Tag Archives: Mary Poppins

Feed the Birds

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I loved the movie Mary Poppins when I was small, and surely will still love it whenever I see it again. The charm of the story combined with such a well-cast ensemble and the magic of cinematic technology are hard to surpass. I loved the sweetness and buoyancy of the tale and its jolly playfulness and the marvelous escapism of it all. Those were surely the characteristics the filmmakers intended to capture children’s hearts and attentions.

But perhaps more than any other thing about that movie, I think, I loved the song Feed the Birds. It seemed such a small thing in the scope and scale of the whole production, but that, in fact, may be precisely what makes it still stand out in my mind. That, of course, must have been part of the grand plan as well. Clearly, it worked on me. As little and secondary as it may have appeared in the grand scheme of the cinematic version of the story, that song’s piquant minor melody and, especially, its very allusion to the importance of the seemingly insignificant stay with me and move me even when little else of the film’s specifics remain in my memory. I’ve read that this was precisely the intent of the piece and its inclusion in the film. Clever, that Mr Disney and his professional storytelling cohort.

Clever, and they weren’t wrong either.

The beggar urging passersby to trade their tuppence for her packets of bird seed, as well as the birds hungering for it in the hardscape of the city are both easily avoided, neglected or despised by the better fed citizens who might rather brush them off than admit to their existence. That little vignette reminds us, and rightly so, just how much those persons, creatures and events we’d often prefer to ignore or deny really mean.

Their loss or abandonment creates a much more profound emptiness than their seemingly small stature could possibly imply. It’s the barrenness of spirit, of humaneness and hospitality, of compassion and grace in the rest of us, that is the real cost of failing to tend to the weak and small. And it can be the smallest gesture, tiny as a handful of bird seed, that opens the way for healing and humanity and hope.photo

Perfectly Imperfect in Every Way

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In a comment on my gardening post last week, Ted reminded me of the inimitable Mary Poppins, and I was in turn moved to recollect her frank self-description as ‘Practically Perfect in Every Way‘. In the case of that charming fictional character, it was simply and inarguably the truth. The rest of us, mere mortals, can’t quite go that far if we’re honest.

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Saints Cury, Cecilia & Goar. I selected these for portraiture in this modern-medievalist piece because of very earthly interests: Cury is one of my birthday saints and famed mainly for his 'miraculous' hospitality; Cecilia is the patron of musicians (for my husband, of course) and even sometimes purported to be the inventor of the pipe organ; Goar's feast day is celebrated on our anniversary and he, sometimes portrayed as a potter, was thus also an artist. He also happens to have a lovely little town on the Rhine named after him. There *can* be perks to being a saint, even a minor one, apparently . . .

Which is why I like saints. It’s doubtful I’d really enjoy meeting them in person, to be precise: it’s the nature, the character of them, that really fascinates me. Because, as I understand it, what separates the saints from the rest of us ordinary slouches is not that they were born or made saints but that they became saints by rising above the ordinary way they began. Unlike superheroes and the majority of fairytale protagonists, it’s not often a transformation that’s accomplished by the wave of a wand or inadvertent exposure to radioactive substances, but rather is brought about by internal change and will and choice.

There is hope for me in the idea that most saints–and I gather this is true of the heroines and heroes of many significant belief systems, along with many of the major religions–start out as plain, simple, unimpressive and very mortal humans and for one reason or another are moved to do the things they do that gradually re-shape them into extraordinary beings. Some of those avatars, indeed, start out as pretty sketchy characters, if not outright jerks, despots, and other first-rank varieties of meanies. It’s the process, the journey, and the ultimate commitment to do and be something else that makes them extraordinary.

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Saint Monica could be the perfect example of overcoming obstacles--much of her sainthood was earned just through working to see that her ne'er-do-well son shaped up, the outstanding troublemaker who eventually reformed enough to become himself Saint Augustine of Hippo. Apparently her efforts did not go unrewarded . . .

Chances are beyond-excellent that I will never become a saint of any sort. But the real hope and inspiration in the lives of heroes, saints and exemplars is that nearly all of them began their lives as someone or something far less extraordinary than the way they ended them, and if so there’s always a possibility that with a little thoughtful effort I might actually improve along the way too. Don’t hold your breath, but I might just turn out slightly better than expected. Apparently, miracles do happen.

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Saints Valery (a French abbot) and Finian (an Irish bishop)--hereafter known as the Feastie Boys since they're also among my birthday saints. They remind me as well that one can come from different places, times, backgrounds and any number of unique circumstances and rise beyond them all to distinctive heights . . .