Foodie Tuesday: Thirst Quenching

graphite drawing + textDrinks. I love food and all of its crunchy, salty, sweet, chewy, tender, steaming, spicy, bold, sour, gooey goodness, but let’s face it, all of that goes down better with a good drink or two. At the moment, I need to behave better than I have for the last number of months, so I’ll be living on the memory of all of the tasty liquid loveliness while sipping lots of cold, clear water for the nonce. This isn’t forever, and I know I feel better when I give my poor beleaguered body an occasional break from the excesses of travel and lazy eating and all of those other happy tortures that tempt and taunt in ever-increasing increments until it’s time for one of these breaks. And believe me, I’ve nothing against a crisp fresh glass of water. Or twenty.

photoStill, I do enjoy the wide variety of ways one can slake one’s thirst beyond refueling the necessary percentage of corporeal content with good old aitch-two-oh. That glass of lemonade made glinting green with alfalfa was a quintessentially Berkeley taste that was remarkably enjoyable in its grassy clean refreshment on a warm sunny day. I’m not sure if I felt more like a retro-hippie or a happy cow while sipping it–not much matter there; the only important thing is that it tastes great.

graphite drawing + textMostly, it’s a grand thing when the drinks complement the context. Sipping ‘hay clippings’ in earthy, counterculture country like Berkeley just feels mighty apropos. Wetting one’s whistle with a gingered Irish whiskey based drink in a pub while nibbling at hot fish and chips works like a, well, a lucky charm. Tipping back a glass of icy white rum with lime when sharing conversation with the cosmopolitan bar owner who made them and hearing about his history as an opposition newspaper editor in Noriega’s Panama, as a banker, and as a descendant of an old family determined to help shape the new Panama by subtler means, through ecological work, by working for social change, and by teaching others both by example and in simple, heartfelt conversations over a drink–that’s a combination perfectly designed to make a moment of what could be mere small talk into a cultural, educational and personal exchange to remember.

photoBecause we all thirst for something to drink. It’s essential that we replenish, you know, our bodily fluids. But far more than that, when we sip we are in communion, in a way. There’s the affinity between the drink and the situation, and between the drink and the food, to be sure. But a drink with another person can easily create, regardless of its contents, a real contribution to building affinities between those who share the drinks. Those that already existed, they can grow stronger. Some meetings of people need that nice drink to invent the possibility of affinity. The raised glass is the opportunity for a new meeting of minds, and maybe of hearts.

Then again, sometimes a refreshing drink is . . . just a drink.

‘Twixt Heaven and Hell

graphite & pastel drawingMuch of the repertoire categorized as Early Music by us modern folk was, whether religious or secular in nature, directly connected with the ideas of Heaven and Hell. Not surprisingly, a great many of these songs used love–doomed or newly married, joyful or unrequited, chaste or wildly earthy, or whatever brand was of interest in the moment–as the vehicle for exploring the concepts of Heaven and Hell. We are only able to conceive of and interpret any grand philosophy or construct through the lens of the familiar, and best so, through what excites our attention and preoccupies our waking hours. Love, in all of its myriad aspects, is a logical choice indeed for such explorations.

The programs sung and played thus far this week at Berkeley have been unsurprisingly full of love, lust, longing and loneliness and all of their cousinly affections, then. I had to laugh when a humorous piece contrasting Heaven and Hell included text and visual references in the performance that made Hell seem remarkably likely to be just another name for Texas, but that’s merely a reflection of this same recognition factor that makes songs of love such a universal language, so globally appealing.The whole festival this week is in itself a fine microcosm and affirmation of this communal language, created by not only the sharing of these great and even the not-so-great pieces of music, but also richly by the sharing of our common interest in music and the arts and the newly fledged acquaintances and enriched relationships that come from our all crossing paths in this event, by coming together as it were to sing the same song and revisit our sense of love and its wonders.

Now, let the players and singers strike up another chord!

Here in Music-land

photoWhile our neighbors, housesitters, et al., languish in the rain and heat back home in north Texas, we are enjoying the gentle zephyrs of coastal breezes, California-fresh seafood, and the retro-rrific air of counterculture that still wafts about in the refined west coast air of Berkeley. More than that, we are reveling in the good company of my spouse’s musical compatriots: his Collegium Singers from the university, many longtime instrumentalist and singer and arts administrative friends from all over, and fellow enthusiasts attending the Berkeley Early Music Festival. The Collegium crew sang, appropriately, like angels in their concert this morning, performing the Victoria Requiem they’ve been refining with such jewel-like precision and sweetness that I wouldn’t be surprised if the dead had resurrected just to listen in, had it been a true funeral service. Instead it was exquisitely meditative and left me–and clearly, the rest of the audience–feeling newly alive.

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It’s lovely enough to be back on the Left Coast and greeted with such stellar weather, to have my first glimpses of Berkeley’s laid back, live-and-let-live pleasures as a city, and to be in yet another university town where the average walk down a street takes me past representatives of countless countries and cultures, avidly breaking down the latest puzzle of physics or chattily discoursing on the political influences on the contemporary literature emerging from central Africa. It’s a delight to see (yes, and eat) classic dishes from France, Thailand, India, and almost any other culinary heaven imaginable, all within a quarter mile’s stroll of each other in the heart of town. And it’s unspeakably fine to smell the familiar resinous breath of the redwoods, firs, pines and cedars, to see olive trees and palms and Strelitzia reginae and succulents cheek-by-jowl with purple rhododendrons and lawns full of tiny English daisies. California. It’s been a while.photo

The musical immersion is as marvelous as always at festivals and conferences devoted to the art: the rehearsals, the post-concert critiques and deconstructions among friends and colleagues, and hearing fabulous pieces old and new is so invigorating. Heard in concert this afternoon was a vocal-instrumental ensemble that included in its quintet a dear former student of my husband’s, as marvelous a person and musician as ever, and among the works the group performed that were new to me were a pair of certainly not new (ca. 13th century), stunning anonymous compositions from the Montpellier Codex that simply took my breath away. Everything old is new again. Not least of all my amazement at the beauty and variety of music out there in the depths of the melodic pool whose surface I’ve barely begun to skim.photo

The other charms of Berkeley are many, including some of the most outstanding examples of nineteenth century American architecture anywhere. We took a short side trip on our first day in town to stop in and see the superlative work of Julia Morgan, perhaps best known as the designer of Hearst Castle, that monument to extravagant American ego, but to my mind better represented by the Berkeley City Club, a more refined and slightly more restrained palace of culture originally meant to house and host the many women’s clubs of the city. Every inch of the place speaks of thoughtful attention to detail and the cultivation of gentility. Signs of Berkeley’s longtime perch on the front edge of tech development and IT culture are everywhere, too, from storefront displays of vintage technological hardware that seem remarkably antiquated and quaint for being relatively recent iterations of what we now consider so commonplace. The constancy of the city’s citizens in bucking any idea that feels imposed or compulsory is still seen in the posters plastering every flat surface to promote individual choice, dedication to intellectual pursuits and challenges to anything that smacks of dull pedantry or legalism.photo

There was much more marvelous music this evening and will be tomorrow. Today alone, there were concerts at 11 am, 2:30, 4 and 8 pm–with a Heinrich Schütz reading session led by my husband sandwiched in between. Oh, and lunch with another wonderful former student. I can certainly guarantee there will be plenty more enthusiastic eating, drinking, visiting, strolling and happy wool-gathering in the sun as we idle (or dash) along on the way to the next event. For now, a brief pictorial and a wish that everyone who loves music may have an opportunity to attend some such grand events in their own places and times.photo