My Word on It

Photo: Early MusicBEMF. Road trip. Wedding. Dad’s Day. Arguments. Home. Adventures. “I love you.”

What do they all have in common? One word.

Family.

I’ll bet you were going for: Love. And of course, you would also be correct, because that’s the very definition of family for me, as you well know. It’s not biology; it’s not pedigree and legal contracts and historical ties. It’s love. And love is not, for me, dependent on any of the aforementioned characteristics and descriptors, though it may—and I hope it does—have a close relationship with them more often than not. It’s respect and trust, support and kindness, even in the middle of stress and disagreement, illness, injury, confusion, and chaos. I am so very, very fortunate and blessed and grateful to find myself in the midst of an extraordinarily big, rich family network that comprises biological and legal relatives, yes, but also much more than that: a wide range of dear friends and comrades who are more than mere acquaintances or colleagues can ever be, each one tying me further to the next.

BEMF [the Boston Early Music Festival] was the beginning of the most recent two-week series of family events for me and, as in my previous times there, a joy from start to finish. As an arts event, it has very few peers in the world, being a week-long gathering of superb artists and dedicated audiences who converge for the love and celebration of Early Music and all of its many concomitant delights and beauties, all in a magnificent city. This biennial visit was a typically lovely one, starting with the gathering of our Early Music family from around the continent and overseas, especially the wonderful singers, players, producers, conductors, and other aficionados of the genre; they hailed from the university where my spouse works, well-loved Canadian spots, and many of the states and companies in which we have connected with such marvelous people. On arrival in Boston, we settled into our rented digs with a pair of our dear adopted kin and began the week with the rehearsal and performance of the university’s Collegium Singers and Baroque Orchestra friend-colleague crew whose concert was the impetus for the BEMF visit. And a wonderfully successful one, at that.

What followed was a week packed with beautiful music of all kinds set into the interstices between superb performances of the trilogy of Monteverdi operas and his 1610 Vespers, one of the most significant and exquisite foundational parts of the whole Early Music oeuvre and experience. The weather treated us all remarkably kindly, the food was as always inviting, varied, and delicious, and the historic and aesthetic pleasures of the city and immediate area renewed my love of being a happy observer and tourist there.

Next came renting a car and road-tripping to the Maine and Connecticut coasts, places I’d never been before and my partner, not in many years. Wandering gorgeous little towns and seaside regions like Brunswick and Bowdoinham, Maine, and Stonington and Mystic, Connecticut, and all sorts of big and little cities and towns around them with little specific agenda other than the rooting out of great seafood and scenery (more about both will surely follow here in many posts to come) was great post school year stress relief and entertainment in large measures. Spending time simply meandering in the wonders of the American northeast with my beloved, even better. A great time to reinforce why I love the guy so much and feel immeasurably blessed to live with him for the long run.Photo: Traffic Jam

Was there stormy weather and bad traffic in our two-week outing? Yes, both real and metaphorical. Nature dictates the occurrence of these things around us, and human nature, within us. We’re all designed to need rebooting from time to time, if not a good boot in the booty. Just before heading home after the whole two-week extravaganza of beauty, wonder, love, happiness, and unbelievably good things, I got into an argument with my most beloved spouse—really angrily, ridiculously angrily. Over absolutely nothing. We were both very tired, at the end of a whole school year of huge commitments and busyness plus two weeks of (great and glorious fun notwithstanding) travel and social events and the demands inherent in both, and knowing we’d come home to huge lists of chores and catch-up tasks for both of us.

I’m not lying when I say we are not a fighting couple. But we do disagree, and frequently. One friend cheerily calls us the Bickersons for our style of daily communication, and I’m sure is not entirely feigning his worry that we’re going to don boxing gloves and just duke it out any minute, being an equally balanced pair of supremely stubborn and finicky people. Most of the time we equably agree-to-disagree, because what we do argue about is virtually always, as in the above case, nothing. Often, it’s mere semantics, each of us saying pretty much exactly what the other is saying but in such different personal language that it sounds like we’re worlds apart, and when we really are on different pages, it’s not about anything crucial to the foundations of our marriage. We share our core values, no matter how the day is going.

So by the end of the hour yesterday, tempers cooled down, and by today, I was firmly reminded that I would do well to keep my trap shut long enough to realize how petty and pointless the disagreement is before wasting any energy on arguing a non-point. I never feared that we didn’t still love each other or that a grave emergency was going to occur if he didn’t see the light and agree with me forthwith, but you’d not have guessed that from the way I was talking. How silly of me, and how pointlessly rude. How sorry I am.

I’ll at least give myself the concession that this is how things go sometimes with those we love the most, our family. We put on the proverbial boxing gloves because we love and care too much to just stomp off into the sunset and never get back to I’m Sorry and I Love You. It hurts, yes it does, to argue, and perhaps the more so pointedly when I know in my heart it’s over something idiotic and meaningless, but I suppose it’s far preferable to not having enough passion to vent and relent.

This misadventure was followed by not only reconciliation but remembering that it was, of all things, Father’s Day. We weren’t in one place (with cell reception, anyhow) long enough to call our two fabulous dads right on the day and give them the fervently felt thanks and love they deserved on the occasion—though, arguably (no pun intended), we could have made a pretty quick call to at least one in the time we wasted arguing. Being longtime family members of the truest sort, Dad W and Dad S will undoubtedly forgive our tardiness and just be glad we get around to calling tonight with belated greetings for the occasion. They are both past-masters at the whole Real Love thing, anyway.

Which brings me back into the middle of the story. I haven’t forgotten that way back in the first line of this post I mentioned a wedding. It was the excuse for our road trip after leaving Boston…why fly home to Texas and then back north within a week if a week’s holiday in between beckons? It was also, and no surprise, one of the clear and dazzling highlights of the whole fortnight’s expedition. Two other dear members of our extended family (both former students of my spouse’s) now uniting in the contract of marriage, in a fairytale sort of wedding held in the bride’s parents’ garden where the long threatening rain consented to abeyance, not because to do otherwise would have been a crime against the sweetness of the day but because it was probably more appropriate that the tears being shed were all joyful ones by various members of the wedding party and fond attendees.

There was visual gorgeousness throughout, just as with last year’s wedding of another such pair of adopted-kin sweethearts that took us to Puerto Rico, and as in that instance, also perfectly thought out and enacted to fit and represent the couple in question. The settings were spectacularly prepared, music exquisitely performed by musicians near and dear to the marrying couples, the wedding parties looking like some kind of ethereal Hollywood-designer versions of how wedding parties usually look, and the after-parties a couple of ones guaranteed to be recounted for ages by everyone who attended. And the friend who performed the marriage ceremony for this week’s bride and groom, for whom I am told this was her first such duty, spoke simply and eloquently in the most appropriate of ways for the occasion.

The centerpiece of her brief address of the bride and groom was recognizing their deep and remarkable commitment to family. To the community of care and comfort and love found in people who have chosen each other and stand together willingly, if not willfully, through thick and thin. Those present on the day were a clear part and example of this way of life. And it was impossible not to respond in kind, to acknowledge the connection and delight in it, and promise together to continue to seek it out.

I promise. You have my word on it. That word, you know—Family.Photo: The Family Dance

May I Suggest . . .

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The University of North Texas Collegium Singers in dress rehearsal for their performance at the Berkeley Festival of early music, June 2012, Dr. Richard Sparks conducting. Yes, *that* Richard Sparks.

MUSIC.

Having had my senses immersed in the bath of fall season-opener concerts of all sorts lately, to the literal tune of hundreds of voices and instruments in symphonies, marches, art songs, musical theater melodies, electronica, motets, chaconnes, folk songs, choral masses, lullabies and all sorts of other lovely music, I am reminded as always at this time of year that such an intense schedule of events, however fabulous and rich they are, can be exhausting. More importantly, though, I am reminded that it’s also invigorating, inspiring and often utterly thrilling.

It’s also the time of year when the European choral magazine for which I proofread and text-check translations goes back into full production for the year. The articles and news items are all full of reviews of the summer season’s festivals and conferences and the amazing machinery that underlies these productions, from choosing and ordering music scores through civic action, political efforts, fundraising, singer scholarships, educational programs for participants and audiences, performers’ uniform shipping, young composers’ symposia, etc, and right on down to whether ‘civilian’ supporters of the group are allowed to arrange the music stands or chairs onstage if the local symphony hall union members are on strike. At the heart of it all is such a profound passion for music that millions of people worldwide, including those from countries and cultures one might be surprised to find even having the time or energy amid their economic, social or yes, war-related battles to sing and to listen to singers. If there’s a genuinely possible force for world peace, my friends, it may well be in music.

More personally, it’s music that is a central force for my own happiness, for a large number of reasons. Every one of those listed above comes into my own life and being regularly. But as you know, I am partnered for said life with a musician, and so the whole topic comes that much more sharply into focus. Music has been a glue for us two from the very beginning of ‘us’. Ask our mutual dear friend, a fellow musician, if I were single and might therefore be ‘available’? Check. Collaborate over a large-scale music performance and its visual presentation as a way to get to know each other a bit, hovering around each other during rehearsals and preparation? Check. Go on a first date to a Mark Morris Dido and Aeneas dance performance [yes, truly spectacular, by the way] for which my suitor had prepared the singers? Check!

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Since thousands vie for the dozens of positions in the final selected groups, high school students in Texas undergo a rigorous preparation for All-State Choir auditions, studying the literature in workshops and camps across the state each summer to compete in their local and regional trials before the year of All-State even arrives. This is the UNT group working in the summer of 2012, rehearsing in the camp organized and run by Dr. Alan McClung, assisted by UNT students and graduates and conducted each year by a different guest conductor–this year, by my spouse. What can I say, it’s what he does. And what I love to hear and see.

What followed is, was and ever shall be musicocentric. Our honeymoon (more about that in a future post) was built, in fact, around my fiance’s conducting gig–a gig including, naturally, our aforementioned Dual BFF as accompanist–at a choral festival in Veszprém, Hungary, arranged under the auspices of the parent organization that spawned the magazine for which I still do editorial duties, if you can follow that sprawling, meandering melody line. One might say that it all began with music and went racing straight downhill from there. Or, if one feels as I do, that music has brought uncountable joys into my life from earliest memory to the present, and will sustain me until the end. In any case, one of the clear high points of musical pleasure has been attending the myriad concerts, events, conferences, performances, and festivals that bring musicians and music lovers together all over the world. A huge number of our favorite people are those whom we’ve met in and through all of this music-related stuff. We have deeply loved ‘family’ literally around the world whom we’ve met and with whom we’ve bonded through musical acquaintance.

If you haven’t done so yet, or not recently enough, may I suggest that you ‘get thee to’ the nearest conference, symposium or festival involving music as soon as you’re able. If, like me, you aren’t an active participant, know that every artist needs his or her cheerleaders and fans and supporters, and that your mutual love of the art will mean more than that you stood onstage during the work or the bows. Yes, even non-musicians can and should pitch in–even those with no sense of pitch can fold programs, stuff envelopes, recruit audience members and donors and board members and political supporters, can drive the shuttle that carries the singers and their accompanists from venue to venue at the festival, and can buy tickets and bask in the glorious sounds from town square to church nave to school ‘cafetorium’ to symphony hall and shout a resounding Bravissimi! to all and sundry.

Beyond that, though, the immersion of being in a place where a huge number of people, participants and supporters and happy observers alike, have come together from a wide range of territory for an extended period of days solely for love of music–that is a wholly different and magical experience everyone should have the opportunity to enjoy at least once. So I commend them to you, the small-scale community events offered by your local affiliated high schools and the international events hosted by long-lived organizations in exotic places and every variation on the theme you can find. I promise you will leave with a song in your heart and memories to last you to when all of your other memories have faded to dust and perhaps beyond. If music be the food of love, play on! For though in this line opening his play ‘Twelfth Night‘ Shakespeare exposed the Duke of Orsino’s conviction that being surfeited with love (in this instance, via its musical surrogate) would cure him of his hunger for it, I think that quite the opposite is true: if they are excellent, the more we experience them and are filled with them, the more we crave both love and music.

Food of that sort for thought: visit first the websites and then the events offered by your local choirs, bands, orchestras, theaters, and performance companies. My own favorites are hosted by professional organizations of music educators, conductors and performers simply because those are the ones I’ve naturally had the privilege to attend, as consort to my musical prince charming, and these all offer performances by top artists that are open to the public, sometimes even with free admission. Explore them! The organization that ‘sponsored’, or inspired and was the jumping-off point for, our honeymoon with its Singing Week in Veszprém–with its half-dozen ateliers conducted by musicians from Europe and North America and singers and whole choirs from all over as well–was what is now called the European Choral Association-Europa Cantat and it hosts a wide variety of such choral events throughout each year, with a focal youth choir festival occurring triennially in places like Passau, Leicestershire, Barcelona, Utrecht, Torino (2012), and Pécs, Hungary (a locale to be repeated in 2015).

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Just this month, the newly minted University Singers at UNT performed their first concert of the season with my spouse at the helm. If you live in or near a college town, you’ll find endless opportunities for attending all sorts of musical events, many of them free and most of them truly outstanding–after all, these people are all here gaining expertise for what may be their whole life’s passion, and performers need great audiences too.

Pop, folk, jazz, rock, blues, punk, bluegrass, Early Music, all flavors and kinds of music and individual organizations from the Oldtime Fiddlers [I once got to run the stage lighting for their competition in Washington state–fabulous fiddling, huge fun and even some fantastic yodeling!] to the Verona Opera [I can say from my one experience there that genuine opera under the stars is something not to be missed, even if it’s still 40°C when the singing ends in the middle of the night]: there is something for practically any musical taste out there, and many of them that I enjoy immensely are included among these. My personal pet organizations among the professional gang also include many others: IFCM (International Federation for Choral Music), ACDA (American Choral Directors Association), ACCC (Association of Canadian Choral Communities), TMEA (Texas Music Educators Association), Chorus America, the Boston (odd-numbered years in June), Berkeley (even-numbered years in June), and Vancouver (annually in August) Early Music festivals, and ever so much more.