Not So Deadly Serious After All

photoTerms of Interment

I’d like to twine my limbs among

great roots beneath an oak,

eternally embracing there

but not before I croak.

I want my grave within a grove

of alders, at the least,

so plant me deeply in the trees

but wait ‘til I’m deceased.photo

Cheer up; it could Happen to You

The shrinking shrubbery betrays the end-of-season, last of days,

that comes—enfin!—to suck and drub the lushness out from every shrub,

to make it sere and small and sharp, and leafless, stringy as a harp;

to drag the desiccation on until all fruitful life is gone,

and while it’s shrinking, to remind me salad days are left behind me;

so I, too, will shrink and shrivel: I’ll dry up, as all who live’ll.photo

Roland Stone Gathers Moss

Roland was a rascal

Roland was a scamp

Roland gave his children

A trip to summer camp

The neighbors thought it generous

But never did they guess

He moved away and left the kids

No forwarding address

The kids were smarter than he thought

And found him anyhow;

They gave him a nice funeral, though:

The joke’s on Roland now.

As the Murky Mermaid Cried, It Never Seems to Work Out for Me with You Mortal Twerps!

  • photosHas our romance tanked? Or were you just horsing around the whole time anyway?

Deep Anxiety

Azure the swell of the ocean

As it laps at my ankles and knees

Returns me to innocent ages

With its salt-scented tropical breeze

Enticing me into the water

To dance with the angels and clowns,

Those colorful fish,

Whose great subversive wish

Is that every two-legs of us drowns

photo
Is my luminous love anemone of the people?

Jellied Love

Wrap your arms around me, Dear,

Your thousand arms diaphanous

And slinky; pull me closer thus

And squish my spleen right out my ear—

 

A hug is only so refined,

Caresses valued most and best

That find me mashed against your chest

Until I’m quite out of my mind—

 

Crush me with adoration, squeeze

The living daylights from my heart

Till I this earthly plane depart

To ocean’s bottom, pretty please!

photo

When love comes the raw prawn and leaves you blue . . .

Ice for the Drinking

Has love grown cold? Didst run too hot?

I’m lost now that I’ve got it not,

And plunged into a deep abyss

Where everything is dark, amiss;

Neither is it quite blue or green,

But rather some miracle in between,

That diamond shimmer’s cold allure

Demands my fealty for sure

When sun sears high and day grows long;

It plies the perfect siren song

Toward leaping in the drink to freeze

My overheated soul with breeze

Tinted with mint or Curaçao . . .

Say, I could use an ice cube now!

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Ah, Ophelia, you are not alone in falling into the drink!

Beware the One-th of the Month

skull drawing and Hitchcock portrait

Even when you expect the worst, something worser may lie ahead . . .

Alfred Hitchcock was known to tell a certain little story that subsequently stuck (ouch!) in my mind. This is my recollected version of it:

Wilfred’s wife Muriel had been missing for some time and the incessant rain had abated when the search party finally found what might be a sign of her in a ditch beside the winding and desolate country road. At first, it did look like Muriel’s shoe, and Wilfred was distraught. He clutched at the shoe–which, it turned out, had a foot still in it.

“Oh, I hope nothing terrible has happened!” he cried, “Muriel never takes her favorite shoes off when she’s out of the house!”

A little farther along the lane there was a torn macintosh sleeve that, when he rushed to pick it up, had an arm in it showing Wilfred a hand with familiar jewelry. He was beside himself with worry.

“Gracious! Muriel hates to be late for anything, but she would at least pause to take off her mac when the rain stopped–it’s much too warm to wear in this fusty weather. Surely she would take a moment to get more comfortable.”

The search party progressed slowly, finding bits and pieces of what had surely once comprised most of Wilfred’s missing wife. Wilfred grew more and more frightened at what might have happened to his dear Muriel, but he dared not let himself think the worst. Finally they came to a weir where, caught in its grate, there was a familiar looking head. Wilfred leaned forward to address it:

“MU-riel! Are you all right?”

*********************************

Funny, isn’t it, how we tend to assume the worst and still somehow be so surprised that things turn out to be as bleak as they are. The first of the month (any month) looms large as the archetype of a Bad Day for many people. It’s the day when most of the bills are due, accounting must be made at work for one’s actions–or inaction–during the previous thirty days, filters must be replaced in the machinery, timers reset, and all manner of drudgery and doom are assumed to lie in wait. “I can’t believe it’s already September! Where did August go?” The month begins with a day of dread.

But I’ve found too that there’s a palpable truth to the old idea that while pessimism feeds on its own energy and dark expectations tend to be fulfilled with dark results, optimism and positive expectations can be equally self-fulfilling. Of course it makes sense to be prepared for and know how to survive and rise above disaster. But doesn’t it make great sense to get beyond that and, if necessary, work and will good things into existence instead? If I’m going to spend energy on thinking about the future, I hope it will be with the belief and intent that the future should be filled with good stuff of every kind.

Alfred Hitchcock, it seems, may have been a slightly shady character himself; perhaps it fed his genius for black humor and suspenseful psychodrama, but the tension between his deep-dyed wit and the truly grim storyline with which he would present us was necessary both to leaven the tale and to remind audiences of a better possible outcome. Without the contrast of an occasional flash of light, darkness becomes meaningless and incomprehensible.

Never mind the Fear of the First. Begone, nagging soothsayers of the End Times. I’m not afraid of the cursed Ides of March. Superstition and despondency, get thee behind me.

I prefer to keep my moments of fright to those contained in good scary fiction, and dwell, myself, in a much sunnier place where I expect pleasure and prettiness and plush pillows and poached pears and perfection. At least when I curl up with the likes of Edgar Allan Poe or Stephen King in that place I can be assured that they’re only tall tales I’m reading and the bogeys will all go away again when I turn on the lights and tell them to go. Then the terror is finite and fictional and even fun, but finally, it’s also conquered.

  • Edgar Allan Poe portraitRepeat after me: It’s only a story, it’s only a story . . .