We All Wear Our Masks

digital illustration (B&W)It’s so much easier to hide behind convention and other convenient facades than to let our true selves be seen and known. Don’t we almost always prefer that sense of safe anonymity or at least ‘appropriateness’—however tenuous or specious it may be—to taking the chance that in our own skins we might not measure up to the occasion or to the  expectations of others?

It is, of course, a foolish conceit. One can rarely cozen anyone else, let alone oneself, by such a means. No matter how hard I may try to appear in the guise of what I think will qualify me for the In Group or make me richer-thinner-prettier or smarter than I really am, if it’s all show, the mask will like any faulty exterior prove too thin to cover my realities. It has always been so, and yet I am far from alone in continuing these futile attempts. I do believe that constant practice can transform us into a nearer semblance to the disguise, but that can work for ill as well as good.

Probably wiser is to recognize that the urge is age-old; that insecurity and an assumption that others will find me inadequate in my natural state are neither new problems nor absolutely decisive. The masks of the past remain, both in those symbolic and ceremonial concrete forms and in the records of our history books and art, to amuse, bemuse or warn us, if we will pay attention. And a close enough, thoughtful enough reading will remind any of us that no mask covers the truth forever—and yet, all the same, that we as a species continue (however astoundingly) to survive. Perhaps unmasking isn’t entirely as dangerous as any of us have feared.

I spent enough years acting the part of a brave, socially mature person, one who was more comfortable hosting a gathering, letting others see my art and writing, lecturing, teaching and doing so many other things that in truth absolutely terrified me to tearful agony behind the scenes that it turns out I am capable of doing all of those things after all. I still fuss and worry, yes, but nothing like the self-flaying horrors that I used to suffer just to get through what were apparently no-big-deal occurrences for most other people, and now I can experience them with fair equanimity. Funny how, when you’ve spent your whole remembered life in the grip of a belief that every second was one degree away from total disaster and death, any tiny bit less becomes magically huge.

And each of those instances becomes a step toward understanding that I have perhaps begun to grow into my mask of wishful improvement and become more like it underneath. Or better yet, that it never did matter as much as I feared, this different reality behind the convention. Best of all, I find that the more I let people see me as I really am, the more kindly they seem to look on me, and in turn, I begin to think the real me is perhaps pretty likable, respectable. Even lovable. Who knew.

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Unique doesn’t inherently mean Alone.

Rising above It All

digital collagePhoenix in Plainclothes

I’m not afraid, though storm clouds menace me,

obscuring all the known, the safe and sweet,

though lightning slashes through the dark and sleet

to make its fury all that I can see–

For under it, still in the garden’s bed,

lie roses, graceful guardians of peace,

to shelter me until the storm should cease,

and blue convolvulus, whose trumpets said–

The rain announces plenty, growth and life,

and nothing terrible amid its fires

can conquer me, so strong are my desires

and will, that they defeat such earthly strife–

And I will spread my wings and rise, remade,

for though storms menace me, I’m not afraid.digital collage

So I’m not that Impressive–but I’m not above Pretending, either

Our Own Heroics

Our history is riddled with the tangled lines of man and myth,

Lines blurred by our conception of ourselves and powers that are with

All spirits, in our being; juxtaposed with this our creeping sense

That maybe, possibly, there might be Something greater, more immense–line drawingThe whole idea, if we be honest, sets a chill on every skin

That makes each want to change the balance, name himself the paladin,

The master, royalty, creator of all good in this our sphere,

So we can worship our fine selves in glorious beauty without fear–

digital artworkEvery culture, every era, each community has shown

That we wish inside, mere humans, that what’s fancied and what’s known

Were no grander than our smallness, so we’ve always tried to make

Ourselves the gods, the overmasters, even if it’s clearly fake–

digital artworkPretty masks and big stone statues, crown and crypt, elixir, spell;

We’ll try anything we think can make us kings of heaven, hell,

Or earthly realm–but here’s the problem: it looks great, but just a touch

Too great–it turns out we’re grand, but not for long, and not so much.