But What of the Camel?

Ha! Once again, I seem to have failed to press the Publish button yesterday. I just noticed that this post was still queued up and not yet available on the blog, so I guess it’s a two-fer day today. Appropriately enough, it’s a post on my natural gift for failing to blend in with the herd. Make of that what you will!Digital illustration: Camel CompanionI think I may have mentioned before that there is a ranch only a short distance from where I live that raises bison, a herd whose distinctive companion is a camel. When my spouse and I were out on a little expedition in the area recently, the bison were even nearer the road than usual, and to my delight there were among them many calves of the season. We are generations away from the time when bison covered the American plains in masses that blackened the grasslands from one edge of the horizon to another, so it’s a pleasure to see even modest groups of them thriving and growing as they do in protected places like this one anymore.

But where was the camel?

It’s possible that the two times we passed the pasture that day, the camel was on its dromedary coffee break in some less visible spot toward the back of the fields. Maybe there is more to the bison herd than I know, and the camel was on duty, keeping the other bovine bunch company elsewhere. A little part of me couldn’t help but puzzle and worry over it, though. Camels can grow old and die like the rest of us, I assume. What a pity if this one camel should have died. I would be sad if I knew that to be the case.

It’s surprising, perhaps, that I find myself thinking about a camel and wondering about its welfare. It’s only partly made clearer by recognizing the seeming strangeness of a camel being at home in north Texas in the first place and the further oddity of said camel being companion and guardian to a herd of American buffalo.

Then again, not so surprising. I am, after all, something like a cousin to this unique camel. As a native Northwesterner who has always lived well north of the Mason-Dixon Line until moving to Texas five years ago, I am by definition a foreign body, an alien, in Texas, no matter how at home I find myself among the locals. As the perpetual listener at the back of  choir rehearsals, unable to make my vocal folds cooperate dependably enough to sing along, I am affiliated with the herd in a way that is very meaningful to me and that I take seriously not only as a source of pleasure but as support for my singing, conducting, and accompanying friends, but I am still not a part of the herd myself.

So it matters to me to know that all is well with that mysterious and slightly humorously incongruous camel. And I’ll keep you posted on the bison-loving camel that is me.

Bland Like Me

photo montageThe marvelous Diana of A Holistic Journey has been writing posts asking about the influences of race, culture, national origin, education, and so forth and the ways that they shape who we are and how we perceive ourselves. This series of hers is proving an outstanding eye-opening and thought-provoking exercise for me, too. I have spent most of my life living amid and being part of The Majority—middle-class, white, English speaking, native-born, educated, boringly predictable, etc, etc. There were a few touches of diversity around me here and there, of course, this country of the so-called United States being what it is, but those were relatively small and isolated, so mostly I grew up sheltered and unchallenged in nearly all ways.

Yet as an individual I came to know myself as being different in one way or another from most of what I thought of as the ‘norms’ of my own environs, and even learned over time that what I thought was my Majority milieu was mostly just my very narrow path through it in life. While a lot of my classmates, immediate neighbors and friends when I was a kid, for example, were also little pasty white critters like me, the friends I remember best as seeming most interesting to me were ones like Eha, the Estonian girl, or Karen, one of my few black classmates, or the Japanese friends who shared exotic treats from their lunches and who performed classical Japanese dance in a miniature celebration of the Cherry Blossom Festival at school. I have hardly any memories so suffused with longing as that of watching the girls flutter their fans, while dressed in exquisite kimonos and dancing their stately, courtly dance to the strains of the tune ‘Sakura’, which melody in turn still fills me with delicately melancholy love.

My ideals of human physical beauty, as my husband and I have often noted musingly, are nearly all attached to non-whites or mixed-race people, not something I think of as a conscious or intentional choice but a persistent reality for me ever since I can remember. My superficial list of Most Beautiful People would probably have a paucity of caucasian members among its top fifty. While I have never been either very adventurous or flexible in my choices and tastes and experiences, I suppose I have always been fascinated by what seemed different or even exotic to me. I am a fantasist and a romantic in the cheap, popular versions of those ideas, I guess.

I have even wondered, in a broader sense, if part of my very nature is simply to feel like an outsider for no very specific reason. I was always shy, and learned as an adult that this expressed not only a naturally introverted character on my part but also demonstrated lifelong social anxiety and probably the incipient state of my developing depression that didn’t come to full fruition until later. Those, along with undiagnosed dyslexia, tremors, the dysphonia that came into play in my forties, and who knows what other quirks of my unique persona and biological makeup, could perhaps explain why I never felt I fit in with any particular group or was especially central to its character. But I still can’t say I felt consciously sad or was overtly unhappy or removed or, certainly, ostracized for any of this.

What was odder was that as I reached adulthood and gradually began to find a more comfortable sense of self and direction, I have a feeling I may have chosen to put myself into groups where it was plain that I didn’t quite match the norm, specifically because, if I knew there was no possibility of my being an exemplar in its midst of the highest standard, I might unconsciously feel safe from being expected to be so by anyone else. This might be complete nonsense, but it gives me pause. In any event, I spend a great deal of my ‘quality time’ nowadays in the company of people who are immersed in and even expert at music, pedagogy, administration, and a number of other topics in which I have no training whatsoever and only a very little observational knowledge, and I am very happy in this environment.

Conversely, I tend to keep my company of good visual artists and writers and others with training or knowledge more likely to be similar to mine at the seemingly safer arm’s-length of cyberspace, and that probably doesn’t reflect well on my personal fortitude. I never did, at least, make any claims of being any better than a big ol’ chicken. Being a scaredy-pants is probably not race-specific. Or attached with any particularity to culture, social stratum, nationality, educational accomplishment, religion, language, income level, or anything else in question. Being a scaredy-pants is just part of being myself, and the unique combination of qualities and characteristics that make up the wonderfulness of Me.

On the other hand, being attracted to, frightened by or otherwise connected to or dissociated from people who are Not Like Me is a central consideration of understanding how the human species works. Or doesn’t. And there’s no doubt that all of those things influenced by proximity (physical or metaphorical), the aforementioned race, culture, social strata, and so forth, are very potent indicators and influencers of how we will experience the concept of Self and Other at any level.

So what does that ‘solve’ about me, about how I feel about those who are or seem in any way different from me? I’m still not at all sure. Perhaps the best I can say is that my feeling of being, in a value-neutral way, unlike those around me makes me unwilling to assume much about them, in turn. I would generally rather let personalities and individuality be revealed to me and my understanding of my surroundings at the moment unfold in their own sweet time than that I jump in and make any precipitous assumptions. I’m perfectly capable of finding lots of other ways of being wrong and making a fool of myself without constantly worrying over whether I’m being judged, rightly or wrongly, as a stereotype of either the majority or the minority on hand.

Most of my blogging friends and acquaintances are significantly different from me in nearly all of the aforementioned identifying categories, and yet I feel remarkably at home among you. So I’ll let you decide if sameness or difference affects how you see me. I feel at home, and that’s good enough for my part of the bargain.photo montage

In Search of Tech-Know Progress

 

colored markers on paperWhen I post drawings, they almost always require a digital tweak or ten to be clean and sharp enough for putting up on view. Most of the time, it’s merely the need for getting rid of visible dust and scratches or evening out the tone across the piece to more accurately reflect the appearance of the original, stuff like that. Even a direct high-definition scan doesn’t eliminate all of the little oddities.

No doubt there are endless ways to do what I do to the images much more simply and cleverly and efficiently. But having as little technological skill and wisdom as I have, I must content myself with doing in a hundred steps what others can do in ten. At least until I have the time, the money and the gumption to get the necessary education, anyway.

Still, slow and ambling and rambling as I am, I get the occasional urge to mess around with the existing drawing and manipulate it further digitally. Silly, yes, given that it takes me eons to do the first drawing part and a multitude more ages to do anything further via the digital medium. But you know how these things are: inspiration or perspiration, it’s all a command one has to obey once the Muse prods me in that direction. Here’s last night’s drawing (above), followed by the series of phases I put it through today. That is all. For now.digital image

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