How does My Garden Grow!

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Mornings are glorious, oh yes: last year’s blue morning glories in their full blazing beauty (center, with the infamous garden chandelier needing better candle power to compete with the blue brightness) inspired the planting of not only the blue variety again this year but also these hot beauties flanking it . . .

My friends, Texas gardening is a ceaseless adventure. I sense that Round One of the growth season has already closed and Round Two is beginning. The first batches of blooming goodies have quickly baked to dainty crisps and their leafy greenness gotten rather scrawny and lean looking. Yes, my darlings, it’s gettin’ hot around here.

The pavement and patio concrete have a certain handily dense solar mass that lends itself to emitting mirage-like rays of shimmering hottitude that fry up whatever seems to have escaped the downward dash of the sunlight as it fell burning from the sky in the first place. Hand watering with a hose, even in the cooler parts of the day, is an exercise in futility to a certain extent–you can practically see the spray evaporating as it comes out of the nozzle, and anything with full sun exposure makes me wonder if the roots of the plant in question will in fact be boiled in the water I’m trying to give it. Gives me a different perspective on the old saying about ‘killing with kindness’, to be sure.

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While the planters are already past their first peak (in the left-hand shot taken during the roses’ first heyday), more blossoms are coming in readily; the blue-black ornamental sage next to the bell in the center photo are already a big favorite with hummingbirds–you can just see the white blurred silhouette of one in the lower right quadrant of the picture–and the brilliant blue of borage is in full swing . . .

The first burst of the rose blooms has passed and the buds are in place for their second coming after a couple of weeks of being pruned back and nurtured through their little rest period. The boxed herbs and vegetables are very thirsty and rather root-bound, so I shall have to ease their pain by some gentle dividing and see if they can continue to show their heroism in beating the heat. Even in their potted distress, the borage plants are putting out large trusses of those glorious blue, refreshing-flavored starry flowers, so I will hope all the more that a little judicious division or removal to allow them a little loosening of their too-tight pants will make them happy rather than prove an additional challenge.

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Zinnias make fun little hideaway homes for local bug-dom, but katydids seem to prefer something with more windows, and the dragonfly always goes straight for the penthouse so he can survey all of the lesser insects down below . . .

I know that the garden creatures are happy. Besides having me to chew on, the insects have all sorts of plants, not least of all those greens that are heat-stressed and have their defenses down. Some of the little bugs are still shy, like the one just barely peering out of the peachy zinnia above. Most of them are quite happy to be a bit more brazen, though. My little green friend came to the window and hung out with me the other night quite willingly–or was it just staring and spying on me? The prize for showiness this week goes, though, to the handsome Carmine Darter (correct me if I mis-identify) dragonfly that calmly came and posed on my little homemade tomato cage so long that I could come out of the house and get up close and macro-personal with him.

Whatever else happens in my little playground here, the main development will likely be somewhat delayed by the depredations of my intended full-yard rehab and my entirely predictably inevitable mistakes and faux pas. And, of course, getting overheated. For the time being, I am enjoying the begonias, the silverbeet, the sweet potato vine, and the cyclamen; the marigolds, the basil, and the blue sage.

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For now, all is color and joy . . . and there is undoubtedly much more to come . . .

Unforgettable and Inseparable

watercolorSince My Beloved’s Death

Since his death, my cryptic lover has arranged my life right over

Into something odd and eerie, weird, disquieting—I’m leery

Not of ghosts, spirits, phantasms, or of devils’ arcane chasms

But of gaiety and sunlight and those things that once were right

For breathing life into old souls—now my new kinship is with moles,

Uncanny, strange, peculiar, creepy, and with bats, with creatures weepy,

Wailing, enigmatic, curious, with things dark and dire and spurious—

Now, unnatural and bizarre unsettling things surpass by far

Those former comforts and delights that soothed my days and lit my nights.

With my lover’s jarring death came an uncanny loss of breath

That turned my sense of truth elastic, to include the strange, fantastic,

Doubtful, worrying, portentous and the puzzling, the momentous—

I have seen since that dark minute all the sinister things in it

Turn to lovely deviant longings, love of the aberrant, wrong things,

Something like a lust for sorrow and disgust for growth, tomorrow,

Or any such former hopes—now esoteric isotopes

Reflecting what I once desired, but with a twisted, counter-wired,

Left-handed version of the past. At this I might have been aghast

Before, but now it’s all I crave, since both of us lie in the grave.

For that, you see, explains my ache for things outlandish, no mistake:

That when my late beloved died, I did so too; am at his side

Within the crypt, where our decease no more is strange or ominous

But makes it plausible that I should love the darkness where we lie.watercolor

Blueprints for the Romance of Place

digital artwork + textBuilding Strong Bones

In the lovely resonant

shadowed hollow of

an architectural ruin,

the beauties of

its skeleton become

more than engineering,

more than a means

of shelter or a clever

way to shut people

in or out–

What happens is

life becomes caught

in the interstices of

a building’s bones–

vitality drawn off

from all the smaller lives

that have come through;

in the humming open space

of a lovely

building in ruin,

mortality is kept

as though in a jewel-case

or a body quite perfectly made

for being loveddigital painting

North

 

The depth of the lake cannot be guessed

 

Its shimmering silicate glacial glow

 

With turquoise mask screens what’s below

 

In filtered glimmer, thought at best

 

To be just deep enough to hold

 

Beneath the frigid upper glass

 

Down in its centermost crevasse

 

Something mysterious, so old

 

It’s passed from memory and ken

 

And only surfaces when stars

 

Come showering down as red as Mars

 

To call it upward once again

 

Communing with its antique kin

 

For roaring moments in the night

 

Before the day dawns turquoise bright

 

And glassy water closes in

 

Once more its inexpressive glow

 

A wall of silence ageless, stern

 

And secretive, where none can learn

 

What lives those fathoms down below

 

Invitations to Dance

watercolorDancers I: Bend Sinister

Leaning back into a dire S-curve

And turning, twisting out of grace,

Finding cruel existence takes

Her to a meaner, coarser place,

She rebels against the tide

That pulls her downward, scrapes her soul,

And makes a revolutionary

Spring to leave the great Black Hole

Of wounded spirit, tortured love,

To swim back into something sweet—

This is the mandate of the dance:

To win by keeping on her feet

watercolorDancers II: Conjuror

Under a spell of loveliness

She leans, she curls, expands;

She falls against the strong caress

Of gladness, in the hands

Of magic greater than herself,

And when the spell is done,

There is no darkness, loneliness

Or sorrow; she is one

With every boundary, with joy,

With having been set free

From all constraint; the dance has won

Her to infinity

You have a Lovely Forehead

photoI was Auntie Ingeborg’s favorite great-niece. Of course, that’s potentially a less impressive achievement if you happen to know that each of my three sisters were her favorite great-niece, our father was her favorite nephew, his brother was her favorite nephew, and so on, ad infinitum. Potentially less impressive, I say, but not at all so in reality if you happened to know Auntie Ingeborg. Because she had a peculiar talent that is very rare indeed among humans: the capacity to make every individual she knew into her absolute favorite. It was completely sincere, unforced, and unquestionably real, and we never doubted it, any of us Favorites.

Auntie had a perpetual delighted smile and an endless twinkle in her eyes and rosy cheeks just made for children to pat affectionately, a lap that was always at the ready for clambering kids to pile on and around for stories, and a genuinely exotic store of entertainments few aunties of any sort can aspire to offer. But by popular standards of style and glamor, you’d never have given her a second glance. She found a perfectly prim schoolmarm look in simple crepe dresses and orthopedic shoes that suited her right down to the ground, and once she established that as her comfort look I don’t recollect her ever deviating from that significantly in the remaining decades of her life. She certainly wasn’t a magazine cover model, with her rather crooked teeth, and with her heart-shaped face accented just a touch too far by her under-bite. But that radiant smile, those softly blushed cheeks, and those merry blue eyes showed off the ethereal beauty of her heart to perfection, so I never once thought of her as ordinary at all. And she most certainly wasn’t ordinary.

Auntie had skills, talents, powers and exotic resources that no one could have guessed on first meeting her. First off, she lived in an apartment, quite the exotic concept to little kids raised in American suburbia. It was already a well-worn building of that vintage that had all sorts of wonderful creaks in its hardwood floors and hallways, a cage-style elevator that was just about the most mystical contraption I’d ever seen and carried us slower than a kid carries his books to school on Exam Day. And it had a Murphy bed. One of those fantastical metal monsters that stood on end, hidden in a closet, by day and pivoted out to unfold down at night.

But also during the daytime, as we learned, it stood guard in front of Auntie’s toy chest, an old and very slightly musty trunk filled with even older and rather odd and very delightful toys, including one of the earliest versions of a small robot I can recall, a little metal man that, when the key on his side was wound, began to walk stiff-legged across Auntie’s carpet in a cheerfully menacing zombie sort of way as the sharp little metal spikes that protruded through the soles of his metal feet would push out to raise up each one alternately from the rug. It was the sort of toy that would never be allowed by modern parents and other legal experts, because the foot-spikes were incredibly sharp and the metal was hard-edged and undoubtedly the paint on it was full of lead, and we loved to play with it almost endlessly.photoThere were other bits of magic and mystery stashed in the toy box, to be sure, not least of them that we quickly learned to dig into the box thoroughly on arrival, and as quickly as we could wrestle the bed far enough on its pivot to release the box to us, to find the box of Barnum’s Animal crackers that Auntie happened to have hidden along with the toys in there. Those who grew up eating them tend to agree that they are fairly insipid of flavor and texture, but the fact that they came in a charmingly decorated little box that looked like one of Barnum’s mythic circus train cars, full of exotic beasts, and it had a string handle on it for carrying around with us as we played with the toys and we got to dole out the little biscuits at our own leisure from the little wax paper lining inside the box–why, this was the stuff of dreams!

In truth, the toy box, though it was the object of our beeline in the door on arrival, was not the most crucial of entertainments at Auntie’s–that status was Auntie’s alone. For, as a lifelong grade school teacher, she knew how to amuse and occupy the caroming minds of wriggly kids about as well as anyone on earth ever did. She quizzed us about our wide-ranging and rarely accurate knowledge on any number of topics, showing more genuine interest and enthusiasm than any such conversation with miniature humans deserves, she played her old upright piano and sang silly songs and very old hymns, and best of the best, she would let us all pile up around her as she told fascinating folk tales, the finest of which were accompanied by her making pencil marks on her paper tablet to illustrate the path the story’s protagonists took from one episode to the next, the drawing of which ended quite miraculously in a picture of something–perhaps a giant vegetable with a person who lived in it looking out its window, or our favorite, a cat whose tail curled in a wild spiral that ended both the tail and the tale.photoShe was no specimen of the more refined social graces that might be expected by a more patrician crowd than her circle of family and friends. Physical or athletic grace was clearly not her great gift any more than it’s mine–when we moved the Christmas tree into the middle of the room to join hands and circle it singing old Norwegian Christmas songs, as was our sometime tradition, Auntie managed not once but in two different years to bump into and topple the decorated tree. I’m not even absolutely certain that the second time could be credited entirely to her, because it’s not as though there wasn’t the previous experience to tell my father, for example, that we could consider just doing that little ritual on one of the days when Auntie was celebrating at another relative’s house. But given that no one was harmed in the event and that we all had an excellent laugh not only on both ‘tipsy’ occasions (no, Auntie was not–only the tree was) but for all the years since as well, he can hardly be faulted if he did suspect a repeat in the offing. Auntie, as it was, laughed harder than any of us.

Auntie’s driving history, too, had certain mythic qualities to it, ending when she was at least in her eighties and still chauffeuring needy Old People (some of them undoubtedly much younger than herself) to the doctor’s office or the grocery store or church, or to where she taught English as a Second Language to immigrants for a very long time. The beginning of her automotive life was illustrated for us by the awe-inspiring story of the day that my father, then a high school student, came home after classes and found Auntie reclining on the family couch in a somewhat dazed state, from whence she plaintively asked if her nephew would mind going out to retrieve her car, which she had left at the neighbors’. He was puzzled as to why she hadn’t, evidently, brought it along with her all the way to his parents’ house, until on arriving at said neighbors’, he could see that her slightly skewed understanding of the operations of centrifugal-vs-centripetal force in driving had resulted in her cutting the corner of the street, jumping the neighbors’ front rockery, and landing the car in the midst of the garden border under their front window. It is unclear how, precisely, he was able to successfully remove the automobile from its highly artistic position in the neighbors’ front yard, but apparently this did occur, as did eventual restoration of the yard’s normal, more vegetal, aspect. Auntie’s driving was somewhat tamer after that, though occasional indications of her earlier style did leave us all wondering over the years how it was that she never seemed to get in any further accidents, or even get a police citation, out of all her miles on the road, an outcome for which we were all profoundly thankful.

It may be presumed that among other things, the lovely lady we knew alternatively as her self titling of Jog-along Julie did indeed keep on moving through life at a steady pace but because she had so many commitments to her teaching at school, community and church locales and to her watchful companionship of nearby friends, she didn’t need to drive very far when she did drive.

She was, after all, far too busy taking care of and cheering up a multitude of others, writing letters prolifically to family far and near, and reading–to herself and to others as well. Any birthday or holiday was almost guaranteed to be celebrated with the gift of books, and she can certainly claim much credit for how much her nieces and nephews of all ages learned to love a good story not only at her knee but in the pages of the books she doled out to us. Every story, even the books of silly rhymes and jokes she shared with us, may have had some subtext of educational purpose, given Auntie’s lifelong commitment to teaching, but we knew in addition that the central theme was simply how much she loved us.

She constantly made sure to say something supportive and complimentary to everyone, even on days when and to people with whom it was quite a stretch. When we sisters reluctantly sent her the dreaded school portrait photos that we always thought were hideous representations of who we were rather than what we hoped and wished we looked like to others, she would tell us how marvelously sweet and attractive we were, without fail. When one sister sent the photo that she hated most to reveal to the light of day (because she despised how far she had her hair pulled back on the occasion, thinking it made her face exceedingly exposed) Auntie wrote to her with great kindness that she had ‘a lovely forehead.’ Nothing could, for us, more simply and clearly have illustrated how gifted Auntie was in finding beauty in us even where we felt most flawed.

Though she seemed so fixed in time by her perpetual uniform of the schoolmarm look, by her continuity in writing letters, sending books, telling stories to the youngest members of any party, and driving, albeit more slowly, the Old Folk she knew to their appointed rounds, Auntie finally did actually grow old and die. But of course, even her funeral was occasion for us to hear her piping voice cheerfully chirping out how amazing and fantastic we all were. The relatives who gathered to plan her memorial service were suitably impressed to compare notes and discover yet more of her Favorites among their number. And the whole day of togetherness not only confirmed that her love was what we all had in common, but was filled with laughter at the same old stories of Auntie’s antics, and the warmth of her boundless thoughtfulness and selfless kindness toward all and sundry in the family and in the whole wide world.photo

Brevity is for Witless Souls

digital painting from a photoEditorial Lines

The relevant portion of this text is the starting sentence and the next,

so I won’t add another verse, as it would only be that much worse.

digital painting

I Close My Eyes

photoI close my eyes.

Breathe. Breathe, and think nothing–deliberately think nothing: not thoughts about nothingness, but no thinking. Just feel. Feel my breathing. Let it slow and deepen. Sense how my lungs are filling and how cool and soothing the air can be. Feel the inside of my eyelids becoming less dry and harsh, softening with the renewing almost-tears that mark the relief of closing my eyes after too little sleep and too long a day to follow it. Breathe.

I can smell the familiar scent of my freshly washed shirt collar that’s pulled up close to my chin, not because I’m cold but because it’s a favorite and a comfortable, so-soft shirt. All I hear is the gentle whirring of the air through the house, the light flickering of leaves outside the window in the slightest breeze, and a bird not far away, practicing its sweet and simple arias without tiring. The sun’s warmth, coming in the window, is blushing its way through my eyelids but still I keep my eyes lightly closed. I am content to maintain my steady breaths, my slowness, my calm, my emptiness, and simply to feel. My pulse ticks softly, steadily, unhurried.

There is no need to think of anything just now. Nothing I could think would change what is real in my world or better my place in it, at the moment, so it is good to turn off the thinking and just let go of my usual tense grip on it all for a little while. The world will wait for me.

I can visit other worlds if I like. Sometimes, with my eyes closed, I will. I can make such wonderful worlds inside, when I wish.

But for now, what I want most is this silence that I have sorted out from what’s outside of me; these slow and steady and uncomplicated open spaces I am cultivating and embracing on the inside. The warmth of the sun, through glass, caressing my face. The depth of soothing air moving through my lungs in a grateful, peaceful sigh.

Everything that must Happen and Change and Do will have to wait for me while I am so very un-busy just being. That is enough for now; sitting, eyes closed, breathing, silent, open. For now, that is everything.photo

My Heart is Racing

digital painting from a photo

Moving at Speed

Everyone’s obsessed with speed

As though it were a grail,

But give the people what they need—

Not what they want—and they’ll

Discover much to their surprise

Alternative delights

That come in the more subtle guise

Of leisured days and nights

And find at last that racing lacks

The lure of lying low,

Avoiding rampant heart attacks—

Instead, loving the slow,

The thoughtful, easeful lassitude

Of living at snail’s pace,

And savoring those motes of joy

Bypassed by those who race

digital painting from a photoNearly Endless Cycles

We pedal around at a furious rate

Just as though we’d outrun finitude, death and fate

But the truth of the matter, however we flee,

Is we’ll all still die off—that guy there, you, and me.

The End of One Chapter Leading to the Beginning of the Next

digital painting from a photoThe road is long; the way grows faint,

But with a song and no complaint,

I’ll walk it more at peace and ease

If you will shore me up, and please:

Your love for me is deep, I know,

Yet sing me to sleep and let me go—photoA path unclear as nighttime draws

Me ever near its end, because

I’ve had full count of wealth and known

Such joys a fountain might be thrown

Beyond its rim in rushing streams,

So if grown dim, the way holds dreams

Enough to lead me happy hence,

And I’ll not plead in self-defense:

Though ever deep your love, I know,

Sing me to sleep and let me go—photoInto the night that never ends,

Where dark is light, and waiting friends

And quiet rest and graceful peace

Draw every guest to sweet release

How-e’er the strain of verses went,

With this refrain as Testament

And Will: Deep is your love, I know;

Sing me to sleep and

Let me go—

Foodie Tuesday: When in Doubt, Bring Leftovers Out

Non-chef that I am, I’m not really all that often full of impressive inspiration when headed into the kitchen. Lack of super-skills aside, my more impressive store of laziness usually wins the day, and if there’s nothing spectacular lurking in fridge or pantry that simply cries out to be doctored up and consumed, what’s much more likely to occur is that I’m faced with a modest selection of bits, bites and bobs that require a small amount of creative re-combination or even disguise to avoid boring us all to starvation.

And there are those items best made in large quantities anyway, or at least larger amounts than needed for a single meal for our household-of-two. You’ll never catch me making chili or lasagna or any other labor-intensive concoction in a two-serving batch when most of them taste better with the passing days for their fridge lifespan and the rest can be frozen in smaller packets for time beyond that.photo

So the pulled pork lying in wait in the refrigerator might dress up as crispy-edged carnitas redolent with cumin one day, to be served with an array of good Mexican side dishes, and then appear as a chopped topping with cheese and vegetables and hard boiled eggs for a big chef’s salad, and finally, become glistening barbecue pork, sauced with a sweet and spicy Memphis-style stickiness and served up with buttery roasted sweet potatoes and creamy coleslaw. Yesterday’s leftover fried chicken gets broken down into chopped meat and chopped crispy skin; the meat gets tossed together with an equal amount of leftover rice and stirred up with salsa and cream, topped with shredded cheese and then the skin ‘cracklings’, and it all gets baked up into a simple Tex-Mex fried chicken casserole that’s hearty and heartwarming enough nobody even complains that it’s YMCA (my Oz compatriot John’s loving title for leftovers as Yesterday’s Muck Cooked Again).photoAnd of course, roasts and chops and steaks are easy as, well, Steak-and-Guinness Pie to deal with any old time. Besides the infinite variations on a casserole possible, there are the omelets, quiches and frittatas, the sandwiches and salads, and the curries and stir-fries. So many ways to spell deliciousness without excessive slavery over the hot cooker. As witness, a quick variant of teriyaki beef that goes neatly atop a cold sesame noodle salad, steaming fried rice, or on a marvelous glossy heap of citrusy wok-fried snow peas, yellow capiscum, celery, carrot flowers–when you cut 5 or 6 v-shaped grooves lengthwise down the sides of whole peeled carrots and then slice them across, you get nice little folk-arty orange flowers to throw in the pan–and finely julienned fresh ginger.photoJust hot up the sliced leftover steak in a hot skillet or wok with a mixture of appropriate Asian flavors that suits your mood and the occasion and blends the sweet, the sour, the spicy and the salty to your taste, and there you have it. The solution to your empty-stomach problem in the blink of an eye. The steak here was glazed with a mixture of soy sauce, raw honey, ginger juice, lime juice, and a couple of drops of toasted sesame oil for mellowness, and finished with sesame seeds for a little delicate crunch. A little hot oil or hot sauce at the table for those who like a hit of zing on top. No fuss. Lots of flavor. If you ask me, the only thing to add is your chopsticks, then your teeth.photo