Bottom the Weaver!–After the Fact–

graphite drawingAh, Shakespeare me boy, do tell me. I’m just curious: did Bottom have any sort of Fairy Fella epiphany after his little ass-hat adventure? Me, I am fairly certain that had it been me I would have felt smugly brilliant in my newly dawned state of knowledge the moment I was un-donkey-fied again, but I’m even more certain that I would have slipped right on back into my unwise natural state just about as quickly as twitches a donkey’s tail. Because I am so very much a silly, stubborn creature of habit.

Mr. Shakespeare, whatever his level of formal education or high culture or (if you’re of that particular school of thought) of being multiple persons, had a decidedly perceptive eye for ordinary human nature. The bard’s keen observation and sharp understanding are the fundamental reasons his plays and poems have so long endured–he had us figured out, my friends. I may sometimes wish that the characters in Shakespeare whom I resembled most were the heroic and compassionate ones, the witty, the powerful and the sage. But alas, it’s in Bottom that I recognize myself, in Shakespeare’s dolts and fools and in the obstinately self-centered and weak and wooly-minded characters.

I guess I should just thank Mr. S. for having raised my humbly mortal state to high art and sashay back over to perch in my little flower bower. I rather hope that one day these moments of revelation won’t need to be as frequent or as rudely transformative as getting me visibly turned back into the braying boob that represents my true inner being.

I’d Like to be Shakespeare, but It’s Too Much Responsibility

white pencil on black paper

I'm much better at being the family curmudgeon than the curmudgeon that turns the family story into art . . .

Much as I always complained about it in my students as whiny entitlement, I too am consistently under the spell of that dream wherein one becomes Great without any sort of effort or even natural-born gift that should make it happen. I’d probably even be quite content with being a one-hit wonder, if for example it happened to be one of those comfortably money-producing sorts of a hit, because after all, it’s not the notoriety per se that appeals to me (as I still enjoy my dork-in-the-corner shy side’s privileges) but the benefits of the notoriety, i.e., exceedingly fat living supported by a steady stream of however-undeserved wealth. All the better if I can manage to convince anyone, at least myself, that it’s marginally deserved; hence, the one hit I’d gladly have.

Meanwhile, back in reality-land, I will go so far as to lay claim to having actually read work by a number of superior writers, studied art made by a talented-rogues’ gallery of artists, and paid some serious attention to what great thinkers and doers of all sorts in fact DO to make their hits just keep on coming. It’s fascinating to see who’s been prolific and who hasn’t, and perhaps more so to see who among those has produced higher or lower proportions within that of impressively high quality stuff. Not least of all, it’s intriguing, if sometimes only in a sort of sadly prurient way, to see who’s burned out our died young, and whether there appears to have been any connection between the productivity and its quality-quotient and that early “deadline” or not. It’s sometimes as though they were outfitted with a cosmic ending-detector that made them squeeze as much into and out of an unfairly short life span as they did.

My own plan is that, if that’s a requirement of greatness, I will be so unbelievably UN-productive and UN-talented and UN-dedicated as to live a Methuselah-like yet party-filled lifetime unnoticed by the gods of fame and fortune. Pretty sure I can do it.

But to be fair, lots of standouts have lived long, prosperous and even exceedingly happy lives, so my preference, my actual Plan A, is that I will get to have it all instead. There are footsteps worth following, and paths worth admiring but not wanting to touch with a ten-foot pole even when wearing full hazmat gear. Not that I wouldn’t look adorable in a hazmat suit, especially if I could find it in safety orange! With a fake fur collar!

But I digress.

If I am to succeed with Plan A, I am willing to concede that I might have to lift the proverbial bale and tote its concomitant barge. Sigh. So I do keep reading, writing, gazing, drawing, and otherwise studying and practicing whether I happen to be quite in the mood or not. It may be that my lucky stars will never get into the specific alignment required, the necessary coincidence never happen at just the right juncture, despite all of my best efforts–which would be a disappointment, given my inborn desire to enjoy all things in the least effortful possible manner and my determination to thwart that inclination in pursuit of productive betterment. But I do believe the only way to tip the odds toward, no, to actually make it possible for, any such confluence of desirable consummations, is to do the work. Pity, but there it is. So the old bum does get off her old bum. What else can I do but do?

This will not, I guarantee you, turn me into a Sure Thing. But it’ll pave the way, should any stars just get in the mood to align in my favor, and along the way, it’s kind of funny, but I find the more I work at the writing and art-making and, heck, even some other things at which I’ve been known to buckle down and work, the more often I find I can derive pleasure from the process itself. This is indeed a really fine thing; if I can’t guarantee that working hard will produce any tangible objects-o’greatness, at least I’ve figured out that I can guarantee it’ll produce some personal pleasure along the way. All else had better be considered bonuses.

Now, I am well aware that the whole idea of a one-hit wonder is fraught with a certain air of condescension among the cognoscenti. There’s more than a hint of disdain in the phrase, as though the wonder-maker were kind of a loser for not having followed up on the whole hitmaking process. I think that’s a horribly unmerciful judgement. Maybe even sour grapes. How many of us ever manage to produce a single notable achievement in our lifetimes? Talk about pressure! The response to a miracle of significant action or production, the thanks you get, is, “Cool–where’s the rest of it?”??

In spite of the danger, for as I’ve said I would be mighty impressed with myself if I could accomplish one really amazing thing in my lifetime of toiling as artist, writer–never mind as daughter, sister, friend, wife–I will keep on plugging along. Because I can’t, finally, figure out how to stop it. Because Twain and da Vinci and Shakespeare and Morisot are dead and so I don’t have to compete with them, only my yesterday’s-self. Because it’s worth doing even when only the process makes it worth doing. Just because.

mixed media portrait on paper

. . . because I Will do it . . .