Change of Venue for a Change of Seasons

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I lived most of my life in northern climes. My childhood and many subsequent years spent in the Seattle area naturally color my view of nature and my connections with it, so even though I’ve spent the last four years putting roots down into Texan soil my inner imagery of the season of growth is of sprouts and blooms native to alpine, temperate, rainforest and coastal territory. I appreciate and admire the vast and varied beauties of this wildly different terrain that is my new home, and my heart still resonates joyfully when it comes to those northwest marvels of green and gorgeous living things as well. I don’t think I’ll have to tell you which region inspired these two poems.

The drawings, though, could be a bit more nearly universal. Dandelions, in particular–I can’t think of many places I’ve visited so far that didn’t have a substantial contingent of that sunny little weed blossom. I hardly ever see their smiling faces without thinking of the adorable little enthusiast next door who peered over our fence and, seeing my mother pulling dandelions–and perhaps interpreting this as her enthusiasm for cultivating their charms–piped up to boast enthusiastically (much to her own mother’s chagrin): ‘we’ve got a MILLION of ’em!’ graphite drawingIn Return

Willingly as daffodils stretch out of the earth

At the first invitation of the sun,

So I come from the dark when my winter ends,

Turn my face up to the blessing sky,

And sigh at the promise of the spearing green

Arising by my feet, even if the icicles

Have not yet

Melted wholly away.

pen & ink

Avalanche Lilies

Amid the muffling drifts of downy snow

That draw the pearly winter sky down low

To kiss the earth once more in early spring

Are sparkling spears of palest glimmering

Green newness, first to show upon the white

And break the slope of frosted winter light

Uncurling soon to show the youthful face

Of spring’s renewal in this sleeping place

If still surrounded by the icy pale

Wild woolliness bedecking hill and vale—

The snow, though mighty, cannot fully stanch

The burst of springtime’s sparkling avalanche

 

Rain Dances

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It dances across my imagination, rain. It is flowing and musical and magical and, most of all, it catalyzes cleanliness and growth that reawakens the graces of the living world in ways that very few other things can possibly do.photoIt is what I think of as the soundtrack to my dreams, rain. The softly bubbling, rippling, tuneful and prayerful sound of rain in the background, after even the slightest dry spell, is as lovely in its way as a kindly lullaby, as the warbling of some exotic winged thing in a  woodland on a magical evening, perhaps even as a gentle reminder that the creative spirit of the universe weeps both with sorrow and with joy in harmony with all her creatures.photoOn every greensward, in every park in Spring, the land smiles with contentment even while the rain still falls, when rain is in its right place. This is a gift happily awaited by all who thirst–every creature and all the sweet, sweet growing things that fill our garden world. Whether it is thought of as saving for a rainy day or being saved by a rainy day, as much as I bask in the sun at every opportunity, there will always be a part of me that relishes and desires the generous presence of a kindly rainfall.

(I’m pleased to say that it has been raining here for the last number of hours. Life is good.)

Youth & Beauty, Beauty & Youth

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We never needed to choose. Yet there’s always this foolish compulsion among us to measure attractions and, should we be so lucky, to consider ourselves superior because we successfully assure ourselves that whatever we think the best among the pretties and the old makes us seem more perfect in our own eyes. We’re our own creations in this way, our own versions of excellence, and whether we believe we fit somewhere high in the measure of greatness as beauties or as wise and wonderful elders, we spend an amazing amount of energy on fancying ourselves fantastic.graphite drawingWe expend a large quantity of this fanciful energy, as well, on believing that youth and beauty are irrevocably tied to one another, if not outright synonymous. If one becomes convinced of that construct, then it must follow that becoming old is some sort of process of becoming plainer or uglier or, at greater extremes, less important and worthwhile. As it happens, we are not necessarily all so stupid as I’m making us sound, really. Eventually we mortals do manage to wise up. Perhaps it’s only and logically plain self-preservation that, as we get older, we realize that either we’ve ruled ourselves out of relevance or we might need to adjust our expectations and interpretations to allow that the aged can also be wise or useful or, astonishingly, even beautiful too.graphite drawingSlow as we are to credit our elders with such attractions and advantages, the eventual realization that we are becoming the elders may motivate us to rethink that equation if nothing else can. It’s not that I look in the mirror and see my proliferating wrinkles and expanding crop of grey hairs as evidence that I’ve suddenly or finally become important, improved, impressive. It’s that I see someone, finally, whose value has nothing particular to do with whether those marks of vintage are present or not. I am free to see myself simply and fully as myself, if I’m willing to look, and from this lesson I should–most meaningfully–learn to offer the same courtesy and impartiality to anyone I see, not only myself but anyone. No matter the years or the appearance or how either conforms to the current tastes, every face I see should seem to me the face of worth and dignity. Who knows but what it might be oftener proved true if we allow it to be so.

I’d Rather be Clean than Tidy, & I’d Rather be Tidy than Frustrated

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It’s possible that, given my genetic descent from a pair of neatnik parents, I keep a slightly fussier house than average. But I must emphasize the word ‘descent’, because the Czarina of Creative Chaos and the Lama of Laziness are my spiritual parents too and often win out in the balance between controlled environment and bombing aftermath. What this means in practice is simply that I often settle (and therefore, my housemate and our guests must, too) for ‘clean enough for safety’. I don’t like any sense of living in the bottom of a rubbish tip, let along canoeing a sewer [the kind with appalling effluents in it, not the kind that makes things out of fabric]. So I think I can fairly claim that I have never–barring being bedridden–let my environs fall into utter wrack and ruin, but there are times when I’d rather let sleeping heaps lie and be satisfied with relatively germ-free untidiness than spend all of my energies on a pristine home.

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Use every tool around, and you may find sufficient space for everything. Shelves, hooks, boxes, crates, and so much more can coordinate to make everything fit together. Pretty is nice, but pretty practical suits me better!

I can’t imagine wanting to have a ‘show house’ anyway. If I can’t slouch around a bit and put my feet up on the furniture (yes, dining surfaces excepted), it doesn’t feel comfortable enough for me to call Home. All the same, I enjoy those times when I’ve been in my cleaning-tornado mode enough to find whatever I need to find without pulling all of my remaining hair out by the roots, and to have the house all spiffed up and looking its prettiest beyond merely being generally non-toxic.

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Plastic milk crates, bound together and bolted to the wall, lined with clean cardboard salvaged from packing boxes, make handy closet shelves that won’t trap dust and can easily be moved and reassembled.

For that reason, deep cleaning is not saved exclusively for the Spring, and a few spates of active reorganization throughout the year are not only helpful but refreshing. When those bouts result not only in unearthing and offloading unused, excessively worn, dated, or redundant things from closets, cupboards and spaces that ought by rights to be airier or at least better used, that is exceedingly pleasant. When the result is more practical organization, it also means that not only are things pleasanter than before in the short term but they will be easier to maintain in that state and even to return to it when the busyness of the everyday has overridden good intentions and available time for a while. I may never have that DIY-goddess glory of everything in pretty and cute and magnificent containers, all labeled alphabetically with gorgeous calligraphy and stored so beautifully that the cabinets should remain forever open and on display, but I have what I want where I want it. At least for the time being. My putative parents of Chaos and Laziness do come calling, and they’re ever so much more trouble to have around the place than my biological ones. Ah, well; I’ve learned to live with them.

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Necktie hangers and clothespin-style clips work for holding all sorts of other things and can tuck behind the clothes so no extra space is required–and all of the ‘trimmings’ are easily visible.

Final Residing Place

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graphite drawingResidential Issues

The beaver builds a dam-fine house,

The mouse, a hole-in-one,

The moose and goose, while on the loose,

Take shelter in the sun;

The pigeon curls up in her nest;

Raccoon believes his den is best.

It seems that every one abroad

Creates his ideal home,

Yet every head at last, when dead,

Will end up in the loam.

Therefore, I say, enjoy your port,

Your burrow, hovel, cubby, fort,

And be advised that what you’ve prized

Won’t be your utter last resort,

But rather you’ll take company

With all the beasts moved on

To their reward under the sward,

And to the dirt begone!graphite drawing

The Wild West in the Computer Age

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Though the wolves and rustlers may indeed have changed their guises many a time over the years, danger still lurks on every frontier.photo montageTombstone, Parts I & II

I

A heavy pall hung over the brush

And the sagebrush rolled with a whispery hush

Beware! Beware!, the townsfolk cried:

The killer’s coming! Take cover! Hide!

Call in your children, rescue your wife;

Tether the horse if you value your life!

Your grave is marked, man–hold your breath–

For your desktop bears

The Blue Screen of Death.

II

Well, it’s lonesome, lonesome, lonesome beneath the broad blue sky

If he weren’t way too manly, a poor cowpoke could cry-yi-yi

The Ethernet‘s gone silent and left me all alone

My email has been down for days; no voicemail on my phone

Yes, it’s lonesome, lonesome, lonesome beneath the empty sky

I know my days are  numbered and I’ll soon curl up and die-ie-ie

As I slump down o’er the keyboard and draw my terminal breath,

I look up one last time to see

The cold Blue Screen of Death–

Yes, I look up one last time to see

The cold

Blue Screen of Death!photo

Foodie Tuesday: Suh-weeeeeet!

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I love fat. I love salt. I love food, period. And as you know pretty well by now, I love sweet tidbits and treats. Dessert may as well not be a real word in my universe. Why limit my sweet tooth to being happy only at the end of a meal, I ask you! Yea verily, I might just possibly have confessed to y’all before that I adore sweet + salty foods and, of course, the marvels of the Five Tastes worshiped by so many is hardly foreign to my palate either.

Like all of my foodly affections, however, the one for sweet eats is nearly as changeable as the weather, so it takes lots of different delicacies to satisfy my cravings for sugary goods.

One day, what I have handy drives what I desire to fix: I’m looking at a basket of about a half-dozen mandarin oranges and four mid-sized lemons and thinking thoughts of citrus sweets, so I zest and juice them all together as soon as I’ve washed them. And I’m wafting on a cloud of gorgeous citrus oils and juices and hankering more for juicy joy with every minute. Thinly peeled slices of zest are too fresh and fruity to kill with over-treating. So rather than fuss with the supposed need to do repeated soaking and simmering, I decide to give the already pith-free shavings a lovely swim in the spa of sweetness, about a cup of pure maple syrup plus a hearty splash of brandy, gently bubbling it until the peels become a bit translucent; when they get strained out of the syrup, they take a roll on a sandy beach of cane sugar to keep them from staying too sticky and at the same time, give them a little hint of sparkle. Sweets enough at the end of it, between the fresh candied peels and the preserved citrus-infused maple syrup resulting, to keep the candy-monster at bay. The final bonus was that, though the syrup was pleasant enough to simply drizzle on some plain yogurt, it fed the Monster even better when it cooled completely and turned into citrus-infused pralines. Ooh, yeah.photosSometimes my hunger for sweets drives me to be overzealous in production. Even my crazy lust for candy can’t always keep up with the quantity of Noms I’ve made on many an occasion, and if we’re not having company or visiting someone I think might share my fondness for the treat of the moment, I hate to see it go to waste. So I’ll often find the way to renew the food with a little tweak or ten. For example, since we went out of town shortly after I’d made them, the recently-baked Texican Brownies left a few fellows behind until they were getting a hint too dry to be delicious as-is anymore. Quick-change artist to the rescue! I crumbled up the remaining brownies as finely as I could, softened the remaining strawberry frosting I’d set aside for them, blended the frosting with about a cup of whole milk yogurt (that I hadn’t eaten up with the syrup), added the tangerine and lemon juice I’d squeezed while making candied peel, and mixed all that creamy, thick stuff with the brownie ‘flour’ until it melded into what was a very yummy, thick, spiced, gooey mousse.photoI do realize I can’t eat all of this stuff all of the time, at least not if I have plans to, you know, live very long. But I know from experience that if I don’t please the candy dragon from time to time I get cranky and whiny. Even more than my usual. And I rather enjoy living a really multifaceted life and don’t plan to get all monk-like and deprivation-happy anytime soon either. So it cheers me up a little bit when I see that others take a pretty forgiving attitude toward sugar, salt and fat too. I might croak a leetle bit younger, but if it’s happier too, it’s probably worth it. ‘Course, I’d rather find out that sugar and fat and salt are all extreme health foods after all. I have my preferences.photo

This Business of being an Artist

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mixed media process montageThere’s been an interesting, if hardly new, thread of conversation taking place in one iteration via LinkedIn, where a Mr. Duane Bronson posed the eternal question thus: “Does an artist have to have a recognizable ‘STYLE’ or a cohesive body of work to be of interest to a gallery and marketable?” My short answer would be a resounding Yes, but I couldn’t resist expanding on what is for me a perpetual problem. I said:

A good, thought-provoking read here! I have experienced much of what is discussed by the various commenters who precede me and think that all have some valid points for our consideration. My own answer to Mr. Bronson’s original question is that I might state it a little differently: ‘to be of interest to a gallery as what it/they would consider marketable‘. Anything is marketable, if you put the right seller and buyer together under the right circumstances, but galleries, no matter how much they might pride themselves on being ‘in it for the love of art’, are businesses, and (logically enough) are not particularly interested in anything they don’t think is a relatively easy sell. [Commenters] Messrs. Bruland and Moore are absolutely right in recognizing that art does sell–at the confluence of the right forces. Figuring out what those are and how to orchestrate their intersection is the big magic trick that few of us can perform.photo of mural [with artist]I was approached by gallery owners when I was finishing my undergraduate art degree; one of them (the more successful in business, not surprisingly) met with me mainly to encourage me to produce a larger body of the same kind of work so that he could later represent me; the other, being a fledgling in the business, was willing to take what little I had already produced at my young age and give it a go. Of course I was inexperienced and had no concrete plans or prospects, so I opted for the latter, with the predictable result that that gallerist, with such limited experience and connections, was too busy simply trying to work out the logistics of her own business to actually represent any of the artists she hoped to promote. Thankfully, I’d only agreed to half the proposed trial period as part of that ‘stable’ of artists and retrieved my entirely unsold (and as far as I could ascertain, also virtually unseen) work and go forward at the end of it. [And only a year or two before it was also the end of that particular gallery, as far as I could ascertain.]photoIt wasn’t until many years later, after working in construction for a few years to save up for grad school (I suspect I’m of the same vintage as Ms. Senn, having had many similar experiences 30 years ago in that field of work) and then going through the grad program and then teaching for a couple of decades, that I could afford the luxury of devoting real time to focused practice and larger productivity of my own artwork. Along the way, however, I had continued to produce smaller quantities of work. As I’m quite sure many of the artists commenting above have experienced, what pleases me most in my own practice is to do what inspires me at the moment, to experiment, and to follow the serendipitous occurrences that happen along the way, resulting in a recognizable character in the works but not a whole lot of terribly similar subjects, media, and techniques. So I, too, have been told by many a gallerist that he or she thinks my work is terrific but, no thank you, they don’t see how they can possibly ‘package’ and market me.digital collageThe upshot of all this is that I can only echo what others have already said or intimated here: keep doing and being what is right for you, but know that you’ll likely continue to labor in obscurity unless you simply find that combination of luck and resources and persistence coming into perfect confluence. I must assume that all of us are here because making art of whatever sort matters enough that we will do it endlessly, whether it profits us in any way other than inwardly or not. Hurray to being successful, financially of course if we can, but if not that, then as wildly successful in satisfying the artistic urge as we can manage to be.I will add to this that I am no more going to stop making art because I don’t come close to making a living at it than any of the millions of others who can’t ‘get by’ doing what they love best would quit their passions. You might, just possibly, have noticed that I’ve been hanging out here in the blogosphere for some time just churning out art of the visual and written kinds and handing them out daily like free candy. But like many others, I also keep the business side of art on my radar, looking around me to see if there are any connections and opportunities I have overlooked or ways to introduce my work to others who may find something in it that speaks to them as well and (miraculously!) be willing to pay me for it. I guess this is simply my love letter to any other unsung heroes reading this, saying that we’re all in this together and yes indeed, also that I have no plans to leave off pursuing my dreams any more than you have. Might see you at the bar later, though. Everybody needs an outlet, whether it’s on LinkedIn or in the studio or somewhere else entirely. Cheers!graphite drawing

Hot Flash Fiction 4: Man’s Better Friend than He Ever Knew

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digital artworkThe interviewer from Wagging Wonders paused. Biscuit cocked her head thoughtfully, now reminiscing about her youth. In the old days, before the invention of the Frisbee®, dogs had to be so much more clever and agile to chase and catch those passing spaceships. Pups these days! They have no idea how easy they have it. Why, if it hadn’t been for Biscuit and Sprocket, all of Montana would’ve been overrun by those little orange beings that dodged their yipping and nipping, landing covertly in Seattle instead, in ’62.

Best Hardware-Software Combo Ever

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digital collageWhat? People. Easy-peasy. People, people. The most productive combination of ideas and imagination with the support structures to bring them to reality that was ever created. And hey, the human machine is able in turn to create further things. Yes, like hardware and software, among many-many-many others. What a strange invention is the human, the first ‘learning computer,’ yet so prone to errors and malfunctions and full of operational bugs that if we’d been a product, our inventor would’ve gone bankrupt in a cosmic instant.

Despite our messiness, though, we remain marvelous and surprisingly elegant machines. The thought of building structures that are not only composed entirely of living cells that, in health, constantly renew themselves and rebuild but are also able to contain and generate and synthesize and communicate intangibles like belief and imagination is quite astounding. That we creatures are able, as well, to imitate our own invention by being creative ourselves is nothing short of bizarre and miraculous.

How lucky we are, how blessed, to be–despite our fragile and somewhat freakish nature–able to be powerful and lovely in our creative ways too. How grand that we can appreciate this loveliness. And how rich and potent, above all, that we can still recognize how small and fleeting all of this goodness is in the greater scheme of invention that embraces us, our fellow living things, our world, our galaxy, our universe–and all the marvels that are yet unknown to us. We are tiny, we are mighty, and we should always be in humble awe.digital collage