Things to Remember

Apparently I am sucked into the Throwback Thursday vortex, for amid my housework wanderings I stumbled across some dish-drying towels that brought a flood of memories over me. The first thing that came to mind was curiosity about whether there are many others who grew up using tea-towels like these made of flour sacking material and hand-embroidered, often with a small posy or aphorism in the corner, and usually by Mom or some older relative, at least until we ourselves were conscripted for the task.

My mother enjoyed embroidery as a relaxation mode as well as art form, and the last batch of dish towels that I know of her having made were a series of line drawings of local native flora, based (with the author’s permission) on a book of lovely little watercolors of the same plants and flowers. I chose one representing a favorite alpine blossom, even though the creamy white blooms were guaranteed to fade quickly against the pale fabric, and the outline of them remains faintly visible even after many years of hard use. That’s a perfect representation, in its way, of how my memory works. I began to reminisce, seeing this embroidery, on the alpine plants that have always signaled peace and freedom to me as I day-hiked on the flanks of Mt. Rainier. So I meandered over to search online for native alpine plants of the northwest, and as soon as I began looking at the images I was struck with an infusion of the very scent of those hikes, a spicy, earthy, fresh and herbal blend of tree resins—cedar, pine, alpine fir—and sun-baked earth, lightly perfumed flowers, crushed needles and fallen leaves underfoot, the brisk dash of elevated air. What a lot of fine things to be contained, in addition to the treasury of love and family history, within my mama’s embroidered dish drying cloth.Photo: Mama's Embroidery

You might think I’d’ve inherited an embroidery gene, because in addition to my mom’s fine handiwork, I grew up seeing and using Grandma’s embroidered towels and pillowcases and enjoyed them, too. I did not, and since I had these two sources readily available, I didn’t mourn the gap in my skill set. I could always go to one or the other of them and find some new kitchen linens in a time of need.

My father’s mother never got so inventive as to design her own embroideries based on book illustrations like Mom’s were, but Grandma chose for her projects the resource of hand-me-down and found patterns, most of them quite out of date already (hence the ease of her collecting them), and almost all of them much quirkier and tackier than her normally refined taste would have allowed. These were, however, mainly destined to be given to charity or sold for the proceeds that would go to the charity in their stead, so she had no attachment or agenda for showing them at home. I, on the other hand, bought a few not only out of any little do-gooder intentions but because the sheer silliness of some of the designs so delighted me.

This one, for example, that was my inspiration for joining now in the Throwback Thursday brigade, was highly amusing to me in its ridiculously fantastic subject, its period style, and its girly goofiness. I couldn’t resist it. I found no other Days of the Week as companions, so I can only imagine what happened on those days, but it was enough to find this towel that could simultaneously remind me of my grandmother and my youth and make me laugh, all while getting my dishes dried.Photo: Throwback Thursday

Fashions change, and with them, the decor and even tools that fill our lives and homes. Yesterday’s dish towels are probably more often machine-made of some high-tech sort of microfiber or super-absorbent bamboo fiber blend with an artful printed-on design in the proper Pantone colors of the year. But do they do a more artful job, as well, of wiping dishes dry after washing? Can they strain soup broth into crystal clarity? Do they make perfect wraps for ice packs when a sore neck or bruised arm is in want of one? No better than the old standbys of my youth, I imagine. Old as I am, I come from good stock that valued something a bit quaint and very handmade, and if it managed to accomplish the task and carry memories for decades at the same time, why, I suspect I’ll do well to try to be a human imitation of it myself.

Owl be Seeing You

I’m fond of the idea of animal companions and the way that various spiritual and philosophical schools of thought have incorporated the concept of human-animal affinities as talismans, symbols, totems and the like–never mind the opportunities presented for animal appreciation in contacts with pets, farm animals, zoo denizens and the serendipity of wild meetings. I simply find animals intriguing and appealing, and the chance to be in friendly contact with any of them pleasing and attractive. When they become boisterous, and especially when they are threatened or threatening, not so much of course, but even in those states they are compelling subjects of interest.

Animals are beautiful, mysterious, sometimes cuddly and affectionate, sometimes regal and dramatic, and always rather miraculous in my view. As I’ve lived much of my life in proximity, one way or another, to interesting animals but never had pets or been a caretaker of animals directly, there’s a tinge of the exotic even in the most common and frequently seen birds, bugs and beasts, fish or fowl, tame or terrifying, that perhaps people having more direct relationships with the creatures would not see. Somehow, despite the frequency with which I may see them sitting on the road-lining fenceposts, dead trees and light standards, hawks become not only the focus of my attention but messengers and comforters and guides that reassure me and inspire me simply by appearing where they do and catching my eye. When the call of a full moon brings out more of the neighborhood creatures to enjoy its bright benefits, I am moved to feel that the presence of more animals (the wild ones from our wooded ravine and even the neighbors’ straying house pets) has some meaning and purpose and must be meant to please me as well.

It’s not surprising, then, that animals appear in so many of my artworks, both in their expected forms as portraits of a kind or characters in my visual stories, and often in more abstract influences on the pieces. As a carnivore myself, I am not averse to eating animals as well, but my appreciation in this regard is enhanced the more when I can make complete use of the animal’s sacrifice, say, in using not only all of the meat but also cooking down the bones for delicious and healthful broths and then still having the beauty of the bones that have not been utterly disintegrated in that process as potential art materials too.mixed media mask

Some marvelous turkey bones, for example, not only supported the original bird that became the crowning glory of a roast-turkey feast (or, more accurately, two or three feasts at the least), but then became soup and sauce base in a long slow cooking and then, as the bones came out of the broth, beautiful and earthy and sculptural objects that in turn made me think not only of the turkey itself but also of all sorts of other creatures whose bones and skeletons and exoskeletons make them so remarkably lovely and strange. That is how a turkey breastbone became, in my mind, first a nose and then a beak, and finally, when the ‘beak’ was matched up with other bones having the right shamanic shapes, combined and decorated and gilt and otherwise conglomerated, the bones became the structure of a different bird altogether. In a turkey I found an owl–a Great Horned Owl, or to be even more precise, the Spirit of a great horned owl–and perhaps that reflects best of all how I see animals.mixed media mask

For I would include the human animal, naturally, in the list of perplexing and amazing and funny and marvelous creatures that capture my imagination and that, in its own way, is a species full of exotic mystery and charm. That makes my own life, presence and bones a collation of possibly only practical and ephemeral and biologically ordinary, yet even in those regards, mythic, parts that fit in their infinitesimal way quite neatly enough into the grand scheme of existence. I suppose it’s a reflection of that, after all, that I see and seek in admiring animals as I do. Perhaps it’s legitimate that I should make shamanic masks and look for meaningful appearances from the many winged and hoofed and spirited beings surrounding me daily and nightly, throughout my life.mixed media mask