Just a Little Thing

It doesn’t always require a huge investment of time, materials or effort to effect a notable improvement around the house. No matter how gifted I am at procrastinating when it comes to DIY and fix-it projects around the place, I’m always kind of amazed to rediscover how small a thing can have such large-scale impact. It doesn’t mean that I learn from my experiences enough to behave sensibly and just get the tasks done without resistance, but I seldom fail to be impressed after the fact all the same.photoTake front door painting, for example. There wasn’t anything especially unpleasant, let alone wrong, with the existing paint on our front door. It was, in fact, in good condition, and even a pretty nice color. I do like this trim color on the house in general. What was a bit unsatisfactory to me was that with such a dark color on it, the front door seemed to me to actively recede from view into the shadows of the porch rather than appearing to welcome visitors approaching on the front path.

So I decided to paint the door a sprightly and fresh color that might liven up the entry and seem a little more encouraging to anyone who might be coming to knock there. I chose an apple green that I knew would mimic the brightest greens in the plantings around our yard and complement both the existing deep green trim paint and the earthy mix of colors in our brickwork. I chose a semi-gloss paint to reflect light without glaring and make the door even more visible from the street and path.photoThen I waited. I put it off for weeks. It was only a couple days’ work to mask, prep and triple-coat the door, but I could find any number of excuses to do Other Things, even put up the also-evaded porch Christmas lights, as long as I could avoid repainting the front door. That’s how I [don’t] roll. Lazy People Unite!photoWell, I did finally get the task done. And it’s kind of impressive to me, yet again, how much this one little thing manages to change the look of the house. For the better, I think; in the name of fair play I must, of course, tell you that the manly member of the household is not yet convinced the change is for the better, but he doesn’t object so strenuously that I’m going to repaint it anytime soon. Besides, even if I do decide to repaint it, there’s no doubt it’ll take a good long while for the project to actually get done.photo

Hand Me That Pencil!

Time to take a few moments here and there to commune with my inner art-monster again. The busyness that takes over at the end of every semester always makes it a challenge to get much done beyond the basic chores and projects that simply get us through the day, and I don’t like to get too far away from regular art-making, so I feel a teensy bit itchy just now. I need to get my hands on some paper and pencils or pens and make something in addition to the photos and digital collages that have been my mainstay lately.

And it will happen. Always does. Patience and urgency, laziness and obsession are all in a little wrestling match inside me most of the time, and each wins occasionally. What really matters in the end is, I suppose that eventually I win. So yes, I’ll be drawing again soon.

Whatever it takes to keep me entertained and happy, don’t you know.graphite drawing

The Mythology of Inspiration

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Whatever your vehicle, Ladies and Gentlemen, start your engines!

In another lifetime I was a teacher. Not a fabulous one, mind you, but one who took what I did seriously and did my best to give my students, if not the actual practice that would make them more productive and skillful and happy in their making of art, at least the idea of what might be possible for them and perhaps the instigation of the will to develop over the longer term. Like every other teacher in history, I knew that most of the burden of improvement fell on my students and had surprisingly little to do with what I could or couldn’t, would or wouldn’t, should or shouldn’t give them. And like every other teacher, I heard from my students every excuse in the book about why they would inevitably fail to accomplish any of this, how they were powerless against the forces that conspired to keep them from making the assigned efforts or finishing their work. Having used most of the excuses myself, I had plenty of fuel to argue my case after spending the intervening years (or minutes) rethinking it all as I moved from student status to teacher. And I knew too that I would have to keep re-learning it all as long as I lived, since every teacher is only a different breed of student and Life is the biggest, craziest, toughest and most creatively optimal classroom of all.

So I made up a little page of possible excuses and a smidgen of food-for-thought responses to them–perhaps mostly for my own enlightenment and prodding–that I shared from time to time with my students if they happened to be getting a little too enamored of creating excuses to spend their creativity on drawing, design, writing, painting, studying, researching, making mixed media installations, critiquing or any of the other topics I was attempting to encourage them to learn. Here are a few items from my little list, because I am well aware that I still need to remember them myself and keep trying to blow past them with determination and, I hope, a pinch of wit.

1          GREAT THINKERS THINK ONLY GREAT THOUGHTS

               (and I’m not a great thinker).

If this is true, explain why the Old Masters painted over or destroyed canvases, Einstein was virtually dismissed as a pea-brain by some in his school days and our early experts on astronomy believed the earth was flat.

2          GENIUS IS BORN, NOT MADE.

This may actually be so, but untended and un-exercised, genius has no value whatsoever, and many a great achiever has acknowledged beginning an illustrious career ignominiously and becoming expert through sheer will and work.

3          EXCELLENT IS GOOD, GOOD IS AVERAGE &

               AVERAGE IS TERRIBLE.

               (Corollary: Good is excellent, average is good, terrible is average!)

Creative and inventive people often have a penchant for self-disparagement and perfectionism that leads them (and often others) to devalue work of quality; it’s also a common temptation to simply fall back on the platitude of ‘beauty is in the eye of the beholder’ and accept mediocrity because one is too fearful or lazy to be honestly critical and opinionated.  Accept it and get on with things.

4          IT DIDN’T TURN OUT THE WAY IT WAS SUPPOSED TO.

Oh, come on.  Almost nothing does.  Sometimes it just isn’t finished yet when it seems to have Not Turned Out.  And more often than not, the real result is an improvement on the original plan anyway.

5          IT CAN’T BE DONE.

It’s better to go down in flames of glory, for having tried, than to prove only that  you couldn’t (or just wouldn’t) do it.  And what if it does work?!  Don’t you just love those rare chances to say I Told You So, anyway?

6          ALL THE GOOD IDEAS ARE TAKEN.

            All of the good ones haven’t been invented yet, Silly.

7          I CAN’T THINK OF ANYTHING.

You don’t have to.  Steal ideas all over the place.  Just remember to cite sources, give references, and wherever possible, to thoroughly revise and synthesize things into your own particular combination or version of them.

8          WHY SLAVE TO HAVE IT ALL WHEN YOU CAN SETTLE FOR LESS.

            Perhaps because apathy is as dangerous to existence as the threat of annihilation.

9          IT COSTS TOO MUCH.

Some of the same people who whimper over buying a five-dollar sketch pad and two ninety-nine-cent pencils (two weeks’ supply, say) think nothing of adding four dollars’ worth of popcorn and soft drinks to their seven-dollar movie tickets: that’s Whiners’ Math.  But most art supplies can be hideously expensive, especially for those productive enough to use masses of them.  So it’s a necessary and healthy part of the solution-oriented artist’s life that analogs and alternatives be a constant study.  What can legitimately serve as a substitute for the too-expensive?  Often the product of such inventiveness proves more exciting than the work as first conceived.  Sometimes it’s important to make the commitment to spend the real money for the real thing, too: how serious are you?

10        I’M NOT INSPIRED!

Genuine inspiration occurs ZERO times in the average artist’s life. WHAT!!! Heresy! But truly, if we’re talking spiritual/mystical magic, most must instead rely on a painstaking and passionate process of trial, error, adventure and eventual coalescence to allow artistic completion and quality to arise.  Don’t wait around to be inspired, in case it’s not in the cards: deadlines and opportunities wait for no one.  If you’re the incredibly lucky one inspiration smiles upon, have conspicuous spasms of joy, make feverish use of the favor while it lasts, and get ready to work hard on the next thing when you become a mere mortal again.  We’re lucky enough just to be able to be the real thing, Working Humans.  Don’t knock it.  There’s joy enough in that.

Stay tuned . . .

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. . . for being tuned up and ready to roll is more important than knowing where the road will take you . . .

 

All in the Details (Small and Large), Part 3

At last we come to the changes made via some refurbishing and renovations in the Jack and Jill bath and, most significantly, in the master en suite. Let’s be honest: a large part of the quality of life for many of us revolves around having access to a good bathroom–or several. You do know what I mean. Oh, joy!

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Jack & Jill just got a refresher course . . .

I will simply say right now that we are mighty satisfied, contented even, at having a whole batch of fairly unfussy yet fully functional and nicely spiffed up bathrooms gracing our living quarters these days. Life is ever so good.

In the Jack and Jill bath between TV room and office, the original tub tile of pale chartreuse is here to stay, being sturdily cemented in and expensive and tough to remove, so it was essential to work around that, as well as keeping the existing dark woodwork intact. Okay, then, I stuck with that and the extant bronze-toned hardware. Even the ’80s light fixture would be a bit too pricy to replace at this point. But I didn’t have to do especially huge things besides tackling that main expense-inducer and complicator of things, replacement of the sink, counter and faucet. The new granite is complemented by a small but deep and flat-bottomed sink of porcelain that allows easy cleaning of the sink and of things set in it, particularly with its new higher-rise faucet. I confess I’m mystified why more people don’t opt for single-lever controls on faucets when that allows hands-free on/off/temperature control, a very common need among people washing their, well, dirty hands, I would think! Along with the faucet, I added new tub and shower hardware to replace the old corroded parts, new curtains there (a vinyl waterproof one and an accent set of sage green sheers to cool the tile color) and a little carved valance (too narrow for the window width, but it’s a start) over the translucent shade-covered window. All three of our bathrooms recently got grand new Toto commodes, dual flush toilets that are a massive improvement over the original antiquities that used to struggle to serve our household and guests.

The last change in the Jack and Jill was to replace the dated frame-less mirror with a simple framed one and trade out the glass shades of the over-sink light fixture with some more modern and artful ones. They’re described as ‘gold and blue’, but the color in the glass is in effect softer than that (more neutral, like sand and grey on white). They gently combine with the delicacy and prettiness of the granite color and texture and it all softens the tile’s green further and lends a quiet calm to the space.

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Next to my husband’s grandfather’s shaving mirror in the J&J bath is a delightfully amusing photo of Paul Gauguin sitting at Alphonse Mucha’s harmonium while wearing an appropriately bohemian deshabille shirttail-over-no-pants getup. Old school bathroom humor, I suppose!

The Big Bang of this phase of project happiness chez nous was of course the master bath suite redo. It felt like a long time coming even though it was only two years’ waiting on the wish list. So much happiness in getting our hands on it now. First up: we had a Solatube skylight installed in the space that was previously lit only by a weak ceiling light and two arrow-slit windows in the shower. Solatube now offers a nice combination contraption, which we chose, that includes the light tube for natural sunlight collection, an internal electric light for nighttime, and an integrated fan vent whose motor attaches to the roof joists and so is quietly distant. And a whole lot more effective than our 30-year-old fan, to boot. The constant wash of daylight in the space is a remarkably cool alternative to big windows. Wouldn’t it be lovely to install some in the living room, dining room . . . .

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Doors to his and my respective vanities flank our lovely, simple old bedroom armoire (that’s his grandmother’s cocktail dress hanging there, by the way). I left a strip of the dark-stained wood unpainted on the vanity door jambs to complement all of the mahogany and teak in our master bedroom furnishings and tie the spaces together.

The master bath reno actually started during the original freshening up for our moving in, when we knew we wanted doors installed in the openings between the master bedroom and the two separate vanity areas that flank the shower/toilet room and through which it’s entered. Those six-paneled doors were installed then but never finish-painted over the pre-primed starter coat. At long last, they’re fully clothed. I changed out the door handles, putting brushed nickel lever handles on both those and the vanity-to-shower doors, regular knobs of that color on the walk-in closet doors on each side, and new silvery hinges on everything, white door stops on them, new silver colored hinges on all of the cabinetry, and so forth. I’d already changed the light fixtures in the vanities from bright brass 12-light ’70s theatre dressing room atrocities to simpler nickel and glass lamps. I had put nickel knobs on the cabinetry throughout the suite to start. Now it was time to finish up everything else with some fresher and more modern goodness.

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From the vanity on my side of the suite you can see that marvelous skylighted walk-in-shower room. So inviting! The vanity space is a comfortable spot, too, where I can enjoy the folk art painting of the family farm in Norway (L) and the little embroidered alpine plant my mother stitched (by my mirrored closet door).

I kept the light sage walls through the suite happily–it’s so calming and almost spa-like to me, even though our particular, personal ‘spa’ is not all that high-end. The shower we had replace our old bathtub now is the closest we’re likely to get to a spa, however, and we’re enjoying it immensely already. The men we brought in for this their second round of work on our home gave us a lovely refuge where we can scrub up for the day. They demolished the old, tough olive green tile, pulled out the beat up cast iron tub, and tiled in a lovely naturally soothing walk-in shower with sandy tan square and rectangular tiles, a floor of sweet tiny brick-shaped paler tiles and soft tan sanded grout. I bought a nice brushed nickel shower head with a single lever valve and a secondary spray head, a spice rack to use as a shampoo-and-implements holder, a wall dispenser for tea tree oil soap, and a fold-down teak shower seat.

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Closeups of the new look of the master shower. The ‘Lucky Bamboo’ in the window is not the only one that loves it in here now!

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I had already begun work on the other parts of the master washroom before we got to this wrestle-out-the-tub phase, but now they got some fresh paint and new hardware to wrap up the process.

The granite contractor who installed our marvelous kitchen counters and sills two years ago brought his wonderful crew back in and set in our vanity tops and under-mount sinks that match the Jack and Jill’s, and our plumber installed the new faucets I’d bought, and when the crew completed a few more tasks of fix-it mania around the house their work was done. Once they built our haven of cleanliness it was my turn to get back to work. I primed and painted all of the dark wainscoting and cabinetry in the bathroom suite white, replaced the whole-wall mirrors over the vanities with smaller white-framed mirrors and hung a white wood medicine cabinet next to each of ours, rehung the full length mirrors on our closet doors, reassembled all of the cabinets with new silver colored hinges, padded stops, magnetic latches, and a vast quantity of swear words, and finished with the clean reorganization of drawers and shelves and reintroduction of wall art and such amenities.

The long and the short of it, the small and the large, is that we have a lot of upgrades around the house to show for relatively few days’ total labor and machinations. I will very happily not deal with such messes and involvement again any time soon, but it is as always a tremendous pleasure to have things this much closer to our ideal. In the usual way, it will undoubtedly uncover the next set of changes to build a new wish list upon, and that is simply the way that this inveterate changer-of-all-things operates. And the way that life flows, no matter what. These are the details on which our reality is truly based.

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Note that the light coming in here is all sunlight from that small skylight in the adjacent shower room. And yes, His (L) and Hers (R) vanities. It’s dandy to have so much space–and we each have a full walk-in closet of our own attached to these, plus the shared shower room between. Living like royalty, indeed; that IS, after all, our style . . .

All in the Details (Small and Large), Part 2

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Pale yellow and gold and bronze add to the cozy warmth of the dark ash woodwork in the guest bathroom but with the dash of teal I think it doesn’t get too claustrophobic. A faux stone tall backsplash helps to cover some of the sins of the non-removable and painted-over wallpaper with better-wearing toughness in this wet room.

We’ve moved on to more complicated things . . .

Specifically, to the bathroom improvements we have had on our wish list since buying a house with four stereotypical ’70s bathroom counters all made of one-piece slabs of olive green marbleized acrylic of extreme fakeyositude, with integrated shell shaped sinks that, no pun intended, made our hearts sink every time we saw them. Besides being hideous and worn, they showed every speck of dirt and dust that came within their vortices, and they made us infinitely sad.

Now, we did have a little practice on bathroom reno from our first bout during the move-in preparations. The guest bath was both too decrepit and untenably ugly to be offered to people we actually liked as any sort of relief from need. I couldn’t tear out all of the wallpaper in there, having found quite speedily that aside from the kitchen wallpaper this house had paper glued directly to its unprimed wallboard, so I applied a heavy coat of oil-based primer and evened out the seams as best I could with lightweight spackle, finished corners and edges with caulking and filling holes with both caulk and spackle, and primed yet again. Then I could at least paint much of the remaining wall surface in there. The tiny shower stall was sturdily tiled in yellow–thankfully, a light shade, since it would be hard to remove–so I painted the walls a paler yellow yet and called it good.

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The living room is getting lighter all the time . . .

The majority of the house being paneled or wainscoted–again, thankfully, in better quality than the flimsy plastic-looking stuff popularized in the later 1970s–with dark-stained ash, I opted to play off of the coziness and old-fashioned qualities of the cabinets and trim in the two small bathrooms and leave them dark, collecting all of the bits of bronze-tinted hardware randomly installed around the house and finishing those rooms with that color of metalwork for face plates and towel bars and robe hooks and a few dark wood and gilt trimmings. In the guest bathroom, as we were making our move-in improvements, I played off of the idea that washrooms are often reading rooms and hung up a couple of vintage books on the walls along with the requisite magazine holder. We did ‘invest’ in replacing the counter and sink with a simple composite scrap our contractor had around and a plain porcelain bowl, and I bought a gilt picture frame at a discount store and trimmed the inside edge with gold braid, to mask the edges of the old unframed mirror.

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‘Finger Trap’ (by Patrick McCormick) joins a couple of my graphite drawings, and possibly the only extant sample of my wildly rudimentary stitchery, in the living room. Now, how to get enough light to see all of it . . .

Meanwhile, our home’s openness means that while genuinely private rooms like the baths and bedrooms could and perhaps should have distinctive features of their own, the adjoining spaces in the living areas being so open to each other means it’s best to at least be reasonably compatible, if not coordinated. I’d rather not get bored, so I hope to find a happy medium and not risk severe matchy-matchy disease sneaking up on me for having tried too hard. The main thing I want to have been truly through-designed in this place to make it home and happy is lots of light. Artificial and natural. And the openness of the floor plan should lend itself to that kind of flow. The trick is enhancing what is unfortunately innate in a dark-paneled house, especially one built in an era not best remembered as the era of intelligent room lighting.

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It’s not ultra-bright, but in daytime, sheers let in a little gentle natural light without overheating the living space. After all, the flanking phony tree scenery gives a little boost of a pretend view, too.

The living room one of the darker spots in the house because of its position and direction and the big floofy flowering pear tree in front of its main window. My first line of defense was to install LED rope lights in the ceiling recess in there (giving us a low ambient light any time we wish) and add wall up-lights to the three corners other than the one where I keep my vintage 50s torchiere–that lamp my sisters and I called the Space Needle Light when we were little and it lived at our Grandma and Grandpa’s place. There was not a lot of window light in general, but of course the dark brown Venetian blinds that came with the place weren’t a big help. I’ve recently replaced the blinds on the small driveway-side window with a very simple accordion-pleated white translucent blind so a whole lot more light comes in steadily. I opened up the front window blind too, hung up pale golden-tan sheers, and will probably do the same in the dining room window that balances the living room one. I think having the sheers under the dining room’s carved valance (Gramps’s artistry from his youth in Norway) will hide the shaggy mounting hardware behind and underneath the valance anyway! Not least of all, having better light in the living and dining rooms will help to show off things like Gramps’s carved valance and picture frames in the dining room and the artwork and my exceedingly rustic faux cruel, I mean crewel, stitchery on the throw pillow in the living room.

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You can see–and see *through*–how much space is here between living and dining rooms for entertaining . . .

And having fun stuff to look at in the house can do nearly as much toward house-warming as having a nicely built house itself can do. It’s another reason we keep moving forward with the renovations and projects over time. The biggest change here lately has to have been the bathroom renovations in the Jack and Jill bath and, most of all, in the master en suite.

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Grandpa’s carvings grace the front wall of the dining room and will be all the more visible if I put in some sheer curtains so the Venetian blinds can stay open more of the time.

(To be continued tomorrow . . . )

All in the Details (Small and Large), Part 1

photoI’m an avid, and truly amateur (in both the worst and best senses of the word), changer-upper of things. My father warned my fiance, as if the poor guy hadn’t already seen it in action, that when we lived together he would likely come home from any trip–overseas or two doors down the street–and find the furniture rearranged or a room fully repainted, or possibly, that we’d moved to another house in his absence. I promised I would always leave a forwarding address and directions with his new house key if I went so far as the latter. He married me anyway. And I have indeed continued in my blissfully mercurial attitudes toward what feels comfortable and desirable, or looks beautiful, to me in my places of work, play and general living. Aside from the occasional piteous whimpers of ‘Who Moved My Cheeeeeeeese?‘ my husband has also continued to be an exemplary, even sometimes equally avid if not outright participatory, supporter of this habit of mine.

I assure you, this hobby of mine might have run even more wildly rampant had I had the time, tools, skills and bottomless budget required for such extravagances. But though I might chafe at having to think so hard or wait so long, I’m also addicted nearly as deeply to the problem-solving puzzles presented by having to prioritize and/or simplify my fantastical plots and plans. As we’ve lived our sixteen-plus years together thus far in five homes of our own plus a couple of stints living briefly in other places where we had a bit of free rein if not ownership, there have been plenty of opportunities for these kinds of happy dreaming and scheming. Since I’m unlikely to live even overnight in a motel room without itching to Improve upon something or other about it, you can well imagine that Things Happen whenever I’m plugged in for any length of time at all.

You’ve heard hints here recently that I have had a few such projects in mind and/or in hand at home once again, so I think it’s about time to unveil some of the things I’ve managed to do or have done. And some that are still early in their incubation, perhaps. When we came to Texas to house-hunt for one whole week in 2009, it was the first time I’d set foot in the state outside of the airport. My spouse had been to the town we were moving to live in as much as twice during the interview process, so between us our experience and ken of the town didn’t add up to much, so we knew it was best to hold off on buying a home until (a) we saw if the move was a ‘good match’ (or the university or denizens of our town would run us out at pitchfork-points, or we would pack up our carpet-bags in the dark of night and slink off to places yet unknown) and (b) we had some clue what part of town spoke to us and could house-hunt at leisure.

Thus, a rental for our first Texas home. We spent a comfortable year living in a very decent place in a quiet neighborhood and with marvelous landlords, but hoping to find something with better space for inviting students and colleagues and friends to visit, not to mention where we could put visiting relatives for overnight stays without having to stand them up in a coat-closet or bed them down in the bathtub. The real bonus of our rental locale was that the neighborhood was virtually across the fence from a second neighborhood that was both inviting for cooler-weather walks on the weekend and somewhat hidden–we know lots of longtime townspeople who still didn’t know this neighborhood existed until we invited them to our current place.

When we found the house we would buy, we had been ‘scouting’ the neighborhood, with its mature oaks galore and hidden charms, for a bit and we were first to see the For Sale sign sprout and the first to come and look through. A second couple had asked for a tour before we turned around and opted to make an offer, and that was about it. Both of us had an instant liking for both the house and the nice 88-year-old lady who sold it to us, but it took both of us wearing our creative goggles to see through her 30-year-old decor to see what we would make of it as our own home. So the negotiations began with our plan to remain living for an overlapping month in the rental house a short walk away while I joined the construction crew that we hired to do the many small repairs and updates and the one larger task that would lend it such personalization for us rather quickly.photos x 2The big idea was to open the wall between the kitchen and dining rooms, which made this three-decade-old house leap forward into the Open Concept era and our plans for group entertainment with great alacrity. The removal of lots of wallpaper and beautifully crafted but dated window treatments and a few old-looking light fixtures, and adding many fresh coats of paint throughout, went a long way toward modernizing the place, so that’s what I did to keep busy while The Guys were generally wreaking havoc in the adjoining living areas. I ripped out the wall to wall carpeting in all the bathrooms–the en suite master bath being effectively three whole rooms even without counting the walk-in closets in them, plus a Jack and Jill bathroom between two bedrooms that we’ve made into an office and a TV room, plus the guest bathroom on the other side of the house. I ripped out the carpeting in the kitchen. It was partly glued down and mostly just welded with age to the slab all around, and the baseboard was a bit brittle with age, so it was slow going, but despite that and the gritty heat of the work it was worth the effort, and a huge delight to see the unwelcome, inconveniently dirt-gathering flooring in the ‘wet rooms’ give way to concrete over which we could get something more appropriate set.

Once I had the rugs ripped up and most of the wallpaper stripped from the kitchen and entry, the contractor’s crew came in and began the kitchen renovation, knocking open the inside wall, repairing wall and ceiling cracks, replacing the refrigerator and dishwasher and cooker fan hood (with a microwave/vent), and extending the lower cabinets to fill the new half-wall with wonderful storage. New and gorgeous granite counters went in, fresh paint went on and with masterful matching, new Saltillo tiles from Mexico were laid in the kitchen and adjoining hall and guest bath and stained to match the existing entry/dining room floor. While the men were busy with the kitchen and some painting of the higher-ceilinged entry, living and dining rooms and kitchen, I kept busy repairing small holes and scratches on walls and woodwork to prep for my paint work, removing all of the broken, torn or dated window treatments, and replacing light fixtures and hardware (grouping light switch and outlet face plates and towel bars and door handles to better match each other in various rooms). My favorite improvement in that category came from removing the Oh-So-Eighties white ceramic knobs on every cabinet door in the entire built-in-filled house and replacing them room by room with new hardware better suited to each space.

Now, I must add to all of this that this is a house I would never have designed in the first place. It’s not precisely my style. But I love it. I’m an old enough hand with this stuff to know it would have been a huge mistake to take an essentially solid and well-made house and try–at least without gutting and rebuilding it with ridiculous infusions of money–and make it into something it isn’t. This is how a person who adores Craftsman style, cottage style, mid-century modern, minimalist contemporary, Gothic and Art Nouveau styles, among many others, ends up living in and paying homage to, an updated ’70s colonial. Ha! Needless to say, it requires submitting my own instincts to an appropriateness-test each time I make a tweak, and looking for whatever I do find attractive and lovable that is suited to the situation. First and foremost, of course, that category includes the people I want to spend time with in this place. (!)

One of the distinctions of this house’s style is the aforementioned large amount of built-in cabinets everywhere. It makes for an atypical ’70s house to have such abundant storage. I don’t even use all of the space in any one of the rooms. I can credit a bit of that to being a pretty good organizer and fondness for occasional purging rampages on both our parts, but much of it’s simply having more space than we really require. We quickly found in house-hunting that nothing in our expected choice of home sizes (two bedrooms, two baths so we could accommodate our overnight guests) ever had enough contiguous living space for a dozen dinner guests, let alone twice that or more as we’ve sometimes had on hand. We have, therefore, much more space than absolutely necessary for a whole lot of other things besides mere hospitality purposes. I do find it’s nice, over time, to figure out what use serves us best in which part of the house.

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Need more storage despite the cupboards? A wire rack cut to fit over the door jambs keeps the laundry basket out of the way, close by and dust-free. Doors cross each other when they’re both open and pinch your poor hands in between? Replace one of the two with a bi-fold door.

That’s how what at first seemed like a uselessly illogical cabinet in the front hall became the ideal mid-house location for my most-used small hand tools and hardware stash so that no matter where the need occurs, everything is in fairly quick and easy reach. An innate urge to find the easiest route to every necessary task drives me to make many of those changes that can drive change-haters and husbands batty at first but often lead to eventual simplification in daily life. Having two supposedly unwanted extra bedrooms led to our having a place to keep and watch a giant television without it living in our guest space and distracting from lovely conversations with visitors in the living room. Coincidentally, it makes a very cozy ‘away’ space for reading or napping that means neither of us ever has to be underfoot if the other wants to do something different (or more asleep) than the other is occupied with at the moment. It also gives us an expansive home office space so that my spouse can continue his university tasks after hours as needed, without stealing my favorite desk space as I work. No dueling over desks here. No dueling at all, really, in such a big house that I now have my own comfy recliner in front of the TV too. No, I’m not even going to try for custody of the remote; I don’t know what is on when or where anyhow.

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From the kitchen, an open view: dinette at lower left, door to laundry at upper left, guest bedroom with its frosted window shining just beyond it; a big built-in hutch for kitchen storage; living room at upper right, with its opening into the dining room at the very far right, and on the lower right, the kitchen counter over which *that* room opens into the dining room.

The latest round of fix-ups and mix-ups around the house waited a couple of years after our buying the place so that we would not only have saved up a little to do them but also, one hopes, have a far better idea of how the house works and how we can best operate in it. The guest room furniture got reoriented so that there was enough more room to add in our exercise cycle and more importantly, also a small desk for guests’ use. One of the happy quirks of room re-arrangement is that sometimes even when there’s more stuff in a space, if it’s better arranged it can feel bigger. Physics aren’t always obviously logical. Go figure. The living room furniture underwent a similarly needed reorientation and now allows room for a small tertiary dinette–besides the eight person dining table and the kitchen one that can stretch for six, we can now put a few diners in the living room too without even moving the conversational seating group. My small seating group out on the back patio is very rarely used. It’s almost always too hot, of course, for sitting out there, even if there weren’t also the Texas-sized insects lying in wait to chew us right out of our skins, not least of all those recently arrived terrorists, the West Nile carrying mosquitoes. Still, there’s something both comforting and welcoming in the mere sight of a pretty outdoor ‘room’, so that’s on my list: how shall I make the space outside our kitchen windows extend our sense of place out into the greenery? How can I bridge the gap between my dream garden out there and the small changes I can bring that will improve the yard much more affordably in the short term? The plot thickens, indeed. The outdoor chandelier has moved closer to the seating area now, and more will come soon. I hope.photoHaving begun the recent round of improvements with a new TV room recliner (a supposed outdoor piece, and bought at the grocery store, of all things) and that blessed new cooktop I was bragging of recently (where eggs do not perpetually run downhill and cook from one end to the other over time anymore), we moved on to more complicated things.photo

(To be continued tomorrow . . . )

Pretty Bird!

It was a simple little painting, nice if nothing especially original or fantastically crafted or anything startling like that, but I liked what I saw. It was of a slightly stylized, funny little semi-abstract bird, one of those paintings that always run the risk of being too cute and cuddly and charming for its own good, with a few little bitty splashes of the leftover paint sprinkled about the canvas almost as an afterthought, maybe meant to evoke flowers or stars. Not much to move me or even catch my attention . . . except . . .

mixed media on campus

No, this is not the painting. Not even part of it. I couldn't photograph someone else's artwork (this is mine, as always) and stick it in my blog even if I wanted to do so, because that would be (a) copyright infringement and (b) as ill-mannered as flying over someone and . . . well, you'll see . . .

I liked what I saw because that last little splash, those sprinkly spots–why, they landed smack in the empty space right beneath the birdie’s tail. All of a sudden a foofy little bird that seemed to have been meant to act all pert and prim . . . had pooped. In an eyeblink it went straight from being a prissy little pretty-bird vacant of all meaning to become a faintly twerpish chirper, a vaguely immature and irresponsible and a much, oh ever so much, more real and kindred-spirit creature. “I strafe upon you all!” it cheeped, but all the while with the same blandly friendly expression, almost as if it were a passive-aggressive scalawag of a bird just barely behind that pastel-feathered façade.

So much more understandable and filled with story-time potential, this impertinent little fellow. It’s not that I want to be that bronze-cast personage of the park whereon the pigeons land to ‘take their ease’–life offers plenty of opportunities for humans to feel they’re treated like inanimate objects or public restrooms as it is–it’s just that part of me is pleased that a little cutesy-bird was allowed to go his own way just for the element of surprise, that some painter I might’ve dismissed as boringly sugared-up with too-sweet birds decided, literally, to ‘let this one go’.

Even better to my mind, I’m afraid, is if that same artist never even noticed the obvious implication of that splotch’s placement and so sent out, for show and sale, a scamp of a bird that flicked its tail with devious disdain and dropped its pretty pastel bombs upon the painter’s cozy dainty reputation right along with all the passing world. I couldn’t help myself: I liked what I saw.mixed media on canvasNo, obviously this is not the painting in question either. In the interest of full disclosure, however, I will tell you that my original mixed media painting shown digitally here was titled ‘Ruach‘, a nice juicy Hebrew name meant to evoke the eponymous Holy Spirit. Which, being represented in the narratives generally by a much nicer (if not necessarily politer) sort of bird, would presumably drop kindlier sorts of things upon one in passing. I would hope. And hey, that just makes the earthly, earthy mischievousness of the bird in the other painting that much more amusingly charming by contrast. If you share my childish kind of humor, anyway.

Awash in Sentiment and in Love with Loveliness

photos + textAbsolutes

Marvel with me, if you will,

that water never flows uphill,

that whiners know no dulcet tone,

and ants leave nary a cake alone;

that day follows night and night the day,

that parrots always have something to say,

that money’s scarce in holiday season,

and you love me still, despite all reason.

digital collageNaturally, I Thought of You

I stepped onto the broad parterre to make a painting en plein air,

but found, instead of gentle breeze, the air was cold enough to freeze;

instead of fresh and sunny scenes, a garden growing wilted greens;

I’d hoped to capture nature’s glory–saw, instead, an allegory

teaching me: the garden pales, the skies grow dim, and nature fails

and seems all doomed to soon be dead–so I just painted you instead,

and in your portrait, found that kind of natural joy I’d hoped to find.