or nip at my personage. I may be truly enamored of all sorts of crawly things as intriguing subjects at least when I’m safely insulated from actual contact with them, say with them in a nice tidy case in an insectarium at the zoo, or pinned on walls as magnificently weird and wonderful specimens in their pretty shadowbox frames. But when it comes to having them looping through the air in apparently aimless cartwheels that I happen to know are really going to have them fly directly down my windpipe or into my defenseless eye-bulbs or up there to nest in my hair or to burrow into my carotid and have a suck-fest on my life’s-blood (have I read too many outlandish horror stories? You be the judge)–well, I’m just not that live-and-let-live and forgiving a character, am I.

So I am arming myself with all sorts of anti-insect remedies, or things that purport to be so, and while I’m attempting with a certain modicum of ecological sensitivity to limit them to entirely natural and inoffensive and not widely toxic treatments, I can’t make any promises when I happen to see the first wave of evil bugs zeroing in on me and mine. It’s a matter of the hunter and the hunted, kill or be bugged. My general pursuit of happiness may have to take a backseat to pursuit of feisty insect vermin. There may be a few small detonations of either disturbed craneflies rocketing out of the lawn as I stroll, or of me spraying them with some wicked-sounding oil-soap-hot-pepper-nuclear-weapon spray intended to mortify and murder them in turn. There will certainly be skirmishes of all sorts. We are at war, sirs and mesdames, and I am not going to sit back and be antennae-whipped into submission without a fierce fight. My fight instinct is slightly higher than the flight one at this moment, so be prepared for bloody messages from the front. Here’s hoping that the message of victory isn’t delivered from Bug-topia. That would just be too tragic. Run for your lives!

acrylic on paper

Yikes! Head for the hills!

Ah, Youth!

oil painting, digitizedPerspective–it’s so much a matter of perspective when we assess the situation, isn’t it. My sister’s younger son once had a moment of imbalance and tripped, not quite falling but giving the smallest yelp of surprise as he righted himself. His brother, two years his senior, rolled his eyes and sighed ever so indulgently, ‘Ah, Youth!’

Big brother was four years old.

There’s a lot of value in considering others’ point of view, not least of all when it happens, in the literal sense, to be at the same level as one’s own knees, or the top of the kitchen table. The whole world is remarkably different from such an angle. People treat us differently, expect different things from us, more often require time and patience and wisdom to interpret our words and ideas and actions.

We assume, quite rightly, that the young require this sort of accommodation and flexibility in our conversations and interactions. How much more so, then, should we be willing to see the universe more clearly through another’s eyes if we can consider him equal to us in age, experience, or status. We are all children in other people’s worlds, when it comes right down to it, barely able to see over their windowsills or fence-tops, hardly understanding a word of their language even when the speak, it seems our own. We’re none of us so truly far past two years old, apparently.

Phriendly Phantasms

digital artwork + textGhost Images

Grey misty days, indigo nights and wind that whips up suddenly
without a seeming cause, are frights only to those who’d turn and flee
at provocations slim, and slightest hints of something shadowy

But I am not afraid of these faint shades and palely passing things,
instead, I wonder if they freeze in fear at me, these souls whose wings
are clipped, and on whose quaking knees are bent, to hide from mortal stings

We are, it seems, all fearfullest of that unlike what we know most,
what is familiar and best, no matter if it is a ghost
or is a friend at whose behest we once raised up our happy toast

Yet have forgot, when he is dead, and think we ought to fear him now
as though he were a cause for dread whom we once loved and would allow
was more than harmless, bless his head, and still should seek him anyhow

For company, remembered, gone, or living still, or even sheer,
transparent spirit of someone who longs enough to reappear
among us present ought to own our welcome without needless fear

The world we see and what we know are far from all that there can be,
and far from all that’s good, and so we ought to revel joyfully
when spirit friends or living, should seek out our simple company

So as the night begins to fall, or wind kick up, or day grow cold,
and chill our souls, hark to the call of friends quite new or ancient-old;
embrace their spirits one and all, and only happy tales be told

Both of those living or long fled, whether of days in blazing bright
sunshine, or seeming dark as dread, or else the middle of the night,
for all companions should be led to know they fill our hearts with light . . .

Heartfelt

 

digital collage + textThe time that passes, like a heart,
ticks on, clicks on with pulsing beat,
and with the future in retreat,
returns our spirits to the start,
reborn; we open up our eyes
and see tomorrow and the past
entwined;
the shadows that we cast
today will fall on ancient skies
and too, on stars not named
as yet—             as distant as
new stars can get
from where the human world
was framed—
All this, because we know, we care
we love and hold deep in our souls
the faintest embers, banked like coals,
of sensing, taking all we share
in lineage, in land, in ties:
ancestry, marriage,
friendship, bonds—in every gene pool
and its ponds,   in seas of learning,
truth and lies—
The last imagined second’s hum,
in passing, will remind us all
that only love
makes evening fall
and makes another morning come . . .

I’m So Worth It

I’ve never understood the horror some people have of others knowing their age. Among other things, it requires endless forms of subterfuge and denial, from falsifying mere statements of age to all of that domino-like cascade of phony documentation and historical records that must be juggled over time–though, according to those claims, that will have stood quite still. In more extreme cases, it leads to a compulsion to alter oneself to fit the imagined character of the mythical preferred age. I find lots of highly stylized and generalized and ‘flawless’ dolls unappealing, weird and creepy, and ever so much more so, living beings who have had themselves altered by cosmetic means (temporary or, in extremis, surgical) to be less age-appropriate or individual.

Yes, I do understand the urge to fit in, to be accepted. But perhaps my having felt, most of my life, that I look pretty average and ordinary–none of me either bad- nor good-looking to any extreme–makes me inured to the pain of those who think themselves terribly, awfully out of sync with others in appearance. Certainly I know that there are many who have had external reinforcement from thoughtless or cruel others that they are unattractive or unfit or otherwise unacceptable. That is one true form of ugliness: bullying. Demeaning and hate-fostering and belittling are as terrible in their way as any forms of torture, because they scar the soul just as effectively as physical abuse scars the body and spirit. And that can make anyone feel old ahead of time.

But when it comes to the simple and petty desire to deny the years spent on earth or the effects of living a full life on one’s body, skin and hair, I still don’t quite get it. I watch those hair-coloring commercials where fabulously primped and preened models assure us that those smart enough, like them, to use X brand are obviously grand and wonderful enough to warrant the expense of that harmless form of self-adornment “because I’m worth it.” Well, good on you! But it so happens that I think I’m worth just as much with my own dull dishwater brown hair sprinkled with hard-earned threads of white. Plastic surgeons are always eager to inform me that I could be smooth, cellulite-free, and have perfectly formed chin, nose, breasts and cheekbones if I’d only let them perform their magic upon me. In addition to my having seen a long parade of walking evidences to the extreme contrary, or at least extremely contrary to my own tastes, I am shockingly content to have a mole practically right in the middle of my face, one ear far lower than the other, shoulders of quite different sizes, stubby hands, remarkably pasty and slightly sallow skin, a couple of scars from clumsiness and carelessness, and–oh yeah–quite the growing collection of wrinkles here and there upon my entire personage.

Get used to it. I’m a used vehicle. I’ve driven this body through a lot of history, which, if not remarkably rough or exotic, takes its toll in bits and pieces, softening up that muscle tissue which once was a tad more taut, stiffening the formerly flexible joints, adding a few pounds here and a lot of freckles and spots there, and all of the other signs of ordinary aging. Beyond beating, as it’s said, the alternative, growing older has some distinctly positive aspects to it in my view, not least of them that I know, like and respect myself and my finer features far more than I appreciated such things in younger years. I am finite, yea, even slithering down the slope of the latter part of my life, and I will die. Before then, I plan to live it up.

And if that shows in my greying, thinning hair, my spotty memory (which was always a hair more colorful than reality anyway) and my thickening waist and glasses, my slowing reflexes and my ever speedier increase of dithering and forgetfulness, so be it. If it shows in my increasingly complex network of wrinkles, why then Good on Me. Literally. I earned all of these insignia of my fine, me-sized-adventure filled life, and if they make me look less than smooth and perfect and doll-like and youthful and conventionally beautiful, I don’t mind one tiny bit. I certainly never liked ironing anyway, and I earned the right to savor my wrinkles just as they are.graphite drawingP. S. I was born in 1960, and I still have hopes of getting a whole bunch older than I already am, if all goes well.

White Velvet and 24 Karat Gold

Morning doesn’t always bring peace. Sorrow may linger, grief that is not wiped away by night or sleep or even tears.digitally doctored photo

Beauty, though, can help approximate the sense of peace, help me to recollect a meditative, even if it’s melancholy, calm. This, too, brings some small measure of what I remember as true peace, and lets me know that the capacity remains. In possibility is hope. In hope is rest. In rest, I can let go, if just for now, the troubles of the hour.

A cloudless dawn has its own quiet way of pouring out benevolence that, if not cure, brings respite of a kind and momentarily distracts the heart from its dull void. At the morning’s break, low-lying mist pools, thick and velvety, swirling so slowly in its densely silver gleam, it seems to be a lake–indeed, a mystic lake where it would be no great surprise to see that shimmering arm emerge that bears Excalibur.

Along the horizon creeps that cottony blue, transforming first to palest violet, then rose, then saturated orange, and finally, shooting sun-flares so bright and dazzling they blind when they reflect from glass sky scraper walls, pillars of wholly molten gold blazing beacon-sharp against the now bright-cobalt sky. Silhouetted there, a hawk perches on its lamppost throne, surveying all as if to say, I’m looking out for you. Let go of worry; I will see that all’s as it should be. And with a sweep of his unfolded wings, plunges off the lamp into the broader light of day.digitally doctored photo

What’s in Store

Sometimes even a partial notion will do!

mixed media painting

I told you recently that I was preparing to offer some of my work for sale online, and it’s time for the first revelation. I know that so many of you who read and converse with me here are also artists, writers and other creative people, and thus virtually by default are also (a) somewhat challenged by the technology and know-how of operating in businesslike fashion, promoting and marketing and selling your work; and (b) not exceedingly wealthy, as a result. So I did what I know a few of you, and many other people nowadays do, and turned to an existing, established production/marketing mechanism online and am going to let Zazzle help me with the ‘dirty work’. It means I’ve made a few business choices already, and I will share my thinking with you here because we really are all in this together!

First of all, this is far from a get-rich-quick scheme, not only because this is work I’ve spent most of my life learning to do and producing, but because as a business model it’s even less remunerative than the 30%-off-the-top commission that’s fairly typical among artist representing galleries and agents I’ve known in the past. But I am willing to take a very small amount (in many cases, the standard 10% royalty fee) from a company that will cover the grunt work I’m not willing or able to do myself. That is, of course, if they prove they can and will do it. I chose Zazzle because they have a certain established reputation and track record, easy to use interfaces, and while they are not high-end and going to capture for me any exclusive and wealthy clientele, they produce a decent quality range of products and so far have been very responsive in our interactions. This also makes me feel confident in their interactions with anyone who would come to view and buy my work, and that I can price the work as low as possible so that people like me (many being of the aforementioned impecunious creative sort) can choose from a variety of items that they might actually be able to afford without horrific trials.

I have begun posting my designs to the store fairly recently, but have made an effort to put up a reasonable representation from different sorts of my work: photography, drawing, painting and mixed-media images, and a fair range of topics from the abstract to absurdist, from factual to fantastical. There are a small few images with text (prose or poetry) on them, and many of those offered as prints can be purchased not only in different sizes but on different kinds of paper or even as stretched, ‘gallery style’ canvases, that is, with the image wrapping the sides so that the pieces can be framed but do not require a frame for hanging. I have offered a few of the designs as T-shirts, too, because it’s generally considered a good thing to wear clothes, and if we require clothes, then why not wear ones that aren’t terribly expensive? T-shirts are a pretty affordable option. But I’ve never been fond of wearing anything that advertised someone or some Thing (object or cause or concept)–if I want to promote a cause, I’d rather do it with my own words and my actions than with worn signage. So you will find very few slogans or words at all on the T-shirts, just pictures for the most part. I have made a number of them simple black-and-white images, often using my pen-and-ink line drawings, and I would encourage those who like color to consider getting a set of fabric coloring pens and having a good old time coloring the T-shirts like coloring book pages to suit taste and need. Might be a very fun thing to do with children, in fact, as the T-shirts can be ordered not only in a range of adult sizes and styles but many children’s ones as well.

I’ve configured most designs as the largest print version for which I think they’re suited, but most can be scaled smaller for your smaller space or to be more affordable. As it is, there are a great many prints under $20 a piece, and quite a few under $10, so I hope that a larger number of people can afford them without feeling a terrible pinch. There are a whole lot of other designers and artists represented in Zazzle stores, and a really wide array of objects and items that can be customized with your, my, or others’ designs and images, and I will see if and when I’m ready to branch out further with my own. For now, you should know that there is lots of work posted to Zazzle by someone under the name of ‘artspark’–pretty nice stuff, from the look of it–that’s not mine; I tried a huge number of store name options before finding one Zazzle accepted as not already in use, so I’ll just stick with this one even if it’s a bit close. I titled each of my designs KIW Sparks: [Title] to differentiate a little, hoping that helps.

ArtSparks

Even if you have no interest in–or money for–buying anything, I invite you to spend a little time visiting my work at Zazzle. It can serve, in part, as my online gallery for now, where you can see many of the works I’ve used to illustrate my blog posts, as well as a few artworks you’ve not seen here before, and I am eager to share them all with you. I hope that you, too, are finding the courage to ‘put yourself out there’ artistically and creatively because we have this fine forum among friends in the blog-world and online businesses, because even though it’s generally a tough way to make a living, financially speaking, it’s a glorious way to make a Life.

graphite drawing

I don't know if I can claim to have accomplished anything yet, but I'm at least underway in the process of taming the dragon that is my fear of the business side of the creative life. Hopefully, having chosen Zazzle as my squire, I'll figure out how to battle my way through the whole process more successfully over time!

Getting in Touch with (My) Nature

I’m sorry to say I’m not cut out to be the savior of the planet. I’m not even very good at saving coupons or saving your reverence. There are lots of saints and superheroes better suited than I am to rescuing goodness, health and happiness. I’m just pleased with myself if I can get the recycling out on time for pickup, fix the wiggly leg on a chair so I don’t have to get a whole new chair to replace it, pull up about six weeds about twice a week. My part in world betterment will always be a smallish one.

But I do have a part in it. I’m ready and willing to play it. One little thing that is on my list of preferred universe-improvement techniques is to work on gradually including a bit less in my daily eating habits and freeing up those calories for people who actually need them more. Ideally, I’d like to find a few ways to see that those people who actually need them get them as well, whether it’s because I feed them myself with my cooking or my modest attempts at micro-mini-farming (I expect to successfully grow up to eighteen vegetables in this season alone), or because I support causes that are better equipped to feed them through charitable or communal means.

Another dainty little improvement I am willing and possibly even able to make in the condition of the quality of life as it exists on this planet is to find more ways to make less waste. I am researching how to capture both the rainwater falling on and the grey-water produced in my house for reuse and distribution in the garden. In Texas, that’s not just a potential money-saver but if drought conditions like last summer’s return or persist, a potential life-saver. But it shouldn’t be too terribly hard. The water’s there. It just needs to be corralled and redirected to where it can be most useful. It’s a natural adjunct to the aforementioned dinky farm-let of a garden with pint-sized patches of vegetables, plus a greater devotion to native, drought-resistant and wildlife friendly plantings that should, over time, reduce the whole yard’s dependence on additional water, provide a bit more natural cover and food for the local bugs and beasts and birds, and ultimately, require less maintenance and far less artificial or chemical intervention to preserve it all in vigorous health and beauty.

My self-improvement plot is mighty simple by comparison even to these extremely modest proposals. I’m just going to try to give in to my less-than-ideal motives and personality quirks less frequently than is my native inclination. I’m going to push myself to consciously and conscientiously do more of the nicer and better and more productive things I am capable of doing, more of the time. Beyond this I’m not certain I can go–but my plans being undersized as they are, I hope that I have just that much more chance of making my individual pin-prick of a difference for the better in my portion of creation, however puny, circumscribed or insignificant it may be. Better by far than not making the attempt. Reality is overwhelming and bemusing enough. Why not work on tweaking it one sweet, precious atom, if I can?

graphite drawing

This is where I landed. Where can I fly from here?