Against the Grain

It’s not only thanks to dyslexia that I get lots of things backwards. Say, this morning, when I realized that I was about to publish yesterday’s post because I forgot about it yesterday. That was just plain forgetfulness. So here you go.

Backwardness, now that’s a much more deeply embedded part of my nature than just reading and seeing physical things differently than others do. I see life differently, too, and sometimes it sets me off on paths that diverge and digress from all previously known ones. And that’s not inherently bad.

I don’t necessarily advocate bucking the popular trend just for the sake of being different. I certainly don’t advise doing the opposite of what everyone else does all of the time merely to prove you’re above them all. That can put you right in the path of danger; sometimes rules and boundaries and well-trod routes and even conformity derive from practical need and hard-won experience putting people out of harm’s way.

But there are times, too, when it does pay to be willing to hang the painting upside down, go home by a different road, or get up and dance when nobody else dares to get out of their chairs. Once in a while, the gift of getting out of sync with all the rest of creation is that you will learn something none of the rest know, feel something you’ve never felt before or even discover something previously hidden from the universal view. Even if it only lasts for a short while, the inner evolution that results might well be worth holding in your heart, your inside-out, upside-down and backward heart, for a very long time indeed.graphite drawing

Black & White in a World of Color

digital painting from a photoI was just strolling along and running errands, minding my own business, when I spotted this little twosome toddling along a nearby lawn. The way that they bobbed in unison, then in counter-rhythms, then in unison again, side by side, made me think of piano keys. They were like visual music, these birds, unselfconsciously creating a silent but cheering melody as they made their way across the grass. And they were in sharp contrast, being mainly black and white, to the Technicolor world all around them which suddenly seemed a little dull and plebeian by comparison.

And I thought, that’s how art works for me. It’s not that it’s always spectacular in its showy presence, brilliantly executed or wildly original–just that it strikes me at the right time and in the right way to make me see both the art and its context a little bit differently. It’s one of the reasons that I so love black and white visual artworks, in fact: that the simple removal of the known and expected colors of the subject can make me see the mundane as magical and contemplate the distinct wonders of things that ordinarily I might pass by without noticing. I suppose it would be good if I could learn to do this with a whole lot more of my world a whole lot more often, and perhaps I would refresh my sense of wonder enough to truly appreciate how fantastic ‘ordinary’ life really is.photo montage