Life is a Many-Layered thing

Maybe it’s the arrival of the cooler weather that gets me thinking such thoughts again, or maybe it’s just getting older that does the trick–either way, I’m reminded of how many good things come in layers. I’m not, of course, opposed to the idea that every layer should be happy and delicious, like some sort of mythic and epic cake with ridiculously tasty fillings of many kinds sandwiched between the already insanely delicious cake layers, and then whipped cream on top and ice cream at the side, and probably some chocolate fudge topping and salted nuts . . . but I know, too, that the plain and simple, and even sometimes the sorrowful or melancholy, can give added piquancy and sweetness to the layers of joy.

Today I am mindful of how fortunate I’ve been to have had so little of the bitter stirred in with my sweet life. I am thinking of the great gifts I’ve enjoyed in this favored existence of mine and of how many of those are directly from the generous and loving and fun and gracious people who surround me on an everyday basis, whether by being physically near to me or simply carried in my heart as they go about their ways in other parts of the world. Birthdays are, for me, another and more personal form of Thanksgiving Day, because I can’t help but be awed and delighted when I think of all of the rich and beautiful things that have been given me in my lovely life.

In this, I am layering on garments of gratitude and pleasure and happiness and adorning myself with the regal accessories of the truly blessed, because I have you, and people like you, in a great wave of support and spirited companionship that buoys me up every year, and every day, of my life.graphite drawing

 

Characteristic Characters

graphite drawingThere have been a few occasions in the past when I thought I would go out into the wide world, metaphorically speaking, and seek my (however tiny) fortune on the strength of my artwork. I happen to think I’m a pretty good artist. Even other, seemingly sentient and sane, people have given me reason to think I’m a pretty good artist in somebody’s eyes besides my own. Not that I would be in the least biased.

So I’ve looked into various ways to ‘put it out there’ [Ed: don’t be ridiculous. NOT THAT!], from looking at DIY publishing, either online or on-demand, of prints of my artworks or of books–I’ve got a whole stack of book pages laid out with my art and writing on a whole slew of topics and themes, all stashed away digitally for Maybe Someday use–to sending hard copy prototypes of said books and artworks to various publishers, galleries, shops and the like to see if they’d be interested in aiding me with their resources. The answer, always, has been No. All who respond with anything other than simple form responses indicate that they, too, think my work is good stuff. But the other universal response is: I’m too hard to ‘package’. After whatever amount of hemming and hawing is required in the instance, the clarification is that my work (usually referring to the visual parts, but written forms have been included as well) varies too much. I’m not same-same-same enough to be marketable, apparently.

I consider this high praise. But it’s rotten for business, as you can imagine. Yes, I’ve sold both speculative and commissioned artworks, but only privately and by word of mouth and for very modest sums and, frankly, none in quite a long time. I’ve had a number of gallery showings, but virtually all ones that I organized myself, paid for from start to finish, framed and installed and lit and removed myself (though as my family and close friends will attest, not entirely without enslaving some of them for some of the schlepping and heavy lifting)–and nearly all of these also garnering me good reviews, when I could get any critics to attend, and lots of enthusiastic appreciation from attendees, but no sales. I’m actually beginning to think they might be onto something, those crazies who sell high-end mansion properties and deal with slow sales by jacking the prices higher and higher until equally crazy buyers consider the places posh enough to capture their highfalutin imaginings and plunk down megamillions of dollars or Euros or what-have-you. Meanwhile, I’m sitting here on my little paper and digital treasure trove of creative wonders and selling occasional copies of them for pennies at Zazzle.com.

The other aspect of the critiques I’ve sought that always seem to end with ‘gosh, you’re wonderful, buuuuuuut . . . ‘ is that the same people who tell me I’m too diversified (if not wholly a dilettante and a flighty fool) for my marketable good often tell me in the same conversations that I have a very recognizable style, so no matter how much my subjects and media and moods vary, they find my work fairly easy to identify. And they say this as though they, too, think that’s a good thing. Can’t say I can untangle how the good seems to be perpetually the enemy of the moneymaking; clearly a puzzle I haven’t solved. Yet.

Until then, I keep doing-what-I-do, plodding along and enjoying the process because if it isn’t making me (or my patient partner) any income, it should at the very least be fun to do it! And I do find that no matter how much my attention wanders or my themes hop around from light to dark, from complex to childlike, from crudely handmade to semi-seamlessly digital, I see more and more the marks of my own nature and personality and style peering out at me from each work. I may draw characters that are as far from my own ‘type’ and experience and even beliefs or prior interests as can be imagined (by me), but each of them ends up being somehow a child of my own making or a member of the larger family of my creative spirit, and that’s pretty good, too, I’d say.graphite drawing

Even a Big Dude can Sometimes Use a Little Makeover

This guy just gets his update digitally, being a digital fella himself. Variations on my themes always give me food for thought and inspiration for further adventure. In this case, it’s the most painless form of male prettifying I know. Hmmm. Maybe I oughta consider this form of plastic surgery for myself. See you later–but you might not know you’re seeing me!

digital artwork

digital artwork

digital artwork

digital artwork

Sailing the Saline

Aye, Aieeeee!

When he was young he was swayed by the sea,

and he strayed by the sea and stayed by the sea–

his spirit was formed and was made by the sea–

he was in it up to his neck!photo

He knew he would have to succumb to the sea,

to come to the sea and bring some to the sea–

(of his very best valor–and rum–to the sea)–

he looked forward to it like heck!photo

And when he was older he reigned on the sea;

he was trained on the sea and remained on the sea–

until his affections grew strained on the sea–

that’s when the real Poop hit the Deck!

Hand Me That Pencil!

Time to take a few moments here and there to commune with my inner art-monster again. The busyness that takes over at the end of every semester always makes it a challenge to get much done beyond the basic chores and projects that simply get us through the day, and I don’t like to get too far away from regular art-making, so I feel a teensy bit itchy just now. I need to get my hands on some paper and pencils or pens and make something in addition to the photos and digital collages that have been my mainstay lately.

And it will happen. Always does. Patience and urgency, laziness and obsession are all in a little wrestling match inside me most of the time, and each wins occasionally. What really matters in the end is, I suppose that eventually I win. So yes, I’ll be drawing again soon.

Whatever it takes to keep me entertained and happy, don’t you know.graphite drawing

Bottom the Weaver!–After the Fact–

graphite drawingAh, Shakespeare me boy, do tell me. I’m just curious: did Bottom have any sort of Fairy Fella epiphany after his little ass-hat adventure? Me, I am fairly certain that had it been me I would have felt smugly brilliant in my newly dawned state of knowledge the moment I was un-donkey-fied again, but I’m even more certain that I would have slipped right on back into my unwise natural state just about as quickly as twitches a donkey’s tail. Because I am so very much a silly, stubborn creature of habit.

Mr. Shakespeare, whatever his level of formal education or high culture or (if you’re of that particular school of thought) of being multiple persons, had a decidedly perceptive eye for ordinary human nature. The bard’s keen observation and sharp understanding are the fundamental reasons his plays and poems have so long endured–he had us figured out, my friends. I may sometimes wish that the characters in Shakespeare whom I resembled most were the heroic and compassionate ones, the witty, the powerful and the sage. But alas, it’s in Bottom that I recognize myself, in Shakespeare’s dolts and fools and in the obstinately self-centered and weak and wooly-minded characters.

I guess I should just thank Mr. S. for having raised my humbly mortal state to high art and sashay back over to perch in my little flower bower. I rather hope that one day these moments of revelation won’t need to be as frequent or as rudely transformative as getting me visibly turned back into the braying boob that represents my true inner being.

Pardon Me While I Gather Some Wool

I’ve already admitted to what I’m certain can have come as no surprise to you: that I was frequently in trouble during my school days for spending my attentions on observing things outside the window, counting the holes in the acoustic ceiling tiles, or mentally redesigning the architecture of the building rather than focusing on the requisite elements of discussion (I was too shy to speak up anyway, so what was I going to contribute there?) or question-answering (when I didn’t already have the entire assignment complete to my satisfaction I was the last one willing to offer a participatory guess anyhow), or perhaps at least getting some more study and writing done. That last was, of course, what I thought I was doing quite efficiently while I was apparently staring off into the ether, but the parallel actions I performed of contemplating Other Things were clearly not obvious ways of meeting class requirements, at least to my teachers and fellow students.

All I can say in response to this is that (a) I have managed to live a remarkably happy life and get a few useful things done along the way despite these obvious shortcomings of mine and (b) conformity is highly overrated. Oh, and (c): thanks to my wilfulness, I did get to grow up (relatively speaking, anyway) and follow a ‘career’ path that takes full advantage of–even encourages–such Frivolity as woolgathering, lollygagging and other highly refined forms of daydreaming. I’m an artist, y’all. So you will just have to sit by and suck it up when I choose to so use and/or abuse my time on a continuing basis. I take the liberty of assuming that if you’ve shown up here, and especially, if you’ve come by and still bother to return after seeing what I’m doing (or not doing), then you evidently either condone or at least tolerate such shenanigans on my part.

In that spirit, I’ll hand over, if not my actual homework for the day, a doodle of some other fanciful daydreamer, and we’ll call it good. Or good enough! And I wish you all, in turn, the freedom and ample opportunities to live in your own little fantasy worlds too, and if it suits you, to produce nothing more pertinent than whatever odd little items appear as evidence of these flighty fun activities of yours. Because I’m here to tell you, it’s a mighty fine way to have a life, even if it doesn’t make you a living.

Cheers!graphite drawing

You Inspire Me

Many people who know me think that I have two middle names. Legally, that’s correct–when I got married I took my spouse’s last name and just upgraded my original last name to being a second middle name. Most people get that I did not hyphenate but rather have four individual names. It’s hardly unusual, and even those notoriously fussy creatures known as federal agencies have figured out how to address me as a four-named person without batting a governmental eye.

But to be entirely transparent with you, I ought to add that I have a sort of unspoken additional middle name, that to which I’ve alluded here before, and it is: Lazy Pants. Okay, that’s two more middle names if we’re being truly precise.

Laziness is at the very center of my being. Believe me when I say that this is not bragging; I do realize that it’s not an enviable, admirable trait or one that should be emulated by others. But it’s my reality, and greatly affects what I do and don’t accomplish in this life of mine.

The happier news here is that I am surrounded by non-lazy people who not only know how to do fantastic things but get out there and DO them. This is pretty much a life-saver for your correspondent Miss Lazy-Pants. It means that someone more energetic and probably a lot more skilled is doing what needs to be done. Perhaps more importantly, it means that sometimes I receive the blessed necessity of a kick in the lazy pants to DO something myself, and better yet, the needed information and inspiration to help me do it better than I would have in the first place.

This is a gift I enjoy receiving regularly from those lovely people who, as family and proximal friends, make up my immediate daily surroundings and embrace me in their great and comforting network of support. Thanks to my life of blogging I have now got the auxiliary family of encouraging people to push me out of my comfortable lazy cocoon and make me willing to tackle actual projects, motivate me to do something new and maybe different and, just possibly, even useful.

And I thank you, each and every one of you. I’d say ‘you know who you are’–but a whole lot of you don’t even know that you inspire me, let alone how deeply you inspire me. If you’re reading this and I’ve ever, ever visited and commented on your blog, you have inspired me. Even if I’ve only lurked at your blog and never come out of my shell enough to say Hello or make a remark, I have probably learned useful things that lit a friendly little fire under my lazy pants to get back to work and do something that, if not useful in a universal way by a long stretch, will prove useful in improving me as a person and as an artist.

One of my regular inspirations and motivations comes from those bloggers who focus on making art, because it’s one of those things I love to do but often have to get pushed into starting no matter how much good I know will come from getting back to work. So today’s post is brought to you in part by the good graces of you, all of you, and I thank you.

Specific thanks for this bit also go to that marvelous pencil-wielding mistress of Drawing Saudade, who daily doses us with her creatures, characters, costumes and comforts in a marvelous flowing style that made me want to play with something similar for a change from my own typical stuff, as well as return to a longtime fascination with costume design. Thanks, friend!graphite drawing

Teaching the Digits to be Digital

One of the great challenges of leaving behind my personal Stone Age is finding a useful balance between who I am by nature and what I am trying to achieve by effort. Given my formidable inner desire for inertia (a.k.a. Laziness), the main trick is to find entertaining enough ways to achieve any wanted result that I’m willing to actually get up off my leaden posterior and Do Stuff.

One of the greatly intimidating challenges, for me, is learning anything that smacks of the technological. Whatever my reasons and/or excuses, I’m timid about those things that require elemental knowledge let alone mastery of anything with Parts, anything requiring Processes. Machines. Electronics. A bicycle, for heaven’s sake. So it’s hardly surprising that I should be nervous about figuring out how to use techno-tools for art, along with any other Luddite fears I may harbor in my dimly-lit soul.

Having three sisters who are all skilled at using numerous sorts of computer equipages and their various companion software programs, I should feel, at least, the camaraderie of the struggle, if not the surrounding angels of educators. But of course, besides the little problem of living thousands of miles from each other there is the larger problem that even on those rare occasions when I know how to describe what I’m trying to do, posing the question to the Three Graces of computer wizardry is still impracticable, because they–unlike me–are using their computers to do useful, practical and normal things like handling spreadsheets and communications. Me, I am trying to make the computer my pencil, pen, paintbrush, eraser, scissors, glue, welding torch, carving chisel, and serendipitous doer-of-things-unexpectedly-artistic. Not their sort of problem, you see.

My solution: mess around and see what happens. I do realize that there are classes, really fine and useful classes and innumerable tutorials, available both in person and online for this sort of thing any time I should step up and behave like an intelligent adult. But, while I am in the interminable queue that wends its way toward maturity, I remain stubbornly ill motivated to learn things via proper channels and techniques, and instead spend my time poking at the keyboard and zigging and zagging my fingers around on my trackpad at irregular speeds and intervals and just seeing what happens as I go. What does happen is just often enough entertaining enough that I continue my willfully aimless art-making in this mode and sometimes hit upon something that seems recognizable as a picture.

Who knows, this might be my own version of the correct method after all.

digital drawing from a photograph

Louise Brooks tags along with me into the 21st century . . .

 

The Race Well Run

digital illustration from a graphite drawingAthletic prowess of any sort is a mystery and source of amazement to me. One doesn’t have to be an Olympian, by a long stretch, to appear nearly godlike to my unskilled and uninformed eye. While I have had moments of physical fitness in my life, they never amounted to anything notable beyond getting me from Here to There and back again.

I think my attention span tends to favor short bursts of intense action rather than sustained practice, just as my brain has always rebelled against both study and studio time over lengthy stretches. When I’m doing a renovation project, it reflects my past days of art gallery installation, which more often than not veered away from the sensible approach of using a full week for the job in favor of three 18 hour days in a row. When I’d end up at 2 a.m. leaning off the twelve-foot ladder to aim the last few lights properly at the artworks, it’s likely no wonder I avoided spending longer periods acting sensible and instead ended up doing everything in a crazy cram-course style.

I know perfectly well that this approach may be inappropriate for these pursuits and is definitely wrong for athletic pursuits, just as well as I know that attempting to draw only in 18-hour sessions for three days straight and then take a nice six-week holiday before coming back, literally, to the drawing board would be ridiculous. So, considering that I have such a direly miniscule attention span for anything but what I love the most, it’s no shock that something I’m truly lousy at and ill-equipped with the strength, speed or grace to perfect has rarely been (and is unlikely to become) a long-term pursuit of mine.

This–along with the few paltry attempts at athletic activities that I have made over the years–explains quite readily why I both admire great acts of physical prowess and art and find them completely alien, athlete and action alike. Yes, I have pressed a few weights, swum a lap or ten, leapt hurdles, rowed against the current, placekicked the pigskin, arm-wrestled, done pushups and pullups and situps, and run a fair number of miles in my time, among other things. But unless I have to do any of it again to save my life, I’d ever so much rather watch someone who genuinely loves being an Action Figure do all the work, and do it ever so much better than I ever could. After all, though I’m no athlete I am a very skilled and enthusiastic spectator, and all sorts of artists deserve a good audience. That way we all get a chance to rise to the level of our highest potential.