Blueprints for the Romance of Place

digital artwork + textBuilding Strong Bones

In the lovely resonant

shadowed hollow of

an architectural ruin,

the beauties of

its skeleton become

more than engineering,

more than a means

of shelter or a clever

way to shut people

in or out–

What happens is

life becomes caught

in the interstices of

a building’s bones–

vitality drawn off

from all the smaller lives

that have come through;

in the humming open space

of a lovely

building in ruin,

mortality is kept

as though in a jewel-case

or a body quite perfectly made

for being loveddigital painting

North

 

The depth of the lake cannot be guessed

 

Its shimmering silicate glacial glow

 

With turquoise mask screens what’s below

 

In filtered glimmer, thought at best

 

To be just deep enough to hold

 

Beneath the frigid upper glass

 

Down in its centermost crevasse

 

Something mysterious, so old

 

It’s passed from memory and ken

 

And only surfaces when stars

 

Come showering down as red as Mars

 

To call it upward once again

 

Communing with its antique kin

 

For roaring moments in the night

 

Before the day dawns turquoise bright

 

And glassy water closes in

 

Once more its inexpressive glow

 

A wall of silence ageless, stern

 

And secretive, where none can learn

 

What lives those fathoms down below

 

Clarity (Klart Blikk)

photoLet me make one thing crystal clear: all of my world is seen through my filters, colored by my way of thinking, its perspective all my point of view. And that’s not either strange or bad. It’s how we all operate. It’s just important that I always remember that simple reality.digital image from a photo

I finally had time to sit down today and go through a backlog of seemingly gargantuan proportions in my email inbox. Among the items that were most enjoyable to unearth, there was a note from my sister carrying a link to another blogger’s post about her son’s (our nephew’s) band Honningbarna’s first gig in Dublin, with the requisite embedded YouTube clips of their performance there–which, in turn, linked to other Honningbarna clips, including a couple of very informal interviews between a young journalist in Germany, if I recall, and nephew Christoffer and his bandmate Edvard Valberg, the band’s cellist and frontman. Besides that I get a kick out of seeing our relative as a successful rocker and hearing the band’s wildly kinetic and screamingly energetic punk/metal performances, I am reminded every time I see and hear them that Honningbarna represents a particular brand of cynical idealism that only the irrepressible and wiseacre young can so ably embody.digital image from a photo

Like many a punk band before them, they sing/shout about the wrongs and stupidity and injustice in the world, calling attention to it all and making us want to clarify, if just a little, our own view or stance on such things. One of their biggest hits, to date, is in fact a number called ‘Klart Blikk‘–it translates, approximately, to ‘Clear View’–a call to stop being passive about the world’s imperfections, to get up and ask bold questions, to act. The link on the song title right here is, wonderfully, a Norwegian 5th-graders’ video workshop animation of the song, a perfect (and artfully executed) answer to this very call to intelligent response. And I think it a wonderful, if laughable, serendipity that my computer’s auto-correct recommendation today for ‘properly’ spelling Honningbarna is ‘Housecleaning‘.

Update: blogger/reviewer Andy Barnes has just posted an additional critique of Honningbarna and the band’s debut album, the source of ‘Klart Blikk’.photo

There’s obviously no single thing that can always serve to make any situation clear, let alone ‘cure’ it. Collecting all the facts and information and evidence and being fully honest with them can help, but sometimes perfectly diligent research and full disclosure do not constitute reformation or restitution. We’re all human. And only human. We stay muddled.photo

And some things really are a matter of opinion. The glass is half full; the glass is half empty. I like things the way they are, or I don’t.digital image from a photoNow, occasionally, providing a sharp contrast to the point under debate is just the nudge needed to push our minds toward a firmer understanding or acceptance of the longed-for truth. Sometimes, the discovery of new evidence can shed brighter light and move us to choose and accept a more accurate reality. It’s even possible, from time to time, to elucidate and pinpoint the ‘right’ merely by simplifying–by paring away all that isn’t, bit by bit, with thoughtful and insightful explication.photo

None of that, still, stops us from being opinionated, stubborn, sometimes truly stupid, and occasionally outright determinedly wrong. It’s where we derive a lot of our mortal variety, our strange human brand of exoticism, our color, if you will. It’s okay to be ridiculous and bull-headed, even when the Truth is staring us right in the face and can’t be ignored, because it’s really part of who and what we are.photo

No matter what a charming song it makes, everything does not necessarily look ‘worse in black and white‘–and light and clarity are certainly discernible, even brilliant, when we stop being so saturated with peripheral influences like our feelings and hopes and desires. But there’s so much sheer wonder in our colorful world, I say, Why not revel in it, even if it sometimes distracts us from the seriousness at hand. After all, that will always be with us and will push its way forward again eventually, even if it takes a bunch of young Punks yelling at us to get us to pay attention.digital image from a photo

The Sun Always Returns to the Sky

digitally doctored acrylic painting on canvasThis week that is far from a fatuous statement, even from a happy-go-lucky bit of fluff like me. I am always well aware that my life is, was and (I hope) ever shall be a dance party, a dessert buffet and a self-indulgent lounge-by-the-pool compared to most others’ lives. I am grateful to be such a spoiled, blessed or insulated–depending upon your definition; I would admit to all of them in vast quantities–person and like to think that I would never take such wealth for granted.

There are always sharp reminders for me in the family, friends and friends-of-friends who are doing valiant daily battle just to be alive, and if able, to maintain a modicum of quality and dignity in that life, when they are the unwilling hosts of those unwelcome shadow companions of chronic illness–physical, mental, and/or spiritual. I do wish that there were some magic wand I could wave that would miraculously lift away all of those torments and remove the dense dark clouds of them forever, from all people. That is simply a dream, and I know it. But this week I have particular reminders quite close by, and in many ways, of how fortunate I am, and yet also how resilient and remarkable the people and the world around me are as well.

I mentioned yesterday’s storms: the tornadoes that shredded roofs, trees, tractor-trailer trucks and neighborhoods as though they were so much tissue paper. The hail that shattered shelters and windows and destroyed crops. The rain that immersed the already open wounds of the storm-beaten regions in additional water damage. And of course the early high temperatures in the area that will contribute to faster decay and more difficult cleanup and repair work to follow. And not one little iota of the damaging aspects of that touched our home or us personally. Even my tiniest dainty garden sprouts are still thrusting their green leaves upward today. In brilliant sun.

As oversized as All Things Texan can be, the moods of the weather at its wildest are for the most part quickly forgotten by the broad Texas sky, which today is intensely blue and dotted with the mildest of cotton-wool clouds and polished with blazing warm sunlight. The trees, following a light pruning by the winds that mainly took off deadwood and weak twigs in our neighborhood, are lifting their green crowns in thirst-quenched pleasure once more. Barring nuclear winter, it seems that the sun in north Texas always tends to return rather quickly after the darkest and angriest of nights.digital painting of acrylic painting on paper

The thunderclap that affected me more directly this week was not from the stormy skies of a tornado system but via a telephone call from ‘home’: Mom’s recovery from her pair of spinal fusion surgeries hit a serious setback. Her pelvis cracked in a stress fracture. What does it mean? Many more weeks of immobility and pain for someone who has already endured years of it. Another surgery–tomorrow–for the installation of yet more hardware to stabilize her fragile frame. Total bed-rest for what must seem an eon to someone who has been a virtual shut-in for a long time, the woman famous for a lifetime of being out and about taking care of all the rest of the world before her stenosis, scoliosis, Parkinson’s, and joint inflammation all combined to beat her into submission. But whose telephone calls have never ceased to be mainly aimed at reassuring those around her that she maintains her love and concern for themus–and is bracing for whatever the next phase of her fight brings. I hang up from the call and rather than going to pieces in sadness, frustration and anger over the cruelties that her health has dealt her incessantly in these last years, I am weirdly comforted that her doctors are keeping a close eye on her and have a plan for dealing with the current circumstances; that she and my father are, however nervously it may be, committed to seeing through yet another surgery and recovery process; that my sisters and relatives living nearby are keeping a close eye on them and my aunt yet again stepping in willingly to assist with Mom’s care. And that across the world we have a collective host of family and friends who are all cheering them on, willing her well, hoping and supporting in the one way that we can when we are not physically on hand or trained surgeons either one.

In the midst of all of this, the choir-conducting member of my household has the particular and specially challenging time of year that so many western musicians find mighty intense: Holy Week. Never mind that my spouse is in rehearsals for several major upcoming concerts with his and other groups at the university: yesterday afternoon he had rehearsal at 2 pm for next week’s concert with his Collegium Singers (early music choir) that will join them with the university’s Baroque Orchestra, so at the end of that rehearsal he went straight to conduct the orchestra’s rehearsal; when that one finished at 6 pm, he dashed straight over to conduct a rehearsal of the Grand Chorus, which is a combination of his Chamber Choir and Dr. Jerry McCoy’s A Cappella Choir for a major concert on the 25th of this month. Amazingly, he still made it (just) in time to meet me at 8 pm to attend A Cappella’s own concert with Dr. McCoy.

And, oh yes, I was talking about Holy Week. Because of course as my husband is still the interim choirmaster at the Anglican church, he had last weekend’s Palm Sunday services (and Evensong) to conduct, tonight’s Tenebrae service (a ‘service of darkness’ that may have special meaning for many after yesterday’s intense weather slamming the region), tomorrow’s Maundy Thursday evening service, these all interwoven with the usual things musical and administrative continuing at the university; midday and evening services on Good Friday, Easter Vigil to fill with music on Saturday evening, and Sunday morning Easter services. And all the while, day becomes night, night passes, and the sun takes over the Texas sky once more. That’s how it goes.

I merely follow in the wake of all these events and life dramas, taking up the slack in the sails of our little boat as I’m able, and keeping us provisioned with food, clean clothes (keep plenty of black shirts laundered for concerts and services!), and my numerous and sundry checklists of what to do, where to go when, and things we mustn’t forget to bring along. It makes me tired to think of doing what everyone else around me is doing; I’m just glad if I can keep fairly close as I follow them. But I suppose I’m just a little bit like the elephant-following sweeper who is reluctant to ‘leave show-business’, as I wouldn’t trade this Job, however modest it may appear, for anything else on earth. Because the sun, when it shines on me, is so incredibly life-affirming and bright and joyful that I can’t say no to its urgings to come out of the dark and Do things, however small they may be.digital + mixed media