Country Comforts

It’s easy to indulge my love of the bucolic and pastoral when I live where I do in north Texas. This county is full, as it has been for generations, of farms and ranches of all sorts that intermingle freely with the towns, cities and suburbs of the area. Whenever we take a drive or go running errands, we’re just as likely to see fields full of sorghum or corn, red or black Angus cattle, or sleek tobiano horses as we are shops and schools and natural gas pumping derricks.photo montagePlenty of relics and remnants still stand that tell me it’s been this way for a very, very long time. The little bronze school bell and windmill that remain standing right next to the old Ponder schoolhouse’s clapboard walls seem perfectly ready to go back to work (with just a tiny bit of functional renovation first, of course)–or to transport me instantly backward into the nineteenth century. A small private herd of longhorns spends its days in a cozy paddock that sits directly next door to a modern brick housing development, and on the other side of it is a stretch of fields full of wildflowers and prickly pear, punctuated by the occasional gas well and electrical tower, the latter often populated by small flocks of turkey vultures.photoAll of this makes an atmosphere highly conducive to my happiness: the conveniences and riches of contemporary urban existence, conveniently interspersed with spirit-soothing farmland or ranch and historic pleasures. If I play it right, I can feel like I’m on vacation no matter which world I happen to be in at the moment.

Malignant or Maligned?

Are pigeons the oppressors or the oppressed? Having been a-traveling a bit recently, I was reminded of the omnipresence of pigeons, those birds noted as the comforting signatories of nature’s profound adaptability and variability, and less kindly but perhaps a bit more succinctly, as flying rats. Yes, I have seen a pigeon perch with apparent deliberation on the roof edge over a family’s picnic table, point its posterior in their general direction, and release a firehose-worthy arc of nastiness that sent the poor humans scattering for shelter. While I’ll readily agree that pigeons are known disease-carriers, that they tend to crowd out less aggressive and smaller birds from their habitats, and that they are notorious painters of streaky badness upon all and sundry within their aim, I still harbor a fondness for them in small doses–and preferably from a safely higher position.photo

Part of the sympathy stems from knowing that their widespread propagation was partly human-driven, as growing and/or roaming anthropoid populations gradually displaced native ones over time (also human, among many other creatures), and as people also on occasion deliberately imported various kinds of pigeons to new locales for other reasons. Certainly part of the feeling stems, as well, from knowing that we people-types are largely responsible for the decline and sometimes extinction of whole species–the rule rather than the exception, when it comes to pigeon families. The Passenger Pigeon is only the most obvious example of what has happened and is happening still among pigeon-kind, and no coy and cuddly images of how we embrace the Dove of Peace can counter that fact.photo

But let’s face it, this is neither a scientific treatise nor a polemic indicting all mortals for such depredations. We are a merciless lot, generally, and I am not in the least exempt from all ignorance or guilt. No, honestly, what struck me as I was pigeon-watching along my way on this latest outing was a much shallower, yet still pleasing and even, intermittently, refined aesthetic appreciation of the breed. I simply like watching their fluttery interplay. Their tumbling and stumbling acrobatics in a pool of water. I like watching how they quickly establish a pecking order whenever a group assembles, how they strut around preening and showing off for each other with a certain amount of pomposity and frivolousness, and turn instantly to blurry streaks catapulted into the air if they sense any danger, which includes the slightest movement of air around them or a change in the light. In short, I like anthropomorphizing them and being amused at how like them we are, squabbling and flirting and showing off and taking wicked potshots at each other and everything around us. I like watching them fly in such smooth synchrony when they circle their way through an updraft, and burst into chaotic motion when anything disrupts the flow. And of course, magpie that I am, I like looking at the myriad colors and patterns and iridescent gleaming streaks that paint the birds into something less commonplace than such a common creature ought to be.graphite drawing