Category Archives: Travel

The Departure Gate is Always Closer to Arrivals than You Think

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photoThe end of one thing is almost invariably the beginning of another. Nothing reminds me of this more pointedly than time spent at the airport. People are jammed into this microcosm of hurry-up-and-wait, playing out every aspect of plodding patience and spiky urgency, of rabid determination and aimless uncertainty, on the spectrum ranging from action to stasis.photoIt’s easy to forget, when one is in the Infinite Queue that always precedes ticket purchase, baggage checking or security examinations, never mind plane boarding, that even the most extreme globe-spanning flights comprise in reality a very small portion of one’s entire life span (one hopes). Even easier to become so focused on the specific trip being taken at the moment that one will be leaving many places yet to journey to others, long after the current sojourn is a distant memory. Every one of the departures and arrivals may have its own significance, indeed, but each is only a passing event in a longer timeline.photoPerspective is difficult to achieve and even harder to maintain. To go toward one loved person or place demands that we leave another behind. This is how we will always be, one foot planted and reluctant to move from where we have been and the other striving to move us toward the new, our hearts and minds leaning forward or back but seldom willing to hold still right where we are. And it isn’t such a bad thing, at that. It’s how we grow and change and find new loves, none of which can happen without taking the occasional flying leap, whether it’s on an aircraft or strictly metaphorical. Time flies, but so can we.photo

Maybe not Captain of My Own Destiny, but at Least I’m on the Crew

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mixed media on canvasboard + textWhen I was a young artist-in-the-making, it irritated me to no end that people who saw my interest in art and knew of my Norwegian roots often instantly assumed that I was a big fan if not acolyte of Edvard Munch, Norway’s best known artist. Besides that my knowledge of Munch’s work was pretty nearly limited to ‘Skrik‘ (‘The Scream’) and what little else I’d seen even in passing was not at all to my taste, I took it as an insult and a frightfully narrow-minded view of my potential. And that, my friends, was the capper, because it implied that I was not in charge of my own future but predestined by my ancestry to be a pale imitation of somebody I wasn’t particularly fond of or impressed by in the first place. I was jolly well going to go my own way and choose my own muses and inspirations and, most of all, I was absolutely not going to be told what to do and when and how to do it by some ghostly abstract borne in my bloodstream.

As a very fortunate young pilgrim, I did manage to get to the Old Country and spend a little time rooting around my ancestral stomping grounds during my undergraduate studies. I got to meet and spend time with my great-aunts and various other relations and visit the house my grandfather helped build for his elder sister, our Tante Anna, and the family farms–the sylvan Ovidsland property with its tidy white house and taller red barn set in among the slender birches, and the more remote summer pastures of Eitland, a smaller and more rustic place on land with a sweet little lake for fishing up dinner. I was able to see the headstones of relatives long-gone, outside the little church where many of the family had attended services for many an age, and walk paths and travel roads where many of them had trod and ridden for ages before that.

oil on panel

Eitland, painted by an unknown family member or friend in the early 20th century.

It was a rich and rare opportunity to both visit the places of my family’s past and to live among my Norwegian family in their current places and way of life, something that few people get the chance to do and that I will treasure for as long as I live. Because it did change me, and change my point of view. It may seem strange, but some of the greatest change happened in completely unexpected ways; I was not especially surprised, though quite pleased, that getting to know family I had not known before and see the world from which my grandfather in particular emerged to live in the States (my other three grandparents‘ ancestors all came from other parts of Norway, where we had less constant and present contact). But I never imagined that simply setting foot in the country of my ancestors would move me as it did. I could never have begun to imagine that I would be so struck, feel such a palpable and somehow heart-wrenching connectedness on standing in front of the amazing Oseberg ship in the Viking Ship Museum of Oslo–but I was; I did.

And I was truly astounded to discover, when I–a little reluctantly, perhaps–went with my sister to visit the Munch Museum that I not only found Edvard Munch’s work much more technically impressive and more profound, his life story and the stories that gave life to and were expressed in his work more impressive and thought-provoking than I had ever dreamed I would allow, but indeed, there was a lot more that I found simply compelling and even, startlingly, appealing. First of all, the guy could draw. He could paint, make prints, tell stories. He was, dammit, gifted and actually worthy of the attention. How very annoying of him, really. Because then I had to come back and re-think what I was doing a little bit. Was it so terrible to reflect something of our however-peripherally-common ancestry in my own work?

I had, if anything, a new appreciation for how much I didn’t wish to emulate his life, with the illness and suffering that marked life for and around him. But to take, as he did, what life presented and put it through the same filters of self and vision and thoughtfulness and surrealist whimsy and passion–that might be precisely what could make me more, dare I say it, myself as an artist. Who knew.

So by the time I set about making the collection of artworks for my master’s degree exhibition, it was an amusing ‘closing of the loop’ to find quite a number of people observing the works in preparation and in the finally installed show coming back to that same old observation that had used to frustrate me so. ‘Has anybody ever mentioned how much your work is reminiscent of Munch’s?’ It was even amusing to me to realize that, though the subjects might stray from his, though the media were sometimes decidedly different and the techniques concomitantly skewed to fit them, and though most of these viewers had no inkling of my ancestry, apparently there was a little something making its way up from my roots to the surface of my art.

Somewhere along the way I had also started to grow up a bit and begun to figure out that we all, inevitably, have less control over our own destinies than we fancy we do, and that that’s not inherently a bad thing–that life will always surprise us and challenge our grand plans and hopeful dreams and carefully charted paths. That the very things we can’t predict or control help to guide and shape us into things we might never have imagined we could plan or wish to do or to be. I guess I just took a longer and more convoluted route to letting my little commonalities with my fellow Norwegian artist Edvard show through; being dead, he could spare the time to wait for me to catch up. And once I got comfortable with the idea of seeing a hint of him in the mirror, I didn’t feel like screaming anymore either.digital painting from an acrylic painted original

Blueprints for the Romance of Place

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digital artwork + textBuilding Strong Bones

In the lovely resonant

shadowed hollow of

an architectural ruin,

the beauties of

its skeleton become

more than engineering,

more than a means

of shelter or a clever

way to shut people

in or out–

What happens is

life becomes caught

in the interstices of

a building’s bones–

vitality drawn off

from all the smaller lives

that have come through;

in the humming open space

of a lovely

building in ruin,

mortality is kept

as though in a jewel-case

or a body quite perfectly made

for being loveddigital painting

North

 

The depth of the lake cannot be guessed

 

Its shimmering silicate glacial glow

 

With turquoise mask screens what’s below

 

In filtered glimmer, thought at best

 

To be just deep enough to hold

 

Beneath the frigid upper glass

 

Down in its centermost crevasse

 

Something mysterious, so old

 

It’s passed from memory and ken

 

And only surfaces when stars

 

Come showering down as red as Mars

 

To call it upward once again

 

Communing with its antique kin

 

For roaring moments in the night

 

Before the day dawns turquoise bright

 

And glassy water closes in

 

Once more its inexpressive glow

 

A wall of silence ageless, stern

 

And secretive, where none can learn

 

What lives those fathoms down below

 

The End of One Chapter Leading to the Beginning of the Next

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digital painting from a photoThe road is long; the way grows faint,

But with a song and no complaint,

I’ll walk it more at peace and ease

If you will shore me up, and please:

Your love for me is deep, I know,

Yet sing me to sleep and let me go—photoA path unclear as nighttime draws

Me ever near its end, because

I’ve had full count of wealth and known

Such joys a fountain might be thrown

Beyond its rim in rushing streams,

So if grown dim, the way holds dreams

Enough to lead me happy hence,

And I’ll not plead in self-defense:

Though ever deep your love, I know,

Sing me to sleep and let me go—photoInto the night that never ends,

Where dark is light, and waiting friends

And quiet rest and graceful peace

Draw every guest to sweet release

How-e’er the strain of verses went,

With this refrain as Testament

And Will: Deep is your love, I know;

Sing me to sleep and

Let me go—

Another Pastorale

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Yesterday after running errands, we were reluctant to head directly home and do serious Work on a sunny Saturday afternoon, so first we took a couple of brief driving detours into the surrounding ranch-lands and enjoyed a uniquely lush and verdant north Texas spring outing, luxuriating in the marvels of denser woodlands, fuller runoff creeks and richer grasslands than we’ve yet seen since moving down here. Needless to say, we are reveling in the wealth of meadow and pastureland in the surrounding counties, as are all of the horse and cattle herds that didn’t get sold off or butchered outright to evade starvation and thirst in last year’s drought. It’s a beautiful prospect, this well-watered magic we have right now, and inspires the poetic in one’s spirit no matter how it defies other work.mixed media + text

Spring Pastures

Far back among the rolling hills, Where prairie grasses sweep and bow

And the sweet wildflower spills Pour down the slope, the Angus cow

Set farthest back along the line Draws up her calf to join the herd,

Slow-swaying, toward a stand of pine; The rancher there, without a word,

Appears to bring an evening feed, And all the cattle on the clock

That balances content with need, Some time before, began this walk . . .

The faintest glint of sidelong rays Begins to tint the brush with gold

The way late Spring colors her days, As if instead of growing old

She’s only burnishing her tone The more to show her graciousness,

Inviting birds that fly alone To join a choir whose notes confess

A radiant love of living things, Of all that’s sweet and warm and new,

Of leggy calves, of seed that brings That grass now banking up the slough . . .

The cattle walk, now, in their line, Their black flanks shaded in the dusk

With blue-tinged shadows, as a fine Light scent arises like a musk

From all their footsteps tapped in clay, Veils of the thinnest dust laid low

Between the sorghum rows’ array And that tall hayfield yet to mow,

And not one calf among them all Drifts off the center of the trail,

Because they sense their supper-call As sure as seasons never fail . . .

Curtseying & Polishing My Tiara Madly

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digitally-painted photo

Now, there's really no need for you to go putting up any monuments in my honor or installing any statues of me . . .

photo

. . . and while I love a good concert and the after-parties are outstanding, it's not necessary to write compositions in my honor and get the marching band ready for a parade . . .

photo

. . . and while I do love a good monetary recognition, it's hard to explain any sums sizable enough to be really impressive when our fine friends from the Internal Revenue Service start paying attention to the numbers . . .

photo

. . . so I think I'll just say that my heart is warmed immensely by the kind light you've shone on me, and that in return I hope that I can be a little brighter and a little more generous with my light to the rest of you, and that you will all pass it along as well . . .

Once again I have been receiving kind and generous notices of recognition over the last few weeks from my gracious blogging friends, and I’m overdue to say appropriate thanks in response. So here I am at last, with another lovely gift-basket filled with Genuine Blogger, Versatile Blogger, Sunshine, and Kreativ Blogger Awards and feeling overwhelmed as always at the munificence of the online community. These latest are conferred upon me, regardless of my deserts, by my fellow poets, artists, foodies, gardeners, essayists, music lovers, travelers and others with whom I’ve so fortuitously crossed paths out here in the ether and am enjoying the marvels of mutual entertainment and discovery.

It is with a humble and happy heart that I thank Meg, Susie, Mark, Mars, Kofegeek and Tamara. Some of these have been friendly correspondents of mine for a lovely while now, and others are quite new to me, and I highly recommend that you have a look at all of their blogs! Meg is a veteran traveler for her relatively few years’ opportunity, and always posts marvelous pictures and original thoughts and ideas about places visited and things done there. Susie writes with great good taste, artful illustration and photography, and shares stories and samples of fabulous food and outside-of-kitchen adventures, too. Mark, an outstanding graphic designer in the UK, sometime DJ and constant educated music listener, gardener and traveler, always has a wise and witty twist to his posts. Mars has lived a rather cosmopolitan life but keeps a grounded and sensitive point of view, traveling, writing moving and insightful observations about life’s vicissitudes, and seeking beauty and light in the world. Kofegeek brings ingenious humor and insightful discourse to matters of science and math, cats and coffee, and much more. Tamara is a marvelous gardener from Ljubljana who is working to create intergenerational conversation about that earthy art.

Meanwhile, I am required by the rubrics of these awards to do a little personal sharing with you, my readers, and to introduce to you other worthy bloggers, and so I am going to combine my efforts and ask that you have a good visit to some truly worthy sites elsewhere as well. Share the love!

First, 10 blogs and bloggers worthy of your attention:

Cynthia @ http://lesplaisirssimplesdelavie.wordpress.com/ (photos, thoughtfully captioned with brief yet expansive and often lyrical text)

Natasha @ http://comeduemaiali.wordpress.com/ (seriously, how can you not enjoy eating ‘like two pigs’? I know I do, oink oink) Important update announcement: I am clearly not as smart as even one little piggy, because I completely missed that Natasha had been one of my award benefactors in the first place. But I’ll pretend I Meant to Do That just so that I could pass on the other awards back in her direction! Because, and I am not making this up, she really deserves them anyway!

Becky @ http://beckyfrehse.wordpress.com/ (a longtime friend, Becky is a tremendously versatile mixed media expert, visual artist, collaborator, teacher and all-around cool person)

Lorelei @ http://incidentallearner.wordpress.com/ (rediscovering her incredible painting gifts, she’s a watercolorist and storyteller extraordinaire)

Bente @ http://bentehaarstad.wordpress.com/ (no, I’m not prejudiced just because she’s from my ancestors’ homeland, Norway–she’s a really fine photographer!)

Sue @ http://suellewellyn2011.wordpress.com/ (another distinctive and fine photographer, capturing other parts of the world, caught my eye)

Pat @ http://rantingchef.com/ (making all sorts of stellar and luscious foods sound and look fairly simple to make, and worth the effort even if not so easy)

Maggie @ http://thelittledesignstall.wordpress.com/ (a Pinterest-style blog full of gleefully over-the-top and often spectacularly inventive and gorgeous design images from all over)

Maenamor @ http://antiquityandadventures.wordpress.com/ (guiding us around scenic bits of England and Wales and sharing special local events with their fascinating stories)

Robi @ http://kabyahe.wordpress.com/author/robijiz/ (introducing cultural and natural beauties of the Philippines in outstanding journalistic and artistic photography)

Meanwhile, back to talking about myself, because I’m so incredibly exciting!

I think almost anything could be improved by the addition of browned butter (beurre noisette), possibly including a plain spoon about to be stuck in my mouth;

&   I have rather excellent printing (lettering) skills because my cursive handwriting, though perhaps interesting to look at, is almost indecipherable even to me;

&   If I don’t sleep at least nine hours a night I am not very likeable company;

&   Classical music is often my go-to choice, but there are others that have particular allure for me at different times or under varying circumstances, i.e., Blues music during physical labor, vintage ZZ Top, Oingo Boingo and Van Halen on road trips, reggae on a beachy sunny day, jazz and swing for hanging around people-watching in a cafe, and so forth;

&   The smell of coffee is heavenly to me, but I don’t drink it often and then only as flavoring for lots of cream and sugar;

&   Perhaps because of my temperate Northwest upbringing, I think of green as a perfect neutral color, just as much as the traditional black-white-grey-brown palette;

&   I’m not particularly girly (in the ruffles and bling and pink sort of pop-culture way) but I am fond of being female and even sometimes live up to sex stereotypes, if accidentally;

&   Not much of a crier (maybe I tend to try to be stoic when genuinely sad), except at the most silly sappy stuff, but I am an inveterate hugger and hand-holder;

&   I’m so old that I went to a school where there were no lockers, only a cloakroom; that the houses and cars in the neighborhood were all generally left unlocked; and that the older kids piled loosely in the backseat of the car while the baby sat in Mom’s lap up front;

&   I’m so young that I think Bucket Lists are for people thousands of years older than me because I have all the time in the world and naively believe that I will get around to anything that matters enough, eventually.

On that note, I really must finish this up for today and get it posted, because despite my limitless future I find that blogging is a time-consuming joy and can easily eclipse numerous other activities that may well turn out to be worth the doing if I don’t get too obsessed and distracted leaping around the meadows of the Internet in the grand company of my many admirable blogging playmates and mentors and companions.

Wish I were There

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memento assemblageMuch as I adore where I am at any given moment, I’m not above reminiscing about and longing for other places I’ve enjoyed, or fantasizing about ones I’ve yet to try even in the midst of the current Happy Place. It’s not a matter of comparison, of course, just that persistent tickle at the back of the mind that everyone suffers who has ever been two places–opposite ends of the couch or of the world–that are both pleasing and desirable for their own reasons.memento assemblage

So I can sit in a ray of gilt sunshine, in a high-backed soft chair, sipping cool water and feeling quite contented–yet my brain keeps flitting around, from Praha to Portland, from Boston to Berlin, from San Juan Viejo to San Antonio. In my heart, I may be tucked up in a mews in Wexford or striding along the West Side to find a small concert venue after dark in New York. Perhaps inhaling the dazzling steam of glorious Indian food in a surprise find restaurant in Oslo, watching the koi slide through their semi-tropical pond under the snow-frosted glass pyramid of the conservatory in Edmonton or testing the tenderness of lovingly handmade pasta in a cozy family ristorante in Bolzano.memento

Wherever I may be, my thoughts will always drift. It’s not the least a sign of dissatisfaction or discontent, but rather that I’ve found delight and happiness in such a wide variety of places that they all compete for attention even (or perhaps especially) when I am full of well-being. There is so much beauty to be enjoyed in the world and there are so many great sensory experiences to be had that the soul grows restless for them.memento assemblage

Much as I like my reminiscences and the memories of all of those fantastic places I’ve journeyed, the astonishing and dear people who have welcomed me there and introduced me to each place’s peculiarities and pleasures, and the thought of all of the songs, foods, walks, sights and adventures that have enriched every one of those times, I am always hungry for more. The sweet sense of something marvelous that’s yet-to-come is as poignant and piquant as the promise of any other sort of romance, and my wishes always lean toward the more-ish, especially when the outing is made hand in hand with my dearest companion. Though the old-fashioned postcard tradition for travelers may have been to write to friends and loved ones saying ‘Wish you were here’, the truth is more often that I wish I were nearer to them, wherever they are.memento assemblage

Can You Come over to My House and Play?

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My big sister flew out and visited here for a couple of days last week. It was heavenly. Besides that I just get a big ol’ kick out of her company at any time, there are a number of reasons that time spent with her is a great treasure.

photo

An early appearance of one of the most frightening of biker gangs ever to terrorize Ryan Street . . .

One, of course, is that having known her my entire life, I can happily be myself without any fear of shocking her. I can (and do) even revert to my most immature self and she never skips a beat but joins me at whatever level of silliness most promotes our laughing until our eyes turn into faucets and we choke on our drinks from our big snorting guffaws. I can, in the safety of my own kitchen, drink a few more of those drinks than I would do on my own, and be just as ridiculous as that makes me be. No repercussions. Well, she might tell Mom when she gets home. But it’s usually the duty of the younger sister to be the tattle-tale, right? So I should be safe for now.

When I get to be with my sister I can catch up on all that’s happening in her life, something that is not even remotely the same over the phone because it lacks the drama of the whole pantomime portion, not to mention all of my interruptions to ask what X or Q player in the story is currently doing. We can rant shamelessly about the current state of the world and everyone and everything that we know in it, and know that the Top Secret information and occasional swear-slippages need never leave the room. I can tell her my own life’s updates and make them seem as glamorous or pusillanimous as I wish, knowing that she will listen to it all with whatever sisterly sympathy or elder-sibling disgust is requisite in the event, just to help me sort out what’s believable and what’s merely my imagining.

I take it as not only excuse and permission but a virtual requirement that I eat any and all of the junky but deliriously tasty things I would normally consider inappropriate for regular dining, starting with chips and a big bowl of ice cream for lunch and not budging impressively far from that sort of menu for the duration. Now, granted, if the visit exceeds a week, I might be better behaved, but (a) this was a short visit (so there!) and (b) I probably wouldn’t be better behaved (so there!). Guess it’s just as well she didn’t test me on this. But it was a danged delicious few days, even if my body may take a while to recover.

And it’s certainly amazing how much my spirits recover from any time lost between visits, when I get just this one little dose of sisterly vitamins. Having three such stupendous sisters is probably an unfair advantage of mine, but I am not in the least apologizing for it. You have to admit, if it’s a selfish trait on my part to revel in such wealth, at least it’s one of the least of my offenses. She said, grinning just a little devilishly.

photo

Equal-opportunity educator and sharer, my sister started early with the indoctrination of her three younger sisters (and our many cousins, like Mark with us here) in what a jaw-droppingly amazing world it is and all of the excitement we could find in it, even if we had to manufacture the excitement ourselves . . .

A New Lens

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digital painting of a mixed media original

My world is water-colored . . .

Having spent much of my life near the coast, both at home and abroad, I am less of a swimmer than you might expect, though most of my water time has been spent near northern shores, if that explains anything for you. But I am greatly comforted by being near water without needing to be in it. Rivers, oceans, lakes and ponds, streams and waterfalls, puddles and pools alike all have their appeal and the sight and sound of them soothes my soul like few other things can do. A walk along a riverbank or beach boardwalk, out on the mud flats or wading in the cool fringes of a foaming inbound tide–all have the power to send the complications of life fleeing, if only for a while.

Not so surprising, then, that many of my artworks play with the cool hues of water and the shadowy welcome of its associations. Whether in the impressionistic and abstract styles seen here or in images quite specific to the sea, the hold that water has on my heart must make its appearance often just to comfort me.digital photo-paintingAll the same, as a northerner by birth and years of residence, I have always been wildly fascinated too by the idea of those mythic turquoise tropical waters whose gem-like clarity would surely entice me in, offering the siren-like assurance that I must be utterly safe in them since I can see practically forever in their depths. I know that this is not entirely true, but the appeal of their warmth and seemingly pure glassy transparency has its potent pull on my imagination anyway. So it was a bit of a fait accompli that I should love it when I did at last have my chance to step into the perfectly sheer aquas and blues of the Caribbean for the first time. It was everything I’d hoped, and of course a little something more.mixed media + textSwimming in Warm Water

I:     Skimming along as if in flight Just under the surface of a lake, I can look up and see through its tinted lens A circular and absurdly distorted universe Of inbent trees examining me in kind, Of ship-sized cumulus zeppelin clouds whizzing by, The pillowed prows of ducks plowing past me And convoluted birds careening In zigzag traffic from shore to shore.

II:     Looking down, I see dazzling curtains of kelp Dyeing mottled sunlight as it Cooks the lake like a giant kettle full of fish. Flitting, darting shapes shoot up to nip me Or casually brush by And I exult in floating a subtle touch Toward a parti-colored veil-tailed fish When it fixes me with its dully silver, Unemotional lidless eye.

digital painting made from an oil pastel drawing

Perhaps I shall always be looking for a sea change . . .

Because for all that we know and admire about its clarity and simplicity, and surely for its necessity to life, water is also still a source of great mystery and power and its depths both literally and metaphorically may never be fully plumbed.

Lullabies and Parallel Universes

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photoI have said that music transports me to Other Places. Indeed, all art has that potential for me, for internal travel. It’s one of the great joys of art. As I write this, I’m listening to a live broadcast of this evening’s concert from the Swedish Radio Choir‘s (Radiokören, or RK) concert, one that travels particularly far and wide–and deep–in my heart and mind for a whole lot of reasons.

The note from chief conductor Peter Dijkstra:

Tonight at 1930h I’m doing a concert, live on Swedish radio SVT2 and on Webradio (http://sverigesradio.se/sida/default.aspx?programid=3989, at least in the US) , with the Swedish Radio Choir and Orchestra with an ‘alternative Passionprogram’:
Ligeti – Lux Aeterna
Bach – BWV 12 Weinen, Klagen, Sorgen, Zagen
Poulenc – Stabat Mater
Highly recommended!!!!

Right at this moment, the radio host is interviewing Maestro Dijkstra, and hearing both of their voices, I feel almost as though I’m in the concert hall watching them chat onstage, myself. I’m quite sure I recognize the lady’s voice as that of the same well-spoken broadcaster who interviewed my husband when he was conducting on that same stage at Berwaldhallen at this time of year a few years ago for RK’s Vårkonsert, or Spring Concert. Peter Dijkstra had fairly recently signed on as RK’s chief conductor at the time, and was in town part of the time rehearsing the choir; it’s amazing how quickly the miles disappear when we hear familiar voices or sounds–and the Radio Choir’s distinctive choral sonorities are certainly a part of that equation for me, as well. Their recordings have been for decades among those most widely recognized worldwide for consistently outstanding quality and depth in an incredible range of literature.photo

So here I sit, listening to music sung by a beloved choir and conducted by a truly fine, familiar conductor, and despite being at my desk in my own house, I am traveling to worlds and galaxies far beyond the view of my window. The György Ligeti piece is a perfect vehicle. It’s best known for being that magical, eerie and ethereal sound heard in the famous scene of approach to the monolith in Stanley Kubrick‘s seminal film 2001: A Space Odyssey, and on a personal level is memorable and imaginatively inspiring even more directly because I have heard a couple of groups conducted by my spouse, in both rehearsal and concert, of this famously difficult piece. Each time, the piece itself transforms the performers as they work to ‘get inside’ and master it, and in turn is transformed by their performances, by the acoustic and atmosphere of the place where it’s being sung, and by the expectant and electric energy of audiences who are constantly challenged and awakened by its dramatics, both distinctive and subtle.

Johann Sebastian Bach and a great many of his works are widely familiar to audiences all around as well, and both in spite and because of their very familiarity bring us to an array of places remembered and imagined each time we hear them sung or played. The more famous and oft-played a composer’s works, the more variants we’re likely to come across in style and interpretation, in levels of technical expertise and period accuracy, and especially in the performances’ potential for transportation. I find it profoundly intriguing to see and hear how deeply performers can immerse themselves in the math and mystery, the dancing joy and bottomless grief and resounding laughter and historical drama of Bach, and to experience the accompanying journeys offered to me as a listener. I go to places of Biblical and Apocryphal history, yes, but also to more abstract aspects of the music and the texts: to dark forests and sunless night, and to soaring starry space; to drought-quenching fountains and streams; to realms of green and warm and welcoming respite and meditation.photoThe Stabat Mater of Francis Poulenc, in his characteristic tonalities and performed here with exquisite power and emotional richness (and with a supernal soprano soloist’s voice soaring over the top of the intense and wildly beautiful waves of the choral singing) pulls us into a specific story, but is nonetheless large enough in its musical generosity to allow visions of many other places and states of being. This, too, is a strength of music and of outstanding moments of swimming in it–that it allows us to transcend what is and see, hear and feel what may be.

Music can fill me with passion, and it can also empty me so completely of passion that it lulls me into the abyss of restful peace where I feel nothing can touch me at all.

The images in this post are not based on any of the music in this program at all but rather are documentation of one of the small worlds I myself created a little while (well, a teenager’s lifetime) ago. I wanted to make a place that would act as a safe haven, fantasyland, and visual lullaby for the baby boy my sister was carrying. More than seventeen years later, our younger nephew his brother still has the same little woodland clearing in what’s now his room and seems not to be overly anxious to erase it under a more sophisticated or grown-up paint scheme and decor. So I suppose that perhaps it still offers for him adequately what I myself will never grow too old or mature to want: transportation to other places and planes, times, spaces, moods, hauntings and hopes and happiness. I hope that the luminous-paint stars that I sprinkled on that bedroom ceiling still light up after the lamps are turned off at night.photo