Thoughtless Thursday

Since a number of Web Wanderers post wonderful Wordless Wednesday items, and I’m always behind the times in oh-so-many ways, I’m posting my own version a day late (and undoubtedly a dollar short), giving you here a highly abbreviated visual history of my life as an artist. Since I’m only middle-aged, I let it end at the Middle Ages for now, though you’ll notice from some of the costumes in the last frame that I’m looking for a Renaissance to appear fairly soon. Can’t hurt to hope, can it?

P&I

I was no prodigy, and I certainly took an early interest in shortcuts and easy techniques when it came to making images, but I did always have an eye for a good juicy and dramatic storyline . . . P&IAs I grew more seriously interested in art, I was also reaching an age where one wants to Fit In, so I did my part of stylizing my imagery and making it seem, I thought, more palatable to the critics (teachers, relatives) . . .P&IThen, of course, there was that awkward age when I started to think for myself, to develop my own philosophy of what my art should or could be, and what I wanted it to be. Presumably, the reason I lost my reason entirely. You just can’t make your own art without giving up at least a little of your already tenuous hold on reality . . .P&I. . . and here you find me, wandering from village to village in the vast land of Internet, telling my tales and making my pictures without much regard for the safety and comfort of those around me, but perhaps in that most of all being at last quite true to myself, the mildly crazed artist in your midst . . .

Show Me the Pony!

There is a lady who is the Ring-mistress, though she claims to be a “domesticated clown”, in her family’s circus of life, the lovely Belle of the Carnival. While busy juggling the necessities of family life artfully, she is also a graceful philosopher-provocateuse, posing and dilating upon and otherwise exploring questions of interest ranging from the when-why-how of developing creativity to her 4 January post asking whether ‘grass is greener syndrome’ is not still a very common problem among us. I, for one, can raise a hand affirming my vulnerability to that ailment.

It’s not exactly news that I’m always peering over fences and into shop windows with an acquisitive eye. My magpie lust for all things shiny, fabulous, mysterious, arcane or otherwise alluring is hardly a surprise to anyone, and I am certainly not above wishing myself as brainy, as desirable, as clever, as witty or as talented as another person. If not more so, she said sheepishly, for who doesn’t like the idea of being the best at something once in a blue moon? I thrive on the drive for what’s rich and beautiful and compelling.

colored pencil on paper

Mr. Congeniality

That’s when I look in the mirror and see someone who looks like Rasputin, and I mean the after-assassination version, when he’s been poisoned and shot and stabbed and clubbed and drowned and dismembered (!) and whatever else the Keystone Killers ultimately tried to bump him off. (This, because no matter how charismatic he was to some–and he really must’ve been charismatic to have the influence and power he gained, because let’s face it, he wasn’t exactly a Hollywood hottie and I’ve read that his personal hygiene, if any, was apparently ineffectual–there were those, including his assassins obviously, who found him wonderfully repellent.) So there I am, mirror gazing and seeing this unpleasant creature gawping back at me, and I think, Self, you need to switch out those nasty green glasses of envy for something a whole lot more rosy-toned. To which my inner self responds that clearly I am smarter than I look at the moment.

And I know it’s time to haul my inner Pollyanna back out of the cupboard. I need to be so optimistic as to not only see myself as perhaps worthy of a little envy myself but also to be surrounded by stupendous and spectacularly fine people, things and circumstances. Then I remember that I really am ‘all that’. Where others may be looking at life as a massive mound of manure and seeing only the steaming heap, I’m the village Natural who says, Well, if there’s all of this fine compost, why there must be a pony in here somewhere!

colored pencil on paper

Quit horsing around and show me the pony!

So I start digging. And I think, yes, I have got it great and I’m not such a slouch myself. Heck, I would trade lives with me if I were someone else! There might be enough little occurrences of peeling paint or math-phobia or hangnails or totaled cars or intestinal indisposition here and there in my oeuvre to keep me from appearing in any way fiction-perfect, but the sum total of my existence is, was and ever shall be (hope, hope) mighty nice indeed. Here I am, rolling on into my second half century with twenty-eight undaunted original teeth, working body parts basically functioning tolerably well, a decent education under my belt (any indecencies having been added by the recipient), living a comfortable and entertaining life with the Love of it (my life), and having a remarkable quantity of chances to meet fascinating and admirable people, to go astounding places, eat as much hypnotically delectable food as I dare (plus a little extra), wear whatever I jolly well want to wear, and not talk on the phone for whole days if I don’t feel like it.

In fact, my life is so good that I can admit to you that yesterday’s post about fantasizing favorite things in life is essentially all stuff I’ve already had the privilege of experiencing, some of it many times in different ways and combinations. Clearly, I don’t even have to be a terribly imaginative person to invent a fantastic life when I’m simply privileged enough to live it, do I. When you’ve seen a field of blue poppies pierced with late afternoon brilliance, you’ve stood in the hollows of the worn stone steps of Canterbury Cathedral watching history sift down in the dusty lamplight, you’ve eaten the exquisitely dainty Toast Skagen in Vaxholm where the shrimp apparently leapt from the sea directly onto your piece of buttery bread, you’ve crossed the Charles bridge over the Vltava in an evening mist so pearly that the statues seem to hover between inanimation and life–you have no need to go far to summon magical thoughts of all sorts into being. When you’ve carried a squalling baby over your arm singing an old nursery song until the colicky tension finally leaves her body in a sigh and she droops asleep, you’ve built forts in the shadowy midst of the tall Douglas-firs just to picnic there, you’ve ridden a train along the flanks of the Italian Alps and you’ve wandered Viejo San Juan to stand on the sandstone overlook and blink in amazement at the surreal turquoise of the crystalline seas, and you’ve had a sweet young calf nuzzle up against you in a grassy spring pasture, well, miracles must seem almost an everyday phenomenon.

It would be crass, given all of that, to sulk over things not had, places not gone. I’ve admitted to the infrequent twinge, more of a tiny zip of static really, but let’s face it, if I were to mope around coveting and envying I would be as big a heap of steaming whatsis as the aforementioned one that might or might not have contained the proverbial pony. So I will simply say that I am never permanently surfeited, what with being a mere mortal and all, and only consider each fresh miracle dropped into my undeserving but avid gift-receptacle lap as so much additional icing on the cake, another sparkler to add to my coronet of childish cheer and delight.

On which note, I must tell you that yet another unreasonably generous person has granted me the Versatile Blogger Award today. Pamela Zimmer, having been a most deserving recipient herself as the writer of the engaging and inspirational blog Stories of a Mom–ostensibly about being a mother (having devoted herself to this admirable and challenging art in trade for her previous profession as an architect)–sets a high standard for versatility herself. Somehow it seems appropriate that her name means “room” since her blog provides a welcoming place for finding like-minded and thoughtful and spirited companionship and insight, one of those homes-in-the-ether that are such a grand find through blog reading and writing. Many thanks to Pamela for this great kindness, and for reminding me indeed of this other boon I’ve been granted in the last year: finding a whole new world to explore and in which to meet, learn, rejoice, ponder, commiserate and laugh. These are among the riches that anyone viewing my life should well find enviable–though I’d love nothing more than that no one had need to envy me but would rather be equally rich and content.VBA logoI wouldn’t mind having a pony, mind you; however, our back patio mightn’t be the ideal digs for one, especially if that bobcat still lives in the greenbelt backing our property, so I’ll gladly accept in its stead the VBA, which I believe requires less hay and currying and de-worming medication. And I say, Thanks again for Everything!

Empress of the Ordinary

digital graphicOrdinariness is not a vice. It has taken me most of my life to grasp that home truth, to recognize the sublime simplicity that what is ordinary is not inherently bad. It’s not even necessarily boring or predictable, though most of us treat it that way and make it so.

It occurred to me as, for the umpteenth time in my life, I was marveling at the biography of some outlandishly gifted famous creature and reflecting on the comparably slack bag of tricks that could be held to define me. No one, I thought, will ever have reason to pore over my biography, no, not even to write it. I never so much as kept a diary for more than a few brief delusional periods before being recalled to my senses and silence by the glaring absence of exotica to lure even its author to reread it, once written. What is the great magnetism of the larger-than-life character’s story, I wondered; why am I compelled to recount and savor the life stories of those who loom heroically or with great drama or grand style on the horizon?

And I realized my answer was a strange surprise: I am seeking my own reflection.

Doubtless wiser souls have spotted this long ago! But what a freeing moment, in a way, was the discovery that what I am always hunting is familiarity, commonality, a sense of communion with others. It’s glimpses of characteristics I can truly understand—my own—that make extraordinary people real and attractive to me.

If that’s so, then perhaps my own “universal” qualities, my being Jane Doe or Everywoman, cloak in the seemingly ordinary person that I am not only shared parts that other people would find familiar in that same compelling way but also distinctions they might find equally surprising, strange, dare I say it, impressive. In the rags-to-riches celebrity tales, it’s not entirely the thrilling alternate universe of that unfamiliar life of wealth I find titillating—that’s so often a short last chapter to the tale, revealing little of real mystery and glamor—it’s that someone who seemed as ordinary as me got there. The story of a brilliant achiever or fabulous saint is rarely of great interest unless that greatness is seen set in the contrasting frame of dimmer, plainer beginnings, the quieter greys of mortality and everyday being.

So who am I, if not merely the forgettable dust of common humanity? Perhaps I really am Jane Doe. I have no characteristics more notable or exciting than my DNA or fingerprints and dental records to separate me from billions of others on the teeming earth. No reason to complain; the great and grand, the famous and infamous, the rich and rare among humankind would have less grey to offset their glory without me, and that might be purpose enough.

But I am more. I realize that every Jane and John among us has a story, a single glittering spark of distinction that sets us apart from all others. It may be the peculiar combination of ordinary traits alone, which for the unrecorded life dies with it and may remain ineffable forever. It may be no more (though this is presumably the greatest trait one could aspire to have) than that I am loved. Or maybe, just maybe, I am more interesting than I guess, and looking at myself as a biographer should can reveal someone more impressive and worthy of note than I have heretofore imagined.

And there’s always room to write a new chapter for the autobiography as long as it’s a work in progress.digital graphic illustration

Do What You Love and Love What You Do

photoDear Me:

Flee specious “requirements” in your life. Think about what is honestly mandatory, absolutely required for survival, health, sanity, legal purposes or whatever. Don’t be dragged into what other people say is right without considering whether it’s right for you and for the world as well, or influenced into doing and being things that have nothing to do with your own real values and needs. Decide what does make sense for your efforts, and do the work that it requires.

Especially, find the most palatable, preferably appealing, ways you can to accomplish those ends. If you’re to spend any of your time and labor and energies on doing Necessary stuff, you really ought to be doing it by the most pleasurable means possible. Life offers enough pokes in the eye that can’t be avoided, so why subject ourselves to any we can sidestep? Rather nicer to seek out the ways in which we can accomplish our goals, meet our needs, achieve the desired ends, by doing things we enjoy and surrounding ourselves with good people and environments. The more enjoyable the compulsory and obligatory parts of life are, the more quickly and happily we complete them. The more swiftly we cover those bases, the more time we have for doing and being the things we prefer and desire most. Follow the example of those greats whose accomplishments are or were shaped by both their pursuit of natural abilities and inclinations and their will to open new doors and find new loves. It’s my belief that work is one of the most egregious four-letter words ever invented, that minimizing the work I absolutely have to do in life and, further, converting any so-called work I can’t avoid doing into something I like doing anyway are highly honorable goals. Paradoxically, I suppose, that’s something I’m willing to work at constantly.

Love, your constant friend and co-worker, Myself

photo

Viewfinder

digitally doctored soft pastel and colored pencil

Home is located on Cloud Eight.

You will not be the least bit surprised to know that my lifelong residence on Cloud Eight is situated as close as possible to the proverbial Cloud Nine, where all is perfection and the joys of every ideal are quite simply the norm. You may not even be shocked to hear that I have no need, intention or desire to relocate permanently to Cloud Nine. Frankly, I’m afraid that living there full time would blow my gaskets. Too much ecstasy, constant adrenaline and a permanent state of bliss sound dangerously close to hysteria and collapse. Further, I fear that such excess would find some way to become dull, lacking the contrast of subtler and more refined things.

I have no desire for pain and suffering, mind you; I am very well adapted to my happy and near-perfect life, and I am far too un-evolved to handle the demands of a trying existence. I am quite content to be, well, contented. And on Cloud Eight, there are just enough unforeseen twists of the road, moments of sorrow or fear or illness or what-have-you that, when they have passed, become salt: a seasoning valued so highly because in addition to its own flavors it highlights and enhances the other flavors around it. The piquancy and clarity and intensity of joy is only fully possible, I suspect, if one knows a hint of contrast. Maybe that’s just another iteration of my love of black and white imagery.

In the meantime, as I say, goodness and happiness have their own complications, not least of all a jaded or surfeited attitude brought on by over-indulgence. I find pessimism and paranoia dreary and tiresome companions, but a little part of me needs to stand at attention and be alert to their opposites so that I don’t drift along, bleary, blind to the beauty and inspirations all around me. If I fail to see the marvels in my own (albeit somewhat raggedy) garden, the humor in a child’s uninhibited playfulness, the drama and magisterial artistry in a lightning-streaked sky–why, then, there’s no point in lounging around on the everyday cloud most proximal to the place of perfection, let alone taking the occasional jaunt over ‘next door’ for that welcome hit of delirium, is there!

With that in mind, I make it a point to revisit my own environs with a different point of view or a revitalized attitude whenever I can, lest I lose sight of the wonders all around. If I should lack for a blog post idea for a moment, what’s to blame but my own failure to adjust the lens, to improve my focus. To see and revel in what’s right in front of me. I should take every opportunity to pause and refresh my senses, and then I can’t imagine that there won’t always be a new idea, a dazzling insight or maybe just a friendly reminder of how great the seeming old-familiar can be if I let it.

soft pastel on paper

If I tire of the view, I ought to change my perspective . . .

Correct Me If I’m Wrong (and I Never am . . . )

spurs & windmill photos

EVERYTHING is research, no? Put on your spurs, head into the wind, and file this, baby!

I think of life as one big information-expedition. Whatever we do or sense or observe gets filed for future reference. Some things are instantly obvious candidates for the Circular File, yes, but everything else should potentially be of interest in one fashion or another. Call it ‘learning from experience’ or fodder for future tall tales to the great-grandkids or simply useful stuff to know, I can’t think of anything that doesn’t, shouldn’t or can’t inform the future self if stored and processed thoughtfully.

Anu Garg‘s wonderful resource website and newsletter A.Word.A.Day (http://wordsmith.org/awad/) is full of marvels: offering the etymology of a word (or more) each day, it seeks to broaden not only our vocabularies but our exposure to and, hopefully, understanding of the history, culture, politics, religions, biology, biography, and so forth–not only of our immediate surrounding population and geographic areas but all of the world’s intertwining ones as well. In addition, the site includes quoted wisdom, pathos and humor from great thinkers and writers. Today’s quotation was one that especially resonated in me:

A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art. –Jorge Luis Borges, writer (1899-1986)

I’ve long felt that, whatever other good bad or indifferent qualities I impute to my life experiences, they shape not only how I think and act afterward but also what directions my creative life is bound to take. I have not even remotely achieved the Buddhist ideal of absolute presence in the moment or a fully and minutely examined life. In my case, though, I attempt most to apply that special rigor to the sensory experiences of my existence, since it is the use of the senses in interpreting and expressing my thoughts and ideas as art that gives me my best self-expression in its broader meaning.

Thankfully, my immediate circle is famously patient with such things. When my partner and I go for a walk, he is enjoying the movement and the tour through a place. I am spending some of the outing walking right along with him, but it’s usually interrupted from time to time by my stopping to investigate and/or photograph whatever intriguing distraction has caught my Miss Magpie eye. I call our walks ‘interval training’ on my part, because while my spouse has continued at his regular pace and I’ve been playing amateur researcher-inspector-scientist, the gap has widened from arm’s length and I must either speed up a little or hit a dead run to catch up for another bit of close-up strolling. Whether it’s now stored in my digital memory as a snapshot or not, whatever caught my attention is filed as quickly as possible–preferably while I catch up to my walking partner, since he may well have continued our conversation without noticing that I’d dropped behind and it would make for some disconcerting non-sequiturs indeed if I interjected with commentary on the beetle wing I just hurriedly stuffed in my pocket or the Art Deco cornice I paused to photograph.

Certainly I have found the digital mini-camera a boon when it comes to those fleeting moments of ideation and inspiration. More often than not, it’s long after the fact that I find the meaning and particular interests in whatever had diverted my attention, frequently because, upon seeing the photograph I’d hastily taken, I’m now noticing something new of interest. That’s usually when I spot similarities of appearance or type, or affinities that put this new tidbit into the context of some story I’d intended to tell or that make it a ‘good fit’ for grouping with other found treasures in my endless stream of visual-mental comparisons and meta-matches, these usually leading to yet another story or stream-of-consciousness ramble. Thus go the meanderings of the trackless mind.

The special appeal, for me, of such unplanned and serendipitous findings is that nothing goes to waste. There are no Wrong Answers in this class. Mistakes and griefs, misfires and tragedies, ugly things and scary things and unbelievably stupid things all have as much possibility for conversion into a good story or a fine piece of art as any happy or pretty thing can have. Even MY mistakes and griefs. With a bit of perspective, at least. So, whenever I can unfurl from the fetal position after having been hit by or created a disaster, I teach myself yet again to spring up with the cartoon-like enthusiasm of those eensy-weensy Olympians popping over the vaulting horse, throw my hands triumphantly in the air, and yell, “I meant to do that!” and then do my best to incorporate the most useful elements of what’s left of me after the experience into an even better me.

Or at the least, into a pretty cool piece of creative art.

aquarium photos + text

It takes some courage, to be sure . . .

And it’s particularly helpful to remind myself that, even if I’m not quite up to that task, maybe the Artist character that I play could do it . . .