Get Me Some Book-Larnin’

Drawing: Samuel ClemensJust because I have had the benefit of a decent education doesn’t mean I am smart. We all know that it’s entirely possible to have any number of degrees and diplomas, plaques and endorsements, letters and titles decorating your name and still be a complete fool. Idiocy is a far less rare condition than the number of high school and university graduates would have us believe.

Indeed, I have read a great quantity of writings during the course of my life, but I would never go so far as to say that I am well read. Among other contradictions to that claim would be my incredible slowness as a reader, both in speed and in comprehension: as a multifaceted dyslexic, able to turn words, letters, numbers, directions and relative spatial placements all inside out and upside down without even trying, I can easily spend four times the amount of energy and hours reading that any decent reader would need to get through the same amount of text. And of course that doesn’t guarantee that I will actually understand what I read in precisely the way the authors intended.

A more important reason that I don’t consider myself well read is that I have managed to conquer only a relatively small segment of the library most scholarly and literate persons would consider to be well written, informative, accurately researched and defended, or just plain must-read, important stuff among books. Long before I knew why it took me so long and so many tries to read a mere paragraph, let alone a book, I was required to tackle a handful of the so-called Classics of literature, and a bit of contemporary contenders for the title as well. It’s just as well I didn’t imagine I had such an anomalous reading style or that it was considered a disability by others, because I might have had yet more frustrations and difficulties in trying to fit the mold of how one was expected to overcome such things, instead of finding that by plodding through in my own backward way, I became attached to some of the books and stories to an equally unexpected depth. Whom should I, as a struggling reader, admire most among authors but those champions of the dense and complicated, say, Charles Dickens and Robertson Davies.

On the other hand, it’s probably less surprising that I also favor the purveyors of the most outlandish and appalling and ridiculous, from Ogden Nash, Evelyn Waugh, and Edgar Allan Poe to Mark Twain, S.J. Perelman and Franz Kafka. This part at least makes some sense, if you tend to believe I’d read writers who reflect something of my own mind’s workings or the weird ways in which I see the world. In any event, this latter crew might explain a little more about my tending to choose the least arduous paths in life, since I find a certain sort of familiarity in the strangest of their inventions and so can perhaps navigate their writings with a surer strength than otherwise.

So while I may not be the sharpest pencil in the drawer or the most edified of readers, I have at least a few pieces of proclamatory paper in my coffers to prove that I did my homework somewhat dutifully if not doggedly. My degrees don’t confer any special wisdom upon me, but they at least excuse my curmudgeonly attitude about how long it takes me to read my own posts, let alone anyone else’s books and articles and poems and proposals, no matter how brilliant and scintillating and clever and beautiful they are. I’m still trying, but give me plenty of time!

Rust in Peace

 

I flatter myself that I am improving with age. This morning’s Wordsmith offering from the fabulous Anu Garg of A.Word.A.Day was ‘crepitate’–one of my very favorites, thanks to the also fabulous S.J. Perelman‘s introducing it to me in the context of one of his typically scintillating, outrageously funny tales. I was reminded that crepitation refers to the creaking cracking popping grinding and other percussive noises of dusty old age, and that, not at all surprisingly, Perelman used it in self-deprecatingly hilarious description of his own antiquated joints as he gave what one must assume was–despite his stated intent of dash and panache–a dance demonstration to his date that was more rusty than rakish. Having done the requisite amount of damage to my own human machinery over the years by falling over and off of things, lifting things I had no business hefting, and in turn, turning, squeezing, smacking and otherwise torquing various portions of myself just enough more out of sync and syncopation that it’s remarkable if I only creak and don’t fall into syncope or crack up altogether.

So, whether dancing or just shuffling my slippered way around the hallowed halls of home, I consider myself  very fortunate only to ‘boop, whoosh, queel and grake‘ like another of my pantheon of fabulous wordsmiths, James Thurber‘s, old family car, and not to simply disintegrate wholly on the spot. Grey hairs? Bring ’em on! (Best color of hair I’ve ever owned by nature, as it happens.) Wrinkles? Oh, my, yes. Smile creases are only a badge of honor reserved for people who’ve had long and happy enough lives to earn them. Aches and pains will generally come and go, with more of the comings than the goings as time passes and I forget to accommodate my crepitude a little, but by golly it beats lying around and dissipating into a dust bunny of boredom.

And honestly, lots of things get more beautiful not just in spite of but because of their evident age, so why shouldn’t I give it a try?photo

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A Word from My Sponsors: Mes mots, ils n’ont sont pas si bon, mais…

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I am so often, despite my appearance of nonstop yammering, at a complete loss for words. Like many, I suppose I am quite capable of being both concurrently simply by spouting whatever bits of detritus pop into my mind without regard to their needing any sense or substance. Perhaps I’m a born politician and simply haven’t responded to my vocation properly yet. And for this you may all be unspeakably thankful.

The Unspeakable brings me right back round to my theme: How I should love to be like the exquisite Dorothy Parker with her seemingly bottomless font of ingenious and witty and always-apropos bon mots. I wish I could think and speak like the inimitable icons of word history, like Martin Luther King Jr., Clarence Darrow, Mae West, Sir Winston Churchill, Sojourner Truth, and their glorious cohort. Oh to be so majestically, yea magisterially, glib and yet brilliant. I’m more often just stuck.

But then when I think about it with a tad of detachment I must suppose that behind the majority of all that ingenious wordplay was a whole lot of careful and long-studied word-smithing. In fairness to all of us ordinary mortals, it might be said that a goodly part of the skillful framing of ideas and passions into mythic, unforgettable expression in words comes from dedicated and relentless craftsmanship. It’s shaped by a process of editing and critiquing and fine-tuning, whether with others’ assistance or in scholarly solitude, laboriously penned on paper in a leather-lined study or scratched with stone on a jail cell wall or recited until gleaming with polish while staring into a mirror.

Sure, someone gets lucky with the off-the-cuff potshot once in a while, but most of those stirring word pictures that stand any test of time were painstakingly crafted to meet the need of the occasion. No long-remembered story or speech is likely to spring from the woefully un-gifted or the sparklingly talent-free breast of even the most patient and committed worker, I should think, but I suspect in addition that a majority of those poetic bursts for which even the most spectacular of natural linguaphiles are best known come from a constant internal kaleidoscopic tumble aimed at ordering their thoughts into a more perfect set of images, at opening windows more ideally designed to reveal the sense of their story when they finally do tell it.

I’ll make an exception for the astounding Sojourner, whose most famous truth, spoken in a magnificent moment of rhetoric despite a certain enforced lifelong limitation on her education, not to mention her being a Mere Woman, was apparently extemporaneous, and is appropriately known by its signature repeated phrase, “Ain’t I a Woman?“. For, after all, there’s the artful use of words, and then there’s the genuinely inspired use of words.

But for my part, I believe I’d better commit to working it out in the traditional way of practice and mistakes and–when I’m lucky–progress. And then more practice. Even my hero S. J. Perelman, from whose Promethean brow sprang a seemingly endless stream of miraculously hilarious and sparklingly snarky phrases and tales, was a tireless collector of ideas and librarian of a vast store of ridiculous names and outlandish colloquialisms just so that he would have them all at hand and well ingrained in his psyche when the right moment arose for their ultimate use. So I will happily take up the tiny corner of his mantle that I dare to touch and follow in those wacky yet hard-working footsteps of his as they meander through the wordless dark, picking up stray nouns and adverbs wherever they shine most brightly.

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No matter what happens, somewhere out there is a perfect word for it . . .

Never Know Where You’re Going ’til You Get There

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Swimming with sharks, or drifting in a dream?

Last night was less than stellar. You’d think that, having read a bit of S. J. Perelman‘s highfalutin candy-floss just before hitting the pillow, I’d immediately hie myself into some delightfully weird and comical dreamland, but no. Instead, my dreams were shaped by an earlier TV-watching moment of some crime show involving postmortem decomp, and spent much of the night involved in various episodes of corpse disposal and crime scene cleanup. How this relates to my life and waking experiences I dare not speculate. It may even be significant that, while the topic in general was fairly repulsive, I didn’t wake in terror or horror so much as mystification. This, from a notoriously squeamish customer.

All of it only serving to bring to mind once again that wonderful performance of Sylvester the cartoon “poothycat” belting out his rendition of ‘You Never Know Where You’re Going ’til You Get There’. Not simply because, if memory serves, he was doing so in order to keep the ever-tormented Elmer Fudd from sleeping soundly, but because the very theme of the song is a life-talisman for me, a perfect description in the title alone of how my life’s path meanders and takes the odd acute-angle turn.

It’s thus that what first appears to be a view into a fish tank turns into the scene framed by an airplane window, not only in my art but in my perception of the world, and what seemed ominous turns out to be utterly benign, the factual is revealed to be a ridiculous concoction invented by the lunatic fringe.

There’s something reassuring in knowing that what seems fixed in reality is actually mutable and flexible.That change is possible, even when insignificant Me happens to be the superhero on call at the moment. It’s not necessarily that I have plans that will rock the foundations of the earth, just that I like considering the possibility and seeing where that contemplation might lead. I may discover I like paddling around nekkid among lead-eyed hammerheads just for the frisson of it, or that I suddenly figure out how to levitate and enjoy Google Earth views while soaring about without benefit of mechanical support. I’ll keep you posted.