We All Wear Our Masks

digital illustration (B&W)It’s so much easier to hide behind convention and other convenient facades than to let our true selves be seen and known. Don’t we almost always prefer that sense of safe anonymity or at least ‘appropriateness’—however tenuous or specious it may be—to taking the chance that in our own skins we might not measure up to the occasion or to the  expectations of others?

It is, of course, a foolish conceit. One can rarely cozen anyone else, let alone oneself, by such a means. No matter how hard I may try to appear in the guise of what I think will qualify me for the In Group or make me richer-thinner-prettier or smarter than I really am, if it’s all show, the mask will like any faulty exterior prove too thin to cover my realities. It has always been so, and yet I am far from alone in continuing these futile attempts. I do believe that constant practice can transform us into a nearer semblance to the disguise, but that can work for ill as well as good.

Probably wiser is to recognize that the urge is age-old; that insecurity and an assumption that others will find me inadequate in my natural state are neither new problems nor absolutely decisive. The masks of the past remain, both in those symbolic and ceremonial concrete forms and in the records of our history books and art, to amuse, bemuse or warn us, if we will pay attention. And a close enough, thoughtful enough reading will remind any of us that no mask covers the truth forever—and yet, all the same, that we as a species continue (however astoundingly) to survive. Perhaps unmasking isn’t entirely as dangerous as any of us have feared.

I spent enough years acting the part of a brave, socially mature person, one who was more comfortable hosting a gathering, letting others see my art and writing, lecturing, teaching and doing so many other things that in truth absolutely terrified me to tearful agony behind the scenes that it turns out I am capable of doing all of those things after all. I still fuss and worry, yes, but nothing like the self-flaying horrors that I used to suffer just to get through what were apparently no-big-deal occurrences for most other people, and now I can experience them with fair equanimity. Funny how, when you’ve spent your whole remembered life in the grip of a belief that every second was one degree away from total disaster and death, any tiny bit less becomes magically huge.

And each of those instances becomes a step toward understanding that I have perhaps begun to grow into my mask of wishful improvement and become more like it underneath. Or better yet, that it never did matter as much as I feared, this different reality behind the convention. Best of all, I find that the more I let people see me as I really am, the more kindly they seem to look on me, and in turn, I begin to think the real me is perhaps pretty likable, respectable. Even lovable. Who knew.

digital illustration

Unique doesn’t inherently mean Alone.

The Wheel: It’s Either a Millstone around the Neck or a Grindstone to Wear off Noses

digital artwork from a photo

The World in a Nutshell

All of the world’s in perpetual motion,

A loop of swift action, a constant commotion

That moves us in nervous centrifugal rings

To do and to act on a million odd things,

And so caffeinated we cannot hold still,

Or the moment of fixity surely might kill

Our fast-racing heartbeat, as used as it is

To zipping and zapping around in a whiz—

And all of us hope we will one day find quiet

And respite from all of our everyday riot,

But I am suspicious that it won’t occur

Until the last second of living, no Sir!

Getting Singed

photo

Is it my imagination, or is it a little bit hot in here???

Femme Fatale

Barbara is standing by to cut my scruffy hair:

but, say–doesn’t that look a bit like an electric chair?

Look at that pair of scissors–oh, boy howdy, are they sharp!

Will my coiffure just leave me playing sad songs on the harp?

I’d say it’s mighty hot in here–a preview glimpse of Hell,

Or maybe just a purgatory-hint, that hairspray smell–

I’m not so absolutely sure that something here is wrong;

and yet, what’s so darned horrible in leaving hair this long?

Is it sheer paranoia and delusion of myself–

Hey! What’s that creepy science stuff in tubes up on the shelf?

I’m getting awfully shaggy, yes, it’s true–but not a Nut!

(I merely hope it’s nothing but my hair that will get cut!)

Oh, Barbara, I am nervous, so please, kindly, Dear, refrain

from trimming quite so near my throbbing jugular, poor vein.

And if you have to croak me (does this happen very often?),

at least make sure I’m wearing stylish hair there in my coffin.

photo

One way or another, I’ll be a hot number when I come out of here.

It’s Not Just Dragon-Breath that Scares Me

graphite drawing

Night Terrors and Morning Madness

How odd, arising in the morning, to look in the mirror’s glass,

To see someone so unfamiliar, so unkind, uncouth and crass,

So ill-mannered and repellant, full of grossness, grease and grunge,

And to wonder how on earth I can begin to clean, expunge,

Remove, ameliorate; to salvage any goodness I could hope

To find in such an unfit carcass; rescue with what bar of soap,

What fell razor or belt sander, what hair shirt, what whips and chains

Aimed at purifying putrid monster madness, would what else remains

E’en resemble who I used to think I was, have any grace?

What relief, when after coffee, I come back and see my face!

Under all of it, thank heavens, lies the self I onetime knew,

With its kindly dragon scales and bony crest familiar: Whew!