Art, Before & After

graphite and markers on wood panel

Today, another little glimpse of artful goofing to re-imagine an existing piece of my work. I almost never tire of reworking/revisiting my old artworks from time to time. In part, it’s a way to critique and edit my stuff and see how I can grow and change over time. Mostly, it’s just good technical practice–a little bit of re-training my eye and hand and, when I get lucky, learning a new skill or two. In this instance, I took another of my pipeshade designs done in 2007 in preparation for Martin Pasi’s carving the wooden screen panels for his Winnetka instrument and I did some Photoshop playing with it to turn a pair of the panel designs into a merged single image and then ‘hand coloring’ it digitally to redefine it as a wholly new looking picture.

The whole Winnetka project was based on the church’s part of the collaborative team’s desire to have their organ artwork reflect local character. Since Congregational churches don’t tend to wish to fill their worship spaces with traditional religious iconography but rather prefer a more generally meditative space, so it made sense to aim for a design more simply nature-based and reflective of regional beauty. I decided to incorporate some of the Illinois state symbols into the design. This pair of panels featured the state bird, Cardinalis cardinalis–the Northern Cardinal. Is a cardinal too religious a symbol? Oh, that’s right: not a Roman Catholic church. Okay, cut me some slack.

Not really necessary to elaborate, is it. I just decided to show you the Before and the After versions today, and dispense with the intermediate steps–they’re not entirely thrilling to see, being a series of steps mainly devoted to converting the graphite drawing to a crisp black ink-outline appearance (only moderately laborious with the help of Photoshop) and then using my digital ‘coloring crayons’ to fill in the blanks to create a full-color version. This time, I opted for something much more cleanly graphic than yesterday’s reworked image. Who knows what happens next time? That, in fact, is the fun of both making art in the first place and then, in having the option of revising it, maybe even more than once. Can you say, mercurial? Nahhh, we know that I’m still just a big kid with a short attention span. No need to dress it up. I’ll just spend the dress-up energy on the art, if you don’t mind too much.digital artwork from an original drawing on wood panel

‘Work in Progress’ is a Lifetime Commitment

I think of myself, as many people do I suppose, as a Work in Progress. What started out as a small, wiggly, colicky mass of spittle-covered humanity just over a half century ago is progressing, ever so gradually, into something like Iteration No. 10,000,022 or so, and will (if all goes as hoped) continue in the same unpredictable path until death do me part. I like it like that, if you want to know. I have no idea where I’ll be, what I’ll be doing, who I’ll be, a mere matter of months from now let alone in years yet to come, and that seems perfectly okay with me. Life continues to be a big adventure, and I’ll take it as it happens.

As a visual artist, I can say pretty much the same thing. Some works take their own sweet time to develop. Some take their own tangents and I just hang on for dear life and hope I can keep up with where they’re headed. I don’t always know what I intend to make when I begin a project, and I almost never know what I will make, given that art things sometimes cooperate and turn out similar to my imaginings and more often than not, they assuredly don’t. Sometimes the uncooperative piece ends up being much better than I could have conceived of it or even than I thought I could accomplish. A lot of the time, the end result of my artistic machinations ends in my being pretty surprised. Whatever happens in my life and my world, I’m pretty sure I’ll die surprised. Not a bad way to go, eh!

Just as an illustration, I thought I’d share a glimpse of ‘process’ that spans a fair amount of time and a couple of widely separated playtime brainstorms. Thanks to my exceedingly slow-simmering artistic processes, this piece incorporates a color background I scribbled a few days ago in colored pencil on paper and digitally melds it with an organ pipeshade design I did a few years ago (designed for Martin Pasi‘s pipe organ, an instrument made for Winnetka Congregational Church in Illinois, 2007), photographed as it was executed on wood panel in graphite and markers to prepare it for cutting and carving. Bit by bit and frame by frame, two rather disparate art projects merged into one, and that’s how it all went. This time.

colored pencil on paper

A simple abstraction in colored pencil, scanned from the sketch paper.

digital painting from a drawn original

Taking the original colored pencil drawing through a few painterly paces via Photoshop, I got a more cohesive background ‘starter’.

digital painting, new proportions

Rearranging the proportions of the digital artwork makes it a better fit for the mash-up I now have in mind.

graphite and marker on wood panel

The cartoon on wood panel, waiting for cutting and carving, was done in graphite and marker on the raw wood, crisp but not the look I had in mind for this use–more of a pen-and-ink appearance for now.

digitally converted 'pen & ink' look for

Photoshop to the rescue! Now we’ve gone back to black and white version and it looks more inked–almost tattooed, perhaps.

digital artwork from two original drawings, merged

So now, I can smash together the two images–the pipeshade design and the colored backdrop. I think I’m almost there . . .

digital artwork from the original Winnetka panel + colored backdrop

. . . ahhh, that’s better. Now instead of looking like the sun is underwater, I have a sense of sunrise or sunset. Now we’ll see if I can think of a *reason* for this image. Oh, who cares. I just like to Make Stuff when I get in the mood for it. So sue me. But if you can think of any reason for it besides personal entertainment, feel free to enjoy that concept!