I am So Very Thankful

Today marks the official national celebration of Thanksgiving in America. I am truly grateful every single day that I have such a wonderful, rich, happy and blessed life, but it’s a fine thing too to have occasional designated moments to devote to recognizing what I’ve got to appreciate.

So I must say once again how glad I am to have you, my readers and commenters, those of you whose blogs I so enjoy visiting when I can as well, and all of you who have become dear friends to me through our correspondence and sharing of ideas and delights through blogging. This is a gift by which I never imagined, those 520 or so days ago when I first started daily posting, I would be so enriched and in which I would find such pleasure and inspiration. Thank you, every one.

I am also humbly grateful for the unearned joys of good health that I have, and for the comforts of a well-fed, cozily sheltered and remarkably stable daily life. I am grateful as can be for having a superbly generous and warm and colorful and downright fun family. And most of all, I am grateful beyond all words for the love and friendship and constancy of my dear life partner, my spouse, my goofy comrade-in-silliness and my tender and unfailing support, the guy with whom I first went to dinner and a performance (however blithely ignorant I was of the earth-shaking import of the occasion at the time) seventeen years ago this weekend. The thankfulness and thanks-giving will never end.digital artwork + text

 

Foodie Tuesday: Apple Pie Order

In most places, ‘apple pie order’ refers to perfect tidiness. Around me, not so. It has two meanings for me, each off on its own tangent. The first is very simple: it describes a standard action of my spouse’s–whenever the occasion should arise, he will order apple pie. The second meaning of the phrase in my world is quite the contrary to the idiom. When my husband’s menu request is at home, the pies I am apt to make are anything but orderly.photoAs with all of my kitchen adventures, the making of pie is always and only an approximation of reproducing a Platonic ideal of the pie concept. I am perhaps a touch the cantankerous and childish rebel in the kitchen, constitutionally unable to conform to others’ instructions to the letter. Can’t think of a lot of things as fun as playing with my food, after all. Remarkably, my supertaster spouse, with all of the palatal restrictions this condition inevitably entails, tolerates my machinations and monkeying remarkably well.

I use that phrase advisedly, since despite his uxorious generosity, he still doesn’t hesitate to remark on the results, good or bad. But he doesn’t actually turn up that fine-tuned nose of his very often, as it happens.

The mere physical assembly of a dish is unlikely to come very tidily from my hands, either, given my previously noted propensity for impatience. and slightly anarchic search for visual amusements. Needless to say, anything more pie- or tart-like than a mere crisp or crumble is more often than not going to turn out rustic as can be. Given that I’m a sort of rustic myself, I suppose it’s only fitting.

graphite and colored pencilThanksgiving‘s apple pie was somewhere in between true ‘apple pie order’ and my kind.

My mother is-was-and-ever-shall-be the indisputable nonpareil, the mistress and icon, of pie making. Her crust is legendary with very good reason. I’ve never met a filling she couldn’t make that wasn’t a paragon, the archetype of its genre. Her fresh raspberry pies, loaded with fruit of the canes she nurtured from cuttings off her father’s plants have been known to reduce adults of seemingly endless sophistication to slobbering infants in one bite, a whole slice to cause delirium, fainting spells, reenactments of the Dancing Plague of 1518, and umpteen return pilgrimages to the dessert table.

Needless to say, my pies grovel in obeisance to Mom‘s, though she’s much too modest and generous to require such a thing. So when she’s in our vicinity for any length of time, you can guess what she bakes for my elated husband. Last time, she went the extra mile and left a spare bottom crust and dough scraps in our freezer. So the Thanksgiving pie was even more reason for giving thanks: Mama’s magical piecrust, ready-made, waiting only to be filled for the big finish.

I blind-baked that bottom crust and a sheet of cinnamon-sugared leaves I’d cut out of the dough scraps, made apple pie filling, warmed all of the parts at the last and assembled the concoction just before serving time. The man with the spare tastebuds deemed the result a little too far inclined toward the nutmeg, and I agreed: I’m always a bit unclear on how much volatile oil is still present when I grate a nutmeg–guess this one was more potent than it smelled to me. But, miraculously, the pie still managed to disappear down various gullets with some alacrity. Not to mention with many spoonfuls of homemade vanilla-cinnamon ice cream.

photoThe filling was a little of this and a little of that, as usual. I always prefer a blend of tart and sweet apples, some firmer and some tenderer, so I chose a mix of Granny Smiths, Braeburns and Golden Delicious from among the grocer’s offerings. I cut them in somewhat varied thicknesses of slice and chunks both, because I like the textural variety it brings as well as the emphasis on the distinct tastes of the types. The rest is fairly standard stuff, mostly: sweetening, spices and flavorings, fat and thickener.

My favorite thickener for apple pie filling is a bit of quick-cooking (small grain) tapioca, which again contrasts in texture with the apples to liven things up a little, and keeps the pie from collapsing when sliced. Or almost does. For sweetening apple pies, I love to use brown sugar for part or all (as in this case), because it’s no secret caramel and apples are a divine pairing and that flavor comes through in a pie nicely. A dram of vanilla to smooth out the caramel flavor. A toss of salt. A little lime juice to spark the sweetness and keep the apples’ color. A good dose of browned butter to add a little nutty undertone. And a last boost of both sweetening and zing, a spoonful of ginger preserves.

That leaves the other pie spices, and I’m pretty sure I’m relatively tame and standard with my cinnamon, nutmeg and a dash of cloves and that little bit of sweet-spicy ginger, even if I did accidentally go a little overboard with the nutmeg this time around. After all, I’m not a monster. It is my husband who asked for apple pie. And he does like his in apple pie order.

A Little Autumnal Magic

I can’t help it: autumn brings out the nostalgia in me. Something about the solemnity of nature’s visible procession from summer’s excesses into a more profound state, one clearly aware of death yet always moving through its dormancy toward the revival of spring–it all calls forth recollections of seasons past, of holidays I’ve floated through without being quite conscious of how few of those loved ones around the room and around the table will be there at the next or the next one after that . . . .

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The emptying-out that comes with the end of a season is in preparation for newness yet to come . . .

But the loveliness in this is that that knowledge of what lies ahead is not only the foundation, the underpinning, of awareness at the end of the year, it is indeed the purpose of this cooling down, going to ground, this tempering of high spirits. In part, it’s what adds piquancy and sharpens the joys of the winter holidays, whatever they are in one’s culture or part of the world. For us in the northern hemisphere, the descent into winter has begun and brings with it the knowledge of our mortality–but those of us among the truly fortunate know that it’s precisely that gift that leads us to live more vividly in the present. So we sing and dance and feast and laugh a little more wildly, and it brings out the imaginative child in us all.

Thanksgiving has always been a welcome celebration to me. I come from a family that counts its riches and revels in its blessings very readily, and certainly not just on the Official date designated by the state but with perhaps renewed vigor on that day. But sixteen years ago on Thanksgiving weekend I was gifted with a particular reason for deep thanks, and so the whole festivity took on a yet more personal tone. That was when the man who would become my beloved asked me out on our first date.

You all know by now that I am not very quick on the uptake, so I’ll just say right off that I didn’t even know we were going on a date. I just thought this interesting person was being wonderfully collegial. He’d asked me to collaborate on a project at the university; we’d had a meeting or two with other colleagues to begin the planning, and I’d already started work on my part of the process and was only very dimly aware that when he’d check in on my progress his questions were less germane than personal. I was delighted to go along with the plot when he invited me to go with him on Thanksgiving weekend and have dinner and then attend a performance of the Mark Morris Dance Company’s production of ‘Dido and Aeneas‘. What’s not to like! We had a fabulous salmon dinner at a local bastion of Northwest seafood excellence and discussed, among other things, whether either of us intended to have children; you will begin to understand the true depth of my obtuseness when I tell you that I have no idea how that topic arose on a first dinner outing, let alone did I twig to it that it might indicate the dinner as something more than collegial.

So there we were, eating and chattering and–oh yes–almost being late to the performance. For which Mr. Smooth Operator had in fact prepared the pit choir. His choral group was singing along with the orchestra for the program, and I came that-close to making him late. And found out we were sitting in the front row, center, of the sort of theatre where you can not sneak in surreptitiously. I was in a mild panic. I also had no clue at the time that a conductor might prepare the singers but not conduct the performance (as in this case, where the orchestra’s conductor took the helm), so I was both worried and mystified that my companion was calmly clambering over knees right alongside me to the middle of the stage-apron row. But suddenly there was a tiny, sneaking thought that this person was intending to sit with me throughout the performance and therefore might–just possibly–not have invited me strictly out of co-worker friendliness.

Well, I’ll just cut to the chase and end your suspense. Oh, that’s right, I already told you the fairytale ending! Opaque as my love-goggles are, and slow as I am to order my facts and realize the truly obvious, once I got the hang of all of this I wasn’t particularly behindhand in taking advantage of the situation. I may be silly, but I ain’t stupid!

So I got this ethereal dance/concert date under my belt and wandered a little foggily through the Christmas holidays, dodging my fears of the unknown rather handily for such a big scaredy-cat if I do say so myself, and by the beginning of the year was engaged to build a lifetime of ridiculously happy adventure with Mr Sparkly. And I call him that not just because of our shared last name but because, dang it, he brought and brings enormous amounts of sparkle to my every day. I can’t think of anything for which a person could be more thankful, at this or any time of year.

Now, I’ve been all mushy and reminiscent on you, and I owe it to you to say that it’s entirely the fault of the season. HAH! Of course that’s pure nonsense. But I must reiterate my thesis that Fall encourages such things in me. It brings out with its chill and darkening the contrasting warmth and light of home, hearth, holidays, and hope, with all of their spices and sweetness, their inviting doorways and gates to adventure, and all of the beauty that living in a time of Thanksgiving can bring. I wish for you all the same!

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Can't wait to see what newness and graces lie on the other side . . .

Foodie Tuesday: Nothing Sexier than Proper Mise en Place

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Ready for mirepoix-making?

Let’s face it, I’m as predictable as romantic comedies when it comes to many things, not least of all, choosing the path of least resistance when fixing food. If there’s a shortcut to the shortbread, lemme at it. If there’s a snappier way to trim snap peas, I’m on board with that. But if there’s one thing I know is worth any amount of trouble, it’s prep. It’s not glamorous, I’ll grant you, and sometimes gets mighty tedious, especially when there’s a sizable party or elaborate meal on the horizon. But there is nothing that makes the rest of the time in the kitchen more tolerable, even enjoyable, than having the best of mise en place at my fingertips.

I did my time as a house painter, back in the misty distance, and I learned tout de suite that there was no substitute for careful first steps when it came to a fine finished product; I spent some time laboring backstage and behind the scenes in theatres and found that what’s seen when the curtain’s rung up is about a thousandth of what’s been and being done for the production. Of course, my conductor husband works in a discipline where the inexperienced concert-attendee would be wildly off base to think that all performers do is get up onstage and wave arms or pipe on musical contraptions or flap tongues. Even if they have an inkling that rehearsals are necessary, they haven’t imagined the tiniest increment of blood, sweat and tears that went into a performance. And I’m fairly certain I haven’t come across any other field in which that doesn’t generally hold true. What goes on before-hand is such an essential and formative part of what comes out of the proscenium or oven that sometimes I think we’re guilty of assuming everyone would just plain intuit that. We need to tell the inexperienced what a beautiful thing is that dull seeming preparatory work, what glorious jewels are the salt-cellar and oil bottle and dishes of neatly diced Tasso and shredded Reggiano and chiffonaded basil.

Even the finished dish may not look particularly artistic, unless it’s something generally far more designer-iffic than what I’m likely to produce at my board, but it is an infinitely greater pleasure to prepare and serve food that was made easier to prepare and serve by having arranged for good mise en place in good time. There’s both the initial set of ingredients and tools that ought to be at the ready, and then there’s the lineup of Parts that precedes the final plating for presentation, and both serve to wonderfully streamline the efforts.

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The cranberry-mandarin-maple relish that will add a note of piquancy to the Thanksgiving plate is nothing much to look at, but will add its own essential character to the plate . . .

Part of the effectiveness and pleasure of mise en place for a visual obsessive like me is that it allows me to ‘paint’ with the food, whether in creating the individual dishes or in building the presentation, modest though it might be, by considering not only all of the flavors and practical characteristics of the ingredients but also their colors, shapes, visual textures and other attributes that can contribute to the integrity and–God willing–deliciousness of the whole.

So this is why, on the Tuesday before Thanksgiving, I’ve been brewing broth for gravy, concocting relishes and garnishes, butterflying the turkey and brining it (tomorrow it bathes sous vide, Thursday gets its high-roast crunch on!), roasting potatoes so that they will make heavenly light mash despite the added gallons of cream and pounds of butter, and all of that other ‘peripheral’ stuff. It’s not much to look at, to be sure, but I think I’ll manage to get a pretty fair showing out of it all eventually, because I’m laying the groundwork and setting the foundations first. Amen, let’s eat!

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That's it for today's sage advice.