Tag Archives: images

Ironclad Alibis

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photoYou may think I am obsessed with rusty stuff, and you may well be right about that. I like all sorts of things that look like they have stories behind them, and it doesn’t matter entirely whether they are animate or inanimate. Odd creatures are surely just as likely to have their tales (or tails) worthy of the attention, but all the more probably going to get my imagination geared up if they are in the context of marvelously creaky and rustic and grubby, grimy, weather-beaten, broken-down, scabrous places and things that in themselves invite all manner of assumptions and guesses and fancies.

photoIf I haven’t mentioned or shown you pictures of such wonderfully decrepit and strange objects and oddments in a while, you can be assured that it’s not for lack of interest or for my not having a multitude of such images, visual and verbal, on file and in process. I do try to vary my posts at least a smidgen [Hi, Smidge!] so as to not put myself into a blog-induced coma, let alone every one of you out there who stumbles into my cave of wonders. Then again, the urge rises and I must let some of my pet images out to play.

photo montageDo I get repetitive and predictable anyway? Why yes, of course I do. I can’t help but ramble down favorite paths just as much as anyone, and even when I do have a modicum of willpower in that regard, you can be certain that I’ll give in to my sensationally short attention span and return my focus to its standard grooves soon enough. Most of us do operate that way. I’m not even particularly apologetic about such crass and lazy behavior, as long as no one’s paying me to share what I put up in my little window here in the ether.

photo montageSo if you think it borders on the criminal, the way I manipulate you into thinking I’m veering off into sincerely new and exotic territory at times or the fact that I have such small and narrow interests and opinions and loves, I wonder at your fortitude (or stupidity) for not just trotting off toward greener pastures, at least less rusted ones. And I’ve admitted to this and many other of my faults, so I don’t really think I owe you any further apology or explanation. What you see here is unshakably the real me. Except when it’s straight-up fiction, because I do have a propensity to lie, too.photo

Pretty Beautiful

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Of course I’m vain. I would love to be thought of as a great beauty. Not that many people on earth could probably say with full honesty that they wouldn’t like to be thought attractive and compelling and engaging in the slick social way, no matter how sincerely they live the principles of much deeper character. But, that confession aside, I can also say that I am not so exclusively vain that I mind having others be indifferent to, or even dislike, me. Let’s just be realistic enough to say that that would be beyond impossible.

digital artwork from photos

Take a good look at MEEEE!

So I really can’t have too many qualms about making fun of myself and exaggerating my own failings and shortcomings and even pasting on ones I don’t think I actually own, if it buys me any artistic pleasure. After all, there’s a bunch of fun to be had in clowning and playing characters and being someone or something new and weird and ridiculous. There are reasons we still have art and theatre and fiction all around us. It’s amusing to make the stuff and amusing to see what others have made.

digital artwork from photos

I’m pretty fabulous no matter what you see!

I guess that makes me a cheap sort of witch or magician, maybe, when I’m making up my fictions in visual and verbal imagery. Kind of a fun vocation, when I get to play at it. Abracadabra, here I am for your amusement. Poof! Now it’s your turn.

Treasure Knows Neither Time nor Place

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A memory-driven image by my great-uncle Rolph Bolstad . . .

I have been scanning and digitally restoring a number of photos out of our family’s trove, a heap that resembles the disorganized and neglected stores of many other families. I make a small dent in the stack from time to time, then get distracted by everyday life and often don’t revisit the project for quite a while again. While many of us obsess over parting with beloved memorabilia of any kind, the truth is that the majority of us don’t do much with it when we have it.

All good things are that way, I suppose: love, joy, peace and happiness of both the material and the intangible sorts are seldom given their full respect when we have them, only mourned when we think they’re out of reach. And from what I’ve seen and heard from friends around the globe, this is a foolishness that transcends all sorts of differences and makes us more alike than not–no matter what our location or culture, our beliefs, hopes, and dreams, we all seem to wrestle with this forgetfulness about appreciating what we truly value that we have right in hand, and the minute that we suspect we’re about to lose our grip on those gifts, whether by our own decisions or perforce, we get panicked and become certain that it’s a sign of apocalypse. Surely the end of our own self and sanity, and very possibly, that of the universe as we know it.

I come across that box of yet-to-be-scanned photos from time to time and get a pang: what if I don’t get back to this project before I forget who’s in the photos, where the shots were taken, before the images are too faded or decayed to be rescued at all?

Well, what if?

Honestly, I know full well that it will not be the end of the world. Not even the end of my pleasurable revisiting of those memories–what’s more significant than retaining this flimsy physical repository of memories is whether I use the versions of them in my head and heart while they last (head, heart and memories, all three). Once gone from there, the data held in a picture is only cold, meaningless data after all, and it never contained the warmth and soul of anyone or anything depicted in it. It’s merely a shadow-play version of the husk that is my human form and will no longer be me when I die.

So I’ll keep leafing through these paper and binary mementos of mine as long as it pleases me to do so, remembering mostly that what is seen therein is always more beautifully carried inside me. Change is indeed the only constant, yet in the photograph my great-uncle took, probably in Johannesburg, around sixty years ago there is the ephemeral prototype of the photograph I took in New York less than a decade ago. Fifty years or fifty centuries, it matters little if we learn to respect and rejoice in what remains true and crosses the boundaries of place and time as long as we keep it alive inwardly.

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New York City lives in my own memory as much as in a physical place . . . its beauties, like all things loved and valued, lies in me, in others’ hearts, far more than in itself or any image we can conjure of it . . .