The One Person More Lost than Me

photoMom has taught me a whole lot of things. One of the most useful is how to turn one of my most frustrating shortcomings into a strength.  It’s a skill I’ll still spend the rest of my life polishing, but having been taught the basics, I know what I need to practice, and that is a tremendous boost.

My lifelong shyness and social anxiety rose to a not-at-all-surprising high level when I started college. The small university I attended was hardly an unknown element to me, as my parents and a couple of other relatives, as well as some friends, had attended there and my older sister was already starting her junior year there when I arrived. But being predisposed to fear and intimidation as my responses to all social situations, I was guaranteed to struggle with extra doses of my old hauntings by the terrors of interpersonal experience in the new to me surroundings, with a roommate I met the day we moved in to our shared dormitory space, all new classmates, new teachers and administrators and a neighborhood where I’d never more than visited briefly before.

For the most part, I muddled through just as I’d done since I was old enough to know how to be afraid of new people and situations, and even had, as always, plenty of the enjoyment I was capable of having. I did acquire a number of grand new friends, including my roommate, who turned out to be a fantastic companion and like-minded girl. I took classes that challenged and intrigued me and I dragged up enough courage to participate in some events and extracurricular activities that broadened my scope significantly. I was surrounded in my living quarters in an all-female dorm by a cadre of terrific young women who bolstered my puny sense of self and cheered me on like the best of good neighbors.

But one day, as the first year progressed, I was visiting informally with a handful of those girls and we got into a discussion (as college coeds still often do, from what I’ve seen) about First Impressions. One of the girls, to whom I will be eternally grateful, let it slip that on first meeting me she had thought, and had since learned that others had too, that I was Stuck Up. That’s the simple classification among my tribe of someone who thinks herself superior to others and disdains and dismisses them. I was dumbstruck.

She went on, hastily, to add that on getting to know me she had realized that the reason I often refused invitations, that I didn’t look people in the eye, and that I evaded interactions and conversations instead expressed a defensive retreat into my giant ossified shell of shyness and my fear of all things new and unknown and that, in fact, she and others really enjoyed my company. That was some consolation, but realizing through her honesty that I projected an image far less benign and far more distancing than I guessed, I knew I’d have to somehow wrest my way out of the armor I’d built around myself and at the very least learn to act the part of someone with social skills even if I didn’t have them.

Naturally, I went whimpering off to Mom. And she surprised me by going beyond the sympathetic and consoling mother needed in the conversation. I’d never imagined that this person I’d always known as having not only a mother’s authority but a certain status as both the recognized Favorite Mom among all of my friends over the years and a kind of built-in First Lady of all of the organizations in which she participated, not least of all as the pastor’s wife–that she had another side, one not so entirely different from my own. That she had been deeply intimidated by being expected to play the roles of guide, hostess, chief female church member, community do-gooder and cheerleader, and all of the other philanthropic and social leadership parts inherently assumed by others to be part of her place in the world. And that, when Dad was busy being the speaker, preacher, chairman, boss and whatever his role of the moment happened to be, she was stuck in meetings and receptions and services and classes full of strangers who expected her to carry not only her own weight but that of whatever they thought was required for the occasion.

I almost wilted, thinking of what it must have been like for her.

But then she imparted the piece of wisdom that ‘cracked the case’ for me. I got the MacGuffin: social anxiety and extreme shyness assume that I am the center of the universe. That the rest of the world is watching me and is dependent on my doing or being certain things for its success and happiness. And that I am suffering the most for the cause. She put it in much more tactful terms, I’m quite certain, given that I was a flimsy excuse for an ego, a fragile not yet twenty year old still unable to see my path in everyday life clearly.

I think what she really told me (from which I extrapolated the above) was the incredibly handy ‘trick’ she’d learned for coping with all of these unreasonable social and activist demands. When you arrive, immediately look for the one person in the room more uncomfortable and more out of place than you. Even when you’re absolutely sure it’s not possible, there’s always someone more scared, more intimidated, more inexperienced or at the very least, who thinks that they are. It’s true, by the way; I’ve seen it proven over and over since. Go and gently introduce yourself and ask this person about him- or herself. Make this person the most interesting part of your life while you’re there.

That’s it, really. Suddenly, it’s not my job to be perfect or achieve the goals of the event or even to be interesting or brave; it’s my job to make another scared person feel more welcome and at ease. I don’t have to spend any energy on worrying about how I look to others or whether I’m doing what I’m supposed to be doing, because nobody with an ounce of sense is going to argue that taking care of someone in need isn’t what we’re all supposed to be doing, that recognizing that there’s someone whose need is greater than our own isn’t precisely the most attractive thing we can accomplish, and that a friendly smile isn’t the most fashionable item anyone can wear for any occasion.

I fall down on this effort often enough, still, and do my well practiced imitation of an additional pillar holding up the dimmest corner of the room. I haven’t Saved anyone else from the brink of doom through my heroic attempts to cheer them up for a half hour. I still have impressive dramatic skills in making faux pas and pratfalling my way through the day and then doing my best to make the earth swallow me whole.

But afterward, I remember to quit imagining myself the cynosure of Creation, let go of my need to be correct and impressive and likable and spend my energies on helping someone who doesn’t know Mom’s useful little technique to feel more correct and impressive and likable. I will put on my shiny smile and play the role of somebody better than me and hope that someday, if I practice it hard enough, it will become second nature and I won’t even have to work at it at all. It makes me smile just thinking about it.

If you happen to be headed to yet another office holiday party or first-of-the-year reception any time soon, you can test this theory yourself. Thank my mom. Or, if you happen to subscribe to a certain story that is commemorated on this very night, thank the Person who became most vulnerable of all in order to protect and rescue everybody weaker.

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Let’s Just Start with the MacGuffin:

Surprising as it sounds and contrary to all expectations, it turns out she was the heroine in her own story.

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Sometimes the pivotal, crucial piece of information on which the plot hinges--the fantastical and showy part--doesn't wait for the denouement . . .

Whatever the exotic and thrilling final chapter of my life is going to be, nothing could fully prepare me, let alone anybody else, for it; I think, however, that I may have tromped through the facts of the event many times already without even recognizing where I was. Heck, I may exist in a universe parallel to the one I think I’m in as it is. It’s as though I’d backed through a door into my life and discovered I was somewhere well into the whole chain of events, been mystified by them (though everyone else is in on the joke, having started someplace more logical), and dashed back down the hall in hopes of a do-over. Pretty sure I showed up in my underwear onstage, come to think of it–everybody else seems to at some point.

Here I am, then, living a serio-comic mystery story, ending utterly unknown, and apparently it was written by a bunch of clowns more interested in spectacular pratfalls and occasional bouts of farcical action with absurd and incongruous outcomes than in logic or meaningful purpose. This is not, mind you, a complaint. Once it occurred to me that my calling in the grand scheme of existence was as comic relief, things got a lot simpler and less intimidating. There’s no grail for me to hunt, no world-saving invention for me to create, and certainly no audience expecting anything beyond my appearance in the olio portions of the program, say just after intermission and before the serious third act commences. Even in my own life I might end up playing a bit part, and that’s kind of comforting to me, as opposed to having some dreadfully high purpose to accomplish before curtain call even though nobody’s bothered to spell it out for me.

I make art that way most of the time.

Some drawings and stories start with a title that has no inherent plot or direction implied in its wording but is hoped to goose my brain in a fortuitous direction. I told you before about my [nonexistent] spy-mystery tale used (along with a few nonexistent chapters’ headings) as a springboard for illustrations. My sister donated another title for me that led to a couple of drawings that turned out to have no detectable connection with the title, “Penguins in Peril.” Much of the time, my mind takes such convoluted routes from Point A to Point B that I’ve exhausted the entire alphabet and gone into numbers before looping back to B, where I thought I was headed. If I ever really go there at all. “Penguins in Peril” is such a great title that I’ve tried, really tried, a couple of times to get it right but it just hasn’t happened yet. Ah, well, I like the drawings I got out of the attempts and I still have this fantastic title for future reference. A bonus!

There are other tales and pictorial ramblings that spring from the convoluted mental meandering itself, and these too can take their own tangents and drag me right along with them. If, as I’ve posited before, everything is research, then whatever I discard, carom off of, or don’t include in the current project is fair game for the next.

I figure that ought to apply in life as well as in art. What I didn’t succeed in becoming or discovering or doing this time around, maybe I am just saving up to do when I’m older and more, erm, mature (okay, that’s just not gonna happen). Maybe I’ll get lucky and either someone else will get it done, or karma will plunk me into a future person-place-or-thing better equipped and more highly motivated to get the job done.

And that’s what this is all really about, isn’t it. Motivation. I’m just hiding behind the actor’s persona and pestering the director to tell me “what’s my motivation?” when I know perfectly well that it’s I who am supposed to weasel that information out myself. Sigh. That’s why I prefer to keep goofing around on the edges of sanity purposefulness when making my various stabs at art, and just see where the jollity of the moment takes me. So much more fun, so much less, you know, <makes a face like a baby that just tasted a spoonful of pureed broccoli instead of the expected bananas> responsible. This way I’m also able to be just as surprised by the thrilling finish of the story as all of the innocent bystanders. Whatever it is, guys, I’ll see you there. Wear a Kevlar® jumpsuit, and perhaps also a water-squirting boutonnière, just in case.

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Writing good mystery stories is tough enough--solving the mysteries of one's own life, toughest of all . . .