Roaring through the Twenties

I didn’t plan it, but in an abstracted moment, something happened to me. I was noodling around with some bold geometric abstractions with a sweeping organic curve, and hey-presto, there arose another kind of imagery, organically if you will, from the illustrations I was making. Their loose, zingy energy immediately made me think of the Jazz Age, all youthful impatience and catchy rhythms—of skinny collegians with megaphones, top hats piled up in the cloakroom at a speakeasy, and slick-haired tenors piping from scratchy gramophones to lure heedless girls with pin-curled bobs out onto the dance floor. Pay no mind, as you read, to the nonsensical text and the slippery grammar—after all, the sort of brash youth I’m picturing would’ve been exhorting their mates with that madcap urgency that preceded the crash of ’29, probably with a cigarette holder wedged in the teeth, and possibly fueled by a G&T or two. If you can let go of your suspenders just long enough, jump on in and do the Charleston along with the rest of ’em.

Digital illustration: Jazz Age 1

Just A Little Jazz-ma-Tazz

When you feel yer feet a-tappin’ and your hands just get a-clappin’

Somethin’ grand’s about to happen:

Just a little jazz-ma-tazz—

If the week was long an’ weary and your eyes are gettin’ bleary,

Time to let it go, ma dearie,

With a little jazz-ma-tazz—

Take a sip o’ somethin’ chilly, knock yer elbows willy-nilly

And don’t worry if it’s silly,

‘Cause it’s only jazz-ma-tazz—

There’ll be time enough tomorrow for ol’ tiredness an’ sorrow;

If you’re empty you can borrow

Joy from jumpin’ jazz-ma-tazz—

So get up an’ quit yer waitin’ and yer heavy hesitatin’

And begin the celebratin’

With a little jazz-ma-tazz—

Get yer sleepy feet a-tappin’ and your hands awake an’ clappin’—

Somethin’ grand’s about to happen:

Spark a little jazz-ma-tazz!Digital illustration: Jazz Age 2Don’t forget to pick up your boater or cloche as you leave, and don’t blame me if your heels are howling in the mornin’.

 

The Cloche Wins in the Clutch

There mightn’t be any reason to connect the hat known as the cloche with the bell for which it’s named, given the resemblance of their shapes. The similarity may end there.graphite drawing Unless you want to make a silly cheap pun and say that the hat kind of rings a bell for some reason.

More productive, probably, to just work on drawing curves by sketching a figure wearing a cloche and simply exaggerating the resemblance a little bit more by simplifying the shapes to an extreme. Whether it’s quite characteristic of my style of drawing or not, it might be that I tend to like drawing curvy forms just because the arm and hand action that creates them is comfortable and pleasing to me when I draw.

The long and the short of it is that practice may make me better at drawing, but it also makes me happy as an activity in itself and for its own sake, and drawing curved forms feels pleasant and encourages me to draw more. And that, if I’m in the mood to draw curved forms, why then, drawing a cloche hat is a handy way to get into the process.

Shallow, I know. What do you expect from a person who makes cheesy puns in public and draws in a particular style merely because it feels nice!