What, were You Born in a Barn?!

ink drawingWhy, yes I was, thank you. Well, not literally, but hey, we’re all animals, so if I revert to form occasionally, I can hardly be faulted for it. If I step in something nasty from time to time, chances are pretty good that something is of my own manufacture, I’ll grant you, but there is some comfort in knowing we all do the same, that others are as fallible and foible-filled as I am. Mostly if it appears that anyone gives the appearance of perfection, it’s got more to do with one of two things: either they’re more skilled than average at a quick cover-up, recovery or diversion, or they simply don’t do that much–act, change, live–so they’re just playing the odds for an easier win.graphite drawing

I’ve come to terms, I think, with being my own brand of nature-girl when it comes to just being an ordinary, contented chick-sheep-or-bovine and letting the, ahem, chips fall as they may. Being the human beast means I must tend to mucking out my own stall, and I’m at least responsible enough to attempt that, I hope, but it also means that I don’t have to worry too much about trying to be someone or something excessively sophisticated let alone idealized. Every creature does what comes naturally, and we don’t tend to blame the non-human ones for that, other than the occasional bird targeting our shiny cars with their natural output and such. And I promise never to strafe your precious automobile, if that makes you feel any better.digitally enhanced graphite drawingSo please pardon my tendency towards inadvertently impolite outbursts, my untimely bodily noises, my awkward kinesis and all of that other too-human beastliness, and I’ll overlook yours as best I can, too. Because we are all in this barnyard together, my friends! PS: my computer just reminded me that the word “kinesis” contains the word “kine,” so the very least you can do is not be too critical if in when motion I resemble a cow. Thank you, and farewell for now. If you should need me, I’ll be over here lounging with my hooves in the trough.pastel on black paper

Creature Feature

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Little ray of sunshine, how sweet your flitting ways!

Orange Butterfly

Isn’t it charming, cute and quaint

That a butterfly made up in bright orange paint

Can masquerade thus as a garden saint

And be seen as a ray of the dancing sun

And a light, fleeting dash of enticing fun,

When its finely-veined system in truth is run

On a fuel of venom cold with spite—

It would far rather sink a great poisonous bite

In your pulsing carotid some murderous night—

How pretty, how dainty, how full of cheer

The butterfly’s presence makes it here,

At least behind all that orange veneer

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The Lady was a Tiger!

Delicious Deviation

A scurrilous, scandalous sinner

Invited him one night for dinner;

He learned that her wish

Was, he’d be the main dish,

Though before he knew that,

He was in her.

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They were drawn to his charisma like, well, moths to a flame . . .

The Ballad of Professor Montague

Professor Montague, a moth (specifically, Cecropia),

was glamorously smooth and frothy, ruling that Utopia,

his professorship at Flares, where tender butterflies and moths,

with innocent and awestruck stares, had visions wild as Visigoths,

fixed on him, rapt, their compound eyes, absorbing, drinking deeply

(through curled probosces and their brains) this wisdom daily, weekly–

they soaked it up–he’d flit about, and with his brilliance all were thrilled,

until one day he was attracted to the classroom lamp . . . and killed.

Pretty Bird!

It was a simple little painting, nice if nothing especially original or fantastically crafted or anything startling like that, but I liked what I saw. It was of a slightly stylized, funny little semi-abstract bird, one of those paintings that always run the risk of being too cute and cuddly and charming for its own good, with a few little bitty splashes of the leftover paint sprinkled about the canvas almost as an afterthought, maybe meant to evoke flowers or stars. Not much to move me or even catch my attention . . . except . . .

mixed media on campus

No, this is not the painting. Not even part of it. I couldn't photograph someone else's artwork (this is mine, as always) and stick it in my blog even if I wanted to do so, because that would be (a) copyright infringement and (b) as ill-mannered as flying over someone and . . . well, you'll see . . .

I liked what I saw because that last little splash, those sprinkly spots–why, they landed smack in the empty space right beneath the birdie’s tail. All of a sudden a foofy little bird that seemed to have been meant to act all pert and prim . . . had pooped. In an eyeblink it went straight from being a prissy little pretty-bird vacant of all meaning to become a faintly twerpish chirper, a vaguely immature and irresponsible and a much, oh ever so much, more real and kindred-spirit creature. “I strafe upon you all!” it cheeped, but all the while with the same blandly friendly expression, almost as if it were a passive-aggressive scalawag of a bird just barely behind that pastel-feathered façade.

So much more understandable and filled with story-time potential, this impertinent little fellow. It’s not that I want to be that bronze-cast personage of the park whereon the pigeons land to ‘take their ease’–life offers plenty of opportunities for humans to feel they’re treated like inanimate objects or public restrooms as it is–it’s just that part of me is pleased that a little cutesy-bird was allowed to go his own way just for the element of surprise, that some painter I might’ve dismissed as boringly sugared-up with too-sweet birds decided, literally, to ‘let this one go’.

Even better to my mind, I’m afraid, is if that same artist never even noticed the obvious implication of that splotch’s placement and so sent out, for show and sale, a scamp of a bird that flicked its tail with devious disdain and dropped its pretty pastel bombs upon the painter’s cozy dainty reputation right along with all the passing world. I couldn’t help myself: I liked what I saw.mixed media on canvasNo, obviously this is not the painting in question either. In the interest of full disclosure, however, I will tell you that my original mixed media painting shown digitally here was titled ‘Ruach‘, a nice juicy Hebrew name meant to evoke the eponymous Holy Spirit. Which, being represented in the narratives generally by a much nicer (if not necessarily politer) sort of bird, would presumably drop kindlier sorts of things upon one in passing. I would hope. And hey, that just makes the earthly, earthy mischievousness of the bird in the other painting that much more amusingly charming by contrast. If you share my childish kind of humor, anyway.

Our Hard-Earned Inurnments

photo + textInurnment

Don’t let the dignified patina

Lent by old age fool you—

Dead is dead, decay, decay:

One day it too will rule you;

Just because it may look pretty

On an object in decline

Doesn’t mean I’ll like the gritty

Feel of dust when it is mine!

photo + textSurprise, I’m Dead

I never thought to see so soon

My death, when I am scarce past noon,

Yet though it seems a little odd,

I find me snoozing in the sod.

photo + textGone But Not Forgotten

Lily Rivington has gone

And found eternal respite;

We don’t begrudge it, for we too

Gain peace and lose a despot.

Do not speak ill of those who’ve died,

We’re told, whate’er is said,

So let us kindly leave it that

We thank her that she’s dead.

Yes, Rest in Peace, Miss Rivington,

Enjoy eternal slumber;

At last you did do one good deed:

You left our earthly number.

photo + textWish You were Here

I am having so much fun

It doesn’t seem quite fair

That I’m relaxing underground

And you are stuck

Up there.

In the Red-Dyed Greenery

photocollageGreen Thumb Caught Red-Handed

In the great garden of Madame Roussel

There grew, to her horror, a lingering smell

Somewhat out of keeping with feelings genteel,

Good graces and manners, and painfully real;

There came to her notice the knowledge that she

Was the harborer of a bold monstrosity

Fertilizing her flowers by means quite disgusting,

A potent decoction so grossly encrusting

Her sweet Potentilla and Rosa rugosa,

So gamey its stench went from here to Formosa;

Such a shame that the corpses kept coming unburied,

But this was the farthest that they could be carried;

Madame’s predilection for lilies and roses

Was matched by the murders done under the noses

Of neighbors and garden-fanatics and friends,

Some of whom, by the way, met their untimely ends;

In short, the career, the vocation, the loves

Of the dame with the blood-engorged gardening gloves

Could have gone on forever, and borne her much fruit,

Were it not that weight-lifting was not her long suit,

Nor was thorough disposal or digging deep ditches;

Who knew that her roses held such fertile riches?

Exposure, at last, was inevitable

When the soil in the garden grew just over-full;

Then “pushing up daisies” took on a new meaning

And oxidized bodies with fumes overweening

Began their announcements of odorous presence

In a way that Madame found to be an unpleasance;

It was nice while it lasted, a gardener’s thrill;

But for cheap fertilizer, it was overkill.mixed media drawing

Tiger in the Tall Grass

We have a watch-cat. Our relationship with Him is very simple, so simple in fact that I cannot say for sure whether He is actually male. Clearly we do not “own” him; cats are seldom owned but rather ‘run operations’ as it is, but in this instance we are talking about a cat whose relationship, if any, is with the people living about four houses down from us. But he patrols the neighborhood, and seems to take particular care checking the perimeter of our place, both house and property, daily, so he is ours in that way–or we, his. In any event, he has no name here other than Watch-Cat, because being a businesslike and vigilant gentleman he seems to require no other, and we have both grown quite attached to him.

My husband isn’t even a so-called cat person, since he has allergies to those of the feline persuasion, which makes this arrangement ideal for him, and seemingly so as well for Watch-Cat, because on those rare occasions when we see him making his appointed rounds while we’re outside rather than observing from a window, he prefers to halt in his path or step aside discreetly while we pass and then continue unperturbed on his way. He’s a compact cat, appearing younger than I think he is because he’s fine-boned and small and sleek, but has such admirable equanimity and steadiness of purpose that I cannot imagine but that he’s fully mature.

photoWatch-Cat has a fine domain here, as we live on a wonderfully peaceable road with no through traffic and our modest property is bordered, however closely, by the fenced gardens of very kind, if nearly invisible, neighbors at either side (all of them also rather fond of small creatures) and by an excellent small leafy ravine with a sometime-stream that bears both the city’s storm drain access and the more meandering waters of ordinary rain runoff. Additionally, the greenbelt there has an outstanding mini-forest of oak and soapberry and elm, some lacy variety of Mahonia that is almost visually impenetrable by virtue of its large-numbered community, and enough other friendly brush that the birds, possums, raccoons, rabbits, foxes (so I’m told), armadillos and the elusive-but-heard bobcat all find it exceptionally homey and inviting. There is plenty to keep Watch-Cat’s vigilant attentions at any given time.photo

[Disclaimer: This armadillo does not live in our ravine, but nearby, so I’m pretty sure he has cousins in our ravine.]

And while he apparently eschews suddenness or unpredictability, he is in fact a fine guardian for our place. I have observed his managing with a certain sang-froid a rather noisily growling stare-down from a much larger and more imposing stranger-cat that dared to come hulking uninvited into our territory. I’ve seen Watch-Cat zoom up a tree after a piggish squirrel nearly the cat’s size and tell it in no uncertain terms that it was not welcome to be quite so impertinent. My favorite indicator of his dominance over the wilds of his territory was when we had afternoon guests one day, and as we sat in the front room visiting I looked out the window next to us to see Watch-Cat sauntering by with a small dark snake in his jaws. The snake hung limply on either side, looking remarkably like a very impressive bandito mustache on the handsome little black and white cat, and it seemed to me a perfect representation in that way of his insouciant approach to running his universe here.

That said, I think it’s fair to guess that Watch-Cat has an admirably confident sense of his authority and value in the world, one indeed from which we could all take a lesson. I’m quite certain that if he happens to catch his reflection as he passes by our windows or if he should pause at the ravine’s tiny stream, what he sees looking back at him is a magnificent and unconquerable beast, the ruler of his marvelous territory (where, luckily for us, he allows us to live as well), and the beneficent master of all good things. Who are we to argue with that?

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Who's the Kingliest One of All?

I curtsey now to our little king of the suburban jungle, because it is Thanksgiving Day, when I am particularly aware of how many people–and creatures–do their part to keep us safe and sheltered and loved and well attended in every way. Including you!

The Latest Dance Craze, and I Do Mean Latest

photoTarantella* for Arachnophobes

I’m told a lizard ought to find

small creatures of arachnid-kind

as tasty and desirable

a treat to make the tummy full

as anyone could wish to munch–

but I hate them, that horrid bunch!

Spiders, to me, are crawly, creepy

creatures; make me frightened, weepy,

send me under my bed, my couch,

in a zipping zing or a crunching crouch;

they make me itch in my lizard pants,

in my reptile rooms, until I prance

around the house in a manic dance!

I try to shake my whole belief

that they’re attacking; no relief

is found when I am faced with grief

from eight-legg’d monsters or their kin,

and then such dancing must begin!

I’m forced to writhe and wriggle madly,

spin and struggle wildly (sadly),

and last, because the fear remains,

tromp out a tarantella, badly!

O, would that I could simply snap

my jaws on that small hairy chap

the spider, show no fear of death;

instead, I lose my very breath

and shrivel, like the brink of doom

has entered in my living room!

What was my fateful youthful sinning

set my head and heart to spinning

like a dervish when one shows,

to tearing my poor lizard clothes,

sneezing out of my reptile nose

and stretching like a garden hose

to flee arachnids; why do those

bring fear into my scaly soul?

I only know my utter goal

when spiders enter into view

is: dance until they set on you.

* Just so’s you know, I do realize that this poem in no way conforms to any of the traditional Tarantella forms, nor will dancing whilst reciting it actually cure you if you should be gnawed on by a spider, but it might possibly frighten away any proximal tarantulas–as well as humans–if you dance in an appropriately bizarre fashion during your recitation.

digital photo-collageTotentanz

I shall sing you a ditty, you fine dead folk;

dance along to it if you like; no joke:

for naught’s so right in my heart and head

as to pay respect to the honored dead,

who have earned the ease of their Late condition,

but also deserve deep recognition,

and might be glad to take part, perchance,

in a little postmortem song and dance.

In limpid blue and livid red

but nary a drop of gloom or dread

I’ll dress my act for each measured measure,

creating a funerary pleasure

to honor the love, in my death-knell song,

of those dear departed, the moved-along,

and move, if I can, each girl and boy

to dance a jig of unceasing joy,

remembering all you dead-and-done

with fond frivolity, every one,

dancing our socks off, slow or fast,

as we sing and swing to the very last,

and when ghost-persons join, their haunts

bring cheer to the perfect Totentanz.

Pardon My Parsnips!

You and Your Old-World Charm

I sigh, I wrack my soul with darkest sorrows

for yesterday’s delights, not for tomorrow’s;

I’m dancing backwards all the time you’re near

in fear that all my romance only borrows

–or steals, perhaps–from something far too shining

and too refined for wasting on repining,

those salad days we ought to hold so dear

instead of wasting happiness with whining . . .

I will stop whimpering like boobs and babies,

and let go of the wherefore-nots and maybes;

instead I’ll let your elegance and charm

revive me from this case of “retro-rabies”,

reminding me time’s such a grand invention,

a Golden Age not lost to this dimension,

as long as boulevardiers remain,

like you, aptly distracting our attention

with courtly kisses and such furbelows

and petals hung on every breeze that blows,

bringing the romance back into the present:

yes, I can fall in love with all of those . . .

watercolorPardon My Parsnips

Parkinson’s particular

pet pudding’s par-cooked parkin;

his partner’s partial to parfait,

that paragon; yet hearken:

those sub-par parabolic parts

of almonds, partly parted–

not fully sliced, par excellence

make Parkinson hard-hearted,

for those same partial nonpareils

leave his poor partner parched

for parsley tea to the degree

you’d pardon if he marched,

parade-like, past, departed hence

to parsley gardens, fast,

in search of same to quench the flame,

–apparently aghast–

and Parkinson in repartee

imparted their remorse:

“Though sparse, the parcels of our thanks

are thus par for the course.”

Then Parsons, partner to the man,

now almond-paroxysed,

creaks out a tea-tinged parable

of why he’s paralyzed;

and both the partners no parfait

or parkin now partake,

but parsnips parsimonious,

and pears, for safety’s sake.

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BOING! “Hi, Old People!” BOING!

graphite drawing

Never mind keeping an eye on the little ones, who's watching out for the geezers?

The neighbor kids, that’s who. They’re the ones that always know what’s happening with the ancient people next door. I know because I’m just the pseudo-grownup version of one of those little squirts. I was the one that went over to the big tall wood fence on Ryan Street when I knew Mrs Pipkin was gardening because I could see the top of our dear neighbor’s head from my shrimpy P.O.V., and piped, “Pickens, my mommy says I can play with you!” I can’t confirm at this great remove that I’d actually received such permission, especially given that I suspect, more accurately, that I was approaching my add-on grandma of my own volition–she having proven endlessly patient in answering my blue-sky questions and letting me trail around after her like a little bit of leftover Christmas ribbon.

Let’s face it: children are insightful whether you want them to be or not, and especially adept at providing their deepest insights at the most inconvenient moment possible. Which is decidedly the most entertaining as well as the most hideously dangerous aspect of spending time with persons of the childish persuasion. Witness the uncanny gift mini-people have for repeating, verbatim but utterly out of context, horrendously revealing things that their elders have previously uttered within the hearing of said small persons. There is simply no antidote for having been indiscreet around toddlers and their ilk. Part and parcel of this talent is they are marvelously gifted at cutting through the cauliflower and getting down to gritty reality in record time.

A friend and colleague once related an excellent tale of such insightful youthful efficiency, regarding a long-ago episode one of his cohorts experienced while teaching in the deep south during the era of Civil Rights‘ supposed birth. A Concerned Parent had contacted the school board with a complaint that friend Mr Krapelski was behaving in a fashion incompatible with the intents and aims of the whole Civil Rights concept, and the board felt the complaint warranted a full inquiry. Hurray for the Board; I imagine this sort of follow-through was fairly rare at the time. The approach was simple and obvious enough. Talk to the kids. So the inspectors, amazingly, did. Somebody did recognize the power of children’s keen observation.

They approached the situation with simplicity and no pre-arranged outcomes dependent on ulterior motives, and they posed the obvious questions to the class: “Does Mr Krapelski treat any of you children differently than others? Is Mr Krapelski prejudiced?” And their answer was equally simple and untainted. A pert little fellow raised his hand immediately. “No, sir, he ain’t prejudiced. He hates us all equal!”

I, though a childless person, am well equipped with nine brilliant nephews and one equally dazzling niece, all of whom in their time have provided rich stores of intelligent interpretations of the universe and its workings, from understanding the threat of the backyard swing that ‘threw’ Grandma when she stuck her toe too firmly in the ground under it (“Mormor, det er farlig!” [“Grandma, that’s dangerous!“]) to telling wildly indecipherable stories that despite their incoherence become clear (and hilarious) by way of outsized pantomime and garbled, gagging narration (the best one was about–you won’t be surprised–a gigantic sneeze followed by an even bigger booger).

They taught me about instinctively genius juniors knowing just how to make it possible for Mormor to get back up the long steep hill from the beach if she wanted to walk down there with the family after her back had gone bad (let Tristan, the beautiful husky dog, tow her back up while she held his leash–which he did briskly and without batting a pale blue eye) to why the same grandma should act as Home Base in a closely contested game of Hide-and-Seek (“because she’s the oldest thing in the house!”).

This latter is precisely the appeal of childlike clarity and bluntness, in my book: they recognize that all of us over about the age of twenty are unspeakably, unreachably, unimaginably distant in the mists of antiquity–yet this has a certain cachet with young kids: unlike, say, their teenage counterparts, they admire and respect this very strange quality of Oldness. It’s really weird, and thus somehow kind of piquant and beguiling.

My husband and I thought of ourselves as only moderately advanced in age when we were in the early fifties and just moseying into the forties, respectively. The neighboring kids put that right into perspective. They lived in the house across the fence from our apartment garage, and the young sprats spent a great deal of their spare time and energy bounding around on the trampoline next to that back fence. We could hear them flouncing and giggling almost ceaselessly–enough, perhaps, on its own to make us feel our age a little more keenly–and then one day we paused for a moment when we’d gone out to get in the car.

BOING! The neighbor kids heard our talking, through the fence. They jumped a little harder so they could clear the top of the fence and get a better look over our way. We heard them cackling and turned around. BOINGGG! We grinned. BOINGBOINGBOING!!! The biggest of the kids waved madly and yelled, “Hi, Old People!” And they collapsed on the trampoline, laughing their curly heads off, while we fell about in equal hilarity as we stumbled into the car. That was all the encounter required. Acclamation and affirmation–of childhood silliness, of punctured pompous pretend-adulthood, and of the joy of being whatever age one is, as long as it’s not taken too seriously. Can’t help but rebound from such commentary a lot higher than we were leaping just a little bit before.

Hurray for unfiltered youth! Hurray for the goofiness of happy aging! Getting old, after all, surely does beat the alternative. Especially when there are some junior wildlings handy to keep everything somewhat in perspective.

graphite drawing

<BOING!>

50 Fabulous Uses for Your Old Microwave

digital photocollageI’ve always gotten a vast amount of entertainment value from the astonishing and miraculous claims of advertisers and would-be self-improvement guidance gurus. Everybody’s got incredible, and I do mean, literally, incredible stuff to offer me. And asks so little in return! (Often, only $19.95, and if I order before midnight tonight, they’ll throw in shipping and handling, and the second batch is free!)

Why, just this morning there was an email offering to help me confirm the $95K deposit I was (apparently in an out-of-body experience) making in some unspecified account for equally unspecified purposes. No charge for this generous offer of assistance! People can be so selfless, so willing to give of themselves to complete strangers.

I also love the kinds of unsolicited catalogs that appear in the mailbox or sneak in, sandwiched in the middle of the Sunday paper, offering a dazzling array of specialized tools that do things I didn’t even know I needed done, outfits for occasions I would otherwise have dreaded attending for lack of appropriate garb, and mail-order taste treats that I can only assume would make fantastic foundation blocks for the addition to my garage if they are as heavy and solid as they appear in the illustrative “mouthwatering” photos. Not that I am the suspicious type, but do I often check the small print in those last to see if they were sponsored by any orthodontic clinic or the local emergency room.

With my husband’s work as an educator and conductor, he is constantly supplied with offerings of books that will teach him how to be the perfect pedagogue and assume, evidently, Manchurian Candidate-like control of his singers and instrumentalists, not to mention catalogs of instruments used around the world in all of the best (surely they can’t be exaggerating) professional orchestras, Tibetan Buddhist temples, national trophy-winning marching bands, Montessori schools, and the White House at Christmastime. I especially adore the array of costumes on offer for performers, each more likely than the last to make audiences faint in astonishment at the sheer beauty and professional demeanor of his singers. If you happen to judge such things by weight of sequin-age or quantity of yardage when stretched to the full possible extension of the no-iron knit fabrics.

When I was in academia, I mostly received art supply catalogs and sample textbooks that publishers were certain my students and I could no more breathe without than we could imagine surviving a semester of English composition or Introduction to Design unaided by their inspirations. But it was in my work as the university’s gallery director that I got the really good stuff. Along with the usual bibles of workplace safety and inventories of must-have tools (some of which I’m still puzzling over), I got catalogs for ordering more esoteric supplies, like specialty light bulbs that would instantly convert the one-room concrete box gallery into the Quai d’Orsay, archival storage equipment that would only cost me approximately three years of my whole gallery budget for one four-shelf unit (base and casters not included), and my personal favorite, a free subscription to Bathroom World, where I could peruse at leisure (presumably, whilst seated) the marvels of wall-hung thrones, public-proof stainless steel soap dispensers and no-touch trash bins and, yes, signage that would make all of the needy sigh with relief.

I know it’s daft, but I do get sucked in by those 1001-Ways promises of all sorts of how-to pamphlets and book collections and DVDs. It’s not that I fall for the claim that this one will solve forever the mystery of the ages, it’s that I’m so enamored of the fantastic imagery in word and picture that someone labored to cook up to convince me of the claims. If you not only sat down to concoct a mile-long list of things I can do to save the environment using only the old can opener I was going to throw away this week but you even took the time to create flashy illustrations of what a fit, popular, pitch-perfect human being I will become as the direct result of these activities, why–who am I to deny you the opportunity to improve me so?

Ah, I know in my heart it’s all pixy dust. But I do so like dipping my toe in, if only to savor the sometimes fall-down-funny misguided efforts made to better me for my own good. May my admittedly shaky wisdom still keep me safe from all fishy Free Offers, and help me to know the difference between ‘The! Real! Deal!’ and an actual deal. But please, may I also never lose the ability to enjoy an outrageously, stupendously, screamingly awful offer for its sheer audacity and ridiculous beauty.

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