What Wounds can Teach Us

Cut

Skin, though as taut as rawhide, and as strong,

Still splits under a jagged, cruel knife,

Opens its jaws to scream a gout of life

As blood that would atone and end the wrong—

But wounds, no matter what the cause or source,

Cannot withhold their sorrows or their rage;

Injustice must be shouted off the stage,

So bleed they without pity or remorse—

Break, then, both skin and soul, and sear the heart

Of any who is cognizant of pain;

Who cries for justice and can’t sleep again

‘Til order is restored as at the start—

What’s done cannot be undone should a scar

Reveal the fragile creatures that we are.Digital illustration from a photo: What Wounds can Teach Us

Rasputin Whispers & We All Succumb

The spookiest thing about Halloween? That its frights and frissons are based on a simple and scary truth: we humans are the source of the villainies that pose the gravest dangers to us, as well as being the easiest mark for them. Be very afraid!Digital illustration + text: And We All Succumb

I’m No Coward

Would that I had the blithe wit and urbane persona of a Noël Coward, but alas, I operate on a lower and more plebeian plane. And for those who are keeping score, yes, I am a big chicken, if that’s what you were reading in today’s title. Still and all, I think of myself as being less than hideously fearful when it comes to self-exposure as an artist.graphite drawingThough the upshot of all this may be that my audiences become unwitting consumers of drivel and bilge at least part of the time, I also remind myself that there is some credible evidence, historically speaking, that the greatest masters of the many forms of art are represented in the present age only by those portions of their respective oeuvres that they or others chose to retain. Long have I wished that I might gain access to, if you will, the Rubbish Bins of the Old Masters to see something more accurately representing the whole of the bodies of work that led to the known and treasured glories. So here I am, letting all and sundry look into the underwear drawer of my art closet, so to speak. After all, I think that I’m merely admitting to what my betters may have left to the imagination.digital artworkSo I’ll keep showing off process and behind-the-curtain action from time to time, knowing as I do that not only are folk wonderfully gracious and patient with me even when critiquing but also , and more importantly, that I appreciate those of my fellow artists who are willing to share the same access to their gifts with me. We all have our weaknesses. But when it comes to showing off my work, I’m no coward.