Thoughtless Thursday

Since a number of Web Wanderers post wonderful Wordless Wednesday items, and I’m always behind the times in oh-so-many ways, I’m posting my own version a day late (and undoubtedly a dollar short), giving you here a highly abbreviated visual history of my life as an artist. Since I’m only middle-aged, I let it end at the Middle Ages for now, though you’ll notice from some of the costumes in the last frame that I’m looking for a Renaissance to appear fairly soon. Can’t hurt to hope, can it?

P&I

I was no prodigy, and I certainly took an early interest in shortcuts and easy techniques when it came to making images, but I did always have an eye for a good juicy and dramatic storyline . . . P&IAs I grew more seriously interested in art, I was also reaching an age where one wants to Fit In, so I did my part of stylizing my imagery and making it seem, I thought, more palatable to the critics (teachers, relatives) . . .P&IThen, of course, there was that awkward age when I started to think for myself, to develop my own philosophy of what my art should or could be, and what I wanted it to be. Presumably, the reason I lost my reason entirely. You just can’t make your own art without giving up at least a little of your already tenuous hold on reality . . .P&I. . . and here you find me, wandering from village to village in the vast land of Internet, telling my tales and making my pictures without much regard for the safety and comfort of those around me, but perhaps in that most of all being at last quite true to myself, the mildly crazed artist in your midst . . .

Cave Painting for Dummies

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Who was it that first looked at a rock and thought, "Now *that'd* make a great TOOL"?

I’m fascinated by pioneers, inventors and explorers. Such minds are truly alien to me; how is it possible for a person to look at the same world that every other person has been looking at for ages and see something entirely different, something new? It’s nothing short of astounding that, when presented with what might be the deeply familiar, one person’s distinctive set of synapses suddenly makes a new constellation from the assorted bits of seen-before information to create a completely new idea–and out of this there is a new object or a new skill or a newly discovered country, in that one event changing the known world into a whole different thing.

I’m quite excited but not intimidated by doing that sort of inventive stuff artistically–in imaginary terms–but it’s quite another thing to consider pulling that sort of stunt to get a practical outcome. Those people able to envision a useful and purposeful way to take advantage of existing stuff have provided innumerable advances for human culture. I’m especially amazed by the intrepid andcourageous (or foolhardy) folk that break trail, build roads, cross unknown oceans and so much more, to open up new concepts and ideas to shift our entire understanding of our universe.

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Who stacked the stones that made the very first wall? The first road between walled places? The first trek that plotted the course of the road?

What gives me courage is that not only are there stronger and braver souls than li’l ol’ me to do all of the serious exploring and adventuring and discovery, but that somewhere along the line someone had the inspiration to make melodious sounds and so, sang. Made a drum from a log. Painted with blood or powder or crushed plants on a cliff side or a cave wall. It’s a wonder and a grandly glorious gift that these superlative scientists-of-delight chose–or were compelled–to create dance and drama and song and pictorial beauty, and the more so because they decided, somewhere along the line, to pass along their newly discovered links to yet more undiscovered worlds. They taught the next generation to do the same. On the strength of this wonder, we are the long-time beneficiaries of these marvels, and as it happens, the torch-bearers by whom this will be carried into the future.

So I’m not the heroine who’ll be discovering an unknown species of beneficial insect, finding the previously unseen river, designing the DNA modification that cures Alzheimer’s, or changing the course of history in any way, shape or form. But I will be using shape and form, along with color and texture, character and text, to see what I can bring to this world as we know it, to see how a measly twerp with less sophistication than your average cave-dweller might be able to be an inventor and discoverer of my own sort of thing.

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. . . and I'll keep my eyes open for inspirations wherever they may be . . .