Category Archives: community

Sparkling Repartee

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It’s my sister’s birthday again—not that she’s getting old at a ridiculous rate, but rather that I have three sisters, so their birthdays occur with a certain frequency, since we all have different birthdays despite people’s occasionally mistaking two or more of us for same-day siblings. While we are separated by gaps, there are enough commonalities in our selves and our looks, I suppose, that it’s not entirely shocking anyone might make such an assumption, but those who know us see the vast array of differences more sharply than the less informed might.

And that, my friends, that differentness, is a grand thing. I adore all three of my sisters and love that we have enough in common to be real friends as well as family to each other, but we are clearly the better for having our unique characteristics and points of view and experiences to further enrich our life in common. It’s those distinctions that keep us from being in any way interchangeable and certainly, from having nothing to talk about when we get the all-too-rare chance to visit. We’re all four fabulous, if you ask me!

Take Sister #3, for example, whose natal day we remember on this date (I’m second of the four). From when she was very small—and she was mighty tiny indeed—her fierce drive for perfection and her native and highly honed intellect awed me. She ‘gets’ things that I will never wrap my head around, things like mathematics and the myriad business-administrative powers that keep the machinery of life and work and family ticking along in ways that only happen to me by lucky accident. She is and was the athlete and outdoorswoman I could only dream of being, and her cookery and baking, frankly, kick my measly skills to the curb. And she’s beautiful, inside and out, even if as a typical sibling I didn’t always manage to remind her so as often as she deserves.

That’s all just for starters, but if I were to go on too far I’d sound like I was making her up out of fairy wings and dewdrops and cookie dough, so instead I shall just wish her a spectacular birthday and a year full of wonder and happiness, beginning to end and for many birthdays and years to come.
digital illustration from a photoSpirited Pleasure

Let us raise a crystal glass of Champagne Brut to toast the passing

Of the weeks and months, the years, to raise resounding shouts of “Cheers!”

We’ll ping the flutes “Salut! Cin Cin!“, tip up the stems and drink it in,

For nothing makes it taste so great as bubbly wine to celebrate

(Though if you care not for its pop, I recommend a Lemon Drop)!

Knock Down the Fortress

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Battlements Better Breached

In the windows, down the rooftops, through the stonework of her walls,

All the shadows gone at midday, softly as an echo falls,

Whispered secrets came to haunt her, spoken like a jailer’s dream

Though the sun would flame and flourish and the loneliness extreme

Drove her near the brink of madness, still she boarded up her heart;

All the same, away with sadness! Every ending is the start

Of a different adventure—little did our lady know

That her fortress wouldn’t save her, with its brave protective show,

But when breached and doors thrown open, halls filled up with ringing song,

She’d be rescued by companions she’d been fearful of so long.

Hospitality and kindness, love and great companion friends

Altogether bring salvation: joy is where this story ends.

Hard Boiled Character

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I’m very much a child of the Sixties. I was born at the beginning of the decade that brought to a point of confluence such disparate events and ideas and people as space exploration and spaced-out hippies, the Beatles and the Batmobile, suburban composting and the Cold War. Every one of those might be said to have had at least a little influence on aspects of my self and my character, but one of those I particularly remember from preteen days is that the very little I knew of the politics of the day was that my classmates and I were trained in school drills to dive under our desks and cover our heads with our arms as protection against The Bomb. Because we all know that there’s nothing better than skinny little kid arms and a plywood desk to save us from nuclear holocaust.

A corollary of this perhaps, is that even as a shrimp I could recognize the futility and insane ridiculousness of what the world’s Superpowers liked to tell us was inevitable and what, conversely, was going to stave off such things, so I preferred to play the 60s’ iteration of the 50s’ cowboys-and-Indians, that being a game that, as far as I’ve been able to discern, was all about galloping around on invisible horses, making a lot of noise, chasing each other, and brandishing toy guns in ways that would’ve cleared the Old West in an instant by accidental and ‘friendly’ fire had they been loaded. Our upgrade for the sixties was Spies, because as it was utterly clear no politicians in ours or any other country was going to be sensible and deal in saving self and planet by means of either successfully waging a visible war or, even more remotely, by learning to sit at table and negotiate anything like Peace.

So we played Spies, the cowboys-and-Indians or Us vs. Them variant that swapped invisible pinto ponies and buckskins for invisible (or better yet, pedal car) sleek, speedy autos with magnificent tail fins, the ten-gallon hats for fedoras and the chases across the Western plains for slinking around our own houses to peer Unseen into the windows—the ones we could reach—and spying on our own parents who stood in for Commies. And only if we were really lucky maybe really were Communists, though I knew no one who would have said so openly in suburban America in those days. In point of fact, I had no goal of catching anything other than perhaps a glimpse of where Mom kept a box of candy hidden, and certainly no wish to fire my terrifyingly realistic plastic squirt gun at anyone with anything other than a zip of icy cold water, but it was all Terribly Exciting.digital illustrationThat, however, was pretty much the pinnacle of my career as anything racy or dangerous, and I’m quite content with that. But the memory of how thrilling the entirely artificial and manufactured world of child’s play was still charms me, and I still kind of like to revisit the image of self-as-desperado with a laugh and, yes, a tip of my broad-brimmed hat.

Raised Eyebrows

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There have been many times when people looked upon me with raised eyebrows, if not utter disbelief. I am, of course, not only accustomed to it but somewhat proud of it, being an artist. If I never surprised or seemed a little off-kilter to anyone I would think it called into question my credibility as an inventive person altogether. So I’m happy to report that my assessment by others has been heavily salted and peppered with expressions of doubt, disdain or possibly, diagnoses of delirium.oil pastel drawing 1988The artwork above (four feet high, for your contextual reference) came from a period in my artistic development wherein I might have been forgiven for thinking there was a form of communicable facial paralysis among my contacts that left them all perpetually wearing masks of such disbelief. I had meandered through the three years following my undergraduate commencement, while working for my uncle’s construction company, barely producing a discernible body of small artworks the while, and still had opted to go off to graduate art studies. I had made a pitiful showing in my first quarter of work there, simply extending the slow, unproductive approach I’d had during the previous three years to cough up a tiny handful of pleasant but utterly unimpressive artworks without any particular evidence of having been changed or challenged by my reentry to the educational environment. But after the embarrassingly lackluster critique session that closed that quarter, I was perhaps uncharacteristically motivated to break out of the doldrums and sail in a new and more daring path, in hopes of visiting uncharted territories of worth.

Changing my approaches to media, techniques, subject matter, scale and speed, I found, all contributed to my discovering new sides of my artistic self. I became in some ways quite the opposite of the person I’d been previously in the studio, and while I never lost my love for the various characteristic media, techniques, etc, etc, that had defined my former self, I certainly never regretted having broken the mold I’d set that self in so firmly. An inordinate number of options and opportunities previously hidden from me by my insular fear and ignorance and self-imposed narrowness of intent and expectation suddenly seemed both possible and appealing, and I have continued to gallop around after them with abandon, sometimes with a hint of obsession and often quite tangentially, so I’ve grown to simply expect the raised eyebrows around me and relish the thought that they mean I’ve not settled too far into my former predictably fixed self again.

That, I think, is encouragement enough to keep me moving forward.

Not Just Another Pretty Face

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At some level, most of us—no matter how disdainfully we might pretend to look upon those Others who obsess over appearances—wish to be thought beautiful. We want to fit in with others, to belong in the pack, to be loved.photoOf course, we know that even those who do fit in do so if and as the hierarchy of the pack allows. We are put in our places and told who we are, where we belong, what we’re supposed to be doing, and why we should accept that fate as though it were a natural law. After all, we tend to believe that nature is fact-driven and therefore we, who are mere specks in its vastness, must play our little roles as prescribed in the absolutes of existence. We sit here and take it. In many ways, that’s a useful approach to life, because, well, nature does drive a lot of what is and what happens, and bucking that can be counterproductive or even quite dangerous. And worse, perhaps, such refusal to accept the norms others have agreed upon as right and correct and natural puts us on the fringes and at risk of rejection. Someone along the way is sure to reject the rebel or misfit. Someone will think I’m unfit or, yes, Ugly.photoIt’s a wonderful thing to remember that besides all of the weird and dangerous and unpleasant and otherwise negative possibilities in stepping outside of the normal and expected course of events or refusing to be other than myself in order to seem to fit in better where I really don’t, there are also a vast array of glorious and splendid maybes waiting out there for me to dare to reach for them. Much of what is good and beautifully new in the world happens because one person dared to think, do, and exist differently from the pack, the mass of ordinary people, and brought about an increment of change. How wonderful if I can shed my fears, my need for conformity borne of desire for universal acceptance, and become ever so slightly more notable, one little nth more dazzling, than I was when I was only hoping to be like all the other creatures that I knew.

Leave the Lights On!

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digital illustrationWhile I’m closing out an old notebook that I kept in blog form a number of years ago, I found yesterday’s post and this companion one. So what the hey, I’ll share this one with you, too.
It’s Thanksgiving Day [2005!] and I am particularly thankful this year for having celebrated a whole year of emergence from clinical depression. For anyone out there who has been mired in it, or still is, I send out a fiercely made wish for your recovery and new joy in life, along with this meditation I wrote after realizing not only how far and how long I had been away from my true self, but the cultural setting in which it is possible to get there without realizing it or even having others see it clearly.And with deep thankfulness that it is possible, with help, to be revived.* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Let’s stop all this rubbish about Depression as a romantic notion.

The myth of suffering being necessary to ennoble the spirit or, more commonly, to shape creativity and artistry and the personalities that foster them, is an inaccurate and unhealthy construct that belies the potential power of sanity and contentment. The idea that much of the great art that has sprung from the work of troubled or diseased artists throughout history would have been impossible, or the artists Not Themselves, if they’d been well or happy is simply a gross assumption of the inflexibility of the human spirit at best, and an insult to mortal intelligence, invention, and character at worst.

In a telling moment of literal as well as figurative turning-on of the lights, participants in a 2004 Canadian study on Deep Brain Stimulation as a possible treatment for otherwise-untreatable depression noted that the world became a visibly, physically brighter place when “area 25”, or the central zone of depression response in their brains, was stimulated to relieve depression. Many of the patients described a distinctive, even poignant, instant of pleasurable shock when the electrode stimulation, suitably placed, flooded them not only with unaccustomed sensations of contentment and ‘rightness’ in their world but also a clearly discernible brightening of their visual perception. It was as though, one commented, he had suddenly remembered a whole range of colors and values and sensory impulses and emotions that had been locked away for decades.

Nowhere in this was there any indication that the participants in the study experienced a negative change in their self-concept when their depression was eased. No mention is made of the patients losing their creative impulses or intellectual depth. Not a note of regret or sense of personal diminution.

The breezy optimist, on the other hand, is not by definition dimwitted or shallow or uninspired. While cultures that have embraced a darkly Romantic mythos of the suffering genius tend to dismiss brilliance that emerges from happier sources as a fluke or as slick, glib cheapness that won’t withstand the value-test of time, many stars and their accomplishments defy those definitions.

Yes, depressed, manic, even twisted and tortured souls with the deepest of psychological, physiological, or chemical-addled warps and wounds have been the vessels and sources of high art and equally high drama, but they are far from alone in that. To say that they only achieved their greatness because of their damaged state is a cruelty, an insult, and a cop-out that says we all could not be greater than we are, if not equally “gifted” with darkness. If being let off the hook ourselves is what we seek, then let’s just be honest and say we don’t relish the burdens of effort and experimentation and get on with other things. I have a suspicion, as it is, that if there’s a notably higher percentage of mental illness among persons who could be classified as particularly ‘creative’, then the cause/effect relationship is one of persons being used to having to problem-solve their way out of unusually difficult circumstances on a regular basis, and so developing stronger problem-solving (read: creative) skills.

Meanwhile, cheer up! Look at the dazzle that being joyful brings. See the energy and wit that, when not wasted on grief and moroseness and morbidity, can be devoted to pursuing greatness instead, and run after it with childlike delight.

The Ordinary Romantic

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I’ve not re-posted anything from my own blogging before that I can recall, but happened upon this (admittedly lengthy) piece I wrote a number of years before I even started this present blog and was reminded of a few things I’ve said here but in quite different ways. So I share it with you now, lightly edited to update it, just because it piqued my own interest once again. Cheer up, my friends: I love that this is written from something like an outsider’s view of the experiences of depression and deep melancholy, after all these years!digital illustration from a photoI highly recommend reading the book I just finished reading [when I originally wrote this post], Peter D. Kramer’s ‘Against Depression‘. He’s the author who wrote ‘Listening to Prozac‘ – a book that, surprisingly, wasn’t really about depression or even Prozac, per se, but due to its bestselling status raised those two specters so frequently that he finally had to respond with this book. He has some sections in it dealing specifically with the effects of depression on arts and creativity, intellect and education, and vice versa. But there’s also a ton about the physiology and pathology of depression, the affect and effect and the impact on self and others. Very thought-provoking for me.

If you want a really scary companion-piece before, during or after the reading of that book, one that for me confirmed the urgency of wellness by any–no pun intended–sane means, look up ‘My Lobotomy‘ – it was a presentation on NPR that horrified me more than umpteen war- and disaster-stories (including true ones) and makes stories by Edgar Allan Poe and Stephen King sound like skipping through a copse picking violets. ‘Lobotomy’ is the harrowing memoir of a lobotomized man who, at 56, finally got up the courage to investigate and explore what happened to him when he was operated on at 12, why it happened, who else was affected, and much that followed. Incredible. Terrifying. I can barely even think about it. But it did make me feel all the more intensely that I want to stay in charge of my own mental health just as much as I should my physical health.

For the moment, since I’ve so often been asked, I will say that when I call myself Ordinary, what “ordinary” means to me is wide-ranging and a bit variable, but in the sense I’m using here in the land of my blog, it covers all of what seems possible, believable, normal or otherwise expected in the universe of human experience. More significant, perhaps, is defining what it doesn’t mean for me: things found at the extremity of experience: brilliance or genius or unearthly, once-in-a-lifetime skills, talents, and insights. Me, I’m not interested in being a supernova. They tend to burn out fast anyway.

What I really pride myself on is taking the simple raw material of being a middle-of-the-road mortal and managing to pull out of that clay my own few moments of dazzle – an outstanding artwork here, a worthy kindness there, and a few sprinkled bon mots or glorious deeds in between – these shine all the more in the setting of my ordinariness. People take note of them precisely because they are deserving of note–because coming from a typical luminary or wunderkind they would be the expected thing, no matter how exciting, and from me they are not. There’s no intrinsic negative value to ‘ordinariness’ for me, no implication of self-abnegation or false modesty, just the sense that only a few in history are genuinely set apart as spectacular examples of either desirable or undesirable traits and gifts, and we in the main herd can still go on and live rich, full, complete lives just as we are. With maybe a little less pressure to perform, too, so that anything extraordinary we do actually shines that much the brighter. Surprise! Aren’t I fabulous!

Why do we see ten tortured geniuses for every happy one? I think it’s primarily a function of taste: the culture that covets over-the-top emotion isn’t interested in supporting and reporting anything that doesn’t have that dangerous gleam. Good news is no news. If the artwork is upbeat, it must be tacky and shallow. If the artist is happy, she must be an air-headed clown. Prettiness and simplicity and everything that pleases the mainstream must, by definition, be playing to the lowest common denominator.

I’m actually a dyed-in-the-wool Romantic myself, but I have been contemplating that old adage “write what you know” and decided that it lends itself to far too tiny a concept of possibility. In the first place, if taken strictly it would mean that we should automatically dismiss as useless falsehood any attempts at empirical or even historical writing, because practically everything that has been once believed absolute has taken on different shadings over our cultural lifetime, if not been disproved. Never mind how we should treat the authors of murder mysteries and crime novels! The aphorism may be a needless dictum or even a myth: one doesn’t necessarily have to BE suffering to appreciate what suffering is. And perhaps anyone who has suffered in the past can be considered to have earned the stripes of exactitude anyway and can rely on recollection rather than continuing to wallow.

There is certainly a bit of truth when people insist that others can’t know what they’re going through; in its most complete sense, I’m sure that’s accurate. But anyone with a little life-experience and the ability to sympathize or even–if imperfectly–empathize, can puzzle out in his or her own way an approximation that makes communication of it possible in art. And, frankly (this goes back to that idea of an Ordinary person doing something Extraordinary), if I can make someone slap his palm to his forehead and go, “YES! That’s what I’m talking about!” when they recognize a shared feeling or insight, then I think it’s all the more memorable and impressive, not the predicted brilliance of some savant.

So thanks to the perpetual discussions of such topics with colleagues and friends and given my understandable interest in depression and its effects as well as more strictly Romantic artistic concepts, focus on the impressive influence and hold of Romanticism on all our lives, I continue to search. If Romantic ideals glorify and sympathize with a dark world-view, with sorrow, cynicism, pain, suffering, and so on, and if arts and beliefs that support those ideals are valued, then how can we respond to things that defy or fail to uphold them? How can we wish to be happy and healthy if what we love is, really, decidedly neither? Since the prevalent taste for Romantic qualities has been in vogue for a number of generations, and cultural memory is dangerously short, few recollect that being In Love with Darkness is a relatively new trend in recorded human history; an externally imposed one at that. As with so many of our beliefs that we take not only for granted but as eternal, immutable fact, all is not necessarily as it always has been or will be. There are larger patterns in the life and development of art, history, healthcare, personal experience, politics, and religion that act and cycle broadly, often inducing in each other significant change as they intersect along the way.

As Dr. Kramer notes in his excellent polemic against depression, even tuberculosis used to be idealized. People who had Consumption were presumably consumed by the unusual intensity of their inner being: larger than life passions, intellects, artistry, love and spiritual astuteness were all attributed to these dramatic sufferers. When it was finally seen that that oh-so-sexy tuberculosis was in fact not only a genuine physiological disease but also a degenerative, communicable, and difficult to treat pathology, and that it would not only kill the patient eventually but also deprive the rest of us of those idols, the tide began to turn toward the desire for palliative care and cure. Depression, also arguably a disease of at least equally destructive dimensions, and demonstrably damaging to such physical attributes as brain tissue and adrenal glands, not to mention to social structures surrounding the patient, is certainly deserving of the same considerations.

So what do we do with our Gothic worldview? Give up our love for the dark? Hardly. Strip it of its value and depth? Not likely. Perhaps, though, we can rebalance the scales a little and say that it’s no longer chic, let alone necessarily accurate, to assume that all things pretty and pleasant and uncomplicated and cheerful are stupid, dull, vacuous, or shallow. Realistically, we’ve all seen attempts at art that cling to the Romantic ideal and yet manage to be stupid, dull, vacuous, and/or shallow. And, as I constantly remind[ed] my beginning art students, one of the hardest things to accomplish well is simplicity. When you take on the task of making a work that appears simple, you make yourself vulnerable to every would-be critic who can find the tiniest flaw as it stands out against that backdrop. Because you have tackled the familiar, it takes far more sophistication and subtlety and inner resource to make the work distinct and worthy, not just a good imitation of what has been done before. Anything can be badly executed, art or otherwise. Anything has the potential to be scintillating and brilliant.

The difference should lie not in one element alone, especially not some preset element like whether the theme is Dark or Light, but in the miraculous confluence achieved of content and intent, medium, methods, and moment. Is it beautiful? Is it successful, deep, lasting, influential, meaningful? We will, and should, continue to make value judgments and assessments and be willing to revisit them from time to time. Because beauty and meaning, whether you believe they’re strictly in the eye of the beholder or not, can change as the beholder’s eyes are changed by a life full of adventures, by time and tide and every nuance of history that washes over us. It should be equally visible in full, bright Light or in cavernous Romantic darkness.

A Glimmering of Sweetness Exceeding All that has Gone Before

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This is my wish for all of you as the new calendar year begins. May you find goodness and contentment all around you, and may you in turn share and propagate it everywhere you go in 2014. Peace and abundant happiness, my friends.photoI rarely have an actual Plan for the upcoming year, but this time around I do want to move toward a few specific things. First and foremost, I want to be more deliberate about finding ways and excuses to be an even happier person, and to leverage that happiness to spread it as far and wide as I can to other people. Call it intentional optimism, call it doing random acts of kindness, call it whatever you want, but I think it’s more likely to be good for the overall tone of the year than not, and that alone is worthwhile.photoIn addition, I intend to start making money this year again, however little it may be. I have no delusions of getting rich, but would love to put my own tiny dent in our family expenses, savings, and/or retirement. It’s been a long time since I got any actual dollars for anything other than a present, and I know that, however unlikely a choice I may be on paper for anyone who’s hiring, I will find a way. Or two. It may not be a regular job, or it might be a conglomeration of tasks and sources. I’ll keep you posted, friends, but if anyone happens to have any brilliant insights before I do, chime in; I’m listening! Meanwhile, I’m happy to keep working on increasing the happiness quotient however I’m able. That’s Job #1.

Foodie Tuesday: You Eat What You Like, and I’ll Eat What I Like

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Besides being a wise quote from my perennial hero, Yukon Cornelius, the title of today’s post is pretty great advice for eaters at all times, most particularly so during the holidays. If I’m going to go to the expense and effort to do anything special for a Special Occasion, it matters far more to me that I want to eat the results than that they meet anybody else’s standard for tradition, impressiveness, or perfection. You won’t find me dining on dainties of glorious extravagance and beauty on a holiday or birthday or any other notable date if I’m the designated cook, because spending exhausting and exacting hours in the scullery before the blessed event is not my idea of a great way to arrive at it rested and ready to enjoy its importance in my life with good cheer and an even temperament.

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Appetizer parfait: hash browns (I made these with Gouda and smoked paprika), sour cream, hot smoked wild Pacific salmon and capers. Or, in the alternative version I offered on the same day–another easy to prepare ahead topping for the hash browns–smoked sausage pieces simmered in Pinot Noir BBQ sauce. The sauce was a sticky reduction of equal amounts of red wine and homemade bone broth with brown sugar, tomato passata, chili powder, cinnamon, cloves and cayenne to taste. Guests could assemble the tiny dishes with any combination they liked, and I didn’t have to wrestle with the hors-d’oeuvres at all on the day of the party.

So while I adore Dungeness crab, I will not likely be preparing one fresh and mucking about with the tedious chore of meticulously picking the meat out of the shell–if I can find fresh Dungeness already picked and packed in a neat little carton, it’ll be on the menu; otherwise, not. My fondness for elaborate baked goods will likely be fed by an outstanding bakery, not by my slavish efforts right before a party. I’ll happily dine on a perfectly frenched rack of lamb or a miraculously flaky and tender kulebiaka or bistilla, but only if someone else is going to all of the effort it takes to prepare it.

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Homemade macaroni and cheese can be just as easy to fix as pre-packaged. Here, I blended shredded Gouda, cheddar and Parmesan cheeses in about equal amounts and added melted butter, eggs, smoked paprika, powdered mustard, a little grated nutmeg, and a tiny dash of liquid smoke (no additives, please) before stirring the cooked pasta in with a bit of cream and baking it to melt and meld it all together.

That’s how, when Christmas dining is at home, it may go so far as to be a roast beef that can be cooked sous vide and requires only a quick browning in the oven before carving, but it might also be a made-ahead, very down-to-earth macaroni and cheese. Or even a tuna salad sandwich, a perpetual favorite that, while it’s hardly what anyone I know would consider Fancy, is gladly eaten with a handful of good potato chips and a juicy apple on nearly any occasion chez nous. I want to eat delicious food on Christmas, but it doesn’t have to be unusual or expensive or showy in any way to be delicious, and if its simplicity of preparation means that it’s eaten in a very comfortably relaxed state, that makes it all the more appealing and enhances its flavor remarkably.

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Homemade mac-&-cheese is, in fact, also easy to customize for any number of tastes and occasions, as when I change out the elbow macaroni with some fresh fettuccine and toss in a batch of Langostino tails. Voila! ‘Poor man’s’ lobster fettuccine.

I hope that everyone who is celebrating around now–whether it’s Christmas, the Dongzhi festival, Hanukkah, the Winter Solstice, the New Year, Kwanzaa, a birthday, or something entirely different–has the wealth and freedom to take the same approach. It’s satisfying to arrive at happy events relaxed and, well, happy. And eating what you love to eat is always better than eating what you think you should eat, only because you think you should. I wish you all great food, simply prepared, great company when you want it and quiet time away when you need it. That’ll make the food taste all the better when it comes. Cheers! Bon appetit! Joy!

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Who says plain salt-and-pepper roasted chicken isn’t fancy enough for a special occasion? If you enjoy it, indulge. Even with the most common of accompaniments, it can be satisfying and tasteful (clockwise from the ruby-colored jellied cranberry sauce at left): pickles (here, okra, green tomatoes and green beans); sweet corn; coleslaw; apple sauce (freshly made brandied maple sauce); mashed baked potatoes with beurre noisette, fried sage leaves and optional red wine/broth reduction sauce; and a spoonful of tiny, tasty green peas. And if you’re a vegetarian, you can always eat the whole rest of the meal and be content. Peas to all the earth, I say!

Even desserts–maybe especially desserts, come to think of it–can get treated like such elaborate Fabergé egg-like constructions that they are too precious for ordinary mortals to eat and far too tiring for me to slave over preparing. I’ve hardly ever seen anyone turn up his nose at store-bought ice cream or refuse if I offered her a nice piece of chocolate straight out of the wrapper. A bowl of perfect fresh strawberries, a moist pound cake made the other day, and a quick batch of whipped cream with vanilla give instant summer cachet to the end of a meal. Banana pudding needn’t even be a fuss, and doesn’t look really like much (hence the lack of a photo), but it’s unpretentious and tasty enough that everyone right down to the toddlers will happily eat that old comfort favorite.

Banana Pudding to Make You Go Ape

Don’t bother with cheap, phony tasting artificially flavored instant banana pudding, either, despite a short timeline for the treat (unless you get all nostalgic over it for some reason). All you actually need is some really ripe bananas and a handful of other ingredients, and away you go…

Blend together until smooth (I use the stick blender for this): 5 overripe bananas (too mushy for eating plain), a pinch of salt, the juice and grated rind of 1 large lemon, a generous teaspoon of vanilla, a couple of tablespoons each of raw honey and butter, and about a cup of heavy cream. Chill until thickened. What do you taste? Bananas. What will you do? Go bananas over it. Why work harder than that for your food and fun? Enjoy your holidays and happy days instead!

Oh, and I must add (since what goes without saying may not entirely go without saying for everybody!) that this kind of banana pudding will, of course, oxidize–unlike the aforementioned imitation stuff–so it’s best eaten right when you’ve made it unless you’re like me and don’t care if it’s a little beige in color. And it’s not super thick, so if you like it thicker, I recommend whipping the cream separately and then folding it into the blended banana mash, to which you’ve already added the other ingredients. No matter how you choose to make it, it’s still pretty tasty. And, as Marie has suggested in the comments and I’ve already tested, it makes a dandy breakfast!

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Happy New Year!

You can Lead Me to Water…

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…but I can’t guarantee I’ll be smart or committed enough to take advantage of it. I may represent the truly average human in that, though it’s hardly cause for admiration or celebration. We’re just good at being too blind, stubborn, ignorant, lazy and foolish to make proper use of whatever riches are set in our way. It’s silly enough that I can sit at the brink of a well pouring out pure, cold, sweet water and die of thirst, but that I would fail to fill a cup for any of the other thirsty people waiting for my smallest effort becomes a much more significant omission. I should be better. I could be better.graphite drawingAnd I want to be better. The first step, surely, has got to be simply paying attention. Am I so accustomed to privilege that I have acquired wealth-blindness, forgetting how rich I am, or worse yet, have succumbed to that ugly disease, Entitlement? I must teach myself to renew my awe and wonder at what is good and great in my life. Then I must remember to make wise, generous, jubilant and extravagant use of it all. A whole new year lies ahead, a whole new series of opportunities for improvement. See you at the brink.