Her Moment of Respite

graphite/digital illustration

Reading

A heavy braid of brown-black hair

Coiling over her shoulder frames

The mourning dove-brown collarbones

That rise and fall in subtle flight

As she breathes, sitting back there in such quiet repose

As if to lend some grace to that so humble vase of white

Field lilies at her side, and when she turns

The antique pages of that favored book,

She spares a moment’s look to watch the lilies catch

The kitchen windows’ waning light

Just as the late-day sun tips in

Behind those distant trees to

Chase the night

Still Hungry after All these Posts

digital illustration + text

Where Carryings-on could Lead to Carrion

digital illustrationSaturday Night Study Group

Lo, the lazy morning passes,

Finds the weary lads and lasses

Still abed, or on their asses,

Half awake and half a-snore,

‘Mid detritus of the pizza,

Hot wings, chips and other treats a

Sober student seldom eats, a-

Strewn in heaps upon the floor–

Partied late; what was it for?

Shattering the blissful quiet

Suddenly, a loud impiety

Is screamed and starts a riot

Right among the corpse-like corps:

All a-scramble, grabbing trousers,

Shirts and shoes, these late carousers

Start remembering the wowsers

Of the night they’d passed before,

Though recall was rather poor–

Finally, wakening more fully,

One of them, if somewhat dully,

Crawled across, his brain still woolly,

To fling wide the knocked-on door

And reveal the dawning horror

Come to waken every snorer,

Standing, looking faintly, more or

Less, like someone seen before–

Somehow shook him to the core–

Ay! It’s Mother stands there staring,

Arms akimbo, nostrils flaring,

Challenging his story, daring

Him amain: Explain this war!

What’s this wreckage, who these bodies

Strewn among the butts and toddies,

Some dressed only in their naughties,

Covered all in festive gore?

He stood gawping, nothing more.

In the cursèd silence stretching,

From a distance came a retching

Sound and instantly, all fetching

Up as though a manticore

Chased them out of their reclining,

They responded to this shining

Call and left the poor repining

Lad, with Mother, at the door,

Beast and trembling matador.

Dust now settling, son and mother

Gazed intently on each other,

Understood this bit of bother

Must be rectified, the score

Evened out: this was the chore.

Mother, calm now and quite cool,

Explains to him that, while in school,

Her son shall still observe the rule

Of sober thought. The lad’s encore:

Will I party? Nevermore!

(And means well, just as before.)digital illustration

Malignant or Maligned?

Are pigeons the oppressors or the oppressed? Having been a-traveling a bit recently, I was reminded of the omnipresence of pigeons, those birds noted as the comforting signatories of nature’s profound adaptability and variability, and less kindly but perhaps a bit more succinctly, as flying rats. Yes, I have seen a pigeon perch with apparent deliberation on the roof edge over a family’s picnic table, point its posterior in their general direction, and release a firehose-worthy arc of nastiness that sent the poor humans scattering for shelter. While I’ll readily agree that pigeons are known disease-carriers, that they tend to crowd out less aggressive and smaller birds from their habitats, and that they are notorious painters of streaky badness upon all and sundry within their aim, I still harbor a fondness for them in small doses–and preferably from a safely higher position.photo

Part of the sympathy stems from knowing that their widespread propagation was partly human-driven, as growing and/or roaming anthropoid populations gradually displaced native ones over time (also human, among many other creatures), and as people also on occasion deliberately imported various kinds of pigeons to new locales for other reasons. Certainly part of the feeling stems, as well, from knowing that we people-types are largely responsible for the decline and sometimes extinction of whole species–the rule rather than the exception, when it comes to pigeon families. The Passenger Pigeon is only the most obvious example of what has happened and is happening still among pigeon-kind, and no coy and cuddly images of how we embrace the Dove of Peace can counter that fact.photo

But let’s face it, this is neither a scientific treatise nor a polemic indicting all mortals for such depredations. We are a merciless lot, generally, and I am not in the least exempt from all ignorance or guilt. No, honestly, what struck me as I was pigeon-watching along my way on this latest outing was a much shallower, yet still pleasing and even, intermittently, refined aesthetic appreciation of the breed. I simply like watching their fluttery interplay. Their tumbling and stumbling acrobatics in a pool of water. I like watching how they quickly establish a pecking order whenever a group assembles, how they strut around preening and showing off for each other with a certain amount of pomposity and frivolousness, and turn instantly to blurry streaks catapulted into the air if they sense any danger, which includes the slightest movement of air around them or a change in the light. In short, I like anthropomorphizing them and being amused at how like them we are, squabbling and flirting and showing off and taking wicked potshots at each other and everything around us. I like watching them fly in such smooth synchrony when they circle their way through an updraft, and burst into chaotic motion when anything disrupts the flow. And of course, magpie that I am, I like looking at the myriad colors and patterns and iridescent gleaming streaks that paint the birds into something less commonplace than such a common creature ought to be.graphite drawing

Pretty Bird!

It was a simple little painting, nice if nothing especially original or fantastically crafted or anything startling like that, but I liked what I saw. It was of a slightly stylized, funny little semi-abstract bird, one of those paintings that always run the risk of being too cute and cuddly and charming for its own good, with a few little bitty splashes of the leftover paint sprinkled about the canvas almost as an afterthought, maybe meant to evoke flowers or stars. Not much to move me or even catch my attention . . . except . . .

mixed media on campus

No, this is not the painting. Not even part of it. I couldn't photograph someone else's artwork (this is mine, as always) and stick it in my blog even if I wanted to do so, because that would be (a) copyright infringement and (b) as ill-mannered as flying over someone and . . . well, you'll see . . .

I liked what I saw because that last little splash, those sprinkly spots–why, they landed smack in the empty space right beneath the birdie’s tail. All of a sudden a foofy little bird that seemed to have been meant to act all pert and prim . . . had pooped. In an eyeblink it went straight from being a prissy little pretty-bird vacant of all meaning to become a faintly twerpish chirper, a vaguely immature and irresponsible and a much, oh ever so much, more real and kindred-spirit creature. “I strafe upon you all!” it cheeped, but all the while with the same blandly friendly expression, almost as if it were a passive-aggressive scalawag of a bird just barely behind that pastel-feathered façade.

So much more understandable and filled with story-time potential, this impertinent little fellow. It’s not that I want to be that bronze-cast personage of the park whereon the pigeons land to ‘take their ease’–life offers plenty of opportunities for humans to feel they’re treated like inanimate objects or public restrooms as it is–it’s just that part of me is pleased that a little cutesy-bird was allowed to go his own way just for the element of surprise, that some painter I might’ve dismissed as boringly sugared-up with too-sweet birds decided, literally, to ‘let this one go’.

Even better to my mind, I’m afraid, is if that same artist never even noticed the obvious implication of that splotch’s placement and so sent out, for show and sale, a scamp of a bird that flicked its tail with devious disdain and dropped its pretty pastel bombs upon the painter’s cozy dainty reputation right along with all the passing world. I couldn’t help myself: I liked what I saw.mixed media on canvasNo, obviously this is not the painting in question either. In the interest of full disclosure, however, I will tell you that my original mixed media painting shown digitally here was titled ‘Ruach‘, a nice juicy Hebrew name meant to evoke the eponymous Holy Spirit. Which, being represented in the narratives generally by a much nicer (if not necessarily politer) sort of bird, would presumably drop kindlier sorts of things upon one in passing. I would hope. And hey, that just makes the earthly, earthy mischievousness of the bird in the other painting that much more amusingly charming by contrast. If you share my childish kind of humor, anyway.