Things to Remember

Apparently I am sucked into the Throwback Thursday vortex, for amid my housework wanderings I stumbled across some dish-drying towels that brought a flood of memories over me. The first thing that came to mind was curiosity about whether there are many others who grew up using tea-towels like these made of flour sacking material and hand-embroidered, often with a small posy or aphorism in the corner, and usually by Mom or some older relative, at least until we ourselves were conscripted for the task.

My mother enjoyed embroidery as a relaxation mode as well as art form, and the last batch of dish towels that I know of her having made were a series of line drawings of local native flora, based (with the author’s permission) on a book of lovely little watercolors of the same plants and flowers. I chose one representing a favorite alpine blossom, even though the creamy white blooms were guaranteed to fade quickly against the pale fabric, and the outline of them remains faintly visible even after many years of hard use. That’s a perfect representation, in its way, of how my memory works. I began to reminisce, seeing this embroidery, on the alpine plants that have always signaled peace and freedom to me as I day-hiked on the flanks of Mt. Rainier. So I meandered over to search online for native alpine plants of the northwest, and as soon as I began looking at the images I was struck with an infusion of the very scent of those hikes, a spicy, earthy, fresh and herbal blend of tree resins—cedar, pine, alpine fir—and sun-baked earth, lightly perfumed flowers, crushed needles and fallen leaves underfoot, the brisk dash of elevated air. What a lot of fine things to be contained, in addition to the treasury of love and family history, within my mama’s embroidered dish drying cloth.Photo: Mama's Embroidery

You might think I’d’ve inherited an embroidery gene, because in addition to my mom’s fine handiwork, I grew up seeing and using Grandma’s embroidered towels and pillowcases and enjoyed them, too. I did not, and since I had these two sources readily available, I didn’t mourn the gap in my skill set. I could always go to one or the other of them and find some new kitchen linens in a time of need.

My father’s mother never got so inventive as to design her own embroideries based on book illustrations like Mom’s were, but Grandma chose for her projects the resource of hand-me-down and found patterns, most of them quite out of date already (hence the ease of her collecting them), and almost all of them much quirkier and tackier than her normally refined taste would have allowed. These were, however, mainly destined to be given to charity or sold for the proceeds that would go to the charity in their stead, so she had no attachment or agenda for showing them at home. I, on the other hand, bought a few not only out of any little do-gooder intentions but because the sheer silliness of some of the designs so delighted me.

This one, for example, that was my inspiration for joining now in the Throwback Thursday brigade, was highly amusing to me in its ridiculously fantastic subject, its period style, and its girly goofiness. I couldn’t resist it. I found no other Days of the Week as companions, so I can only imagine what happened on those days, but it was enough to find this towel that could simultaneously remind me of my grandmother and my youth and make me laugh, all while getting my dishes dried.Photo: Throwback Thursday

Fashions change, and with them, the decor and even tools that fill our lives and homes. Yesterday’s dish towels are probably more often machine-made of some high-tech sort of microfiber or super-absorbent bamboo fiber blend with an artful printed-on design in the proper Pantone colors of the year. But do they do a more artful job, as well, of wiping dishes dry after washing? Can they strain soup broth into crystal clarity? Do they make perfect wraps for ice packs when a sore neck or bruised arm is in want of one? No better than the old standbys of my youth, I imagine. Old as I am, I come from good stock that valued something a bit quaint and very handmade, and if it managed to accomplish the task and carry memories for decades at the same time, why, I suspect I’ll do well to try to be a human imitation of it myself.

Change of Venue for a Change of Seasons

I lived most of my life in northern climes. My childhood and many subsequent years spent in the Seattle area naturally color my view of nature and my connections with it, so even though I’ve spent the last four years putting roots down into Texan soil my inner imagery of the season of growth is of sprouts and blooms native to alpine, temperate, rainforest and coastal territory. I appreciate and admire the vast and varied beauties of this wildly different terrain that is my new home, and my heart still resonates joyfully when it comes to those northwest marvels of green and gorgeous living things as well. I don’t think I’ll have to tell you which region inspired these two poems.

The drawings, though, could be a bit more nearly universal. Dandelions, in particular–I can’t think of many places I’ve visited so far that didn’t have a substantial contingent of that sunny little weed blossom. I hardly ever see their smiling faces without thinking of the adorable little enthusiast next door who peered over our fence and, seeing my mother pulling dandelions–and perhaps interpreting this as her enthusiasm for cultivating their charms–piped up to boast enthusiastically (much to her own mother’s chagrin): ‘we’ve got a MILLION of ’em!’ graphite drawingIn Return

Willingly as daffodils stretch out of the earth

At the first invitation of the sun,

So I come from the dark when my winter ends,

Turn my face up to the blessing sky,

And sigh at the promise of the spearing green

Arising by my feet, even if the icicles

Have not yet

Melted wholly away.

pen & ink

Avalanche Lilies

Amid the muffling drifts of downy snow

That draw the pearly winter sky down low

To kiss the earth once more in early spring

Are sparkling spears of palest glimmering

Green newness, first to show upon the white

And break the slope of frosted winter light

Uncurling soon to show the youthful face

Of spring’s renewal in this sleeping place

If still surrounded by the icy pale

Wild woolliness bedecking hill and vale—

The snow, though mighty, cannot fully stanch

The burst of springtime’s sparkling avalanche